"Copyright" Quotes from Famous Books
 ... songs. He sold the copyright for L3, and shortly afterwards learnt that the publisher had to keep thirty-nine presses at work on it night and day to ...
— Charles Dickens and Music • James T. Lightwood
... very wide of your mark, and I was obliged to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... fishing-tackle in Scott's cabinet. Tilneys, Thorpes, and Morlands consigned apparently to eternal oblivion! But when four novels of steadily increasing success had given the writer some confidence in herself, she wished to recover the copyright of this early work. One of her brothers undertook the negotiation. He found the purchaser very willing to receive back his money, and to resign all claim to the copyright. When the bargain was concluded and the money paid, but not till then, the negotiator had the ...
— Memoir of Jane Austen • James Edward Austen-Leigh
... the copyright essay, you will discover that Judge Douglas himself says, a controversy between the American Colonies and the Government of Great Britain began on the slavery question in 1699, and continued from that time until the Revolution; and, while he did not say so, we all know that it has continued with ...
— Abraham Lincoln, A History, Volume 2 • John George Nicolay and John Hay
... man in a grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would make ...
— The Middle Temple Murder • J.S. Fletcher
... copyright performance of "The Little Minister" which Maude Adams is to play in the States. It was advertised by a single bill in front of the Haymarket Theater and the price of admission was five guineas. We took in fifteen ...
— Adventures and Letters • Richard Harding Davis
... octavo volume, dated 1805. The title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... effect that invention ought to be encouraged and protected bore fruit in this same year in patent and copyright laws, which became the foundation of our present system. The same good fortune befell the recommendation for a uniform rule for naturalization, and the law of 1790 was quietly enacted, no one then imagining that its alteration less than ten years later ...
— George Washington, Vol. II • Henry Cabot Lodge
... hall of the old Company of London Stationers, incorporated in 1557, who enjoyed till the Copyright Act of 1842 the sole right of having registered at their offices every pamphlet, book, and ballad published in the kingdom. Although no longer compulsory, the practice of entering books at Stationers' Hall is still found useful for copyright purposes. The register-rolls of books entered at ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... They both came out quietly and made little noise at first. But the Pilgrim's Progress got at once {180} into circulation, and not even a single copy of the first edition remains. Milton, too—who received 10 pounds for the copyright of Paradise Lost—seemingly found that "fit audience though few" for which he prayed, as his poem reached its second impression in five years (1672). Dryden visited him in his retirement and asked leave to turn it into rime and put it on the stage ...
— Brief History of English and American Literature • Henry A. Beers
... edition contains a preface tracing the history of the blocks, which are said to be Bewick's first efforts to depict beasts and birds, undertaken at the request of the New castle printer, to illustrate a new edition of "Tommy Trip." As at this time copyright was unknown, and Newcastle or Glasgow pirated a London success (as New York did but lately), we must not be surprised to find that the text is said to be a reprint of a "Newbery" publication. But as Saint was called ...
— Children's Books and Their Illustrators • Gleeson White
... book, that of a small, intimate collection, representative rather than exhaustive, it has been impossible to include all of the poets who would naturally be included in a more ambitious anthology. In certain instances, also, matters of copyright have deterred me from including those whom I had originally intended to represent, but with isolated exceptions the little book covers the work of our later poets and gives a hint of what they ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The facts show just the contrary. No sooner ...
— Don Quixote • Miguel de Cervantes Saavedra
... prepared for the purpose [see chapter on Things needed (9) and Library Bureau catalog], a card for each book—and a book is a book although in several volumes—write the author's surname (if the book is anonymous write first the title), given name or names, if known, title, date of copyright, date of publication, call-number, and such other data as seem desirable. The price, for example, may be put here, and the size, indicating this by a letter. [See Cole size card in chapter on Things needed (9) and in Library Bureau catalog.] Arrange these ...
— A Library Primer • John Cotton Dana
... etext was produced from Galaxy, February, 1958. Extensive research did not reveal any evidence that the U.S. copyright ...
— The Blue Tower • Evelyn E. Smith
... Little Tour in France." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884.] ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... best in modern play-writing has not been included in this volume. Because of copyright complications the works of Mr. Masefield, Mr. Shaw, Mr. Drinkwater, and Sir James Barrie are not here represented. The plays by these writers that seem best fitted to use by teachers and pupils in high schools, together with a large number ...
— The Atlantic Book of Modern Plays • Various
... heard of the visit of the wise men of the east to his cradle, or of Herod's massacre of the innocents, or of the star which guided those wise men to the birthplace of the little king of the Jews. That star is the sole property of Matthew, and the other evangelists took care not to infringe his copyright. Indeed, it is surprising how well they did with the ...
— Flowers of Freethought - (Second Series) • George W. Foote
... right enough there, for it is good, but I have a copyright, which the young lady should have seen and respected. Will you make a correction in ...
— The Hilltop Boys on the River • Cyril Burleigh
... Kipling, from The Years Between, copyright 1914, 1919 by Rudyard Kipling, is reprinted by permission of Mrs. Bambridge and Doubleday Doran and Co., Inc., of New York, and The Macmillan Company, ...
— Gilbert Keith Chesterton • Maisie Ward
... A new copyright series of Girl Scouts stories by an author of wide experience in Scouts' craft, as Director ...
