... were mostly presentation copies of contemporary novels and the National Review and the Empire Review, and the Nineteenth Century and after jostled current books on the tables—English new books in gaudy catchpenny "artistic" covers, French and Italian novels in yellow, German art handbooks of almost incredible ugliness. There were abundant evidences that her ladyship was playing with the Keltic renascence, and a great number of ugly ... — Tono Bungay • H. G. Wells
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