"Calderon" Quotes from Famous Books
 ... the greatest names in the world's literature. Homer, Virgil (Maro), Horace, Firdusi, Omar Khayyam, Cervantes, Calderon, Petrarch, Rabelais, Dante Alighieri, Schiller, Voltaire, Rousseau, Moliere, Corneille, Racine, Honore de Balzac, Flaubert, Victor ...
— Without Prejudice • Israel Zangwill
... gentlemen loitered about, waiting for the evening meal, they came and looked at the titles, with careless remarks that the superintendent was a youth of taste, and a laugh at the odd medley—Spenser, Shakspeare, 'Don Quixote,' Calderon, Fouque, and selections from ...
— Dynevor Terrace (Vol. II) • Charlotte M. Yonge
... sitting-room, the figure lifted the hood of his cloak and disclosed Shelley's own features, and saying, 'Siete soddisfatto?' vanished. This vision is accounted for on the ground that Shelley had been reading a drama attributed to Calderon, named 'El Embozado o El Encapotado,' in which a mysterious personage who had been haunting and thwarting the hero all his life, and is at last about to give him satisfaction in a duel, finally unmasks and proves to be the hero's own wraith. ...
— Real Ghost Stories • William T. Stead
... perfect specimen of the dramatic art existing in the world; in spite of the narrow conditions to which the poet was subjected by the ignorance of the philosophy of the drama which has prevailed in modern Europe. Calderon, in his religious Autos, has attempted to fulfil some of the high conditions of dramatic representation neglected by Shakespeare; such as the establishing a relation between the drama and religion, and the accommodating ...
— English Critical Essays - Nineteenth Century • Various
... with the Spanish language was marvellous; from the finest works of Calderon to the ballads in the patois of every province, he could quote, to the infinite delight of those with whom he associated. He could assume any character that he pleased: he could be the Castilian, haughty and reserved; the Asturian, stupid ...
— The Bed-Book of Happiness • Harold Begbie
... the arena: in number and variety even Goethe must yield the precedence, though his youthful triumphs were Goetz of Berlichingen and Werther. There was in Tieck's early works the promise, and far more than the promise, of the greatest dramatic poet whom Europe had seen since the days of Calderon; there was a rich, elastic, buoyant, comic spirit, not like the analytical reflection, keen biting wit of Moliere and Congreve, and other comic writers of the satirical school, but like the living merriment, the uncontrollable, exuberant joyousness, the humour arising ...
— The Uncollected Writings of Thomas de Quincey, Vol. 2 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... said of the author's own translations in it "compared with the average of British translations, they may be pronounced of almost ideal excellence; compared with the best translations extant, for example, the German Shakespeare, Homer, Calderon, they may still be called better than indifferent. One great merit Mr. Taylor has: rigorous adherence to his original; he endeavours at least to copy with all possible fidelity the term of praise, the tone, the very metre, ...
— Nathan the Wise • Gotthold Ephraim Lessing
... higher meaning to the fable, and saw in it the Soul, or the Church, to whom her Bridegroom has been for a while made known, striving after Him through many trials, to be made one with Him after passing through Death. The Spanish poet Calderon made it the theme of two sacred dramas, in which the lesson of Faith, not Sight, was taught, with special reference to ...
— Love and Life • Charlotte M. Yonge
... two most successful poems of this kind are Home Burial, in North of Boston, and Snow, in Mountain Interval. The former is not so much a tragedy as the concentrated essence of tragedy. There is enough pain in it to furnish forth a dozen funerals. It has that centrifugal force which Mr. Calderon so brilliantly suggests as the main characteristic of the dramas of Chekhov. English plays are centripetal; they draw the attention of the audience to the group of characters on the stage; but Chekhov's, ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... are pretty good when they are in prose, and pretty dismal when they are turned into verse, as is more frequent, for the Spanish mind delights in the jingle of rhyme. The fine old Spanish drama is vanishing day by day. The masterpieces of Lope and Calderon, which inspired all subsequent playwriting in Europe, have sunk almost utterly into oblivion. The stage is flooded with the washings of the Boulevards. Bad as the translations are, the imitations ...
— Castilian Days • John Hay
... and nicely paved, while numerous open squares ornament the several sections. Some of these are filled with attractive shrubbery and ornamental trees, as well as statuary. Among the latter are representations of Murillo, Philip III., Cervantes, Lope de Vega, Philip V., Calderon, and others. The finest statue in the city is that of Philip IV., representing that monarch on horseback, the animal in a prancing position. This is a wonderfully life-like bronze, designed by Velasquez. It forms the centre of the Plaza del Oriente, or square in front of the royal ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... busy varnishing their pictures for the forthcoming exhibition at Burlington House when the Great Sala-Furniss Libel Case was heard on Friday last, and that in their absence you have had to apply to me (the defendant) for sketches of the scene in Court. What a chance Mr. Calderon has missed for a companion picture to the one he is painting of another great legal battle—the Parnell Commission! A picture in next year's Royal Academy of the trial between two art critics is surely worthy to be handed down to posterity, say, in the Council Room ...
— The Confessions of a Caricaturist, Vol 2 (of 2) • Harry Furniss
... bounds of an English scholar's acquisition." I think any scholar fortunate whose acquisition extends so far. These languages and our own comprise, I believe, with a few rare exceptions, all the best books in the world. I may add Spanish for the sake of Cervantes, Lope de Vega, and Calderon.{1} ...
— Gryll Grange • Thomas Love Peacock
... agree that in a certain sense not love alone but all the passions and desires of men are illusions. In that sense the Gospel of Buddha is justified, and we may recognize the inspiration of Shakespeare (in the Tempest) and of Calderon (in La Vida es Sueno), who felt that ultimately the whole world is an insubstantial dream. But short of that large and ultimate vision we cannot accept illusion; we cannot admit that love is a delusion in some special and peculiar sense that men's other cravings and aspirations escape. ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis |
