"Creative" Quotes from Famous Books
 ... with reason. For it is feeling, love and patience that must first penetrate the subject-matter, while to reason is assigned the studying, the weighing and the proving along the path pursued by the creative, seeking spirit of man. Such is man: how humble by comparison is the animal! Yet should our love henceforth assign to it its own place—as well as its own rights—as our lowlier companion in ...
— Lola - The Thought and Speech of Animals • Henny Kindermann
... that my eyes could pierce the misty distance; that my dim presaging soul could behold the stately advance of the coming centuries, whose sounding feet I fancy that I can hear! Bear they in their hands weal or woe to humanity? Hath the creative energy set a limit, beyond which the tide of human accomplishment, like the hidden power in yonder heaving ocean, may not rise; but, having reached its destined apex, must, with hoarse murmurs, recoil back upon itself in disordered fragments?—or in these later times, when men were ripe for the ...
— The Knight of the Golden Melice - A Historical Romance • John Turvill Adams
... matter how the Reverend Otto Carmichael denounced it as a survival from the barbaric Congo. He was also thinking that the Montague girl ought to be kept away from people who were trying to do really creative things, and he was bitterly regretting that he had no silver cigarette case. The gloom of his young face was honest gloom. He was aware that his companion leaned vivaciously toward him with gay chatter and gestures. Very slowly he ...
— Merton of the Movies • Harry Leon Wilson
... mighty theme," I replied, "and yet I am not sure that I ought to give so much of my time at this, the most creative period of my life. It may change the whole current ...
— A Daughter of the Middle Border • Hamlin Garland
... translated into intelligible images; it is an "old, old story," never yet told, nor to be told. While writing these reminiscences, I am continually impressed with the futility of the effort to give any creative truth to ink sketch, so that it might produce such pictures in the reader's mind as would cause the original scenes to appear familiar when afterwards beheld. Nor have other writers often been more successful in representing definite objects prophetically to my own mind. In truth, I ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne
... Verity's dictation, verifying names and dates, checking references and quotations. Still each arresting phrase, each felicitous expression, the dramatic ring of some virile word, the broad onward sweep of stately prose in narrative or sustained description, not only charmed her ear but challenged her creative faculty. She put herself to school in respect of it all, learning day by day a lesson.—This was the way it should be done. Ambition prodded her on.—For mightn't she aspire to do it too, some day? Mightn't, granted patience and application, the writing of books prove to be her business, ...
— Deadham Hard • Lucas Malet
... never the reasons for the laws, nor the motives to action. It is easy and necessary sometimes to praise and justify eudemonism, but, as Lazarus adds, 'Not a state to be reached, not a good to be won, not an evil to be warded off, is the impelling force of morality, but itself furnishes the creative impulse, the supreme commanding authority' (Ethics of Judaism, I. chap, ii.). And so the Rabbi of the third century B.C., Antigonos of Socho, put it in the memorable saying: 'Be not like servants who minister ...
— Judaism • Israel Abrahams
... art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means ...
— Man And Superman • George Bernard Shaw
... the creative musical power in the scale of human genius is difficult to determine; and will be differently estimated by different minds. That it is a heavenly gift of a high order, admits of no doubt; that it exercises over men's minds a mighty, and, under due safeguards, a beneficent influence, ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... to reconquer the realm of lost beauty. The moment that this instinct became a purpose, we may say that the great Romantic Movement, such as it has enlarged and dwindled down to our own day, took its start. The Wartons were not men of creative genius, and their works, whether in prose or verse, have not taken hold of the national memory. But the advance of a great army is not announced by a charge of field-marshals. In the present war, ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... personalities. Whatever other heroes may have been, these dreamers in their ideals shed such a light upon the sad business of their lives as almost to ennoble it. One feels that with a little more qualification on the creative side they could have been literary men, not of the first order, perhaps, but, ...
— London Films • W.D. Howells
... one's own path of inquiry, which is essentially what research entails, involves more than teaching specific skills. To these comments VECCIA added the observation that the individual teacher and the use of a creative resource, rather than AM itself, seemed to make the key difference. Some schools and some teachers are making excellent use of the nature of critical thinking ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... homes cannot compete with such training is evident, when one considers that a girl is creative, and should have ample chance to develop her character without force or rigid self defacing, instead of self creating rules; also it must be apparent that guidance is only successful when imposed gently, and with that subtle persuasion, ever aiming to ...
— The Girl Scout Pioneers - or Winning the First B. C. • Lillian C Garis
... limit the generality of this proposition. It is not merely a denial of the fixity of species, an assertion that there are no natural kinds so inseparable from one another that each must be the result of a distinct creative act. It is also an assertion that human life must be treated as a part in the larger whole of organic being, that the mind of man is continuous with animal perception, that moral activity is continuous with non-moral impulse. And the assertion of the unity of life ...
— Recent Tendencies in Ethics • William Ritchie Sorley
... divine as well as human. So the portraiture of her working in humanity is framed by a prologue and epilogue, setting forth two aspects of her relation to God; namely, that she is imparted by Him through the discipline of trouble, and that she dwells in His bosom and is the agent of His creative work. ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... his ever-memorable Speeches to the German Nation, proclaimed the German people to be the only people in Europe which had preserved its primitive genuineness (urspruengliche Echtheit), and therefore its spiritual creative faculty, and found the transition from his previous cosmopolitan way of thinking to flaming national enthusiasm, in the idea that this people was called to be the upholder of world-Kultur, and that it was therefore its duty to humanity to look to its own preservation.—PROF ...
— Gems (?) of German Thought • Various
... adds a cruise in the Archipelago to his Eastern itinerary, but the colonial features of Dutch rule which have produced many beneficial results demand recognition, for the varied characteristics of national genius and racial expansion suggest the myriad aspects of that creative power bestowed on humanity made in the Divine Image, and fulfilling the great destiny ...
— Through the Malay Archipelago • Emily Richings
... hand to be justified in the meantime. But it is unreasonable to demand that a nation should not only in a few decades pass through a development for which centuries have been required in Europe, but also immediately reach the summit of the knowledge of our time so as to be at the same time creative. But it would be wonderful, if the natural science, literature, and art of the nineteenth century, transplanted among a gifted people, with a culture so peculiar and so pervasive, and with an art-sense so developed as those of Japan, did not in time produce ...
— The Voyage of the Vega round Asia and Europe, Volume I and Volume II • A.E. Nordenskieold
... and a negative one, correlated to sunshine and shadow, but also correlated to male and female forces. Through their mutual action were born the earth and the air and the water; from these, in turn, was begotten man. The cosmical modus operandi was not creative nor evolutionary, but sexual. The whole scheme suggests an attempt to wed abstract philosophy ...
— The Soul of the Far East • Percival Lowell
... actually described the boy's long sleep in his chair; it was with the conversation when he awoke that the creative ...
— The Camera Fiend • E.W. Hornung
... no other aim but that of making verses for a composer; the latter, no other motive than the ordinary creative impulse prompting him to try his powers in a different and important sphere. The result on both sides could not therefore be other than phrases, although the better of the two proceeded from the composer, and that composer was Beethoven. To conceal or palliate ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... to express an opinion on the subject are, at present, agreed that the manifold varieties of animal and vegetable form have not either come into existence by chance, nor result from capricious exertions of creative power; but that they have taken place in a definite order, the statement of which order is what men of science term a natural law. Whether such a law is to be regarded as an expression of the mode of operation of natural forces, or whether ...
— Lay Sermons, Addresses and Reviews • Thomas Henry Huxley
... myself, how far does it excel passion! What pleasure has roots so deep as one which is not personal but creative? Is not the spirit of Sacrifice a power mightier than any of its results? Is it not that mysterious, tireless divinity, who hides beneath innumerable spheres in an unexplored centre, through which all worlds in turn must pass? Sacrifice, ...
— Letters of Two Brides • Honore de Balzac
... relieve him of all trouble in connection with the proofs and the publisher. When, however, we returned to Switzerland towards the end of June, and he found himself once more in the familiar and exhilarating air of the mountains, all his joyous creative powers revived, and in a note to me announcing the dispatch of some manuscript, he wrote as follows: "I have engaged a place here for three months: forsooth, I am the greatest fool to allow my courage to be sapped from me ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche
... unconscious, her belly up, as if dead. They hastily hauled her on the raft and examined her paws one by one. In the last one of the four they found a small speck of mud. Victory! That was all that was needed. The muskrat was soon restored, and the Giant Rabbit, exerting his creative power, moulded the little fragment of soil, and as he moulded it, it grew and grew, into an island, into a mountain, into a country, into this great earth that we all dwell upon. As it grew the Rabbit walked round and ...
— American Hero-Myths - A Study in the Native Religions of the Western Continent • Daniel G. Brinton
... in a golden cerecloth, and with the remains of his last dinner in the proper region, will prove to you the heights to which the creative power of the true artist may soar. I call it a "Piggurne, or a Harmony ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley
... javelins, and other implements of war, which he used in a very peculiar and boisterous manner. As the mild and saintly Joanes was wont to prepare himself for his daily task by prayer and fasting, so his riotous countryman used to excite his imagination to the proper creative pitch by beating a drum, or blowing a trumpet, and then valiantly assaulting the walls of his chamber with sword and buckler, laying about him, like another Don Quixote, with a blind energy that told severely on the plaster ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... sprouting above their ridges, and cabbages and radishes coming up in clusters, while rows of peas and scarlet runners were sprouting as thick as hedges—not to speak of the slender onion stems, like tiny spears, each bearing its own seed back above ground after it had performed its creative mission below the surface, leaving a ...
— Fritz and Eric - The Brother Crusoes • John Conroy Hutcheson
... additions to the language and extensions of it will lack something of the freedom, the unconscious boldness, which mark the others. Their character will be more artificial, less spontaneous, although here also the creative genius of a single man, as there of a nation, will oftentimes set its mark; and many a single word will come forth, which will be the result of profound meditation, or of intuitive genius, or of both in happiest combination—many a word, which shall as a torch illuminate ...
— On the Study of Words • Richard C Trench
... Austria; nor the contest of merely ambitious nations for extent of power, as in the wars of France under Napoleon, or the just terminated war in America. None of these forms of war build anything but tombs. But the creative or foundational war is that in which the natural restlessness and love of contest among men are disciplined, by consent, into modes of beautiful—though it may be fatal—play: in which the natural ambition and love of power of men are disciplined into the aggressive conquest of surrounding ...
— The Crown of Wild Olive • John Ruskin
... only for herself, but for Ben as well—sorry that he should lose her—for she knew that he loved her sincerely. But her first duty was to herself. Conscious that she possessed talents, social and otherwise, it was not her view of creative wisdom that it should implant in the mind tastes and in the heart longings destined never to be realised. She must discourage Ben—gently and gradually, for of course he would suffer; and humanity, as well as friendship, counselled ...
— The Colonel's Dream • Charles W. Chesnutt
... popping out upon us in unexpected places, the most delightfully naif German onslaughts on the degradation of theologians, and the utter incompatibility of so many reflex adaptations to the environment with the existence of a creative intelligence. There was a time, remembered by many of us here, when the existence of reflex action and all the other harmonies between the organism and the world were held to prove a God. Now, they are held to disprove him. The next turn of the whirligig ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... which excited the wondering admiration of Goethe and Lamartine and Sir Walter Scott touch or lay hold of the more adventurous reader of the present day? It is certain that even the half-forgotten works of a great and still popular poet, which have left their mark on the creative imagination of the poets and playwrights of three quarters of a century, will always be studied by the few from motives of curiosity, or for purposes of reference; but it is improbable, though not impossible, that in the revolution of taste and sentiment, moribund or extinct poetry will ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... which in modern historical inquiry has been left wholly out of account; being indeed the thing which no merely historical investigator can understand, or even believe; for it belongs exclusively to the creative or artistic group of men, and can only be interpreted by those of their race, who themselves in some measure also see visions ...
— The Queen of the Air • John Ruskin
... after all? Impotent tools in the hands of all creative Power. Greater in the eyes of God is humble weakness than haughty strength; dearer to Him is the repentant sinner than the man who boasts of his virtues. All that is power is His gift, and His gift must needs return to Him again. Strength will turn to dust, merit will become but as ...
— The Day of Wrath • Maurus Jokai
... court comedies contained most of the types of character which are to be found in Love's Labour's Lost. Throughout the period Shakespeare grows in mastery of plot and of his dramatic verse; but his chief growth is away from this imitation of others into his own creative portraiture of character. The growth from the bluff soldier, Talbot, in Henry VI to the weak but appealing Richard II is no less marked than is that from the fantastic Armado in Love's Labour's Lost to ...
— An Introduction to Shakespeare • H. N. MacCracken
... first there must have been great pleasure in being at home, for he had not really lived a home life since he was fifteen years old, and he was fond of home; and, too, in the young ambition to become a writer and his efforts to achieve success, if not fame, in fiction, and in the first motions of his creative genius, there was enough to fill his mind, to provide him with active interest and occupation, and to abate the sense of loneliness in his daily circumstances: but as youth passed and manhood came, ...
— Nathaniel Hawthorne • George E. Woodberry
... great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at ...
— Innocents abroad • Mark Twain
... being taught it in many a classroom now. One of the basic principles of this new teaching is belief in the spiritual life but, when one inquires where the spiritual life is, he discovers that it is altogether within ourselves—there is no original, creative and abiding Spiritual Life from whom we come, by whom we are sustained, in whom we live. Rather, as flowers reveal in their fragrance a beauty which is not in the earth where they grow nor in the roots on which they depend, ...
— Christianity and Progress • Harry Emerson Fosdick
... ages. The Universal Architect lingered lovingly in studying the effect of successive design. Trees of grace and beauty arose on every side in exquisite drapery, while softly curved outlines added harmony to the whole, teaching the wondrous and creative skill of the Divine. The picturesque river flows gently on, calm, placid, and unruffled save by an occasional splash of oars of the pleasure seekers, whose small white boats dotted the silvery surface and were reflected in the ...
— Lady Rosamond's Secret - A Romance of Fredericton • Rebecca Agatha Armour
... intense and creative that, beginning by imagining these things so, he made them so. The band therefore was sure to go on without searching the thickets on either right or left at present, and all immediate apprehension disappeared ...
— The Rulers of the Lakes - A Story of George and Champlain • Joseph A. Altsheler
... "While I on towers and banging terraces, In shaft and obelisk, behold my sign. Creative, shape of ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... hitherto seen Bismarck in the character of party leader, Parliamentary debater, a keen and accomplished diplomatist; now he comes before us in a new role, that of creative statesman; he adopts it with the same ease and complete mastery with which he had borne himself in the earlier stages of his career. The Constitution of the North German Confederation was his work, and it shews the same intellectual ...
— Bismarck and the Foundation of the German Empire • James Wycliffe Headlam
... unknown to him. He had gods for all material functions, and festivals in honor of every god; but there was no goddess of mere wisdom in his pantheon. The conception of Minerva was reserved for the creative genius of ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... Gaboriau than in all the works of the Goncourts put together, and so long as we leave truth undefined, this opinion may be as tenable as any other. But it may be well to observe at the outset that the creative work of the Goncourts is not to be condemned or praised en bloc, for the simple reason that it is not a spontaneous, uniform product, but the resultant of diverse forces varying in direction and intensity from time to time. ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... popular over here, the psychology is a shade subtler. The Russian novelist or dramatist takes to psychology as some of his fellow-countrymen take to drink; in doing this he achieves fame by showing us what we already know, and at the same time he kills his own creative power. Chekhov just escaped the tragedy of suicide by introspection, and was only enabled to do this by the possession of a sense of humour. That is why we should not regard "The Bear," "The Wedding," or "The Anniversary" as the work of a merely humorous ...
— Plays by Chekhov, Second Series • Anton Chekhov
... the rain would have some creative and wonderful effect on her body. Not for years had she felt so full of youth and courage. She wanted to leap and run, to cry out, to find some other lonely human and embrace him. On the brick sidewalk before the house a man stumbled homeward. Alice started to run. ...
— Winesburg, Ohio • Sherwood Anderson
... according to his views. Sir Charles himself, seen in perspective, was a tolerably ridiculous figure, too much occupied with the paraphernalia of worship, too well pleased with himself, a man of rank and wealth who judged by severe standards was an old maid, and like all old maids critical, but not creative. ...
— The Altar Steps • Compton MacKenzie
... otherwise. Pure poetry is not the decoration of a preconceived and clearly defined matter: it springs from the creative impulse of a vague imaginative mass pressing for development and definition. If the poet already knew exactly what he meant to say, why should he write the poem? The poem would in fact already be written. For only its completion can reveal, even ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... for the generative source of that creative power of thought in him, from his own mysterious intellectual being to its first cause, he still reflected, as one can but do, the enlarged pattern of himself into the vague region of hypothesis. In this way, some, at all events, would have ...
— Imaginary Portraits • Walter Pater
... and is so far valid as to excuse, if not to justify, such works as the present. The novel, as soon as it is legibly written, exists, for what it is worth. The page of black and white is the sole intermediary between the creative and the perceptive brain. Even the act of printing merely widens the possible appeal: it does not alter its nature. But the drama, before it can make its proper appeal at all, must be run through a highly complex ...
— Play-Making - A Manual of Craftsmanship • William Archer
... a member of the family, of the nation and of humanity; an institution for the self-instruction, self-education and self-cultivation of mankind, as well as for all-sided development of the individual through play, through creative self-activity ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... on his face and when he revived, he asked him, "What hath betided thee? When thou leftest me, thou wast in all good cheer and whole of body," and he answered, "O my brother, after I left thee, I sat meditating on the creative works of Almighty Allah, and said to myself: In every thing the Lord hath created for man, there is an use; for He (to Whom be glory!) made the hands to seize, the feet to walk, the eyes to see, the ears to hear and the penis to increase and ...
— The Book of the Thousand Nights and a Night, Volume 5 • Richard F. Burton
... genius shall liberate to delight the world. The musician hears, singing through his brain, the marvelous harmonies which, put upon paper, shall entrance all hearers. Certainly this glorious gift of imagination is Godlike. But it would be useless if it were not accompanied by creative power. The inventor must be able to create as well as to imagine the engine. The poet, the musician, the artist fails of deserving the name if he cannot embody his thought in a form that others may recognize. He must ...
— What a Young Woman Ought to Know • Mary Wood-Allen
... soon lapsed into incompetence; if it had not, it might have been the danger to American national life that the German General Staff was to German national life. Recently it was merged with the high command. As Secretary of State he was not creative, Mr. Harding turning back to the solid ground of American international policy, rested upon John Hay's open door and Knox's dollar diplomacy. Root in foreign relations merely succeeded with the Senate where Hay had failed. Always the advocate, he takes other men's ...
— The Mirrors of Washington • Anonymous
... one like that"—with a pleased creative air, "it would look rather ducky floating from my shoulder—or even my hat—or my hair in the evenings, just held by a tiny sparkling chain fastened with a diamond pin—and with lovely little pink and blue streamers." With the touch of genius she had at once relegated it to its ...
— The Head of the House of Coombe • Frances Hodgson Burnett
... as among the best, if not the best, by Bayard Taylor. The East, as we feel in his poems, was full of the scenes of his widely varied travels, that which most aroused his sympathy and stirred his artistic creative powers, and it is of the East that he speaks most freely and brilliantly. It was in Central Africa that he encountered his most thrilling adventures, and forgot, as we can there only do, the civilization of the Western World. Something ...
— Continental Monthly, Vol. II. July, 1862. No. 1. • Various
... extremely business-like; and if Shakespeare ever really held horses, it was because he was much the safest man to hold them. Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. ...
— Orthodoxy • G. K. Chesterton
... had passed beyond the commonplace of the day's doings. They were among the big things, the fateful thing—Life and Its Worth, Work and Its Wages, Creative Industry and Its Product, Capital and Its ...
— To Him That Hath - A Novel Of The West Of Today • Ralph Connor
... and the Devagas had had previous dealings with him and his men. This time they hired the I-Fleet to become the plasmoid's temporary caretaker. Within a few weeks it was parked on Luscious, where it devoted itself to the minor creative experimentation which presently was to puzzle ...
