"Corneille" Quotes from Famous Books
 ... abbots: Durement, Abbot of Fecamp, later Bishop of Coutances; Benel, Abbot of Courcelles; De Conti, Abbot of Sainte Catherine; Dacier, Abbot of Saint Corneille of Compiegne; Frique, Abbot of Bee; Jolivet, Abbot of Saint Michael's Mount in Normandy; Labbe, Abbot of Saint George de Bocherville; Leroux, Abbot of Jumieges; Du Masle, Abbot of Saint Ouen; Moret, Abbot of Preaux; and ...
— Joan of Arc • Ronald Sutherland Gower
... spoke the language of the country; and Isabella—who with her friends sang boleros and danced the cachuca; with her brother, read Racine and Corneille—was equally happy while she hung enraptured upon the strains of Pergolese's music, or gazed entranced upon the pictures of Correggio and the Veronese. The princess herself was both a painter and musician, and no one, more than she, ...
— Joseph II. and His Court • L. Muhlbach
... Albert," returned Franz, "your answer is sublime, and worthy the 'Let him die,' of Corneille, only, when Horace made that answer, the safety of Rome was concerned; but, as for us, it is only to gratify a whim, and it would be ridiculous to risk our lives for so foolish a motive." Albert poured himself out a glass of lacryma Christi, which he sipped at ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... not have endured life, after enacting such a law, and seeing the ghastly work that it was doing. He could hardly have contented himself with drawing tears from the company in Madame Duplay's little parlour, by his pathetic recitations from Corneille and Racine, or with listening to melting notes from the violin of Le Bas. It is commonly said by Robespierre's defenders that he withdrew from the Committee of Public Safety, as soon as he found out that he was ...
— Critical Miscellanies (Vol. 1 of 3) - Essay 1: Robespierre • John Morley
... seen plays enough in Paris, Hyacinth. Recall the themes that pleased you at the Marais and the Hotel de Bourgogne; the stories of classic heroism, of Christian fortitude, of manhood and womanhood lifted to the sublime. You who, in your girlhood, were familiar with the austere genius of Corneille——" ...
— London Pride - Or When the World Was Younger • M. E. Braddon
... dramatist he ranks next to Racine and Corneille, but as an epic poet he is a failure. His romances are probably the best evidences of his versatile and wonderful powers. They embody all the hate and really noble anger of his soul against the evils which were crushing ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... with more lies than the "Menteur" of Corneille, but not such innocent ones, he went down to Gravesend, all in deep mourning, ...
— A Simpleton • Charles Reade
... looked at her radiant youth: 'Et rose, elle a vecu ce que vivent les roses, l'espace d'un matin; for,' he said, 'the flowers of the world fade quickly, and thou art surely a flower, my little one.' He read her the works of Racine, Corneille, Moliere, all of which learning she assimilated rapidly, and with an accuracy which delighted the old scholar. Sometimes, of an evening, he would keep her with him long after school hours, and one winter he took it into his head ...
— A German Pompadour - Being the Extraordinary History of Wilhelmine van Graevenitz, - Landhofmeisterin of Wirtemberg • Marie Hay
... Corneille, hurried his poetical effusions in order to raise money for gambling. This man of genius was but a spoilt child in the matter of play. He once received two or three hundred louis, and mistrusting himself, went ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... was earlier gemeau, still used by Corneille, and earlier still gemel, Lat. gemellus, diminutive of geminus, twin. From one form we have the gimbals, or twin pivots, which keep the compass horizontal. ...
— The Romance of Words (4th ed.) • Ernest Weekley
... opinion also from another able authority: "The drama of 'Gli Orazi' is taken from Corneille's tragedy 'Les Horaces.' The music is full of noble simplicity, beautiful melody, and strong expression. In the airs dramatic truth is never sacrificed to vocal display, and the concerted pieces are grand, broad, and effective. Taken as a whole, the piece is free from antiquated and obsolete ...