— Betty Vivian - A Story of Haddo Court School • L. T. Meade
... actually induced his unconscious victim to sell the property, unknown to the editor. When the bargain was concluded, the plot was discovered; but it was then too late, and the wily Director took possession of the copyright of the paper and the printing office on behalf of the company. The services of the editor, however, were not to be bought, he refused to barter away his independence, and retired—taking with him the respect ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... predecessor of Lowell's Biglow Papers. Trumbull wrote his poem as a "weapon of warfare." The first part of M'Fingal passed through some forty editions, many of them printed without the author's consent. This fact is said to have led Connecticut to pass a copyright law in 1783, and to have thus constituted a landmark in ...
— History of American Literature • Reuben Post Halleck
... publisher's privilege to present to the reading public. In short, he was advised not to print. That was the net total of the matter, and it was a pang to the susceptible heart of the poet. He had hoped to have come home enriched by the sale of his copyright, and with the prospect of seeing his name before long on the ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various
... of Fifty Guineas for the Copy [copyright] of the Comedy called, The Drummer or the Haunted House. I say, received by order of the ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... Copyright, (C), 1962, by Murray Leinster. All rights reserved. Published by arrangement with the author. Printed ...
— Talents, Incorporated • William Fitzgerald Jenkins
... Paine who lashed America into righteous war. He fought for the freedom of the country, for the abolition of slavery, for the rights of women; he fought for old-age pensions, for free public schools, for the protection of dumb animals, for international copyright; for a hundred and one ideals of equity and humanity which today are legislature. And he fought with his body and his brain; with his "flaming eloquence" and also with a gun! Once let him perceive the cause to be a just one, and—I know of no more magnificently ...
— Greenwich Village • Anna Alice Chapin
... Goethe had his son bring in some of his choicest treasures. There was his correspondence with Lord Byron; everything relating to his acquaintance with the Empress and the Emperor of Austria at Karlsbad; and finally the imperial Austrian copyright of his collected works. This latter he seemed to value very highly, either because he liked the conservative attitude of Austria, or because he regarded it as an oddity in contradistinction to the usual policy pursued in literary matters by ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... Custody of Compensation for Injuries Compensation for Accident Compensation for Defamation Compensation for Loss of Employment, &c., &c. Confiscation by Landlords Contracts, Breach of Copyright, Infringement of County ...
— "In Darkest England and The Way Out" • General William Booth
... personalty, chattels, goods, effects, movables; stock, stock in trade; things, traps, rattletraps, paraphernalia; equipage &c 633. parcels, appurtenances. impedimenta; luggage, baggage; bag and baggage; pelf; cargo, lading. rent roll; income &c (receipts) 810; maul and wedges [U.S.]. patent, copyright; chose in action; credit &c 805; debt &c 806. V. possess &c 777; be the possessor of &c 779, own; have for one's own, have for one's very own; come in for, inherit. savor of the realty. be one's property &c n.; belong to; appertain to, pertain ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... of oysters, of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring where ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various
... hereby warned that "THE GHOST BREAKER," being fully protected under the copyright laws of the United States, the British Empire, and the other countries of the Copyright Union, is subject to a royalty, and anyone presenting the play without the consent of the owners or their authorized agents will be liable to the penalties by law provided. Applications for ...
— The Ghost Breaker - A Melodramatic Farce in Four Acts • Paul Dickey
... worthily was the chief relaxation and delight of those sad later years. When he died, he had contributed to Thomson's work sixty songs, but of these only six had then appeared, as only one half-volume of Thomson's work had then been published. Burns had given Thomson the copyright of all the sixty songs; but as soon as a posthumous edition of the poet's works was proposed, Thomson returned all the songs to the poet's family, to be included in the forthcoming edition, along with (p. 154) the interesting letters which had ...
— Robert Burns • Principal Shairp
... ceevil gin ye bring him when there's naethin' wrang," and Mrs. Macfadyen's face reflected another of Mr. Hopps's misadventures of which Hillocks held the copyright. ...
— Stories by English Authors: Scotland • Various
... four thousand dollars for the copyright for four years. Fame had actually come. All the literary world were talking about it. John Murray said there had never been such a book. Charles Reade said, putting his finger on Lisbeth's account ...
— Lives of Girls Who Became Famous • Sarah Knowles Bolton
... copyright of the debate, and pledged himself to issue a correct edition, in accordance with the notes of the reporter. Instead of doing so, besides making unlimited alterations in his own speeches, he altered every speech of mine. Some things he left out. In one case, to prevent ...
— Modern Skepticism: A Journey Through the Land of Doubt and Back Again - A Life Story • Joseph Barker
... year 1877 the first edition of "The Golden Dog" (Le Chien d'Or) was brought out in the United States, entirely without my knowledge or sanction. Owing to the inadequacy of the then existing copyright laws, I have been powerless to prevent its continued publication, which I understand to have been a successful and profitable undertaking for all concerned, except the author, the book ...
— The Golden Dog - Le Chien d'Or • William Kirby
... has been greatly aided through the operation of laws based on this clause. Copyrights are secured from the Librarian of Congress. Any person obtaining a copyright has the sole right to print, copy, or sell the book, chart, engraving, music, etc., for a period of twenty-eight years. A copyright may be renewed for fourteen years longer. It may be sold or transferred providing a record of the transfer be made in ...
— Our Government: Local, State, and National: Idaho Edition • J.A. James
... Fiction Your Culture to Me Equality Literature and Life Literary Copyright Indeterminate Sentence Education of the Negro Causes of Discontent Pilgrim and American Diversities of American Life American Newspaper Fashions in ...
— Quotes and Images From The Works of Charles Dudley Warner • Charles Dudley Warner
... American child's "culture"—such, for example, as the Japanese folk stories—also have been omitted. Other splendid specimens of juvenile literature, as stories from Kipling's Jungle Books and essays from Burroughs, have been omitted because of copyright restrictions. ...