— Legacy • James H Schmitz
... of him politically, was prime minister under Isabel II. He had become interested in the work of Gustavo, and, knowing the dire financial straits in which the young poet labored, he thought to diminish these anxieties and thus give him more time to devote to creative work by making him censor of novels. A new period of calm and comparative comfort began, and for the first time in his life Becquer had the leisure to carry out a long-cherished project, at once his own desire and the desire of his friends: that of gathering together in ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... this creative skill, however, a link was wanting. Nobody rose up who could marry the music to the instrument. For years and years the violin, and the music for it, marched steadily on, side by side, but not united. Bach was writing far in advance of his time, ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... and more animated. "Do you know how I picture God myself?" he said. "As an enormous, creative organ beyond our ken, who scatters millions of worlds into space, just as one single fish would deposit its spawn in the sea. He creates because it is His function as God to do so, but He does not know what He is doing and is stupidly ...
— Maupassant Original Short Stories (180), Complete • Guy de Maupassant
... excelling all human greatness. The light the age requires for its renewal can come only from the same source. The renewal of the age depends on the renewal of religion. The renewal of religion depends on a greater effusion of the creative and renewing power of the Holy Spirit. The greater effusion of the Holy Spirit depends on the giving of increased attention to His movements and inspirations in the soul. The radical and adequate remedy for all the evils of our age, and the source of all true progress, consist in increased ...
— Life of Father Hecker • Walter Elliott
... lives of these men, as in the lives of all who rose to any eminence in those days, was the great variety that circumstances introduced into their existence. Change and variety are favourable to creative genius as they are unfavourable to uncreative study. The scholar and the historian are best left among their books for twenty years at a time, to execute the labour of patient thought which needs perpetual concentration ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... forces which produce greater marvels than are described in the Arabian Nights. The trees, the brooks, the mountains, the hills, the valleys, the sunsets, the growing animals on the farm, are all mysteries that set him thinking and to wondering at the creative processes which are ...
— Pushing to the Front • Orison Swett Marden
... idea of creation. He loves the brown earth and calls it his mother, because it has creative power and because it nourishes. And thus we might gather in from the thirty-two points of the compass the forces operant in earth and sky, and each would become a herald of ...
— The Vanishing Race • Dr. Joseph Kossuth Dixon
... as the Trinity, spiritual influences, &c. are coincident with the truths which his reason, thus strengthened, has evolved from its own sources, but that the historical dogmas, namely, of the incarnation of the creative Logos, and his becoming a personal agent, are themselves founded in philosophical necessity; then it seems irrational, that such a man should reject the belief of the actual appearance of a religion strictly correspondent therewith, at a given time recorded, even as much as that he should ...
— Literary Remains (1) • Coleridge
... temple in the land with hierodules and bayaderes. The Vedas abound in references, either direct or indirect, to phallic worship. Indeed, according to some authorities, the Hindu Brahma is the same as the Greek Pan,[P] "who is the creative spirit of the ...
— Religion and Lust - or, The Psychical Correlation of Religious Emotion and Sexual Desire • James Weir
... of those trim, orderly men, who will sacrifice anything—not to beauty—of that they have in general no sense—but to tidiness: tidiness in law, in divinity, in morals, in estate, in garden, in house, in person—tidiness is in their eyes the first thing—seemingly because it is the highest creative energy of which they are capable. Naturally the dwelling of James Gracie was an eyesore to this man, being visible from not a few of his windows, and from almost anywhere on the private road to his house; for ...
— Warlock o' Glenwarlock • George MacDonald
... the friendships and resolutions of this group of men, and from that time dates the definite foundation of the Impressionist school. For thirty years it continued to produce without interruption an enormous quantity of works under an accidental and inexact denomination; to obey the creative instinct, without any other dogma than the passionate observation of nature, without any other assistance than individual sympathies, in the face of the disciplinary teaching ...
— The French Impressionists (1860-1900) • Camille Mauclair
... pleasantly as MacHeath and Griffin came into the gun chamber. "I just thought I'd come down and see how you were getting along," he said. His voice was a low tenor, with just a touch of Midwestern twang. "Sometimes the creative mind gets bogged down in the nth-order abstractions that have no discernible connection with anything at all." He chuckled. "When that happens, I drop everything and go out to find something ...
— Psichopath • Gordon Randall Garrett
... that did not much console Philip, who imagined that only some grand heroism could unlock the sweetness of such a heart; and Philip feared that he wasn't a hero. He did not know out of what materials a woman can construct a hero, when she is in the creative mood. ...
— The Gilded Age, Part 4. • Mark Twain (Samuel Clemens) and Charles Dudley Warner
... multitudes of nominal Christians in all our congregations are doing so, your trust will produce all these various fruits of righteousness, and lowliness, and joyful service. 'Faith' or 'trust' is the mother of all graces and virtues, and it produces them all because it directly kindles the creative flame of an answering love to Him in whom we trust. So much, then, for the first part of my remarks. ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... again, and I will try to tell you. Do you know that you have composed some of the most beautiful music in the world? Do you know, my own boy, that not only your proud and happy wife, but ALL women who can sing, will want to sing your music? Garthie, do you realise what it means? The creative faculty is so strong in you, that when one outlet was denied it, it burst forth through another. When you had your sight, you created by the hand and EYE. Now, you will create by the hand and EAR. The power is the same. It merely works through ...
— The Rosary • Florence L. Barclay
... blue Coast Range, Shasta Valley, the dark forests filling the valley of the Sacramento, all in turn were obscured or buried, leaving the lofty cone on which we stood solitary in the sunshine between two skies—a sky of spotless blue above, a sky of glittering cloud beneath. The creative sun shone glorious on the vast expanse of cloudland; hill and dale, mountain and valley springing into existence responsive to his rays and steadily developing in beauty and individuality. One huge mountain-cone of cloud, corresponding to Mount Shasta in these newborn cloud ...
— Steep Trails • John Muir
... to describe what it was that eventually gave quite a different direction to this movement. Meanwhile Liszt felt emboldened by these kindly signs to encourage me to renew my creative activity, which had now for some time been interrupted. His success with Lohengrin gave him confidence in his ability to execute a yet more hazardous undertaking, and he invited me to set my poem of Siegfried's Death to music for ...
— My Life, Volume II • Richard Wagner
... School at Plymouth, N.H. In 1912 he took perhaps the most important step in his life up to that period, and with his wife and four young children went to England where he might find a more sympathetic atmosphere for creative work. Most of the poems in "A Boy's Will", his earliest collection, were written prior to his residence in England, but few had been published, and the book was not finally issued in America until after the appearance of "North of Boston", the volume upon ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... mode of working, than all our philosophizing and analysis. It seems to let out with the fulness, simplicity, and unconsciousness of a child—"Fancy's Child"—the secret mechanism or procession of the greatest creative mind our race has produced. In itself, it has no recondite meaning, it answers fully its own sweet purpose. We are not believers, like some folks, in the omniscience of even Shakspeare. But, like many things that he and other ...
— Spare Hours • John Brown
... iron," "the strong arm, ruddy at times with the tongues of promethean fire." It is a big canvas, avowedly romantic. "It is," he wrote, after the play had been running in New York some months, "a work of great propulsive power, of genuine creative ingenuity, of massive dramatic effectiveness." On that account it is well worth the preserving ...
— Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy • Steele Mackaye
... Portrait Which Brings Out Strikingly the Man of Creative Power, the Artist, the Philosopher ...
— Modern English Books of Power • George Hamlin Fitch
... in the Monad, dwelling in her as in a city, and the Monad is in Setheus as a concept, and Setheus dwells in the Temple as King and as God. He is the Word creative, who has commanded the Fullnesses to labour; the Creative Mind after the order of God the Father, whom all creation worships as God and Lord, to whom all ...
— The Gnosis of the Light • F. Lamplugh
... distinctions—they converse in dialogue— they act towards an appointed end. Bring Homer on the stage, and introduce two actors instead of a narrator, and a drama is at once effected. If Phrynichus from the first borrowed his story from Homer, Aeschylus, with more creative genius and more meditative intellect, saw that there was even a richer mine in the vitality of the Homeric spirit—the unity of the Homeric designs. Nor was Homer, perhaps, his sole though his guiding ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... Neither his own thoughts, nor any book that he had ever read nor any lecture that he had heard ever attempted to explain the enormous creative urge which is felt by every noble mind, and which, indeed, is shared to some extent by every human creature. Put to it like that, Siner concocted a sort of allegory, telling of a negro who was shiftless in the summer and suffered want in the winter, and applied ...
— Birthright - A Novel • T.S. Stribling
... with something of a more definite intention, for he meant to frequent the French theater. He had seen a company of French players at Turin, and had acquainted himself with the most famous French tragedies and comedies, but with no thought of writing tragedies of his own. He felt no creative impulse, and he liked the comedies best, though, as he says, he was by nature more inclined to tears than to laughter. But he does not seem to have enjoyed the theater much in Paris, a city for which he conceived at once ...
— Modern Italian Poets • W. D. Howells
... the leisure hours are devoted to a contemplation of high ideals, of beautiful music, of noble thoughts. We do recognize a modicum of progress out of the great whirring, rapid changes in transportation and creative industry; but let us not be deceived by substituting change for progress, or making the ...
— History of Human Society • Frank W. Blackmar
... man all creative and performing power in music, leaving him only the ear to catch and the mind to comprehend the sounds, and there would still be left to him God's own music,—the music of Nature, which, springing as it did from eternity, ...
— Music and Some Highly Musical People • James M. Trotter
... shed these tears; but it was the earth that was destined to weep. As Columbus raised his forehead from the dust, with a Latin prayer, which his companions have handed down to us, he thus addressed the Sovereign Ruler of the world: (sl.) "Almighty and eternal God, who, by the energy of thy creative word, hast made the firmament, the earth, and sea, blessed and glorified be Thy name in all places! May Thy majesty and dominion be exalted forever and ever, as Thou hast permitted Thy holy name to be made known and spread by the most humble of ...
— Sanders' Union Fourth Reader • Charles W. Sanders
... and the influence of Sir Walter Scott as it is to make an estimate of Shakespeare, for Scott holds the same position in English prose fiction that Shakespeare holds in English poetry. In neither department is there any rival. In sheer creative force Scott stands head and shoulders above every other English novelist, and he has no superior among the novelists of any other nation. He has made Scotland and the Scotch people known to the world as Cervantes made Spain and ...
— Modern English Books of Power • George Hamlin Fitch
... quite another to cause the spiritual self to arise. By our own efforts we can subdue the body-mind to some extent. Few of us, by our efforts alone, can activate our spiritual natures in a vital and creative way. We need God's help. We need the help of one another. But God's help may not come at once. Our help to each other, even though we are gathered in a meeting for worship or actively serving our fellow men outside ...
— An Interpretation of Friends Worship • N. Jean Toomer
... Florida a remarkably interesting collection of autobiographical stories by ex-slaves. Such documentary records by the survivors of a historic period in America are invaluable, both to the student of history and to creative writers. ...
— Slave Narratives, Administrative Files (A Folk History of - Slavery in the United States From Interviews with Former Slaves) • Works Projects Administration
... that can now only be approached with a certain professional stateliness on account of their technical nomenclature. The best result of such familiarity with Nature will be the recognition of an intellectual unity holding together all the various forms of life as parts of one Creative Conception. ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... consciousness clear for choice and duty, the realization of the presence of God made nature in his thought supernatural, and life sublime. To him, as Dr. Strong has said, it was plain that "imagination in man enables him to enter into the thought of God—the creative element in us is the medium through which we perceive the meaning of the Creator in his creation. The world without answers to the world within, because God is the ...
— The World's Best Poetry Volume IV. • Bliss Carman
... agreed that a recumbent or semi-recumbent position is the best for creative thought, and another friend of mine, also a maker of verses, has patented the very ingenious device of a pair of stirrups just under the mantelshelf, so that, when he sits back in his armchair, he can manage his Pegasus without ...
— Punch, or the London Charivari, Vol. 158, June 30th, 1920 • Various
... is both the power and beauty of the Author's former works, we know none that mark the creative thinker, more than the present production. Its pages are full of new lights and ...
— The Author's Printing and Publishing Assistant • Frederick Saunders
... precedence in creative art is as hopeless of solution as it is unimportant. And yet it seems appropriate to say, in writing of E.A. MacDowell, that an almost unanimous vote would grant him rank as the greatest of American composers, while not a few ballots would ...
— Contemporary American Composers • Rupert Hughes
... that mighty work, a task to fill a whole lifetime, a task which he must have begun with quiet confidence in his own will and power, drawing, as it were, an entire world from his brain and flinging it there with the ceaseless flow of creative virility in the full heyday of ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... knowledge, and each more beautiful than any sea-nymph whom you ever fancied? For, after all, you cannot fancy a whole sea nymph (perhaps in that case you could make one), but only a very little scrap of her outside. Or if, as you boast, you are inspired by the Creative Spirit, tell us what the Creative Spirit says about that rock, and not such verse as that, the lesson of which you don't yourself really feel. Pretty enough it is, perhaps: but in your haste to say a pretty thing, just because it was pretty, you have not cared to condemn yourself ...