— Great Italian and French Composers • George T. Ferris
... their plundering raids. There were no soldiers to guard it, and the peasants of the vicinity, Jacques Bonhomme (Jack Goodfellow) as they were called, undertook its defence. This was no unauthorized action. The lord-regent of France and the abbot of the monastery of St. Corneille-de-Compiegne, near by, gave them permission, glad, doubtless, to have even their poor aid, in the ...
— Historical Tales, Vol. 6 (of 15) - The Romance of Reality. French. • Charles Morris
... the "Atlante Storico e Geografico della Terra Santa, esposto in 14 Tavole e 14 Quadri storici della Palestina," republished (without date) by Francesco Pagnoni of Milan, appears an annexed commentary by Cornelius a Lapide. The latter, Cornelius Van den Steen (Corneille de la Pierre), born near Liege, a learned Jesuit, profound theologian, and accomplished historian, was famous as a Hebraist and lecturer on Holy Writ. He died at Rome March 12, 1637; and a collected edition of his works in sixteen ...
— The Land of Midian, Vol. 1 • Richard Burton
... Charles of Orleans, by Margaret of Valois, by Francis the First; that gave a crowd of versifiers to France, enriched, strengthened, developed, and fixed the French language, and prepared the way for Corneille and for Racine. The present work aims to afford information and direction touching the early efforts of France in ...
— MacMillan & Co.'s General Catalogue of Works in the Departments of History, Biography, Travels, and Belles Lettres, December, 1869 • Unknown
... be complimented only by comparison with himself: all other eulogies are either heterogeneous, as when they are in reference to Spenser or Milton; or they are flat truisms, as when he is gravely preferred to Corneille, Racine, or even his own immediate successors, Beaumont and Fletcher, Massinger and the rest. The highest praise, or rather form of praise, of this play, which I can offer in my own mind, is the doubt which ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... have loved her. Of course she had read French and English to some purpose; she could speak Spanish—her grandfather had taught her that; she understood Italian fairly—she had read it aloud on Sunday evenings with the Chevalier. Then there were Corneille, Shakespeare, Petrarch, Cervantes—she had read them all; and even Wace, the old Norman trouvere, whose Roman de Rou she knew almost by heart. Was ...
— The Judgment House • Gilbert Parker
... gradual steps and slow, exacter France Saw Art's fair empire o'er her shores advance: By length of toil a bright perfection knew, Correctly bold, and just in all she drew: 70 Till late Corneille, with Lucan's[58] spirit fired, Breathed the free strain, as Rome and he inspired: And classic judgment gain'd to sweet Racine The temperate strength ...
— The Poetical Works of William Collins - With a Memoir • William Collins
... proved, that, in all the essentials of art, no less than in the truth of nature, the Plays of Shakespeare were incomparably more coincident with the principles of Aristotle, than the productions of Corneille and Racine, notwithstanding the boasted regularity of the latter. Under these convictions were Lessing's own dramatic works composed. Their deficiency is in depth and imagination: their excellence is in the construction of the plot; the good sense of the sentiments; the sobriety of the morals; and ...
— Biographia Literaria • Samuel Taylor Coleridge
... intense national belief in the hero, most of all, perhaps, because the countrymen of Cervantes already possessed that faculty of individual, not merely of typical, characterisation which has been, as a rule, denied to the countrymen of Corneille—the poem is far more alive than the not less heroic histories of Roncesvaux or of Aliscans. Even in the Nibelungenlied, to which it has been so often compared, the men (not the women—there the Teutonic ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... singularly inauspicious. Under the guidance of Cardinal Richelieu it delivered a futile attack upon the one writer who stood out head and shoulders above his contemporaries, and whose works bore all the marks of unmistakable genius—the great CORNEILLE. With the production, in 1636, of Corneille's tragedy, Le Cid, modern French drama came into existence. Previous to that date, two main movements are discernible in French dramatic art—one carrying on the medieval traditions of the mystery-and ...
— Landmarks in French Literature • G. Lytton Strachey
... that every married man, who is at all attached to his wife from honorable motives, can, in the words of the elder Corneille, seek a rope and a nail; foenum habet ...
— Analytical Studies • Honore de Balzac
... but to give him even the shortest notice, nay, merely to attempt the nomenclature, and furnish a "catalogue raisonne" of all that immense body, would be as wide of our purpose as it would wholly transcend our powers. Such a task would be as vain as—(but here, after the example of Boileau, Corneille, and Pope, let us give our paraphrase of the well-known passage of the bard ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 367, May 1846 • Various
... a poor student come to study the humanities, or the pleasant art of amputation, cross the water forthwith, and proceed to the "Hotel Corneille," near the Odeon, or others of its species; there are many where you can live royally (until you economize by going into lodgings) on four francs a day; and where, if by any strange chance you are desirous for a while ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... always so good, and no matter what they say, so simple. People will recognize later (if they ever return seriously to literature), that he was a great poet. Meanwhile he is an absolutely unknown author. So indeed is Pierre Corneille. ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... manner in which a king should bear himself in prosperity as well as in adversity. You will, therefore, perform Oedipus, Cinna, Mohammed, and Andromache, that kings may see how true monarchs ought to behave. I could have wished, however, that you had prepared not only the tragedies of Racine, Corneille, and Voltaire, but also some of the comedies of Moliere. You know how highly I esteem them. But the Germans would not understand them. We must show them the beauty and sublimity of our tragic theatre; they will appreciate it better than the profound wit of Moliere. Make it indispensable ...
— Napoleon and the Queen of Prussia • L. Muhlbach
... full sight of the oncoming band, fixed their attention, and, raising the shout of "Death to d'Artin," they spurred their horses to a gallop. I had barely disappeared down the deserted Rue Corneille when they debouched into the square, spreading out and circling round as hounds hot upon a scent. Here they were at fault, not knowing whither I had turned among so many narrow and irregular streets. Before they found me again ...
— The Black Wolf's Breed - A Story of France in the Old World and the New, happening - in the Reign of Louis XIV • Harris Dickson
... up to compete with drama, his rules were destined either to shackle literature or to be thrown ruthlessly overboard in the violent revulsion against Classicism. Shakespeare fortunately was guiltless of any exact knowledge of Aristotle, and the fact that Corneille and Racine, who had no French Shakespeare to precede them, were in bondage to that influential philosopher, had a lasting effect upon French literature which the mighty influence of Hugo was insufficient to destroy. But at least the example of these Classicist writers has proved that ...
— Personality in Literature • Rolfe Arnold Scott-James
... Napoleon carried Ossian in his travelling carriage; he had it with him at Lodi and Marengo, and the style of his bulletins—full of faults, but full too of martial and poetic fire—is coloured more by Ossian than by Corneille or Voltaire. Goethe makes Homer and Ossian the two companions of Werter's solitude, and represents him as saying, "You should see how foolish I look in company when her name is mentioned, particularly when I am asked plainly ...
— The Celtic Magazine, Vol. 1, No. 1, November 1875 • Various
... days the quiet evenings when, after the rest of the household had retired, they read alone or discussed what stirred their hearts. Each gave the other what she could. The German governess went through our classic authors with her employer, and my mother read to her the works of Racine and Corneille, and urged her to speak French and English with her; for, like many natives of Holland, her mastery of both languages was as thorough as if she had grown up in Paris or London. The necessity of studying and sharing her own rich intellectual possessions continued to be a marked trait in my ...
— Uarda • Georg Ebers
... ambiguous phrase, she went at once to get her father's advice upon it. Sometimes Genevieve Hardouin would drop in to talk with her and Mlle. Frahender. Esperance adored Racine and refused to study Corneille, before whom Genevieve bowed ...
— The Idol of Paris • Sarah Bernhardt
... tradition and the liberty of genius to such new conquests. Unfortunately, we cannot agree as to the proportions in which each of them is required. The French exaggerated the importance of tradition, and so gave us the classical drama of Racine and Corneille. Walt Whitman exaggerated the importance of liberty, and so gave us Leaves of Grass. In nearly all periods of literary energy, we find writers rushing to one or other of these extremes. Either they declare that the classics are perfect and cannot ...
— The Art of Letters • Robert Lynd
... the French have it; at least Moliere and Corneille—whom I have been reading by and large of late, having read all the new things I could get hold of-are continually having their personages etonned. Or, I feel like Dominie Sampson, and say, "Pro-di-gi-ous!" Not as he said it to Meg Merrilies, but rather to Miss Julia ...
— Autobiography and Letters of Orville Dewey, D.D. - Edited by his Daughter • Orville Dewey
... the vanity of man has only to consider the causes and effects of love. The cause is a je ne sais quoi (Corneille),[76] and the effects are dreadful. This je ne sais quoi, so small an object that we cannot recognise it, agitates a whole country, princes, armies, the ...
— Pascal's Pensees • Blaise Pascal
... not find the same character placed by different poets in such different lights, that we can discover not the least sameness, or even likeness, in the features? The Sophonisba of Mairet and of Lee is a tender, passionate, amorous mistress of Massinissa: Corneille and Mr Thomson give her no other passion but the love of her country, and make her as cool in her affection to Massinissa as to Syphax. In the two latter she resembles the character of queen Elizabeth; in the two former she is the picture ...
— Miscellanies, Volume 2 (from Works, Volume 12) • Henry Fielding
... out. It went down the Rue Grand-Pont, crossed the Place des Arts, the Quai Napoleon, the Pont Neuf, and stopped short before the statue of Pierre Corneille. ...
— Madame Bovary • Gustave Flaubert
... was not a poet himself, but he was fond of the poets, and had perused Milton, Shakspeare, Beattie, Cowper, and Keats with real pleasure, to say nothing of having read Corneille and Racine in the original. The steward, therefore, was prepared to appreciate the poet's sentiment, "Oft from apparent ills our blessings rise." His impatient gesture and his petulant exclamation ...
— Freaks of Fortune - or, Half Round the World • Oliver Optic
... tragedy, it is difficult for us to believe that the hero ever suffers, for he explains the state of his soul, as the coolest man would do, and always thinking of the effect he is making on others, he never lets nature pour forth freely. The kings, the princesses, and the heroes of Corneille or Voltaire never forget their rank even in the most violent excess of passion; and they part with their humanity much sooner than with their dignity. They are like those kings and emperors of our old picture-books, who go to bed with their ...
— The Works of Frederich Schiller in English • Frederich Schiller
... day lessening that splendour of character which once illuminated the kingdom, then dazzled, and afterwards inflamed it; and for whom it will be happy if the nation shall at last dismiss him to nameless obscurity, with that equipoise of blame and praise which Corneille allows ...
— Life Of Johnson, Vol. 2 • Boswell
... that the heroic drama, rhymed couplet and all, was imported from France. Albovine, as we have seen, has every mark of the heroic drama, except the couplet; and Albovine was written seven years before the first masterpiece of Corneille, one year before his first attempt at tragedy. A superficial likeness to the drama of Corneille and, subsequently, of Racine may doubtless have given wings to the popularity of the new style both with Davenant and his admirers. But the heroic drama is, in truth, a ...
— English literary criticism • Various
... Comte, Lodge, Louise Bonne de Jersey, Loveaux, Mace, Magnate, Miller, Minister,* Dr. Lucius, Mount Vernon, Mme. Blanche Sannier, Mme. Treyve, Napoleon, Oswego Beurre, Pardee's Seedling, Passe Crasanne, Pater Noster, Paul Ambre, P. Barry, Pierre Corneille, Pitmaston Duchesse, Poire Louise, Pound, President Gilbert, Prince Consort, Prince's St. Germain, Rapalje's Seedling, Raymond de Montlaux, Reeder, Refreshing, Rousselet Bivort, Sarah, Seckel, Secretaire Rodin, Serrurier, Sheldon, ...
— New York at the Louisiana Purchase Exposition, St. Louis 1904 - Report of the New York State Commission • DeLancey M. Ellis
... has been celebrated on no other account, than as the birth-place of Poussin and Adrian Turnebus, and as the burial-place of Corneille. ...
