"Tempo" Quotes from Famous Books
 ... announcing Act II of the play. It is a night scene in a wood near Athens; mossy banks and green trees; clouds and twinkling stars in the heavens; forms of fairies sitting about like humming birds, or resting in nodding fern leaves. They sing in quick, short rhymes, suiting the tempo to their actions:— ...
— Shakespeare's Christmas Gift to Queen Bess • Anna Benneson McMahan
... about 3s. 7d. of our money; a sen is something less than a halfpenny; a rin is a thin round coin of iron or bronze, with a square hole in the middle, of which 10 make a sen, and 1000 a yen; and a tempo is a handsome oval bronze coin with a hole in the centre, of which 5 make 4 sen. Distances are measured by ri, cho, and ken. Six feet make one ken, sixty ken one cho, and thirty-six cho one ri, or nearly 2.5 English miles. When I write of a road I mean a bridle-path from four to eight ...
— Unbeaten Tracks in Japan • Isabella L. Bird
... the inferiority of the Roman Church in this respect. I would allude to the medieaval prohibition "to sell time" as one of the chief grounds of the prohibition of usury. (See Roscher, Gesch. der N. OEk. in Deutschland, 7.) Economia di tempo equivale a prolungamento di ...
— Principles Of Political Economy • William Roscher
... have waited, got yourself elected deputy, followed the politics of a party, sometimes down in the depths, at other times on the crest of the wave, and you should have taken, like Monsieur de Villele, the Italian motto 'Col tempo,' in other words, 'All things are given to him who knows how to wait.' That great orator worked for seven years to get into power; he began in 1814 by protesting against the Charter when he was the same age that you are now. Here's your fault; you have ...
— Bureaucracy • Honore de Balzac
... nome Fa' incredibil' le proue Della forza dell' braccio, e del' valore: Dopo tante vittorie Tempo dunque che ascolti, Della vaga Melissa Gl' Innamorati pianti. Mira; come qui ride il fiore; e come Verdeggia il prato; e Limpido il ruscello, Qui come inriga il suolo: Tutto con l'arti sue forma d'Incanti, Per piacere t ...
— Amadigi di Gaula - Amadis of Gaul • Nicola Francesco Haym
... solitary vigils, the Spirit of God came upon him, and the spirit of Nature was even as God's Spirit, and he sang: 'Laudato sia Dio mio Signore, con tutte le creature, specialmente messer lo frate sole; per suor luna, e per le stelle; per frate vento e per l'aire, e nuvolo, e sereno e ogni tempo.' Half the value of this hymn would be lost were we to forget how it was written, in what solitudes and mountains far from men, or to ticket it with some abstract word like Pantheism. Pantheism it is not; but an acknowledgment of that brotherhood, ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... signalized the appearance of the conductor. The next moment he raised his baton and the celli began to sigh the mournful phrase which ushers in the symphony. Milton leaned back luxuriously as the woodwind commenced the next phrase; and then, while the introduction ended with a sweeping crescendo and the tempo suddenly increased, Elkan sat up and his eyes became fixed on ...
— Elkan Lubliner, American • Montague Glass
... grow With purple ripeness, and invest each hill As with the blushes of an evening sky? Or wilt thou rather stoop thy vagrant plume, Where gliding through his daughters honour'd shades, The smooth Peneus from his glassy flood Reflects purpureal Tempo's pleasant scene? Fair Tempe! haunt beloved of sylvan Powers, Of Nymphs and Fauns; where in the golden age 300 They play'd in secret on the shady brink With ancient Pan: while round their choral steps Young Hours and genial Gales with ...
— Poetical Works of Akenside - [Edited by George Gilfillan] • Mark Akenside
... probably have had recourse to a long and elaborately worked-up "messenger-speech," a pathetic recitation. That was the method best suited to the conditions, and to what may be called the prevailing tempo, of the Greek theatre. I am far from saying that it was a bad method: no method is bad which holds and moves an audience. But in this case it would have had the disadvantage of concentrating attention on the narrator instead of on the child's parents, on the mere ...
— Play-Making - A Manual of Craftsmanship • William Archer
... time. Universal rather than individual experiences. National tonality. Zwyny and Elsner. Intimate acquaintance with Bach. Prince Charming of the piano. Liszt on Chopin. Raphael of music. Playing and teaching. Tempo rubato. ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... the justice of the peace sounded out as the pair—or rather the trio—stood before him at the foot of the great walnut, the astonishment which had been simmering in the crowd broke into audible being again and with a rising tempo. ...
— The Roof Tree • Charles Neville Buck
... after itself, and not complaining if a few notes fell under the desks at the back of the orchestra. Lamoureux had laboriously rehearsed every inch of his repertory until it was note-perfect, and each of his men knew the precise bowing, phrasing, degree of piano or forte, and tempo of every minutest phrase. Now I do not mean by this that the orchestras on which Richter and Mottl performed played many wrong notes, while the Lamoureux orchestra played none; and still less do I mean that Lamoureux got finer results than Richter or Mottl. So far as the mere notes are concerned, ...
— Old Scores and New Readings • John F. Runciman
... even more than their mother had before them, being younger and boys. It was as lovely a land as I had remembered it, only, of course, there were changes. The motor showed that. I should not say that the tempo of life had been quickened so much as that its radius had been widened, or that the focus was different; the old spell was the same. To reconcile the past and the present, I have thought of a beautiful compromise. Why not a motor van? The family jeered at ...
— The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
... Goffstown Muster was a quicker tempo and had a better climax. 'Twas the great occasion of the annual military reviews. He graphically described boys driving colts hardly broken; mothers nursing babies, very squally; girls and their beaux sitting in the best wagon holding hands and staring about (as Warner ...
— Memories and Anecdotes • Kate Sanborn
... should have figured, my thoughts were coming through over a period that was, to them, equal to weeks. They recorded them, accelerated them, broadcast them all around, held elections and recorded replies to be played back to me at my own slow tempo by the time I had a new thought ready. No, they wouldn't take time to let me count the votes. And there is where you might say I lost my ...
— Inside John Barth • William W. Stuart
... mention Maisie more serenely than Mrs. Prichard, per contra, could mention Phoebe. But, then, think how differently the forty-five years had been filled out in either case. Maisie had been forced to ricordarsi del tempo felice through so many years of miseria. Phoebe's journey across the desert of Life had paused at many an oasis, and their images remained in her mind to blunt the tooth of Memory. The two ladies at least heard nothing in the old woman's voice that one does not hear in any ...
— When Ghost Meets Ghost • William Frend De Morgan
... repeat them arbitrarily, when an expression of ecstasy frequently passed over his face. Since he disposed of the dissonances as rapidly as possible and played the passages that were too difficult for him in a tempo that was too slow compared with the rest of the piece, his conscientiousness not permitting him to omit even a single note, one may easily form an idea of the resulting confusion. After some time, even I couldn't endure it any longer. In order to recall him to the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... and took place every Tuesday and Friday, private balls filling up the vacant nights. About the commencement of his reign, a theatre was built, and whatever it may have been, it afterwards became celebrated as the nursery of the London stage, and now, O tempo passato! is almost abandoned. It is needless to add that the gaming-tables ...
— The Wits and Beaux of Society - Volume 1 • Grace Wharton and Philip Wharton
... the gloom they are indistinguishable; all of them talk in the same strained, throaty whisper. Between their remarks they pause, clear their throats, blow their noses, and shuffle in their chairs. They are intensely uncomfortable. Tempo: Adagio lamentoso, with occasionally a ...
— A Book of Burlesques • H. L. Mencken
... importance come Madame Schumann's diary notes bearing on Chopin's first visit to Leipzig. The remaining additions concern early Polish music, the first performances of Chopin's works at the Leipzig Gewandhaus, his visit to Marienbad (remarks by Rebecca Dirichlet), the tempo rubato, and his portraits. To the names of Chopin's friends and acquaintances to whom I am indebted for valuable assistance, those of Madame Peruzzi and Madame Schumann have, therefore, to be added. My apologies as well as my thanks are due to Mr. Felix Moscheles, who kindly permitted ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... My God, can't they pick it up?" Like an echo came LaChaise's "Plus vite! Stringendo, jusque au bout!" and with a gasp the composer greeted the quickened tempo. Then as the song swept to its first tempestuous climax he clutched Mary's arm. "That's it," he cried. "Can't you see ...
— Mary Wollaston • Henry Kitchell Webster
... l' Ammiraglio avendo cognizione delle dette scienze, comincio ad attendere al mare, e a fare alcuni viaggi in levante e in ponente; de' quali, e di molte altre cose di quei primi di io non ho piena notizia; perciocche egli venne a morte a tempo che io non aveva tanto ardire, o pratica, per la riverenza filiale, che io ardissi di richiederlo di cotali cose; o, per parlare piu veramente, allora mi ritrovava io, come giovane, molto lontano da cotal pensiero." Vita dell' Ammiraglio, ...
— The Discovery of America Vol. 1 (of 2) - with some account of Ancient America and the Spanish Conquest • John Fiske
... something he needed soulfully. Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, prayers, requiems, meditations, minuets—and something of ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... clear up the dishes as usual, but Miss Mehitable pushed her out of the room with a violence indicative of suppressed passion. So, humming a hymn at an irreverent tempo, Araminta went out and sat down on the front porch, spreading down the best rug in the house that she might not soil her gown. This, also, ...
— A Spinner in the Sun • Myrtle Reed
... element, to the wild ardour of first embraces that must perforce flee from the sight of fellow creatures, than to the kind of graduated passion which begins with conversation, proceeds to a public engagement with staring people all about you, and ends with the still more measured tempo of a Church wedding. All the waiting, all the temporising, all the toadlike deliberation that these various slow steps involved, ran counter to her deepest feeling, that her love must be a matter of touch and go, a sudden kindling of two fires, the burning not of ...
— Too Old for Dolls - A Novel • Anthony Mario Ludovici
... trinkets, bravos from a thousand throats, Nathan surrounded by endless wreaths of laurel,—Oh, it is all too much,—"Nathan! Nathan! you are playing far too fast. One, two, three, four,—one, two, three, four,—there, that is the tempo Clementi would have had it. Fine! Some day, Nathan, you will be a ...
— Great Pianists on Piano Playing • James Francis Cooke
... shuffled along to the next one, continually exchanging their partners. As the dancers passed me by, one after another, they noticed me, and many among them scowled and looked angry and displeased. Suddenly the drum stopped for a few minutes. Then it began in a faster tempo. Now the men remained stationary, while the ladies made the circuit of the room and each one in her turn passed in front of me. They looked lovely in their costumes of finely embroidered snow-white single garments, trimmed with many silver ornaments and trinkets and in their ...
— Tales of Aztlan • George Hartmann
... seems less a Novel than a chronicle-history of two families. It is important to remember that its two parts were conceived as independent; their welding, to call it such, was an afterthought. The tempo again, suiting the style of fiction, is leisurely: character study, character contrast, is the principal aim. More definitely, the marriage problem, illustrated by Dorothea's experience with Casaubon, and that of Lydgate with Rosamond, ...
— Masters of the English Novel - A Study Of Principles And Personalities • Richard Burton
... Promenade des Anglais becomes the Quai du Midi, renamed Quai des Etats-Unis in the short-lived burst of enthusiasm of 1918. At least, the aldermen of Nice were more cautious than those of most French cities, and did not call it Quai du President-Wilson nel dolce tempo de la prima etade! Following the quay and keeping the Old Town on the left, you come to the castle hill, still called the Chateau, although the great fortress of the Savoyards was destroyed by the Duke of Berwick in the siege of 1706. The hill is now a park, surmounted ...
— Riviera Towns • Herbert Adams Gibbons
... been sometimes sung to "Pisgah," an old revival piece by J.C. Lowry (1820) once much heard in camp-meetings, but it is a pedestrian tune with too many quavers, and a headlong tempo. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... devil do you mean?" responded not one but many voices—the whole table seemed to be asking him, with the exception of Dove, who sang on in an ever decreasing tempo. ...
— Maurice Guest • Henry Handel Richardson
... sage instructor, Racheo, as soon as the young prince and the beautiful girl Biancofiore had learned their letters, sets them to study the Holy Book, Ovid's Art of Love. 'Incominci Racheo a mettere il suo [officio] in esecuzione con intera sollecitudine. E loro, in breve tempo, insegnato a conoscer le lettere, fece leggere il santo libro d'Ovvidio, [!! S. T. C.] nel quale il sommo poeta mostra, come i santi fuochi di Venere si debbano ne' freddi cuori con sollecitudine accendere.' ['Deeply ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... "[Symbol: cross]MCCCLXII de Settembrio in lo tempo del nobele Miser Andrea Contarini Doxe di Vanesia e Miser Francesco Contarini Conte de' Grado fo fatta questa palla e Donado Macalorso da Vinesia me fece." It is of silver-gilt, 4 ft. 7 in. high and 7 ft. 4 in. long, with twenty-one ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... and the music is of a high quality and full of vitality. Purcell frequently set a double bar at the end of a section, and makes two or more numbers where a modern composer would simply change the tempo and key-signature and go straight on, so that the scrappiness is only apparent. In this ode an instance occurs. There are fourteen numbers, but the last three are in reality one—a chorus, a quartet ...
— Purcell • John F. Runciman
... the measured tempo of her voice and the manner in which she permitted her eyebrows ...
— Star-Dust • Fannie Hurst
... driven up in the morning in her great blue limousine with the two Japs sitting so straight and immobile in front, like twin Nipponese gods. But she did. She told herself she didn't mind when the director said: "Miss Fuller, if you'll just watch Miss Lissome work. She has perfect picture tempo." But she did. The director was the new-fashioned kind, who spoke softly, rehearsed you almost privately, never bawled through a megaphone. A slim young man in a white shirt and flannel trousers and a pair of Harvard-looking glasses. Everybody was young. That was it! Not thirty, or thirty-two, ...
— Gigolo • Edna Ferber
... wonder, with poor Fiammetta, and enter the tomb with her tender hand in his, before ever he thought of that cruel absence she tells of? "O donne pietose!" I hope so, and that this pilgrimage, half of love and half of letters, took place, "nel tempo nel quale la rivestita terra piu che tutto l'altro anno ...
— Italian Journeys • William Dean Howells
... the fallout pattern, meteorological conditions, and nuclear cloud dimensions is taken from Volume 1 of the General Electric Company-TEMPO's "Compilation of Local Fallout Data from Test Detonations 1945-1962, Extracted from DASA 1251," unless more specific information is ...
— Project Trinity 1945-1946 • Carl Maag and Steve Rohrer
... to me. Because I could walk into Hampton Court Palace and the National Gallery (on free days) and enjoy Mantegna and Michael Angelo whilst millionaires were yawning miserably over inept gluttonies; because I could suffer more by hearing a movement of Beethoven's Ninth Symphony taken at a wrong tempo than a duchess by losing a diamond necklace, I was indifferent to the repulsive fact that if I had fallen in love with the duchess I did not possess a morning suit in which I could reasonably have expected her ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... making love to Eden is his son. Characteristic of Saltus is the use of the Spanish word for nightingale. There are no deaths, no suicides, no murders in these pages: a very eunuch of a book! A motto from Tasso, "Perdute e tutto il tempo che in amor non si spende" adorns the title page and the work ...
— The Merry-Go-Round • Carl Van Vechten
... al calcolar de' punti, Par ch' Asinina Stella a noi predomini, E'l Somaro e'l Castron si sian congiunti. Il tempo d'Apuleio piu non si nomini: Che se allora un sol huom sembrava un Asino, Mille Asini ...
— Biographia Literaria • Samuel Taylor Coleridge
... Venetian accounts (Dispaccio di Spagna, Marzo 1584) the King had sent an experienced soldier as a spy to England to investigate the possibility of a landing, 'havendo pensato di concertarsi bene con il re di Scotia, perche ancora egli a un tempo medesimo si movesse ...
— A History of England Principally in the Seventeenth Century, Volume I (of 6) • Leopold von Ranke
... there were laid down a white cloth, eight feet square, and on that a quilt of light green cotton, six feet square, and on that a cloth of white hemp, six feet square, and on that two rugs. On the third day of the ninth month of the ninth year of the period Tempo (A.D. 1838), at the hara-kiri of a certain person it is said that there were spread a large double cloth of white cotton, and on that two rugs. But, of these two occasions, the first must be commended for its careful preparation. If the execution be at night, candlesticks ...
— Tales of Old Japan • Algernon Bertram Freeman-Mitford
... begun with a hymn by the choir. The music for this consisted of a piano, banjo guitar and numerous tambourines. The negroes being naturally born with a great sense of rhythm the songs were not in the same tempo as the songs of the whites but were of a jazz tempo and with the banjo and tambourines it makes one think of the stories of the African jungles. The services start around 7:30 P.M. and usually break up ...
— Slave Narratives: A Folk History of Slavery in the United States - From Interviews with Former Slaves - Kentucky Narratives • Works Projects Administration
... than 570 restaurants were removed from the most populous part of the city, and that the maidservants employed in them were all degraded to the class of "licensed prostitutes." This drastic effort went down in the pages of history as the "Tempo Reformation." It ended in the resignation of its author and the complete defeat ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... the dead stillness woke me. A soft, slow tapping on the roof of the shack, like ghostly fingers. It increased in tempo as though birds, in this land without trees, were pecking at the roof; it grew to a regular drumming sound. I lay for a few moments, listening, wondering. Then I leaped out of bed, ran to the door ...
— Land of the Burnt Thigh • Edith Eudora Kohl
... without a certain enjoyment. The slowness of the tempo made it possible for Keith to keep in tune by leaning very close to the boy sitting next to him. Even the reading of the gospels and other recurring features of the service could be borne. But when the sermon began, Keith fell into sheer agony. The other boys seemed capable of ...
— The Soul of a Child • Edwin Bjorkman
... reply to this optimistic prophecy was a noncommittal grunt, accompanied by a slight outthrust and uplift of the chin, a pursing of the lips and the ghost of a sardonic little smile. Only an Irishman can get the right tempo to that grunt—and the tempo is everything. In the case of Terence Reardon it said distinctly: "I hope you're right, sir, but privately I have my doubts." However, not satisfied with pantomime, Mr. Reardon went ...
— Cappy Ricks Retires • Peter B. Kyne
... a tune in quick tempo, with the staccato clangor of the kettle drums of the dynamite when he burst the icy sheathing of the waters in order to ...
— Joan of Arc of the North Woods • Holman Day
... crepuscular hypnosis, her surface senses dulled by the potent "wine of China." And watching her closely, Victor permitted himself a smile of satisfaction as he noted the rapidity with which she yielded to the hypnogenic spell of the translucent quartz; how her breathing quickened, then took on a measured tempo like that of a sleeper; how a faint flush warmed the unnatural pallor of her cheeks, how her dilate eyes grew fixed in an unwinking stare, and ...
— Red Masquerade • Louis Joseph Vance
... &c. 859. Phr. "the iron entered into our soul"; haeret lateri lethalis arundo [Lat][Vergil]; one's heart bleeding; "down, thou climbing sorrow" [Lear]; "mirth cannot move a soul in agony" [Love's Labor's Lost]; nessun maggior dolere che ricordarsi del tempo felice nella miseria [It]; "sorrow's crown of sorrow is remembering happier things" [Tennyson]; "the Niobe of ...
— Roget's Thesaurus
... clock ticked in that hurried tempo of five ticks to the second which has been the habit of clocks since time immemorial. Very small and trivial noises came from the background tape, preventing utter silence from hanging intolerably in the ship. They were traffic-sounds, recorded on a world no ...
— Pariah Planet • Murray Leinster
... to dwarf much of what has gone before. Those who have given careful thought to the matter are convinced that while some caution is in order, the new era is not one to be approached with timidity, inhibited imagination or too much convention. Neither is there any point in trying to hold off the tempo of this oncoming age or, in any ...
— The Practical Values of Space Exploration • Committee on Science and Astronautics
... of bow, otherwise the notes are swallowed. In light spiccato and staccato the detached notes should be played always with a single stroke of the bow. Some players, strange to say, find staccato notes more difficult to play at a moderate tempo than fast. I believe it to be altogether a matter of control—if proper control be there the tempo makes no difference. Wieniawski, I have read, could only play his staccati at a high rate of speed. Spiccato is generally held to be more difficult ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... fare, e che sia il Pas-de-deux o da paesana, o da giardinera, o da Granatiera, o da statue, i passi saranno sempre gli istessi, correrse dietro, scampar, pianger, andar in collera, far pace, tirar i bracci sopra la testa, saltar in tempo e fora di tempo, menar gli bracci, e le gambe, e la testa, e la vita, e le spalle, e sopra tutto rider sempre col popolo, e storcer un pochetto il collo quando si passa prossimo i lumi, e fare delle belle smorfie all udienza, e una bella ...
— A Treatise on the Art of Dancing • Giovanni-Andrea Gallini
... notice, that Vespucci commences his first letter to Lorenzo de Medici in 1500, within a month after his return from the voyage he had actually made to Paria, and apologizes for his long silence, by saying that nothing had occurred worthy of mention, ("e gran tempo che non ho scritto a vostra magnifizensa, e non lo ha causato altra cosa ne nessuna salvo non mi essere occorso cosa degna di memoria,") and proceeds eagerly to tell him the wonders he had witnessed in the expedition from which he had but just returned. It would ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... Non tornano i sereni E fortunati di de le mie gioje: Tu torni ben, tu torni, Ma teco altro non torna Che del perduto mio caro tesoro La rimembranza misera e dolente: Tu quella sei, tu quella, Ch'era pur dianzi si vezzosa e bella; Ma non son io gia quel ch'un tempo fui, Si caro ...
— Primavera - Poems by Four Authors • Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
... their will with a more insistent energy; the long tones upon which we linger make a deeper and more lasting impression; while the light and short tones in contrast become points of mere passing and transition. If, moreover, we include the element of tempo, then all the temporal feelings are introduced into melody—the excitement of rapid motion, the calmness of the slow; the agony of delay, of waiting and postponement, with the triumph and relief when the expected note arrives at last. Finally, the effects of shading must be ...
— The Principles Of Aesthetics • Dewitt H. Parker
... water, and the air, too, with the muffled, twanging, rip, rip, rip, rip. The two spines were tuned separately, the right being a full tone lower, and the backward drawing of the bow gave a higher note than its forward reach. So, alternately, at a full second tempo, the four tones rose and fell, carrying out some strange Silurian theme: a muffled cadence of undertones, which, thrilled with the mystery of their author and cause, yet merged smoothly with the cosmic orchestra of wind and ripples ...
— Edge of the Jungle • William Beebe
... Non era altri che esso, che sapesse lejere li antichi pataffii. Tutte scritture antiche vulgarizzava; quesse fiure di marmo justamente interpretava. On come spesso diceva, "Dove suono quelli buoni Romani? dove ene loro somma justitia? poleramme trovare in tempo che quessi fiuriano!"] ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... "A Serenade in the Royal Pear Garden," begins with a luxurious tone-poem of moonlight and shadow, out of which, after a preliminary tuning of the Chinese lute (or sam-yin), wails a lyric caterwaul (alternately in 2-4 and 3-4 tempo) which the Chinese translate as a love-song. Its amorous grotesque at length subsides into the majestic night. A part of this altogether fascinating movement came ...
— Contemporary American Composers • Rupert Hughes
... in Rome, Bianca and Pizzicato repaired to their father's brother-in-law, who was well known as a lavish entertainer. He was one Rapidamente Tempo di Valse, a widower, living with his two sons, Lento and Comprino, handsome lads both in the first flush of manhood, and both destined to fall victims to Bianca's compelling attractions. Contemporary ...
— Terribly Intimate Portraits • Noel Coward
... responding with animation. She walks with one crutch, being lame in the right leg. On events of the long ago her mind is quite clear. Recalling the Confederate "sojers, marchin', marchin'" to the drums, she beat a tempo on the floor with her crutch. As she described how the hands of slaves were tied before they were whipped for ...
— Slave Narratives: a Folk History of Slavery in the United States • Various
... heard the Count's footsteps, and, fearing to meet him because of the decoy letter, he had jumped from the window and got a sprained ankle, which he offers in evidence. The orchestra changes key and tempo, and begins a ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... in the viewports when a sort of upswept tempo began to run through the ship, an undercurrent of increased activity. Cargo was checked, inventoried and strapped in. Ringg was given four extra men to help him, made an extra tour of the ship, and came ...
— The Colors of Space • Marion Zimmer Bradley
... priests gave me a theme. I took it on a promenade and in the middle (the fugue was in G minor) I began in the major, with something jocose but in the same tempo; finally the theme again, but backwards. Finally I wondered if I might not use the playful melody as a theme for a fugue. I did not question long, but made it at once, and it went as accurately as if Daser had measured it for the purpose. ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... (which has at least the advantage that it will secure for this 'epic of fox-hunting' a place in the library of every country house), is as deeply debilitated by reaction as any of our time. Its colour is hectic; its tempo feverish. He has sought the healing virtue where he believed it undefiled, in that miraculous English country whose magic (as Mr Masefield so well knows) is in Shakespeare, and whose strong rhythm is in Hardy. But the virtue eludes all conscious inquisition. The man who seeks it feverishly ...
— Aspects of Literature • J. Middleton Murry
... her attention on one point, so to speak, while the older child allows a slight movement like an embryonic narrative. The pattern of the three-year-old's is considerably more complex. The phrases shorten, the tempo quickens, until the whole swings off into wordless melody. The fourth probably started from some remembered lullaby but quickly became the child's own. I give two more examples of stories. In the first, does not this five-year-old girl give us her vivid ...
— Here and Now Story Book - Two- to seven-year-olds • Lucy Sprague Mitchell
... He spoke that phrase, chanted it, and sang it. He made a litany of it; he turned it into a National Anthem. It came with such irritating regularity I could have sworn he timed it on a knotted string, sort of "Day-by-day-in-every-way" tempo, one might say. And it wasn't Washington, and we didn't live lives of ease; no banker ever toiled from dawn until all hours of the night, ...
— I Married a Ranger • Dama Margaret Smith
... of the Pope turned away his head. Then he resumed the conversation with redoubled energy, to pause in his turn, however, when the landau took, a little beyond the Tomb of Caecilia, a transverse road in the direction of the Ardeatine Way. It was there that 'l'Osteria del tempo perso' was built, upon the ground belonging to Cibo, on which the duel ...
— Serge Panine • Georges Ohnet
... making unseemly sweet eyes at the public—the eyes of a man-prostitute. And everything together—this abundance of tiresome electric lights, the exaggeratedly bright toilettes of the ladies, the odours of modish, spicy perfumes, this ringing music, with willful slowings up of the tempo, with voluptuous swoonings in the transitions, with the tempestuous passages screwed up—everything fitted the one to the other, forming a general picture of insane and stupid luxury, a setting for an imitation of a ...
— Yama (The Pit) • Alexandra Kuprin
... also stepped up the tempo of its reforms. In March 1944 it had already made black cooks and bakers eligible for duty in all commissary branches of the Navy.[3-110] In June it got Forrestal's approval for putting all rated cooks and stewards in chief petty officer uniforms.[3-111] ...
— Integration of the Armed Forces, 1940-1965 • Morris J. MacGregor Jr.
... have a private conviction that some old artists even now living in Matsue could make a still more wonderful cat. Among these is the venerable Arakawa Junosuke, who wrought many rare things for the Daimyo of Izumo in the Tempo era, and whose acquaintance I have been enabled to make through my school-friends. One evening he brings to my house something very odd to show me, concealed in his sleeve. It is a doll: just a small carven and painted head without a body,—the body being represented by a tiny ...
— Glimpses of an Unfamiliar Japan • Lafcadio Hearn
... "Ed un tempo propizio la accompagna: la ricostituzione dell' Epiro nei suoi quattro vilayet autonomi quale e nei propri consigli e nei propri desideri; ricostituzione, che pel suo Giornale, quello dell' ottimo A. Lorecchio—cui precede il principe ...
— Old Calabria • Norman Douglas
... As soon as Donagh returned, the Dona was placed in the monastery of Aughadurcher (now Aughalurcher). But at the time, when Cromwell was in this country, the monastery was destroyed, and this Ark of the Covenant hid by some of the faithful at a small lake, named Lough Eye, between Lisbellaw and Tempo. It was removed thence when peace was restored, and again placed in some one of the neighboring chapels, when, as before in Aughalurcher, the oaths were administered with all the superstition that a depraved imagination could, invent, as "that their thighs might rot off," ...
— The Hedge School; The Midnight Mass; The Donagh • William Carleton
... its tempo until she came to her waist. Then it suddenly spurted, clicking faster and faster. Her husband gave an excited grunt, took a quick step forward, froze. She goggled for a moment in fear, then grinned foolishly, ...
— The Moon is Green • Fritz Reuter Leiber
... is a natural and unassisted process, and practice, if not policy, has been in accord with this laissez faire conception, which the outcome has apparently justified. In the United States, at any rate, the tempo of assimilation has been more ...
— Introduction to the Science of Sociology • Robert E. Park
... with the tempo of the drums in a pitch that steadily descended. The glittering procession had come to rest at its appointed place in the pathway, of light as the wailing came down to a moan. "Oong! Oong!" the voices groaned, while the walls re-echoed the despairing ...
— Astounding Stories of Super-Science, June, 1930 • Various
... tempo so as to include the rhythmic beat of the hammer with the other instruments in his band. The blacksmith looked, smiled and let his hammer fall in consonance with the beat of the boy's hand, and for some moments there was glorious ...
— The Major • Ralph Connor
... of colour are of great dramatic effect. A good illustration is found in the air "Divinites du Styx," from Gluck's Alceste. This contrast is still further heightened by a sudden change of both Intensity and Tempo. ...
— Style in Singing • W. E. Haslam
... d'Iddio, vi dia sempre salute, e vi lasci vivere ancora cent' anni e vi faccia morire quando avrete mille anni. Spero che voi impararete meglio conoscermi ni avvenire e che poi ne giudicherete come ch' egli vi piace. Il tempo non mi permette di scriver motto. La penna non vale un corno, ne pure quello che la dirigge. Il titolo dell' opera che ho da comporre a Milano, ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... around till they could be photographed. Every day the tempo and confusion were increasing a ...
— The Report on Unidentified Flying Objects • Edward Ruppelt
... nuna tempo neniu 2. Because at the present time no esploranto en la tuta mondo one who looks out over the whole jam dubas pri tio, ke lingvo world any longer doubts that internacia povas esti nur lingvo an international language can arta, kaj cxar, el cxiuj multegaj only be an artificial one, and ...
— International Language - Past, Present and Future: With Specimens of Esperanto and Grammar • Walter J. Clark
... little way on Italian railroads of making no provision for you to eat. We did not know this, and our knowledge of Italian was limited to Quanto tempo? (How much time?) and Quanto costa? (How much is it?) So we punctuated the lovely journey among the Italian hills, and between their admirable waterways, by hopping off the train for coffee every time they said "Cinque ...
— As Seen By Me • Lilian Bell
... l'aer senza stelle, Perch'io al cominciar ne lagrimai. Diverse lingue, orribili favelle, Parole di dolore, accenti d'ira, Voci alte e fioche, e suon di man con elle, Facevano un tumulto il qual s'aggira Sempre'n quell'aria senza tempo tinta, Come la ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... the "Gradus ad Parnassum" by Clementi, two series of famous technical studies, mean everything. To the pianolist they mean nothing—need mean nothing. As for the "School of Velocity" he can by simply moving the tempo lever to the right make the pianola play so fast that, if old Czerny still were alive, he would lose his breath listening to it. As for the "Gradus ad Parnassum," the difficulties which Clementi piled up in the pianist's path, the pianolist overleaps as ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... anni, i mesi, e l'hore, Col tempo le richeze, imperio, e regno, Col tempo fama, honor, fortezza, e ingegno, Col tempo giouentu, con belta ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... capable and delectable one, to switch from humble stating to loud singing. Only don't do it. State on. State how the rage into which he had fallen served to lend precision to the major's eye, steel to his wrist, rhythm to his tempo, and fiery ambition to his gentle and retiring soul. He is filled with memories of daring: of other battles in other days. He remembers what times he sought the bubble reputation in the cannon's mouth, and spiked the aforementioned cannon's touch-hole ...
— IT and Other Stories • Gouverneur Morris
... her affections, but as a matter of fact, Von Barwig was so fascinated by her constant rocking and fanning that he simply could not help looking at her, and she evidently could not help smiling. As he explained to the skeleton, her tempo was against the beat, or in other words, the rhythm of her rocking and fanning conflicted with the rhythm of the music he was playing. The skeleton did not altogether understand Von Barwig's explanation, but he accepted it willingly, for it was clear ...
— The Music Master - Novelized from the Play • Charles Klein
... feared her hair would be white before the end of the term. You see, when there's a certain amount of housework you feel obliged to do, and when your studies fairly clamor for attention the rest of the time, it sets your nerves all awry to keep the tempo for clumsy fingers that go just half as fast as they should; or to teach over and over again that four times ...
— Stories Worth Rereading • Various
... this fete should be a huge minuet, with the rose-dancers in the center of the sward, the other dancers joining in. After a figure or two, the tempo of the music should change, and the dancers, headed by those who have done the rose minuet, should march off the field into the background. First the pink group, then the blue group, then the green, yellow, and violet ...
— Patriotic Plays and Pageants for Young People • Constance D'Arcy Mackay
... all. And if you could only keep an eye open for me. Thank you, sir. I am glad to see that men of letters are still considerate of their fellow craftsmen. Ah, you would have liked Jack London. Did you know him? You know, we live in an age of jazz. Yes, sir, the tempo is fast. Life has lost its andante. Materialism has triumphed. There is no longer room for the spirit to expand. Machines are in the way. Noises invade the ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... from the boughs; sometimes by a little brawling stream, with the fishes seen under the clear wave, and shooting round the crumbs thrown to them. They made an Arcadia of the dull road up to their dread Thermopylae, the war against the million that waited them on the other side of their pass through Tempo. ...
— My Novel, Complete • Edward Bulwer-Lytton
... brazen clang of the furnace doors as they are flung open or slammed shut, the grating, teeth-gritting grind of steel against steel, of crunching coal. This clash of sounds stuns one's ears with its rending dissonance. But there is order in it, rhythm, a mechanical regulated recurrence, a tempo. And rising above all, making the air hum with the quiver of liberated energy, the roar of leaping flames in the furnaces, the monotonous throbbing beat of ...
— The Hairy Ape • Eugene O'Neill
... piano," she observed irrelevantly, surveying his work with her lips pursed. "A pair of calipers would prove every piece exactly, the same width; and even when you play a Meditation? I'm sure the metronome would waggle in perfect unison with your tempo. I wonder—" She glanced up at him speculatively. "—I wonder if you think with such mathematical precision. Do you always find that two and ...
— Cow-Country • B. M. Bower
... waited for nothing. It seemed to take new strength from the indignities inflicted upon it and it increased, if anything, its tempo of growth. It plunged into the ocean in a dozen spots at once. It swarmed over sand which had never known anything but cactus and the Sierra Madres became great humps of green against the skyline. This last conquest shocked those who had thought the mountains immune ...
— Greener Than You Think • Ward Moore
... is a lithograph of the portrait of "Giorgio Byron," by G.H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary wing," pp. [129], 131, follows the Notes to the Corsair. The translation includes the four additional lines at the end of Canto I. stanza xi., but not the Note on the "Pirates ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... Love's luxuriant close! Brisk music played on pearly little keys, In tempo with the witching melodies Love in the ardent heart ...
— Poems of Paul Verlaine • Paul Verlaine
... se di bene acquisto, ch' esser non puo, ma perche suo splendore potesse risplendendo dir: subsisto. In sua eternita di tempo fuore, fuor d' ogni altro comprender, come i piacque, s'aperse in nuovi ...
— Hinduism and Buddhism, Vol I. (of 3) - An Historical Sketch • Charles Eliot
... slower than moderato, although in later minuets the tempo became allegretto. Rhythm, generally, [3/4: >(4 | 4) 4 4 | 4 8 8 8 8] etc. Old minuets often began on the first beat. Form 4; the third and fourth periods being generally in a different mode from the first and second periods, and called ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... the cura and churchwardens), four for the parrocos (parish priests) and lower clergy, one and one-half for the hospitals, and two for the King—all but this last being variable. See Baluffi's America en tempo Spagnuola (Ancona, 1844) ii, p. 41.—Rev. T. C. Middleton, O. ...
— The Philippine Islands, 1493-1803 • Emma Helen Blair
... investigations and directives bespoke a quickened tempo in the fight for equal treatment and opportunity in the armed forces, they did not herald a substantive reinterpretation of policy. The Defense Department continued to limit its actions to matters obviously ...
— Integration of the Armed Forces, 1940-1965 • Morris J. MacGregor Jr.
... The tempo was increasing to its highest pitch for the day. That highly complicated organism, a daily newspaper, which is apparently conceived in the wildest disorder, was about to "go to bed." Twenty typewriters were hammering out their finishing touches and concluding ...
— Death Points a Finger • Will Levinrew
... out how quickly the tempo of modern warfare could bring into our very midst the physical attack which we must eventually expect if the dictator nations win ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... formal: a herald sounds a trumpet—another herald knocks—a parley—the gates are thrown open and the lord mayor, pro tempo., hands over the sword of the City to the sovereign. It was thus in Elizabeth's time, and it had changed but little throughout ...
— Dickens' London • Francis Miltoun
... or source, of emotion. This view seems to attach itself to all shades of theory. Hanslick always contrasts intellectual activity as attaching to the form, and emotion as attaching to the sensuous material (that is, the physical effects of motion, loud or soft sound, tempo, etc.). He speaks of the aesthetic criterion of INTELLIGENT gratification. "The truly musical listener" has "his attention absorbed by the particular form and character of the composition," "the unique position which the INTELLECTUAL ELEMENT in music occupies ...
— The Psychology of Beauty • Ethel D. Puffer
... him what is the important part. Only in case this passage comes out well the Weimar public will see what the whole is about. (I add a technical remark: If the singer in this passage is quite sure, let him take the tempo freely; all the others must go with ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator) |