— Two Years Ago, Volume I • Charles Kingsley
... of colors,' in the Hebrew signified to have dominion, and in early art was symbolical or emblematic of Divine love, creative power, etc. The word Adam, we have been taught, signifies red man; it does mean 'the blood,' which, of course, originated 'to be red,' as a secondary signification. Lanci, the great interpreter of Sacred Philology at the Vatican, ...
— The Continental Monthly, Vol. 6, No 2, August, 1864 - Devoted to Literature and National Policy • Various
... was undoubtedly the boldest and most creative reasoner of his time. As a wandering teacher he drew after him thousands of enthusiastic students. He gave a strong impetus to learning. He was a marvelous logician and an accomplished orator. Among ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... joy to the child than the story. Not only does he like to hear stories; he likes to tell them. And where the short-story course is rightly used, he likes to write them. He finds that the pleasure of exercising creative power more than offsets the drudgery inevitable in composition. A plan that has been satisfactorily carried out in the classroom ...
— Short Stories for English Courses • Various (Rosa M. R. Mikels ed.)
... or impulse, is not particularly rare. Many persons have a real love for beautiful things, even a real aptitude for designing or reproducing them. The creative instinct is something vastly different. Creative artists,—great painters or sculptors, great illustrators, and wizards in pencil and pen and charcoal effects,—must be both born and made; and there are, the gods know, few enough of them, all told! Until ...
— Greenwich Village • Anna Alice Chapin
... of slight elements, and grouping them after the yearnings of the heart, grew upon me in morbid excess. And I recall at the present moment one instance of that sort, which may show how merely shadows, or a gleam of brightness, or nothing at all, could furnish a sufficient basis for this creative faculty. ...
— Autobiographic Sketches • Thomas de Quincey
... low Latin tropus [Greek: tropus], an air or melody: hence the primitive meaning of trobador is the "composer" or "inventor," in the first instance, of new melodies. As such, he differs from the vates, the inspired bard of the Romans and the [Greek: poeta], poeta, the creative poet of the Greeks, the "maker" of Germanic literature. Skilful variation upon a given theme, rather than inspired or creative power, is generally ...
— The Troubadours • H.J. Chaytor
... realize itself until it became conscious and deliberate and merciful, free from haste and tyranny, persuasive and sustained by a nearly universal sympathy and understanding. For until that arrives the creative forces must inevitably spend themselves very largely in blind alleys, futile rushes and destructive conflicts. Upon that ...
— The Passionate Friends • Herbert George Wells
... hazy and indistinct, and at any other season I should have been diverted with the various mistakes I made. From occasional combinations of color, modified by light and shade, and of course powerfully assisted by the creative state of the eye under this nervous apprehensiveness, I continued to shape into images of Agnes forms without end, that upon nearer approach presented the most grotesque contrasts to her impressive appearance. But I had ceased ...
— Narrative And Miscellaneous Papers • Thomas De Quincey
... preternatural; the vastness of the ocean of frondage, and the violet blackness of rare gaps, revealing its in conceived profundity; and the million mysterious sounds which make up its perpetual murmur,—compel the idea of a creative force that almost terrifies. Man feels here like an insect,—fears like an insect on the alert for merciless enemies; and the fear is not unfounded. To enter these green abysses without a guide were folly: even with the ...
— Two Years in the French West Indies • Lafcadio Hearn
... thine aerial dream, Turn thee to Powers that are, and not to those that seem. All of fairest and noblest filling my graven form First in a human spirit was breathing alive and warm. Seek thou in him all else that he can evoke from nought, Seek the creative master, the king of ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... ship, the telescope, etc., etc.—we are apt to look upon them as having sprung into sudden existence, and reached their present state of perfection by one, or, at most, by a few mighty efforts of creative genius. We do not reflect that they have required the lapse of centuries and the successive application of thousands of minds for the attainment of their present excellence; that they have advanced from a less to a more perfect form by steps and gradations ...
— Popular Education - For the use of Parents and Teachers, and for Young Persons of Both Sexes • Ira Mayhew
... writer. Of the man Sienkiewicz there is little to be obtained. Like all great creative geniuses, he is so completely identified with his work that even while his personality lives in his creations it eludes them. He offers us no confidences concerning himself, no opinions or prejudices. He does not ...
— Without Dogma • Henryk Sienkiewicz
... strong point. She had an exultant joy in living, but laughter, whether genial or sardonic, is not in her work. Irony she seldom, if ever, employed; satire she never attempted. It was on the maternal, the sympathetic side that her femininity, and therefore her creative genius, was most strongly developed. She was masculine only in the deliberate libertinism of certain episodes in her own life. This was a characteristic—one on no account to be overlooked or denied or ...
— Mauprat • George Sand
... expressions whose functioning will enrich the individual and industry. Which means that little by little the workers must share in industrial responsibilities. The job itself, with every conceivable invention for calling out the creative impulse, can never, under the machine process, enlist sufficient enthusiasm for sustained interest and loyalty on the part of the worker. He must come to have a word in management, in determining the conditions under which he labors five and a half ...
— Working With the Working Woman • Cornelia Stratton Parker
... itself in spite of storms of terror, and during and after the test of fire and blood, and spread, after the manner of art and knowledge, until it became the joy and comfort of a new race, a vehicle of feminine dexterity and an expression of the creative instinct with which in a greater or lesser degree we ...
— The Development of Embroidery in America • Candace Wheeler
... particularly in the summer time. Now, the camel is to me the personification of animal wretchedness, a fit creature for the wilderness. The Arabs have a legend that the Archangel Michael, anxious to try his skill at creative work, received permission to make an attempt, and the camel was the issue of his bungling handiwork. Poor brute, his capacity for enjoyment is, perhaps, the most restricted of the whole animal kingdom. Ferocious of aspect, with a terrible voice, he is nevertheless the most timid ...
— Khartoum Campaign, 1898 - or the Re-Conquest of the Soudan • Bennet Burleigh
... impossible that an idle, floating spirit can ever look up with clear eye to God; spreading its miserable anarchy before the symmetry of the creative Mind; in the midst of a disorderly being, that has neither centre nor circumference, kneeling beneath the glorious sky, that everywhere has both; and for a life that is all failure, turning to the Lord of the silent stars, of whose punctual thought it is, that "not one faileth." The heavens, ...
— Daily Strength for Daily Needs • Mary W. Tileston
... the synthetic principles of comparative anatomy. But even the most important universal laws of organisation—of which the old system of comparative anatomy was one—had to take refuge in mystical ideas of a plan of structure and of creative final causes (causae finales); they were incapable of arriving at a true and clear perception of effective mechanical causes (causae efficientes). This last, most difficult, and grandest problem, Charles Darwin ...
— Freedom in Science and Teaching. - from the German of Ernst Haeckel • Ernst Haeckel
... phenomena of primitive creation, because the fire which penetrated it is extinct, so deliberate explanations have always appeared somewhat insufficient when applying our timid methods of induction to the revolutions of the creative epochs which have decided the fate of humanity. Jesus lived at one of those times when the game of public life is freely played, and when the stake of human activity is increased a hundredfold. Every great part, then, entails death; for such movements ...
— The Life of Jesus • Ernest Renan
... life-circle, and sun-circle, and the mathematical feeling she had of her existence, in correspondent sections of the two, are also valuable as mental facts. These figures describe her history and exemplify the position of mathematics toward the world of creative thought. ...
— Summer on the Lakes, in 1843 • S.M. Fuller
... ordered life of a family, children, that counted; the family was the immortal chain on which lives were strung; and he recited this quatrain, saying, in that proud awefilled tone with which Latins speak of creative achievement, "By our greatest poet, ...
— Rosinante to the Road Again • John Dos Passos
... there many nice miniatures? are the portraits good? Lady D.'s lace is perfect; Mrs. A.'s velvet is inimitable." Such observations strike the ear with painful discord, when the mind is filled with memories of those who are brave or independent enough to "look forward" with creative genius. There are many noble exceptions among our aristocracy; but with far too great a number art ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... quality, in all these instances, independent of literary art and of genius, but which is made known to others, and therefore becomes possible to be recognized, only through literary forms. The creative imagination, the airy fancy, the exquisite grace, harmony, and simplicity, the rhetorical brilliancy, the incisive force, all the intellectual powers and charms of style with which that feeling may be expressed, ...
— The Atlantic Monthly, Vol. 12, No. 74, December, 1863 • Various
... those gorgeous crowds! Like Birds of Paradise the clouds Are winging on the wind! But what is grander than their range? More lovely than their sunset change?— The free creative mind! ...
— The Poetical Works of Thomas Hood • Thomas Hood
... much, nowadays, of the value of "Musical Appreciation." It is high time that something was done to educate our audiences and to dispel the hitherto prevalent fallacy that Music need not be regarded seriously. We do not want more creative artists, more executants; the world is full of them—good, bad and indifferent—but we do want ...
— Musicians of To-Day • Romain Rolland
... Therefore, happiness is the highest object of acquisition. The Earth is the progenitrix of all creatures. Females partake of her nature. The male animal is like Prajapati himself. The vital seed, it should be known, is the creative energy. In this way did Brahman ordain in days of old that the creation should go on. Each, affected by his own acts, obtains happiness ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 3 - Books 8, 9, 10, 11 and 12 • Unknown
... speech is composed 'in that balanced style in which the wise love to talk' (Symp.). The characteristics of rhetoric are insipidity, mannerism, and monotonous parallelism of clauses. There is more rhythm than reason; the creative ...
— Phaedrus • Plato
... but were it otherwise, it would be a fine instance what usurious interest a great genius pays in borrowing. It would not be difficult to give a detailed psychological proof from these constant outbursts of anxious self-assertion, that Jonson was not a genius, a creative power. Subtract that one thing, and you may safely accumulate on his name all other excellences of a capacious, vigorous, agile, ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... our Federal system—the relation between city, State, Nation, and the citizens themselves. We need a commission of the most distinguished scholars and men of public affairs to do this job. I will ask them to move on to develop a creative federalism to best use the wonderful diversity of our institutions and our people to solve the problems and to fulfill the dreams of ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... loving hearts his memory and his words; the solitary staff for a race, which had the desire, but not the requisite maturity, to take into itself the entire spirit of the illustrious dead. More and more was the letter now anxiously guarded, and in it the living, creative spirit was securely and faithfully handed down to a more enlightened age. And this age was first able to understand the great man fully, to prize his services and value his doctrine. It is surprising that centuries ago any one should think, as it delights in thinking; it honors the noble of former ...
— The Life and Times of Ulric Zwingli • Johann Hottinger
... him as she could construe it, would not the great man become plastic under her hands? And if, while this was a-doing, Felix would run away with Marie, could not forgiveness be made easy? And her creative mind ranged still farther. Mr Broune might help, and even Mr Booker. To such a one as Melmotte, a man doing great things through the force of the confidence placed in him by the world at large, the freely-spoken support of the Press would ...
— The Way We Live Now • Anthony Trollope
... "Creative statesman in a democracy; big-hearted American." On December 7, 1915, upon receiving a copy of the diploma Lane wrote in acknowledgement to Dr. Wheeler,—"I have the diploma which it has taken all the talent of the office to translate. I had ...
— The Letters of Franklin K. Lane • Franklin K. Lane
... before him would not always serve to satisfy him. Losing no touch of the democratic loyalty to his fellow-men, he none the less clearly saw himself in certain ways becoming inexorably separated from his average fellow-man. The executive instinct was still as strong within him, but he felt it more creative, and he longed for finer material than the seamy side of man's petty strifes with man, made possible under those artificial laws which marked man's compromise with Nature. He found no solace and no science ...
— The Girl at the Halfway House • Emerson Hough
... of art like those in China or India, non-progressive, and in great part diseased and frightful, being wrought under the influence of foolish terror, or foolish admiration. So that a third condition, completing and confirming both the others, must exist in order to the development of the creative power. ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... diverse. At least three rank high in the estimation of her fellow-committeemen. "Aurore," by its terseness and poignant interpretation of the character of the woman under the Northern Lights touches poetry and is akin to music in its creative flight. The Committee voted to include it in Volume III, under the author's protest and under her express stipulation that it should not be regarded as a candidate for either prize. That another of her stories might have found place in the collection is indicated ...
— O. Henry Memorial Award Prize Stories of 1921 • Various
... element—so the second represented the three great forces of nature—the sun, the moon and the life-giving power. According as the one or the other aspect of such a power is brought into the foreground, Ishtar becomes the mother of mankind, the fertile earth, the goddess of sexual love, and the creative force among animals, while at times she appears in hymns and myths as ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... more stimulating to his imagination. In philosophy the mixture is more subtle and more profound. Philosophy always depends in some sense upon science, yet the best philosophy seems generally to have in it some eternal quality of creative imagination. Plato wrote a dialogue about the constitution of the world, the Timaeus, which was highly influential in later Greece, but seems to us, with our vastly superior scientific knowledge, almost nonsensical. Yet when Plato writes ...
— The Legacy of Greece • Various
... this prodigious heap of shellfish, and I saw that these mines were genuinely inexhaustible, since nature's creative powers are greater than man's destructive instincts. True to those instincts, Ned Land greedily stuffed the finest of these mollusks into a net he carried at ...
— 20000 Leagues Under the Seas • Jules Verne
... sentiment or emotion. Sentiment leads us to love sacred spots, to create commemorative days, and to sing songs of gratitude together. It makes life of far greater worth to us in every way. We must also glance at what is known as public sentiment. Public sentiment is not voluntary or self-creative. It is generally a thing of slow growth, springing from a gradual accumulation and development of evidences, impressions, and circumstances. It is a matter of education, impressed upon the masses by the most intelligent or the most influential ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... "that though Michael Angelo was undoubtedly greatest as a sculptor, yet his most important works in the world of art are his paintings. Those grand frescoes in the Sistine Chapel in Rome alone afforded him sufficient scope for his wonderful creative genius. When we get to Rome I shall have much to tell ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... to the terrible deed, and can indulge in all the luxury of destruction, disaggregation, and negation,—in him evil, purposelessness and ugliness, seem just as allowable as they are in nature—because of his bursting plenitude of creative and rejuvenating powers, which are able to convert every desert into a luxurious land of plenty. Conversely, it is the greatest sufferer and pauper in vitality, who is most in need of mildness, peace and goodness—that which to-day is called humaneness—in thought ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... Born amid resplendent spheres, And, with God-like creative power, endowed, Hast thou, to human life's blue depths, not vowed A splendor, not alone like that which 'pears At present, where the upper asure clears, But that the Nebulae will yet unshroud? I hear thy far off cry where thou art lone, A John the ...
— Freedom, Truth and Beauty • Edward Doyle
... be described or imagined, but yet so that the features which give interest and permanence to the class should be individualized. The old tragedy moved in an ideal world,—the old comedy in a fantastic world. As the entertainment, or new comedy, restrained the creative activity both of the fancy and the imagination, it indemnified the understanding in appealing to the judgment for the probability of the scenes represented. The ancients themselves acknowledged the new comedy ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... fifth century, wrote The Dyonisiacs, a vast poem on Bacchus, in forty-eight books; 'a magnificent assemblage of the emblematical legends of Egypt,' and in which modern criticism has discovered a creative grandeur, a beautiful wildness of fancy, and a romantic spirit, such as were combined in no other ...
— The Continental Monthly, Vol. 3, No. 1 January 1863 - Devoted To Literature And National Policy • Various
... been prevented; why then should he have been called into being? Is not this misery ordained to him, since it is not prevented, and since it has always been apparent as the result of life to the creative power which must know, and which could prevent, and has ...
— The Knickerbocker, or New-York Monthly Magazine, May 1844 - Volume 23, Number 5 • Various
... against a triumphant sky, the clamorous desperation of clouds of wheeling kittiwakes, herring-gulls, black-backed gulls and gannets, and all in that pour of hard and crystalline northern sunlight, was as though the creative word had been spoken only five minutes before. We, and all this, had just come. I wanted to ...
— London River • H. M. Tomlinson
... is purposely harmful in its intention. The deliberate, creative gossip is probably rare. In fact, gossip usually represents the need of a bored world to be entertained at any price, the restless ennui that must be forever talking or listening to fill the vacuity of its existence, ...
— Vanishing Roads and Other Essays • Richard Le Gallienne
... and, as much as can be, a spirit of narrative to be preserved. You will find that come stronger as I proceed, and get the explanations worked through. Problems of style are (as yet) dirt under my feet; my problem is architectural, creative - to get this stuff jointed and moving. If I can do that, I will trouble you for style; anybody might write it, and it would be splendid; well-engineered, the masses right, the ...
— Vailima Letters • Robert Louis Stevenson
... man, had caught her soul and heart by storm, in a few sudden, quickly-whispered words one night when the moon was at the full, hanging high over the gardens of the Pincio,— and, proud of her security in the love she had won, Angela had risen by leaps and bounds to a magnificence of creative effort and attainment so far beyond him, that old and wise persons, skilled in the wicked ways of the world, would sometimes discourse among themselves in dubious fashion thus: "Is it possible that he is not jealous? He must surely see that ...
— The Master-Christian • Marie Corelli
... separate planet, must, of course, be very vague and hypothetical. Yet the progress of science is so rapidly reconstructing the past that we may hope to solve even this problem; and to one who looks upon man's appearance upon the earth as the crowning work in a succession of creative acts, all of which have had relation to his coming in the end, it will not seem strange that he should at last be allowed to understand a history which was but the introduction to his own existence. It is ...
— Young Folks' Library, Volume XI (of 20) - Wonders of Earth, Sea and Sky • Various
... due less to mere brute cash than to prodigally expended effort. Eleanor never wore a costume which did not show the copious exercise by some alert-minded human being, presumably with an immortal soul, of the priceless qualities of invention, creative thought, trained attention, and prodigious industry. Mrs. Hubert's unchallengeable slogan was that dress should be an expression of individuality, and by dint of utilizing all the details of the attire of herself and of her two daughters, down to the last ruffle and buttonhole, ...
— The Bent Twig • Dorothy Canfield
... envy of the man who could go down serenely to the dark gates of death. Surely Christ, and not he, Sturges Owen, had been moulded in such manner. And why not he? He felt dimly the curse of ancestry, the feebleness of spirit which had come down to him out of the past, and he felt an anger at the creative force, symbolize it as he would, which had formed him, its servant, so weakly. For even a stronger man, this anger and the stress of circumstance were sufficient to breed apostasy, and for Sturges Owen it was inevitable. In the fear of man's anger he would dare ...
— The God of His Fathers • Jack London
... of the creative artist is to turn chaos into cosmos. He has the welter of raw material around him; the shaping instinct crystallizes it into coherent forms. For that intellect is indispensable, and almost from the beginning Haydn's intellect was at work slowly building his ...
— Haydn • John F. Runciman
... add that the act of creating a thing does not include only the processes of industry. The act of buying is creative. The riot of luxury trades in the United States will not end so long as the American woman remains a steady buyer of luxuries. The mobilization of women as workers is no more essential to the triumph of our cause, than the mobilization of women for thrift. The beginning ...
— Mobilizing Woman-Power • Harriot Stanton Blatch
... suggestive manner by Professor Albert A. Stanley of the University of Michigan: "If in the future the line of demarcation between the college and the university shall cease to be as sinuous and shadowy as at present, the university will offer well-defined courses in research, in creative work, possibly in interpretation—by which I do not mean criticism, but rather that which is criticized. [Professor Stanley evidently refers to musical performance.] The college courses will then be so ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... breed of men from which he sprang had always faced the enemy when the challenge came. In the carriage of his body there was a quiet pride—a feeling not of vanity, but of instinctive power. It was born in him through generations of men who had done the creative thinking of a nation in the building. His face might have been described as a little too regular—a little too handsome perhaps for true greatness, but for the look of deep thought in his piercing eyes. And the finely chiseled ...
— The Man in Gray • Thomas Dixon
... there may be some improvements on old and present devices, but there will be no more Edisons, no more Marconis. In medicine, we are about at the top of the mountain. In literature, the creative and fundamental things have all been done. There will be no more Shakespeares, no Miltons, no Dantes, no Goethes. Even Hugo is dead. From now on books will be mere ...
— The Young Man and the World • Albert J. Beveridge |