— Types of Children's Literature • Edited by Walter Barnes
... N.B. The proprietorship of this Series is secured in all countries where the Copyright is protected. The authorities on which the History of St. Frances of Rome ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... and others, the failure of his brother's business obliged him to make writing his profession. The publishers at first refused to take one of the most charming of his works, the "Sketch Book"; but John Murray yielded at last to the influence of Walter Scott, and paid L200 for the copyright of it, a sum afterward increased to L400. "Bracebridge Hall" and the "Tales of a Traveler" followed. Irving went to Spain with the American Ambassador to translate documents and acquire experience which he used afterward in successive books. "The ...
— Knickerbocker's History of New York, Complete • Washington Irving
... the saleswoman is polite and the prices fit my purse. America is going to war, and Catholic boys are being drafted to be trained for battle; so for ten cents I obtain a firmly bound little pamphlet called "God's Armor, a Prayer Book for Soldiers." It is marked "Copyright by the G.R.C. Central-Verein," and bears the "Nihil Obstat" of the "Censor Theolog." and the "Imprimatur" of "Johannes Josephus, Archiepiscopus Sti. Ludovici"—which last you may at first fail to recognize as a well-known city on the Mississippi River. Do you not ...
— The Profits of Religion, Fifth Edition • Upton Sinclair
... SECURED.—The method by which a copyright is obtained under the revised acts of Congress is as simple and inexpensive as can be reasonably asked. All unnecessary red tape is dispensed with, and the cost to the author who is seeking thus to protect himself in the ...
— One Thousand Secrets of Wise and Rich Men Revealed • C. A. Bogardus
... is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the morning toast. The wheat ...
— Revolution and Other Essays • Jack London
... and forcibly, the fact remains that letter writing is an art that may be acquired. It necessitates a capacity to understand the reader's attitude; it requires careful study and analysis of talking points, arguments and methods of presentation, but there is no copyright on good letters and any house can secure a high standard and be assured that distant customers are handled tactfully and skilfully if a uniform policy is worked ...
— Business Correspondence • Anonymous
... by Cottle. It met with a cold, if not scoffing, reception, altho among its contents were the "Lines Written Above Tintern Abbey." When Cottle's publishing business was transferred to Longmans in 1799, the value of the copyright of "Lyrical Ballads," for which Cottle had paid the authors 30 guineas, was estimated at nothing. Cottle then presented the copyright to Wordsworth and Coleridge. Wordsworth, meanwhile, had written other ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... exhausted, and the call for the "Book of Nonsense" continuing, I added a considerable number of subjects to those previously-published, and having caused the whole to be carefully reproduced in woodcuts by Messrs. Dalzell, I disposed of the copyright to Messrs. Routledge and Warne, by whom the volume was published in 1843. ...
— Nonsense Books • Edward Lear
... The Authorized Copyright Works. (Appleton's edition.) First Principles, 1 vol.; Principles of Biology, 2 vols.; Principles of Psychology, 2 vols.; Principles of Sociology, 3 vols.; Principles of Ethics, 2 vols. 8vo. 10 vols., cloth, new Published ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... matter was being discussed on another portion of the cliff by the curate and Constance. It referred to the tale she had written, which he had submitted to a publisher, who had offered a small sum for the copyright. The book, the publisher had said, was moderately good, but it formed only one volume; readers preferred their novels in three volumes, even if they had to put up with inferior quality. Besides, there was always a considerable risk in bringing ...
— Fan • Henry Harford
... published serially in All-Story Cavalier Weekly. Copyright (c) 1914, by The Frank ...
— The Mucker • Edgar Rice Burroughs
... the name of "Dorothea," and afterwards in book form as "Dolly." For reasons not necessary to state here, all control over the book had passed from my hands. It has been for some time out of print; but, having at last obtained control of the copyright, I have made such corrections as seemed advisable, given it the name I originally intended for it, and now issue it through my ...
— Vagabondia - 1884 • Frances Hodgson Burnett
... the next. 2. A similar printout generated (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... to London with a volume of stories for the press, and sold the copyright to the Messrs. Simpkin Marshall & Co., for L70. The work appeared in December 1826, under the title of "Hollandtide Tales." It was well received. The style was original, graceful and easy. The three novels, which comprised ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various
... for the copyright will probably expire in a little over twelve years. It was necessary, therefore, to revise the book throughout for literary inelegancies—of which I found many more than I had expected—and also to make such substantial additions as should secure a new lease of life—at any rate for the copyright. ...
— Erewhon • Samuel Butler
... capacity of the rooms now occupied at the Capitol, should be provided without further delay. This invaluable collection of books, manuscripts, and illustrative art has grown to such proportions, in connection with the copyright system of the country, as to demand the prompt and careful attention of Congress to save it from injury in its present crowded and insufficient quarters. As this library is national in its character, and must from the nature of the case increase even more rapidly in the future than in the past, ...
— State of the Union Addresses of Rutherford B. Hayes • Rutherford B. Hayes
... symmetrical form. His complexion was pale brown; his features small, and his eyes dark and piercing. "He was," writes Mr Gabriel Neil, who enjoyed his friendship, "of plain simple manners, with a well-cultivated mind; he loved debate, and took pleasure in good-humoured controversy." The copyright of "The Course of Time" continues to produce emolument ...
— The Modern Scottish Minstrel, Volume IV. - The Songs of Scotland of the Past Half Century • Various
... not to be equalled—no other than Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, for Wolfstein has on precisely ...