— Architectural Antiquities of Normandy • John Sell Cotman
... have before us the task of describing one of the most sumptuous courts that has ever existed, and of reviewing splendors all the more brilliant for their brevity. To this court of Napoleon and Josephine, to this majestic court, resplendent with glory, wealth, and fame, may well be applied Corneille's lines:— ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... fifty years covers the whole of the literary age of Louis XIV. Before 1660 the French had no literature worth preserving, except Rabelais, Montaigne, a few odes of Malherbe, a page or two of Marot, and the tragedies of Corneille. Pascal published the "Provincial Letters" in the year of Regnard's birth. La Fontaine had written a few indifferent verses; Moliere was almost unknown. In 1686, when Regnard became an author, the Voitures, Balzacs, and Benserades, the men of fantastic conceits, the vanguard ...
— The Atlantic Monthly, Volume 15, No. 92, June, 1865 • Various
... one else not to deem it a matter of certainty. Had we space sufficient, we should transcribe the whole of this colloquy, as it deserves repetition; but we can only give a small specimen of it for the amusement of our readers. The gentleman having informed Miladi, that Racine, Corneille, and Voltaire, are "dethroned monarchs," and no longer tolerated at the Theatre, she asks him what is to be seen or heard there, ...
— The American Quarterly Review, No. 17, March 1831 • Various
... lighter pursuits, was married to her cousin M. Périer in 1641, and two years afterwards went with him to Clermont, where her husband was appointed a Counsellor in the Court of Aides. Jacqueline was absorbed in her own poetical studies, which received a special impetus from the friendship of Corneille, who had returned at this time to his native town. The illustrious dramatist speedily sought out the Pascal family, and became one of their most intimate associates. A prize being given every year for the best copy of verses on the “Conception of the Virgin,” it was awarded ...
— Pascal • John Tulloch
... Origin. Introduced into France from Italy. Under Henry III., IV., Louis XIII., XIV. Influence of Cardinals Richelieu and Mazarin. Foundation of the Academic de Danse et de Musique. The Court Ballet. Moliere. Corneille. Lalli, &c. The Theatre Ballet. The Influence of Noverre. Its introduction into and its Present Condition in England, &c. Illustrations of Mlles. de Camargo, Duvernay, Taglioni. Fanny Ellsler. Ferraris, Carlotta Grisi. ...
— The Dance (by An Antiquary) - Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. • Anonymous
... writ in verse, and performed in recitative music. The original of this music, and of the scenes which adorned his work, he had from the Italian operas; but he heightened his characters, as I may probably imagine, from the example of Corneille and some French poets. In this condition did this part of poetry remain at his majesty's return; when, growing bolder, as being now owned by a public authority, he reviewed his "Siege of Rhodes," and caused it be acted as a just drama. But as few men have the happiness ...
— The Works Of John Dryden, Volume 4 (of 18) - Almanzor And Almahide, Marriage-a-la-Mode, The Assignation • John Dryden
... himself with his usual alacrity in promoting its various objects. Connected with the duties of his office, was the more personal duty of improving his own faculties, and extending his knowledge of the art which he had engaged to cultivate. He read much, and studied more. The perusal of Corneille, Racine, Voltaire, and the other French classics, could not be without advantage to one whose exuberance of power, and defect of taste, were the only faults he had ever been reproached with; and the sounder ideas thus acquired, he was constantly busy in exemplifying ...
— The Life of Friedrich Schiller - Comprehending an Examination of His Works • Thomas Carlyle
... the regent himself would be disgraced if a kinsman of his should die by the hands of a common executioner. The regent, to his credit, was proof against all their solicitations, and replied to their last argument in the words of Corneille: ...
— Memoirs of Extraordinary Popular Delusions and the Madness of Crowds • Charles Mackay
... said, came our poor exiled countrymen, and there were other assemblies, to some of which we went by invitation; but at the Hotel de Rambouillet, and one or two others we knew we were always welcome. There we heard M. Corneille read the Cid, on of his finest pieces, before it was put on the stage. I cannot describe how those noble verses thrilled in our ears and heart, how tears were shed and hands clasped, and how even ...
— Stray Pearls • Charlotte M. Yonge
... in engraving as in literature. The great school of French engravers which appeared at this time brought the art to a splendid perfection, which many think has not been equalled since, so that Masson, Nanteuil, Edelinck, and Drevet may claim fellowship in genius with their immortal contemporaries, Corneille, Racine, La ...
