"Du Maurier" Quotes from Famous Books
 ... of an artist singing out of tune than a deficiency of the sense of hearing. Many singers "sharp" or "flat" habitually, and are unable to overcome the habit, even though well aware of it. Only a voice entirely free from stiffness can produce tones of absolute correctness and perfect intonation. Du Maurier hit upon a very apt description of pure intonation when he said that Trilby always sang "right into the middle of the note." As an impurity of intonation is almost always an indication of throat tension, vocal teachers should be keenly sensitive to this ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... Walking up to Du Maurier and Wilde at the time the former was portraying the Postlethwaites in Punch, Whistler asked, whimsically, "I say, which of you invented the ...
— Whistler Stories • Don C. Seitz
... seek from the Rembrandt and Durer of the etchings and woodcuts, from Hogarth, Goya, Klinger, down to Leech and Keene and Du Maurier; it is not beauty, but ideas,— information, irony, satire, life-philosophy. Where there is a conflict, beauty, as we have defined it, goes to the wall. We may trace, perhaps, the ground of this in the highly ...
— The Psychology of Beauty • Ethel D. Puffer
... very greatly mistaken. We not infrequently see men who have been engaged in one occupation with only very moderate success suddenly leap into fame in an entirely different line. Men who have struggled to be great artists or illustrators like du Maurier astonish the world with a previously concealed literary ability. It is foolish not to recognize the part that talent must play in the careers of artists. Sometimes hard work and patient persistence will stimulate the mind and soul, and reveal talents that were ...
— Great Pianists on Piano Playing • James Francis Cooke
... certainly exists no more delightful reading than the memoirs and stories of heroes and heroines, many of whom we ourselves may have seen, and to whom we may have spoken. As we read on we are led into some happy bygone region,—such as that one described by Mr. du Maurier in 'Peter Ibbetson,'—a region in which we ourselves, together with all our friends and acquaintances, grow young again;—very young, very brisk, very hopeful. The people we love are there, along with the people we remember. Music begins to play, we are dancing, laughing, scampering ...
— Our Village • Mary Russell Mitford
... England had a better time than did Du Maurier on that cold day when he took the hat of an old soldier on Hampstead road, and sent him away to the soup kitchen in Euston to get warm. The artist chalked on a blackboard such portraits as he commonly made for "Punch," and soon gathered a great quantity of small coins for the grateful soldier; who, ...
— Cheerfulness as a Life Power • Orison Swett Marden
... and influential efforts were made for leniency. The French ambassador, Aubrey du Maurier, during the trial did his utmost to secure fair treatment for the Advocate; and a special envoy, Chatillon, was sent from Paris to express the French king's firm belief in the aged statesman's integrity and patriotism based on an intimate ...
— History of Holland • George Edmundson
... that monstrous person. I wish, indeed, Mr. Osbourne had said so: for again I cannot help feeling that the offence of Attwater lies at Mr. Stevenson's door. He strikes me as a bad dream of Mr. Stevenson's—a General Gordon out of the Arabian Nights. Do you remember a drawing of Mr. du Maurier's in Punch, wherein, seizing upon a locution of Miss Rhoda Broughton's, he gave us a group of "magnificently ugly" men? I seem to see Attwater ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... admit that she was very lovely; particularly lovely in the black of her mourning, with her slim neck, rising up from its string of pearls, to a head small and like a delicate white-and-gold flower. An extraordinarily well-bred woman, a sort of misty Du Maurier woman, of a type that had become almost non-existent, if ever it had existed in its perfection at all. And, curiously enough, a woman whose beauty seemed to have been sharpened by many fine-drawn renunciations. Now ...
— O. Henry Memorial Award Prize Stories of 1920 • Various |
