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Sculptural   Listen
adjective
Sculptural  adj.  Of or pertaining to sculpture.






Collaborative International Dictionary of English 0.48








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"Sculptural" Quotes from Famous Books



... which would fain have the same effect as speech, with that kind of sculptural relief which would have the same effect as painting. The highest laws of style are violated, and that which is most sublime can no longer ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.

... The architectural and sculptural results were equally monstrous. There were lateral shelves twenty feet in width, and thousands of yards in length. There were towers, pilasters, and formless caryatides, a quarter of a mile in height. Great bulks projected, capped by ...
— Overland • John William De Forest

... toned the bronze colour of her body. She played on a sort of guitar with an exceedingly long handle, the three cords of which were coquettishly adorned at their extremity with coloured tufts. One of her arms, slender yet round, grasped the top of the handle with a sculptural pose, while the other upheld the instrument and touched ...
— The Works of Theophile Gautier, Volume 5 - The Romance of a Mummy and Egypt • Theophile Gautier

... alphabet of his calling. He knew the value of effect. He threw himself at once into the orator's pose. His gown took sculptural lines; his arms were waved majestically, as arms that were conscious of having great sleeves to accentuate ...
— In and Out of Three Normady Inns • Anna Bowman Dodd

... takes on a warm and subtle glow. From his shoulders there hangs behind him, to his heels, something that might be a cloak, except that it does not cloak him. It does not envelop him; rather does it stand behind him in ornamental background, with a certain sculptural effect. And it is white, a wondrous gleaming white, against which the whiteness of his skin seems rosy. Starting from his shoulders, it goes out and up in gentle undulation to either side, and then descends in two swift slight curves that meet in a gothic ...
— The Trimming of Goosie • James Hopper

... the transportation of the Austrian Government exhibits as well as the expense of the reshipment of same. The Government provided the 1,100,000 crowns not only for the erection of the pavilion and its sculptural works, but for the expenses of installation, transportation, etc. Part of this money was used by the various Government ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission

... Luca della Robbia's; that the last, Harmonia, is also fine work; that those attributed to Giotto are fine in a different way,—and the other three in reality the poorest pieces in the series, though done with much more advanced sculptural dexterity. ...
— Mornings in Florence • John Ruskin

... greatest works of this nature which ever left the sculptor's hands; it has been used as a model by the sculptors of all the tombs in Santa Maria del Popolo at Rome. The monument to Leonardo Bruni is the highest expression of sculptural art, combining all the taste of ancient Greece with the grace, the power, the calm, the supreme harmony, and the perfection which genius alone confers, its tranquil and subdued beauty comparing favorably with the theatrical effect and garish splendor of the monuments in St. ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various

... terrified at the prospect, and he recalled complacently the scene in the open air in the market-place at Althausen. With his eyes closed, he saw her again playing the castanets, rounding her hips and shooting forward her little foot, in order to make the enraptured rustics admire the sculptural beauty of her leg. He saw again that bosom, free from all covering, which had plunged ...
— The Grip of Desire • Hector France

... Mittheilungen, 1904, p. 180). As, however, the deity is represented in an archaistic and conventional character, this copy cannot be relied on as giving us much information as to the usual style of Alcamenes, who was almost certainly a progressive and original artist. It is safer to judge him by the sculptural decoration of the Parthenon, in which he must almost certainly have taken a share under the ...
— Project Gutenberg Encyclopedia

... with every kind of ornament, and storied with bas-reliefs illustrative of the Madonna's history from her birth to her death, it rises in stately beauty toward the roof of the church, and, whether considered from an architectural, sculptural, or symbolic point of view, must excite the warmest admiration in all who can appreciate the perfect unity of conception through which its bas-reliefs, statuettes, busts, intaglios, mosaics, and incrustations of pietre dure, gilded glass, and enamels ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement

... timber roof, the screens and canopies, the monuments with their effigies, as well as the surface of the walls, were often coloured with diaper-work. Colour and gilding were marked features in all mediaeval buildings, and even richly carved fonts and sculptural monuments were embellished with this method of decoration. The appearance of our churches in those times must have been very different from what it is now. Then a blaze of colour met the eye on entering the sacred building, the events ...
— English Villages • P. H. Ditchfield

... slender trees, stands the Siegesthor, or Gate of Victory, an imitation of the Constantine arch at Rome. It is surmounted by a splendid group in bronze, by Schwanthaler, Bavaria in her war-chariot, drawn by four lions; and it is in itself, both in its proportions and its numerous sculptural figures and bas-reliefs, a fine recognition of the valor "of the Bavarian army," to whom it is erected. Yet it is so dwarfed by its situation, that it seems to have been placed in the middle of the street as an obstruction. A ...
— Baddeck and That Sort of Thing • Charles Dudley Warner

... in expression does not depend on invention of new words; nor originality in poetry on invention of new measures; nor in painting on invention of new colours or new modes of using them. The chords of music, the harmonies of colour, the general principles of the arrangement of sculptural masses, have been determined long ago, and in all probability cannot be added to any more than they can be altered." Men write like this by instinct; and I by no means wish to suggest that writing like this can be produced by rule. What I suggest is, that in this, as in every other Fine Art, ...
— The Principles of Success in Literature • George Henry Lewes

... were flat terraces provided with battlements. At the gate stood gigantic winged bulls. Within, the walls were covered now with panelling in precious woods, now with enamelled bricks, now with plates of sculptural alabaster. Sometimes the chambers were painted, and even richly encrusted marbles ...
— History Of Ancient Civilization • Charles Seignobos

... the Romans of the time of Nero mainly followed the Greek lead and employed Greek artists. The architectural "orders" were Greek, with sundry Graeco-Roman modifications, particularly in the way of more ornate or fantastic Corinthian capitals; the notions of sculptural decoration were equally of Hellenic origin. Their theatres also were of the Greek kind adapted in non-essentials to the somewhat different conditions of a Roman performance. The Greek taste in decoration was the simpler and purer: the Roman cultivated the ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker

... all forms of sculptural ornament, the effect of time is such, that if the design be poor, it will enrich it; if overcharged, simplify it; if harsh and violent, soften it; if smooth and obscure, exhibit it; whatever faults it may have are rapidly disguised, ...
— Modern Painters Volume I (of V) • John Ruskin

... absolutely necessary for their mental welfare to constrict the lower part of the chest and the waist line a great part of the time, for really it would not do to be out of fashion. The statue of Venus de Milo is generally considered to represent the highest form of female beauty and perfection in sculptural art. If living women would consent to remain beautiful, instead of being slaves to fashion, it would be much better for themselves and for the race. A corseted woman can not breathe properly, even if she can introduce her hand between the body and her corset to prove that she is not constricted. ...
— Maintaining Health • R. L. Alsaker

... fact; namely, that the display made of MINES AND MINING was so capacious as to require the erection of a special edifice. Its size and architectural beauties rivaled those of the great structures in Jackson Park. The magnificent arched entrance of the north front was richly embellished with sculptural decorations emblematic of mining and its allied industries. This spacious gateway led us to the main floor, which presented a spectacle so weird that its impression cannot be easily effaced. In ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler

... touch of the sun. Her figure, clad in a straight garment of rough white homespun, was the model of perfect womanhood. She stood a little above the medium height, her fair head poised proudly on regal shoulders, while the curve of the full bosom would have baffled the sculptural genius of a Phidias. The whole exquisite outline of her person was the expressed essence of beauty, from the lightest wave of her hair, down to her slender ankles and small feet; and the look that ...
— Temporal Power • Marie Corelli

... but beneath his fish's head he had another head [that of a man], while human feet appeared below his fish's tail. He had also the voice of a man, and his images are yet to be found."[89] More than one sculptural type has been found answering to this description (see ...
— A History of Art in Chaldaea & Assyria, v. 1 • Georges Perrot

... definite. It is one of the advantages of Gothic architecture,—I use the word Gothic in the most extended sense as broadly opposed to classical,—that it admits of a richness of record altogether unlimited. Its minute and multitudinous sculptural decorations afford means of expressing, either symbolically or literally, all that need be known of national feeling or achievement. More decoration will, indeed, be usually required than can take so elevated a character; and much, even in the most thoughtful periods, has been left to the freedom ...
— Selections From the Works of John Ruskin • John Ruskin

... deal of ivy upon the walls, and though an ivied wall is a beautiful object, yet it is better not to have too much,—else it is but one wall of unbroken verdure, on which you can see none of the sculptural ornaments, nor any of the hieroglyphics of Time. A sweep of ivy here and there, with the gray wall everywhere showing through, makes the better picture; and I think that nothing is so effective as the little bunches of flowers, a mere handful, that grow in spots where the seeds have been carried ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne

... relating to Burgos, much remains unedited and in manuscript. A general description of the city and its monuments is given by A. Llacayo y Santa Maria in Burgos, &c. (Burgos, 1889). See also Architectural, Sculptural and Picturesque Studies in Burgos and its Neighbourhood, a valuable series of architectural drawings in folio, by J.B. Waring (London, 1852). The following are monographs on particular buildings:—Historia ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various

... Madeleine, the magnificent organ meets the eye of the visitor. On the right, there is a chapel for marriages, with a sculptural group upon it, representing the marriage of the Virgin. On the left, there is a baptismal font, with a sculptured group, representing Christ and St. John at the waters of the Jordan. There are twelve confessionals along ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett

... of effect that is indescribable. Decorated from top to bottom with all manner of statues and architectural ornamentations, "it is like a toy of ivory, which some ingenious and pious monk might have spent his life-time in adorning with sculptural designs and figures of saints; and when it was finished, seeing it so beautiful, he prayed that it might be miraculously magnified from the size of one foot to that of three hundred." The view of this superb structure ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner

... waist,—on the landings, in the gas-houses and slaughter-houses or on the nearest plantations. They are not generally large men, perhaps not extraordinarily powerful; but they have the aspect of sculptural or even of anatomical models; they seem absolutely devoid of adipose tissue; their muscles stand out with a saliency that astonishes the eye. At a tanning-yard, while I was watching a dozen blacks at work, a young mulatto with the mischievous ...
— Two Years in the French West Indies • Lafcadio Hearn

... that in all this Mr. Turner was working from Greek models. Color was lavishly used on the Athenian temples, rich backgrounds of red or blue serving to throw the sculptural adornments into vivid relief. Buffalo was in this a commentary on classic art, revealing what fine effects may be produced by out-of-door coloring when suited to surroundings. We saw that in our timid, conventional avoidance of exterior colors we had missed something; ...
— History of the United States, Volume 5 • E. Benjamin Andrews

... committed suicide by jumping from the deck of the steamer Loraine. Three months later they were buried in France with military honors and the French Government awarded them the Croix de Guerre and the Medaille de Reconnaissance francaise. The poetry of Gladys Cromwell is deeply thoughtful and almost sculptural in its chiseled beauty. It shows the reaction of a finely tempered spirit to a world at variance with it. Had Miss Cromwell lived she would almost certainly have added some distinguished work to our poetry, since the ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse

... beauty have preserved it almost entire among the ruins of the mightiest piles of Athenian art." Other celebrated monuments of this period were the one erected at Halicarnas'sus by the Ca'rian queen Artemi'sia to the memory of her husband Mauso'lus, adorned with sculptural decorations by Sco'pas and others, and considered one of the seven wonders of the world; and the octagonal edifice, the Horolo'gium of Androni'cus Cyrrhes'tes, ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson

... the cemetery, an addition which had been thrown open to occupancy only a few years before, after dexterous modern treatment by a landscape specialist. There were some large new mausoleums here, and shafts taller than the Ambersons', as well as a number of monuments of some sculptural pretentiousness; and altogether the new section appeared to be a more fashionable and important quarter than that older one which contained the Amberson and Minafer lots. This was what caused George's regret, during the moment ...
— The Magnificent Ambersons • Booth Tarkington



Words linked to "Sculptural" :   sculpturesque, sculpture, sculptural relief



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