— The Best Portraits in Engraving • Charles Sumner
... school for such a mind as hers, in which grandeur and finesse were almost equally blended—a grandeur allied to the romantic, and associated with a finesse frequently merging into subtilty, as indeed may be discerned in Corneille himself, the most perfect mental representative ...
— Political Women (Vol. 1 of 2) • Sutherland Menzies
... condescension of a man well accustomed to move in the highest circles of society. Well-educated, his culture was that of a youth of the end of the last century. He had read everything, whether philosophy or belles lettres, which that age had produced in France, and loved to quote from Racine, Corneille, Boileau, Moliere, Montaigne, and Fenelon. Likewise he had gleaned much history from Segur, and much of the old classics from French translations of them; but for mathematics, natural philosophy, or contemporary literature he cared nothing whatever. However, ...
— Childhood • Leo Tolstoy
... instinct discerned plenty of difficulties of another kind, and he took alarm. A fine manner is not the invariable outcome of noble feeling; and while no man at court had a nobler air than Racine, Corneille looked very much like a cattle-dealer, and Descartes might have been taken for an honest Dutch merchant; and visitors to La Brede, meeting Montesquieu in a cotton nightcap, carrying a rake over his shoulder, mistook him for a gardener. A knowledge ...
— Lost Illusions • Honore De Balzac
... the first edition, I received from one of the ablest Pali scholars of Ceylon, the late L. Corneille Wijesinha, Esq., Mudaliar of Matale, what seems a better rendering of Dhammacakka-ppavattana than the one previously given; he makes it "The Establishment of the Reign of Law". Professor Rhys-Davids prefers, "The Foundation of the Kingdom of Righteousness". ...
— The Buddhist Catechism • Henry S. Olcott
... there will of course always be wide differences of opinion on that point: Hesiod, Herodotus, Menander, Aristophases; Livy, Casar, Lucretius, Juvenal; Ariosto, Macchiavelli, Manzoni, Lope de Vega, Buthas Pato; Corneille, Pascal, Rousseau; Wieland, Klopstock, Heine, Auerbach; Spenser, Ben Jonson, Fletcher, Fielding, Pope, Scott, Wordsworth, Shelley, Carlyle, Browning, Tennyson, Froude; Webster, Emerson, Wasson. Sappho, ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... seemed fate's own gesture to them. But yet, had they only possessed some fragment of Antigone's strength—the Antigone of Sophocles—would they not then have transformed the destinies of Hamlet and Faust as well as their own? And if Othello had taken Corneille's Pauline to wife and not Desdemona, would Desdemona's destiny then, all else remaining unchanged, have dared to come within reach of the enlightened love of Pauline? Where was it, in body or soul, that grim fatality lurked? And though the body may often ...
— Wisdom and Destiny • Maurice Maeterlinck
... translations of Italian and Spanish farces for a comedy depicting native scoundrelism. Probably enough, indeed, the great and sudden development of the French stage, which took place in the middle of the seventeenth century under Corneille and Moliere, was excited by the English cavalier playwrights who took ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... What was troublous in them we clarified; what was corrupting we corrected; what was local we generalized; what was excessive we brought down to the proportions of mankind. Have we not sometimes also lessened their grandeur and altered their purity? If Corneille has undoubtedly brought nearer to us the still somewhat barbaric heroes of Guillem de Castro, La Fontaine, when imitating the author of the Decameron, has made him more indecent than he is in his own language; and if the Italians have no right to assail Moliere for borrowing ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... quite as much as he followed traditional estimate. Homer, Virgil, Dante, and Milton of course had undisputed possession of the department devoted to the "Kings of Epic," as he styled them. Sophocles, Calderon, Corneille, and Shakespeare were all that he admitted to his list of "Kings of Tragedy." Lope he rejected on literary grounds, and Goethe because he thought his moral tendency bad. He rejected Rabelais from his chief humorists, but accepted Cervantes, Le Sage, Moliere, Swift, Hood, and the ...
— The End Of The World - A Love Story • Edward Eggleston
... in Mull. Addison's Remarks on Italy. Addison not much conversant with Italian literature. The French masters of the art of accommodating literature. Their Ana. Racine. Corneille. Moliere. Fenelon. Voltaire. Bossuet. Massillon. Bourdaloue. Virgil's description of the entrance into ...
— Life Of Johnson, Volume 5 • Boswell
... classes, of unbounded patriotism, and of peace at home and abroad. For a parallel we must go back to the Age of Pericles in Athens, or of Augustus in Rome, or go forward a little to the magnificent court of Louis XIV, when Corneille, Racine, and Moliere brought the drama in France to the point where Marlowe, Shakespeare, and Jonson had left it in England half a century earlier. Such an age of great thought and great action, appealing to the eyes as well as to the ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... unless such notifications meet with more prompt attention than in the past, you must look for another tenant," etc., in the monotonous tone of supremacy, and in the French, not of Journel's dictionary, nor of the dictionary of any such as he, but in the French of Racine and Corneille; in the French of the above suggested circle, which inclosed the General's memory, if it had not inclosed—as he never tired ...
— Balcony Stories • Grace E. King
... of Rabelais and others at its expense. One old author speaks somewhat irreverently of the learned town; calling its students "the flute-players and professors of the jeu de paume of Poitiers." Corneille makes his Menteur a pupil of the college of Poitiers; but Menot, a preacher of the period of the League, has a passage in one of his sermons which is sufficiently complimentary: in relating the Judgment of Solomon, he makes him say ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... Amongst the milder forms of entertainment was my impersonation of Rachel. That grand actress I had often seen in Paris, and had, more than once, shivered in my shoes as she annihilated the Tyrant, pouring forth the vials of her wrath and indignation in the classical language of Racine and Corneille. With those accents still ringing in my ears I came to Antwerp, and there, when surrounded by sympathetic friends, the spirit would sometimes move me, and I would feel—excuse the conceit of youth—as if I too could have been a great ...
— In Bohemia with Du Maurier - The First Of A Series Of Reminiscences • Felix Moscheles
... parts, is sustained with lively and homely humor from induction to epilogue: the story of Psyche is thrown into dramatic form with happier skill and more graceful simplicity by Heywood than afterward by Moliere and Corneille; though there is here nothing comparable with the famous and exquisite love scene in which the genius of Corneille renewed its youth and replumed its wing with feathers borrowed from the heedless and hapless Theophile's. The fortunes of Psyche ...
— The Age of Shakespeare • Algernon Charles Swinburne
... warnings. They were jeered at by the vulgar, fined, imprisoned, or banished by Ministers and Magistrates. All that was good, noble, and generous in the nation withered in the uncongenial atmosphere. The language of Pascal and of Corneille became the medium of corrupting the minds of millions. The events of the day were some actress who had discovered a new way to outrage decency, or some new play which deified a prostitute or an adulteress. Paris became the world's fair, to which ...
— Diary of the Besieged Resident in Paris • Henry Labouchere
... after death, his wife had his body embalmed and carried to his native place, on the high altar of which it lay enthroned for 10 years; his real name was Don Rodrigo Diaz of Bivar, and the story of his love for Ximena is the subject of Corneille's masterpiece, "The Cid." ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... of Lisideius is suggested by a passage in Corneille, who instances, as an apt and artistic method of bringing about the conversion of a heavy father, that his daughter's lover should earn his gratitude ...
— Play-Making - A Manual of Craftsmanship • William Archer
... comes as sure as fate—will at last restore the poise of their conscience? How will they regard these exploits which even we who perform them don't know whether one should compare them with those of Plutarch's and Corneille's heroes or with those of hooligans ...
— Under Fire - The Story of a Squad • Henri Barbusse
... Shakespeare, Spenser, ballads, sagas, the Arthur-Saga, the Nibelungenlied, Wordsworth, Coleridge, Keats, Herbert, Tennyson, Browning, Dante and Christina Rossetti, Whittier, Lowell, Longfellow, to say nothing of Goethe, Corneille, and the Greek, Roman, Persian, Egyptian, ...
— The Warriors • Lindsay, Anna Robertson Brown
... more modern, Macklin, Garrick, Foote, Colman, or Sheridan. A good copy too of Moliere, in French, I much want. Any other good dramatic authors in that language I want also; but comic authors, chiefly, though I should wish to have Racine, Corneille, and Voltaire too. I am in no hurry for all, or any of these, but if you accidentally meet with them very cheap, ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... intelligent than this in her pursuit of French culture. She had begun with the books in which most of the salt of old France was to be found, with Rabelais, Scarron, Montaigne; she cherished Moliere and Corneille; and of the writers of the eighteenth century, apart from Voltaire, the author of Gil Blas was her favourite. Such a list tells its own tale of a mind turned to what is masculine, racy, pungent, and thoroughly sapid. "I am a Gauloise of the north," she said, "I only understand the old French; ...
— Diderot and the Encyclopaedists - Volume II. • John Morley
... la fontaine ou s'enyvre Boileau Le grand Corneille et le sacre troupeau De ces auteurs que l'on ne trouve guere Un bon rimeur doit boire a pleine eguyere, S'il veut donner un ...
— Ebrietatis Encomium - or, the Praise of Drunkenness • Boniface Oinophilus
... both forget that, next to the realism of the fabliaux, there is the realism of the Song of Roland, not less real, perhaps more so; for France has lived by her Song of Roland much more than by her merry tales, that song which was sung in many ways and for many centuries. Du Guesclin and Corneille both sang it, ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... expressions of this order of emotion, while in the utterance of tenderness, whether in love or sorrow, she appears comparatively less successful; I am not, however, perhaps competent to pronounce upon this point, for Hermione and Emilie, in Corneille's "Cinna," are not characters abounding in tenderness. Lady M—— saw her the other day in "Marie Stuart," and cried her eyes almost out, so she must have some pathetic power. —— was so enchanted with her, both on and off the stage, that he took me to call upon her, ...
— Records of Later Life • Frances Anne Kemble
... which Mlle. Clairville acted. This was the clever company which, secure in New France from blase critics, produced the comedies and tragedies of Moliere, Corneille, Dumas, Halevy, Mme. de Genlis, as well as serving up adaptations like "Le Vieux Oncle Tom," "Le Prince de Denmarque," "Le Condamne," "L'etranger," also attacking with superb, delicious confidence the then popular operas of "La Grande Duchesse," "La Belle Helene," ...
— Ringfield - A Novel • Susie Frances Harrison
... again, and, far from marring the noble melody, it elucidated it, supported it, guided it,—just as the feeble and quavering voice of an accomplished reader, such as Andrieux, for instance, can expand the meaning of some great scene by Corneille or Racine by lending ...
— Gambara • Honore de Balzac
... and to live cleanly." Only by a course of treatment shall we bring our minds to feel at peace with the grand pure works of the world. Something we ought all to know of the masterpieces of antiquity, and of the other nations of Europe. To understand a great national poet, such as Dante, Calderon, Corneille, or Goethe, is to know other types of human civilisation in ways which a library of histories does not sufficiently teach. The great masterpieces of the world are thus, quite apart from the charm and solace they give us, the master instruments of ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... vicious and abominable folly. A blow in the face was to them a blow and nothing more, a trivial physical injury; whereas the moderns make a catastrophe out of it, a theme for a tragedy; as, for instance, in the Cid of Corneille, or in a recent German comedy of middle-class life, called The Power of Circumstance, which should have been entitled The Power of Prejudice. If a member of the National Assembly at Paris got a blow on the ear, it would ...
— The Essays Of Arthur Schopenhauer: The Wisdom of Life • Arthur Schopenhauer
... building their tragedies on known fables. Thus, Augustus Caesar wrote an "Ajax," which was not the less his own, because Euripides had written a play before him on that subject. Thus, of late years, Corneille writ an "OEdipus" after Sophocles; and I have designed one after him, which I wrote with Mr Lee; yet neither the French poet stole from the Greek, nor we from the Frenchman. It is the contrivance, the new turn, and new characters, which alter ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden |
