"Counterpoint" Quotes from Famous Books
 ... Van der Straeten, has illuminated the crowded shelves of his big work, "La Musique aux Pays-Bas avant Le XIXe Siecle," with various little instances of romance that occurred to the numberless minstrels and weavers of tangled counterpoint in the Netherlands of the old time. Some of these instances are simply hints, upon which the fervid imagination will spin imaginary love yarns in endless gossamer. Thus of Marc Houtermann (1537—1577) "Prince of musicians" at Brussels. All we know of ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... practise his piano energetically and intelligently, and especially let him learn to read three and four voices on separate staffs (as in a vocal score) in order to prepare himself for future reading of full scores. Let him study harmony, counterpoint, form, and, if possible, composition and orchestration. Let him work indefatigably at ear-training, and particularly at harmonic ear training, so that notes and tones may become closely associated in his mind, the printed page ...
— Essentials in Conducting • Karl Wilson Gehrkens
... it mayhap so move thee; but I am foreign from the rudiments of counterpoint and technique and ...
— Mistress Penwick • Dutton Payne
... He learned music, singing, dancing, riding, boxing, and fencing, and excelled in the more active of these pursuits. The study of music was also serious, and carried on under two masters. Mr. John Relfe, author of a valuable work on counterpoint, was his instructor in thorough-bass; Mr. Abel, a pupil of Moscheles, in execution. He wrote music for songs which he himself sang; among them Donne's 'Go and catch a falling star'; Hood's 'I will ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... existence. The life of moments is carried over and made permanent in fancy, and they endure by the purity of their presence alone. There is no violence in the work of Davies. It is the appreciable relation of harmony and counterpoint in the human heart and mind. It is the logic of rhythmical equation felt there, almost exclusively. It is the condition of music that art in the lyrical state has ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... and simple harmony yet how infinitely varied, and how inexpressibly touching are its effects! In studying music as a mere matter of intellectual science, all is simple; it is only an easy chapter in acoustics. But in studying it on the side of the emotions, in studying the laws of counterpoint and of musical form, which are governed by the effect upon the ear and the heart, we find intricacy and difficulties, increased ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various |