— Punch, or the London Charivari, Vol. 1, October 9, 1841 • Various
... limitations of a general body of the size and scope of our Association, I may perhaps be allowed to adduce the recent disagreement among librarians regarding the copyright question, or rather regarding the proper course to be followed in connection with the conference on that question called by the Librarian of Congress. It will be remembered that this conference was semi-official and was due to the desire of members of Congress to frame a bill that ...
— A Librarian's Open Shelf • Arthur E. Bostwick
... was discovered. From this document it appears that Mr. Pultock received twenty pounds, twelve copies of the work, and 'the cuts of the first impression,' that is, a set of proof impressions of the fanciful engravings that professed to illustrate the first edition, as the price of the entire copyright. This curious document was sold to John Wilks, Esq., M.P. on the ...
— Notes and Queries, Number 62, January 4, 1851 • Various
... due, first and chiefly, to Mr. Clement K. Shorter who placed all his copyright material at my disposal; and to Mr. G.M. Williamson and Mr. Robert H. Dodd, of New York, for allowing me to draw so largely from the Poems of Emily Bronte, published by Messrs. Dodd, Mead, and Co. in 1902; also to Messrs. Hodder and Stoughton, ...
— The Three Brontes • May Sinclair
... clamors for the same thing, and I do not know but I shall have to gratify him and others at the risk of injury to this my vulgar hope of dollars,—that innate idea of the American mind. This I shall settle in a few days. No copyright can be secured here for an English book unless it contain original matter: But my moments are going, and I can only promise to write you quickly, at home and at leisure, for I have just been reading the History ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... happy, then, was the life of Jean Ingelow, since what she received from the sale of a hundred thousand copies of her poems, and fifty thousand of her prose works, she spent largely in charity; one unique charity being a "copyright" dinner three times a week to twelve poor persons just discharged from the neighboring hospitals! Nor was any one made happier ...
— Cheerfulness as a Life Power • Orison Swett Marden
... belongs. There is matter for placing the piece in its right class. It might be said to place it in its right century or quarter century, but that tapestries were so often repeated in later times, the cartoon having no copyright and therefore open to all countries in all centuries. Next, then, to fix it better, comes a study of the border, for therein lies many a secret of identity, and borders were of the epoch in which the weaving was done, even though ...
— The Tapestry Book • Helen Churchill Candee
... the more inclined to put forth these ideas, at a time when reprints are the order of the day—when speculators, with a singular blindness, are ready to take hold of almost anything that comes in their way without the expense of copyright. It would be far more judicious to employ persons of a correct and elegant taste to separate the local and temporary from the universal and immortal part of our classics, and give us, in an independent form, what belongs to ourselves and to all time. A movement was ...
— Chambers's Edinburgh Journal, No. 448 - Volume 18, New Series, July 31, 1852 • Various
... this period (February, 1806) at work upon a farce, to be called "Mr. H.;" from which he says, "if it has a 'good run' I shall get two hundred pounds, and I hope one hundred pounds for the copyright." "Mr. H." (which rested solely upon the absurdity of a name, which after all was not irresistibly absurd) was accepted at the theatre, but unfortunately it had not "a good run." It failed, not quite undeservedly perhaps, ...
— Charles Lamb • Barry Cornwall
... similar pains with the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the ...
— The Life of Captain Matthew Flinders • Ernest Scott
... faults and its merits. Imitators added their sincerest flattery: rivals proclaimed themselves the original discoverers of 'London's Shame': one enterprising author even thought of going to law about it as a question of copyright. Owners of noisome lanes in the East End trembled in their shoes, and sent their agents to inquire into the precise degree of squalor to be found in the filthy courts and alleys where they didn't care to trust their own sensitive aristocratic ...
— Philistia • Grant Allen
... and librarians ask about the fair use and photocopying provisions of the copyright law. The Copyright Office cannot give legal advice or offer opinions on what is permitted or prohibited. However, we have published in this circular basic information on some of the most important legislative provisions and other documents dealing with reproduction ...
— Reproduction of Copyrighted Works By Educators and Librarians • Library of Congress. Copyright Office.
... in his time of publication as in his choice of a subject. All contemporaries admit that the pamphlet produced a prodigious effect. Paine himself says,—"The success it met with was beyond anything since the invention of printing. I gave the copyright up to every State in the Union, and the demand ran to not less than one hundred thousand copies." The authorship was attributed to Dr. Franklin, to Samuel Adams, and to ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... Bar Association voted in 1903 that it was desirable to establish a new appellate court to sit at Washington and take cognizance of patent and copyright cases. Such a measure would tend to relieve the Supreme Court of the United States of any undue pressure of business, and promote both uniformity and promptitude of decision in a class of actions in which promptitude and uniformity are of special importance. As things stand ...
— The American Judiciary • Simeon E. Baldwin, LLD
... Manning about it, on December 5, adding after an outline of the plot:—"That's the idea—how flat it is here—but how whimsical in the farce!" Later he says: "I shall get L200 from the theatre if 'Mr. H——' has a good run, and, I hope, L100 for the copyright. Nothing if it fails; and there never was a more ticklish thing. The whole depends on the manner in which the name is brought out, which I value myself on, as a chef-d'oeuvre." And a little later still: "N.B. If my little thing don't ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... Volume are protected by copyright, and are printed here by authority of the authors ...
— Stories by American Authors (Volume 4) • Constance Fenimore Woolson
... copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less ...
— The Voice on the Wire • Eustace Hale Ball
... and he had now reverted to his former condition of abject dependence unless for a fortunate occurrence. This was no less than his being appointed joint-proprietor and editor of the newspaper by a wealthy individual, who, noticing the abilities of the young shopman, purchased the copyright with the view of placing the management entirely in ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... went to my hotel, called for the hotel book, and registered an oath, which is, therefore, copyright. I swore that in twenty-five years I would be even with him I hated. I prayed, rather inconsistently, that honour and happiness might be the lot of her I had lost. After that ...
— Much Darker Days • Andrew Lang (AKA A. Huge Longway)
... perceive further,' said Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing ...
— A Great Man - A Frolic • Arnold Bennett
... work is protected by Copyright, and simultaneous initial publication in United States of America, Canada, Great Britain, France, Germany, Russia and other countries. All ...
— The Heart of the New Thought • Ella Wheeler Wilcox
... paper had not received so much pecuniary benefit from its publication as it would have done could my readers have foreseen what it was to be, and as my large circulation had served as a tremendous advertisement for the work, which was now about to be published separately, and of which she held the copyright alone, I supposed that I ought not to pay for it so much as if these circumstances had not existed. But I simply stated the case to her,—submitted everything to her judgment,—and would pay her additional just exactly ...
— The Atlantic Monthly, Volume 17, No. 104, June, 1866 • Various
... Registered under the 5th & 6th Vic. c. 100, and the Public are hereby cautioned against making any of them for the purpose of Sale, without permission from the Authoress. Any person infringing upon the Copyright will be proceeded against, and, by sect. 8, they are liable to a penalty of from L5 to L30 for ...
— Golden Stars in Tatting and Crochet • Eleonore Riego de la Branchardiere
... I must thank the publishers, Houghton Mifflin Company, for the use of selections from the copyright books of Mrs. Agassiz and Professor Shaler; these and all other obligations are, I trust, indicated in the proper places by footnotes. I owe a special debt of gratitude to Professor Burt G. Wilder for his ...
— Louis Agassiz as a Teacher • Lane Cooper
... could only see about getting it published. I have other compositions to go with it, too; I wish I could bring them out; for I haven't made a five-pound note out of any of them yet. These publishing people—they want the copyright of an obscure composer's work, such as mine is, for almost less than I should have to pay a person for making a fair manuscript copy of the score. The one you speak of I have lent to various friends about here and Melchester, and so it has got to be sung a little. But music is a poor staff ...
— Jude the Obscure • Thomas Hardy
... presented to the king by his own printer, John Bill, not from a political motive, but merely by way of complaint that another had printed, without leave or license, that which, as the king's printer, he asserted was his own copyright. Charles does not seem to have been pleased with the gift, and observed, "You printers print anything." Three gentlemen of the bed-chamber, continues the writer, standing by, commended Mr. Bill very much, and prayed him ...
— Curiosities of Literature, Vol. II (of 3) - Edited, With Memoir And Notes, By His Son, The Earl Of Beaconsfield • Isaac D'Israeli
... asleep, himself having furnished one of the most unanswerable proofs that the gospel is the power of God unto salvation.—Arthur T. Pierson, in "The Miracles of Missions," second series, copyright by Funk ...
— Stories Worth Rereading • Various
... cheap paper-covered edition of the letters, and sent the American Publishing Co. a challenge in the shape of an advance notice of their publication. Clemens hurried back to San Francisco from the East, and soon convinced the proprietors of the 'Alta California' of the authenticity of his copyright. The paper-covered edition was then and ...
— Mark Twain • Archibald Henderson
... country for just two things, money and applause; he received both in full measure; then he bit the friendly hand which had given him what he wanted. [Footnote: The chief source of Dickens's irritation was the money loss resulting from the "pirating" of his stories. There was no international copyright in those days; the works of any popular writer were freely appropriated by foreign publishers. This custom was wrong, undoubtedly, but it had been in use for centuries. Scott's novels had been pirated the same way; and until Cooper ...
— Outlines of English and American Literature • William J. Long
... amusing sketch of Bath as it is. Among the anecdotical notes to the Poem it is stated that Dodsley acknowledged about ten years after he had purchased the "Bath Guide," that the profits from its sale were greater than on any other book he had published. He generously gave up the copyright to the author in 1777, who had 200l. for the copyright after the second edition. Yet Dodsley, with all his liberality lived to be rich, though he originally was footman to the Hon. Mrs. Lowther; ...
— The Mirror of Literature, Amusement, and Instruction - Volume 19, No. 533, Saturday, February 11, 1832. • Various
... Copyright, 1907, by Clinedinst. Washington, D. C. Theodore Roosevelt At his desk in the executive offices of the White House during his ...
— History of the United States, Volume 6 (of 6) • E. Benjamin Andrews
... arrangement of the "Tannhauser" march and of the wedding procession (I don't know how to name the piece) in the second act of "Lohengrin" (E flat major), and should like to publish these two pieces. Tell me whether Meser has still the copyright of the melodies of "Tannhauser", and whether I must ask his permission to publish this piece, together with the other from "Lohengrin", with Hartel. As Kistner has already printed the "Evening Star", I do not anticipate any particular ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... is already over a month since the first edition of that Peace Treaty was handed to the German delegates, and what is a little thing like a copyright to them crooks when it comes to making a profit of ten cents a volume? I bet yer that Europe is already flooded with pirated editions of that Peace Treaty retailing at anywheres from twenty-five ...
— Potash and Perlmutter Settle Things • Montague Glass
... to offer a song through the mails only when a personal visit and demonstration are impossible. You need not copyright your song, if you send it to a reputable publisher. All you need do is to submit it with a short letter, offering it on the usual royalty basis, and enclose stamps for return, if it is not available. From two to four weeks is the usual ...
— Writing for Vaudeville • Brett Page
... Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous composition, "The Lost Chord," had been taken without leave ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... more favorite authors with American girls than Mrs. L. T. MEADE, whose copyright works can only be had from us. Essentially a writer for the home, with the loftiest aims and purest sentiments, Mrs. Meade's books possess the merit of utility as well as the means of amusement. They are girls' books—written for girls, ...
— Through Apache Lands • R. H. Jayne
... in school hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The lesson closes with remarks on the care of books. The ninth grade lesson is on reference books, and ...
— Library Work with Children • Alice I. Hazeltine
... hydrangeas—in French called Hortensias—among which little Loves were playing. The poor lover, to enable him to pay for the materials of the box, of which the panels were of malachite, had designed two candlesticks for Florent and Chanor, and sold them the copyright—two admirable pieces ...
— Poor Relations • Honore de Balzac
... Publishers have endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... exhilarating in the knowledge that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest it to ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand
... Bible text printed in short measure (indented both sides) is taken from the American Standard Edition of the Revised Bible, copyright, 1901, by Thomas Nelson & Sons, and is used ...
— The Social Principles of Jesus • Walter Rauschenbusch
... "After twenty-eight years, the copyright of this book has reverted to me. In presenting the first 'author's edition' to the public, I have been encouraged to add an account of a visit to the old scenes, made twenty-four years after, together with notices of the subsequent story and fate of ...
— Two Years Before the Mast • Richard Henry Dana
... of the Biographical Supplement is meant to carry out as far as possible the original project of its author. The whole of his narrative has been retained, and also what Sara Coleridge added to his writing; and all the non-copyright letters of Coleridge available from other sources have been inserted into the narrative, and additional biographical matter, explanatory of the letters, has been given. [1] By this retention of authentic ...
— Biographia Epistolaris, Volume 1. • Coleridge, ed. Turnbull
... leaves of translations of the Greek passages, conjectural emendations which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left for ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... took his leave for the present, going, as he informed me, on an errand of mercy for his stomach. The magazine aboard ship being of dubious character, he had prevailed on himself to supply his concern with a limited number of first-class cereals with his own imprimatur,—copyright and profits to be in his own hands. As some consolation for his absence, I was favored with a brief oral treatise on Fats, considered both dietetically and ethically, with an appendix, somewhat a la Liebig, on the nature, use, and effects of tissue-making and heat-making food, nitrogen, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster ...
— Haydn • J. Cuthbert Hadden
... Because of copyright restrictions, we often have been unable to present, in magazine form, verse of large popular appeal. By special arrangement, a number of such poems were included in Book One of Poems Teachers Ask For, and many more are given in the pages that follow. Acknowledgment is made below ...
— Poems Teachers Ask For, Book Two • Various
... previous works, extremely popular here; and if you have received no remuneration for it, you are not justly dealt by, as I am sure its sale has been very considerable, and very profitable. [Mrs. Jameson was, undoubtedly, one of the greatest sufferers by the want of an author's copyright in America: her works were all republished there; and her laborious literary career, her careful research and painstaking industry, together with her restricted means and the many claims upon them, made it a peculiar hardship, in her case, to be deprived of ...
— Records of Later Life • Frances Anne Kemble
... registered in the Copyright Library, but it appears to have been a rather badly printed pirated version. It was not an easy job to create this e-book, but I believe the author would approve of what we have ...
— The King's Daughters • Emily Sarah Holt
... her son, received an annuity of three thousand francs, which was punctually paid until the old lady's demise in 1854. Buisson the tailor, Dablin, Madame Delannoy, and the rest of the creditors, one after the other, were reimbursed the sums they had also advanced, the profits on unexhausted copyright aiding largely in the liberation of the estate. Before Eve's own death, every centime ...
— Balzac • Frederick Lawton
... in France. It was the splendid work of these gallant fellows and thousands more like them—British, French, and Americans—that kept the supremacy of the air in the hands of the Allies. (Canadian Official Photo, copyright by ...
— America's War for Humanity • Thomas Herbert Russell
... have considered desirable. If we suppose the pills to be a very great blessing, is not every human being as well entitled, in justice and humanity, to have the benefit of them, as those who are fighting for the succession? What have they ever done to deserve a monopoly? If there were a perpetual copyright, who at the present day would be the representatives of Shakspeare or Milton; and what right would they have to reap great rewards from the riches with which the illustrious dead desired to endow all mankind? The inventors and authors themselves, it is true, deserve reward; ...
— Chambers's Edinburgh Journal, No. 440 - Volume 17, New Series, June 5, 1852 • Various
... all classes of Literature, both copyright and non-copyright; Biography, History, Voyages, Travels, Poetry, sacred and secular, Books of Adventure and Fiction. They will include Translations of Foreign Books, and also such American Literature as may ...
— The Lieutenant and Commander - Being Autobigraphical Sketches of His Own Career, from - Fragments of Voyages and Travels • Basil Hall
... Reprinted from a copy in the Fisk University Library Negro Collection Copyright (C)1969 Mnemosyne Publishing Co., Inc. Miami, Florida Library of Congress Catalog Card ...
— Political Recollections - 1840 to 1872 • George W. Julian
... Groups Appendix D: Selected International Environmental Agreements Appendix E: Weights and Measures Appendix F: Cross-Reference List of Country Data Codes Appendix G: Cross-Reference List of Hydrographic Codes Appendix H: Cross-Reference List of Geographic Names History Contributors and Copyright Information ...
— The 2000 CIA World Factbook • United States. Central Intelligence Agency.
... been taken, and, together with the bibliographies which accompany them, will serve further to direct and stimulate the reading and research of students. The co-operation of the following publishers, organizations and journals, in giving, by special arrangement, permission to use selections from copyright material, was therefore distinctly appreciated by ...
— Introduction to the Science of Sociology • Robert E. Park
... well known, Dickens married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning Chronicle." ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... power will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of individuals. The States cannot separately make effectual ...
— The Federalist Papers • Alexander Hamilton, John Jay, and James Madison
... Copyright Fiction Adventures of Jimmie Dale, The. By Frank L. Packard. Adventures of Sherlock Holmes. By A. Conan Doyle. Affinities, and Other Stories. By Mary Roberts Rinehart. After House, The. By Mary Roberts Rinehart. Against the ...
— The Spoilers of the Valley • Robert Watson
... Century Dictionary" are made under an arrangement with the owners of the copyright of that work. I am also indebted to Professor Barrett Wendell, Messrs. Houghton, Mifflin & Co., and Messrs. Macmillan & Co. for permission to use brief quotations from ...
— Practical Exercises in English • Huber Gray Buehler
... nature has any cunning devices by which she may hide seeds away where they will remain "almost imperishable" for ages, is not entirely new with Professor Marsh, nor is it any suggestion that would be protected by copyright. In finding the winds, birds, quadrupeds, and other assumed agencies of distribution improbable, he seeks, with Dr. Dwight, for "the seeds of an ancient vegetation," and, finding none by actual observation, concludes that nature has some occult, and thoroughly surreptitious, ...
— Life: Its True Genesis • R. W. Wright
... was produced from Astounding Science Fiction April 1947. Extensive research did not uncover any evidence that the copyright on this publication ...
— Time and Time Again • Henry Beam Piper
... an international copyright has been frequently commended to the attention of Congress by my predecessors. The enactment of such a law would be eminently ...
— A Compilation of the Messages and Papers of the Presidents, Volume IX. • Benjamin Harrison
... take upon himself to guide the public opinion, and who if he feels in his own heart that the fame of the man whom he hates is invulnerable, lays in wait for that reason the more vigilantly to wound him in his fortunes. In such cases, when the copyright as by the existing law departs from the author's family at his death, or at the end of twenty-eight years from the first publication of every work, (if he dies before the expiration of that term,) his representatives ...
— Colloquies on Society • Robert Southey
... purpose if the closing of the theatres, under the tyrannical intolerance of the Puritans, had not interrupted the natural order of things. We know, besides, that the poets used then to sell the exclusive copyright of their pieces to the theatre [Footnote: This is perhaps not uncommon still in some countries. The Venetian Director Medebach, for whose company many of Goldoni's Comedies were composed, claimed an exclusive right to ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... it is too late to secure a copyright on the continent they never fail to copyright their ...
— This Giddy Globe • Oliver Herford
... thicken. During the year 1801, a Scotchman by the name of Wood was employed to write "A History of John Adams's Administration." Ward & Barlas, booksellers in New-York, were the proprietors of the copyright, and printed 1250 copies. William Duane, editor of the Aurora, furnished the author a portion of his materials, and became the agent to negotiate with a London bookseller for the publication of an edition in England. ...
— Memoirs of Aaron Burr, Complete • Matthew L. Davis
... Constable and Company in 1893 being out of print but still in demand, Mr. Humphrey Milford, the present owner of the copyright, has requested me to revise the book and bring it ...
— Rambles and Recollections of an Indian Official • William Sleeman
... back, adding 'I have finished the Third Canto of "Don Juan," but the things I have heard and read discourage all future publication. You may try the copy question, but you'll lose it; the cry is up, and the cant is up. I should have no objection to return the price of the copyright, and have written to Mr. Kinnaird on ...
— Lady Byron Vindicated • Harriet Beecher Stowe
... references to "permission", "copyright" and similar are from the original text. They are retained solely for ...
— Dramatized Rhythm Plays - Mother Goose and Traditional • John N. Richards
... the Articles of the Copyright Convention of the Pan-American Republics and the United States, ...
— Successful Methods of Public Speaking • Grenville Kleiser
... quite misunderstand me; I mean buy the copyright and the entire edition, with the view of suppressing the work. It says some frightful things, I assure ...
— A Unique Story of a Marvellous Career. Life of Hon. Phineas T. • Joel Benton
... was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without the permission ...
— Relativity: The Special and General Theory • Albert Einstein
... 2003 Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end ...
— Nina Balatka • Anthony Trollope
... fully protected by the copyright law, all requirements of which have been complied with. In its present printed form it is dedicated to the reading public only, and no performance of it, either professional or amateur, may be given without ...
— The Climbers - A Play in Four Acts • Clyde Fitch
... painting which accompanied them. The book, a handsome folio, appears to have been immediately successful, for in the following year a second edition was called for. This was a precise reprint of the 1856 edition; but, unhappily, the delicate plates already began to exhibit signs of wear. The copyright (which had not been retained by Mr. Ruskin, but remained the property of Messrs. E. Gambart & Co.) then passed to Messrs. Day & Son, who, after producing the third edition of 1859, in turn disposed of it to Mr. T. J. Allman. Allman ...
— The Harbours of England • John Ruskin
... Shakespeare's plays had attracted Johnson early, and in 1745 he issued proposals for an edition. Forced to give up the project because of copyright difficulties, he returned to it again in 1756 with another, much fuller set of proposals. Between 1745 and 1756 he had completed the great Dictionary and could advance his lexicographical labors ...
— Johnson's Notes to Shakespeare Vol. I Comedies • Samuel Johnson
... Copyright (c) 1958 by The World Publishing Company All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, except for brief passages included in a review appearing in a newspaper ...
— The Time Traders • Andre Norton
... the fear of impinging on Mr. Young's copyright that prevents me reprinting the graphic ballad of The Wanderer and the prologue of The Strollers, which reads like a page from the prelude to some Old-World miracle play. The setting of these things is frequently antique, but the thought is the thought of today. I think there ...
— Ponkapog Papers • Thomas Bailey Aldrich
... article by Mr. Winsor in "The Narrative and Critical History of America," of which he was editor. By arrangement with the publishers, Houghton, Mifflin Co., Copyright 1889. For a long period Mr. Winsor was librarian of Harvard University. He wrote "From Cartier to Frontenac," "Christopher Columbus," "The Mississippi Basin," and made other ...
— Great Epochs in American History, Volume I. - Voyages Of Discovery And Early Explorations: 1000 A.D.-1682 • Various
... "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer for ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... acknowledgment is made on the title and copyright pages of those contributing to each book, the Committee nevertheless felt that a group list of co-operating ...
— Punctuation - A Primer of Information about the Marks of Punctuation and - their Use Both Grammatically and Typographically • Frederick W. Hamilton
... was sure to be acrimonious because of the self-consciousness of each side. Luther always assumed that he had a monopoly of truth, and that those who proposed different views were infringing his copyright, so to speak. "Zwingli, Carlstadt and Oecolampadius would never have known Christ's gospel rightly," he {109} opined, "had not Luther written of it first." He soon compared them to Absalom rebelling against ...
— The Age of the Reformation • Preserved Smith
... fide abridgment of any book is considered a new work; and however it may injure the sale of the original, yet it is not deemed, in law, to be a piracy, or violation of the author's copyright. 1 Bro. 451. 2. Atk. 141. and Mr. Christian's note on ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... suggests the mention of another crying abuse connected with this subject. In the year 1811 or 1810 came under parliamentary notice and revision the law of copyright. In some excellent pamphlets drawn forth by the occasion, from Mr. Duppa, for instance, and several others, the whole subject was well probed, and many aspects, little noticed by the public, were exposed of that extreme injustice attached to the law as it then stood. The ...
— Autobiographic Sketches • Thomas de Quincey
... it not?" he agreed pleasantly. "Now you see you have before you the two dictionaries you will use most, and over in that case you will find other references. The main thing"—his voice sank to an impressive whisper—"is not to infringe the copyright. The publisher was in yesterday and made a little talk to the force, and he said that any one who handed in a piece of copy infringing the copyright simply employed that means of writing his own resignation. Neat way of putting ...
— Lifted Masks - Stories • Susan Glaspell
... these I have added the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)
... authoress," continued Jim, "has taken none of us into her confidence. She has, I presume, strong opinions on the subject of copyright, and is determined to give no opportunity of ...
— Belles and Ringers • Hawley Smart
... one than most scholars, having in his earlier years been librarian at the Royal Library of the Castle; and since then having enjoyed from the liberality of Hartknoch, his publisher, (who, in his turn, had profited by the liberal terms on which Kant had made over to him the copyright of his own works,) the first sight of every ...
— Narrative And Miscellaneous Papers • Thomas De Quincey
... division of Macmillan, Inc., 1920; copyright renewed by Padraic Colum and Macmillan Publishing Company 1948 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval ...
— The Children of Odin - The Book of Northern Myths • Padraic Colum
... of Die Woche have taken offense at the words "Copyright by ..." (in English) and demand that this English formula be rendered hereafter in German. This desire, springing from patriotic motives, is easily understood, but unfortunately cannot be carried out for the form "Copyright by ..." is demanded by the American copyright ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... titles of the best stories ever written by Harry Castlemon. But few of these titles have ever been published in low-priced editions, many of them are copyright titles which will not be found in any other publisher's list. We now offer them in this new low-priced edition. The books are printed on an excellent quality of paper, and have an entirely new and handsome cover design, ...
— The Brighton Boys in the Radio Service • James R. Driscoll
... Translated by Thomas Wentworth Higginson. Copyright, 1865 and 1890, by Little, Brown & Co. Epictetus has been valued not alone as an exposition of the Stoic philosophy, but as a specimen of Greek of the later or Silver Age. Marcus Aurelius, who in a later generation wrote in Greek himself, is said to have ranked Epictetus with Socrates as ...
— The Best of the World's Classics, Restricted to prose. Volume I (of X) - Greece • Various
... engagement with Griffin about the History of Animated Nature was made at the beginning of 1769. The work was to occupy eight volumes; and Dr. Goldsmith was to receive eight hundred guineas for the complete copyright. Whether the undertaking was originally a suggestion of Griffin's, or of Goldsmith's own, does not appear. If it was the author's, it was probably only the first means that occurred to him of getting another ...
— Goldsmith - English Men of Letters Series • William Black
... complete delusion. I could not possibly write anything for him in less than two years; and I had rather not enter into any agreement. On reflection, I am satisfied that it would not answer my purpose to write a popular 'History of the French Revolution' for 100 L, and to surrender the copyright. An author never ought to surrender a copyright unless he is compelled to do so. If I wrote a History of the French Revolution which became a school book or an educational book, it might become a property of some ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton |
