"Epic" Quotes from Famous Books
 ... back on itself. The sun, as it were, sheds us abroad in nature, scatters and disperses us; mist draws us together and concentrates us—it is cordial, homely, charged with feeling. The poetry of the sun has something of the epic in it; that of fog and mist is elegiac and religious. Pantheism is the child of light; mist engenders faith in near protectors. When the great world is shut off from us, the house becomes itself a small universe. Shrouded in perpetual ...
— Essays from 'The Guardian' • Walter Horatio Pater
... walls of redeemed Jerusalem, and was its first Christian monarch, but who refused to accept a golden diadem on the spot where the Saviour had been crowned with thorns; the Fleming who lived and was the epic which the great Italian, centuries afterwards; translated into immortal verse, is thus fitly associated with the beautiful architectural poem which was to grace his ancestral realms. The body of the church, the interior and graceful perspectives of which were ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... oldest epic in Sanscrit literature, and is sevenfold greater in bulk than the "Iliad" and "Odyssey" taken together. This remarkable poem contains almost all the history of ancient India, so far as it can be recovered, together with inexhaustible details ...
— Hindu Literature • Epiphanius Wilson
... time that "Paradise Lost," the one matchless epic of English literature, was conceived. Rough jottings were made as to divisions and heads, and a few stanzas were written of the immortal poem that was not to be completed ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... great theme ever in mind, watching for it as he reads, as one watches for the new entry of a great fugue-subject, will never fail to see in the Aeneid one of the noblest efforts of human art—to understand what makes it the world's second great epic. ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... the Hellenic race, the AEolians spread over northern Greece, and also occupied the western coast of the Peloponnesus and the Ionian islands. It continued, to the latest times, to occupy the greater part of Greece. The Achaeans were the most celebrated in epic poetry, their name being used by Homer to denote all the Hellenic tribes which fought at Troy. They were the dominant people of the Peloponnesus, occupying the south and east, and the Arcadians the centre. The Dorians and Ionians were of later celebrity; ...
— Ancient States and Empires • John Lord
... extolled the fertile invention of Odysseus for nothing. Forthwith he began a wondrous tale of adventure, a little epic in itself, with some points of resemblance to his own true story. "I am a native of Crete," he began, "and the son of a wealthy man. When my father died I received but a scanty portion of his goods. Nevertheless, because of my valour and the might ...
— Stories from the Odyssey • H. L. Havell
... military critic; but all this is possible without his possessing any positive qualities of a great general, just as a literary critic may show the profoundest acquaintance with the principles of epic poetry without being able to produce a single stanza of an epic poem. Nevertheless, I shall not give up my faith in General McClellan's soldiership until he is defeated, nor in his courage and integrity ...
— Sketches and Studies • Nathaniel Hawthorne
... the songs of the Brahmin muse, with as keen a relish as the most devout Christian does the hymns of Dr. WATTS. Melody comes of Heaven, and is a gift vouchsafed to all generations, and all kinds of men. In proof of this, let us adduce a single extract from the great epic of the Hawaiian poet, POPPOOFI, entitled ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... sometimes, in moments of sympathy, their parents would be revealed to them in sudden lights of pathos and old romance. They would listen to some old love-affair of their mother's as though it had been their own, or go out of their way to make their father tell once more the epic of the great business over which he presided, and which, as he conceived it, was doubtless a greater poem than his son would ever write. Yet still even in such genuine sympathy, there was a certain imaginative effort to be made. The gulf between the generations, ...
— Young Lives • Richard Le Gallienne
... experiences in an epic of fresh and thrilling sensations has written,—"If a man be not born of his mother with a natural Chifney bit in his mouth, there comes to him a time for loathing the wearisome ways of society,—a time for not liking tamed people,—a time for not dancing quadrilles,—a time for pretending ...
— Atlantic Monthly, Vol. IV, No. 26, December, 1859 • Various
... usually push all others out from the possession of the historical page; but a chapter of that gentleman's memoirs, as they are recorded in that exemplary recueil—the "Newgate Calendar;" nay, a canto of the great comic epic (involving many fables, and containing much exaggeration, but still having the seeds of truth) which the satirical poet of those days wrote in celebration of him—we mean Fielding's "History of Jonathan Wild the Great"—does seem to us to give a more curious picture of the manners of those times ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... Oudinot, Duchess of Reggio, a lady of the highest rank, who joined a large heart to a firm mind. Attached, through her family, to the religious and monarchical principles of the old regime, by her marriage to the glories of the imperial epic, she represented at the court the ideas of pacification and fusion that inspired the policy of Louis XVIII. Born in 1791, of Antoine de Coucy, captain in the regiment of Artois, and of Gabrielle de Mersuay, she was but two years old when her father and mother were thrown into the ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... agreed as to the site of the town which was so long besieged by the Greeks; and certain sceptical spirits even went so far as to deny that there ever was such a person as Homer at all, or that if there were, he wrote the epic poem which has borne his . name so long. Tradition, however, was pretty constant in pointing to the hill of Hissarlik as the site on which Troy was built. Strabo was quite an exception in relegating the town to the lower end of the bay; ...
— Manners and Monuments of Prehistoric Peoples • The Marquis de Nadaillac
... the Purgatory, Canto XI. His "Canzone sopra il Terreno Amore" was thought worthy of being illustrated by numerous and ample commentaries. Crescimbeni Ist. della Volg. Poes. l. v. For a playful sonnet which Dante addressed to him, and a spirited translation of it, see Hayley's Essay on Epic Poetry, Notes ...
— The Divine Comedy • Dante
... vision. Herodotus's narrative of the false princess sent by Pharaoh Amasis to Cambyses as a wife, and who became the innocent cause of the war through which the kingdom of the Pharaohs lost its independence, would not bear criticism, but it was certainly usable material for a dramatic or epic poem. And this material gave ...
— Uarda • Georg Ebers
... The lyrical type was followed by the epic, where heroic deeds, or other events of thrilling interest, are the theme of song, and the personal emotion of the bard is out of sight through his absorption in the subject. Description flows on, the narrator himself being in the background. This epic poetry culminates in the Iliad and Odyssey (900-700 B.C.). Their verse is the hexameter. These poems move on in a swift current, yet without abruptness or monotony. They are marked by a simplicity ...
— Outline of Universal History • George Park Fisher
... Tragedy, to whom the chief personages discover their secrets and situation, has been also objected to by critics. The discovery is indeed purposely made to the audience, and supplies the want of a chorus. But to speak in Monsieur Brumos's own stile: "If Homer, in his Epic poem, found a Patroclus necessary to his Achilles, and Virgil an Achates to Aeneas, such examples may well justify the Dramatic Poets in calling in the assistance of associates, who generally appear of more use than ornament to the piece." ...
— The Female Gamester • Gorges Edmond Howard
... bore the royal standard on the field of Xaquixaguana, both died within a year after Pizarro. Hinojosa was assassinated but two years later in La Plata; and his old comrade Valdivia, after a series of brilliant exploits in Chili, which furnished her most glorious theme to the epic Muse of Castile, was cut off by the invincible warriors of Arauco. The Manes of Pizarro were ...
— The History Of The Conquest Of Peru • William H. Prescott
... Claude, fresher than the proverbial daisy. "What you need is a frolic with old Neptune! We bathe at eleven, go aboard the Minta at twelve, lunch at one. Pfingst's chef is an artist; he can create a lobster Newburg that is an epic!" Papa Claude's tongue made the circle of his ...
— Quin • Alice Hegan Rice
... knew the contemporary poets was more or less precocious. Tennyson also knew Pope, and wrote hundreds of lines in Pope's measure. At twelve the boy produced an epic, in Scott's manner, of some six thousand lines. He "never felt himself more truly inspired," for the sense of "inspiration" (as the late Mr Myers has argued in an essay on the "Mechanism of Genius") has little to do with the actual value of the product. At fourteen Tennyson wrote a drama in ...
— Alfred Tennyson • Andrew Lang
... story of Ravana is told in the Ramayana, which with the Mahabarata form the two great epic poems of the Hindoos; the latter was written by Vyasa, and ...
— The Kama Sutra of Vatsyayana - Translated From The Sanscrit In Seven Parts With Preface, - Introduction and Concluding Remarks • Vatsyayana
... fire," a periphrasis for woman that bears gold on her arm. (2) "Skates that skim." etc.. a periphrasis for ships. (3) "Odin's mocking cup," mocking songs. (4) An allusion to the Beast Epic, where the cunning fox laughs at the flayed condition of his stupid foes, the wolf and bear. We should say, "Don't stop to speak with him, but rather beat ...
— Njal's Saga • Unknown Icelanders
... Character of Dr. Johnson, seems to countenance this calumny. He says: "It can hardly be doubted, but that Johnson's aversion to Milton's politics was the cause of that alacrity, with which he joined with Lauder in his infamous attack on our great epic poet, and which induced him to assist in that transaction." These words would seem to describe an accomplice, were they not immediately followed by an express declaration, that Johnson was "unacquainted with the imposture." ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... "Well, nothing except an epic poyem on Jonah and the Whale, which I wrote at the age of seven. Most of it consisted of a conversation between them, while Jonah was in the Whale's stomach, which I think showed agility on the ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis
... so natural and apparently easy—an epic in moleskin and human flesh, with only the little glimmer of oil-lamps, which darted from side to side in a mad mazurka of toil, crossing and recrossing, swinging and halting, the flames flattening out with every heave of their owners' bodies, then abruptly being brought to the steady ...
— The Underworld - The Story of Robert Sinclair, Miner • James C. Welsh
... astonishing that in these conditions we find no national epic and no national drama, but a gradual growth of a poetry saturated with physical realism and the final appearance of a dramatic form equipped with the most potent charms of sensuous art. It was in such a period ...
— Some Forerunners of Italian Opera • William James Henderson
... carry a breath of the Atlantic on its beams. The road ran up and down as if our motor were a ship on a deep-sea swell; and such a sense of space and light was in the distances, such a veil of beauty over the whole world, that the vision of that army on the move grew more and more fabulous and epic. ...
— Fighting France - From Dunkerque to Belport • Edith Wharton
... religious in subject, were not recited but chanted; and though at first the chant of the poet was accompanied by the dance of the chorus, it ultimately grew into independence. Later still, when the poem had been differentiated into epic and lyric—when it became the custom to sing the lyric and recite the epic—poetry proper was born. As during the same period musical instruments were being multiplied, we may presume that music came to have an existence apart from words. ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... performers to sink into oblivion. But at the same time there might be a great future before any artist who could discover a new medium of utterance. It seems at present, to take literature, as if every form of human expression had been exploited. We have the lyric, the epic, the satire, the narrative, the letter, the diary, conversation, all embalmed in art. But there is probably some other medium possible which will become perfectly obvious the moment it is seized upon and used. To take an instance from pictorial ...
— At Large • Arthur Christopher Benson
... him.' 'And I,' quoth Everard, 'by the wassail-bowl.' 'Why yes,' I said, 'we knew your gift that way At college: but another which you had, 25 I mean of verse (for so we held it then), What came of that?' 'You know,' said Frank, 'he burnt His epic, his King Arthur, some twelve books'— And then to me demanding why? 'Oh, sir, He thought that nothing new was said, or else 30 Something so said 'twas nothing—-that a truth Looks freshest in the fashion of the day: ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... even up to furthest lonely Condamine, retailing the news of these occurrences with all the authenticity of an eye witness, improving his narrative by each repetition. Here was the basis of a new tale, Ode, Epic, Saga, or what you may please to call it, which he Burnside, the bard, should sing at ...
— The Recollections of Geoffrey Hamlyn • Henry Kingsley
... parish, performing the monotonous and far from engrossing duties of a reading clerk,[12] lived in reality a stirring life of the imagination. Back in the Saxon past of England his thoughts moved, and his mind dwelt on her national epic heroes. Not only in his language, which belongs to the period of transition from Anglo-Saxon to Middle English, but in his verse [13] and phraseology, he shows the influence of earlier Anglo-Saxon literature. The sound of the Ode on Athelstane's ...
— Arthurian Chronicles: Roman de Brut • Wace
... nature, it must be confessed that these stories have a certain permanent literary quality, most successful in "Earthbred," "Joseph's House," and "A Widow Woman." These three collections make it tolerably clear that Mr. Evans will find his true medium in the novel, where an epic breadth of material is at hand to fit his epic breadth ...
— The Best Short Stories of 1920 - and the Yearbook of the American Short Story • Various
... revered in the world had been hazarded in those legendary adventures. It was not AEneas's own life or private ambition that was at stake to justify his emotion. His tenderness, like Virgil's own, was ennobled and made heroic by its magnificent and impersonal object. It was truly an epic destiny that inspired both poet ...
— The Life of Reason • George Santayana
... the age of fourteen, full of enthusiasm, devoured by a passion for literature and art. The magnificent scenarios devised by Victor Hugo, the gigantic phantasies which fought therein amidst a ceaseless cross-fire of antithesis, had at first transported them into the fulness of epic glory; gesticulating, watching the sun decline behind some ruins, seeing life pass by amidst all the superb but false glitter of a fifth act. Then Musset had come to unman them with his passion and his tears; they heard their own hearts throb in response to his, a new world opened to them—a ...
— His Masterpiece • Emile Zola
... slaughter, these miserable slaves the Press of all countries urged on, one against the other, brutally deaf to their misery, representing them as glad and cheerful when they had reached the extreme of human suffering, magnifying them into heroes of epic proportions (before they donned their dingy garb of war they were "lice" that had to be "combed out"), endowing them with absurdly impossible virtues—when they were just ordinary human beings in misfortune with ...
— Combed Out • Fritz August Voigt
... in preparing the first edition, published in 1804-07. The work was based chiefly on Washington's own diaries and letters and secret archives and it told not simply the epic story of this great life but the truth about the birth of our nation. Marshall later spent fifteen years revising the first edition, verifying to the last detail every chapter, page and paragraph of ...
— The Life of George Washington, Vol. 1 (of 5) • John Marshall
... study of liberal accomplishments flourished, having been first introduced by the Bards, the Eubages,[49] and the Druids. The Bards were accustomed to employ themselves in celebrating the brave achievements of their illustrious men, in epic verse, accompanied with sweet airs on the lyre. The Eubages investigated the system and sublime secrets of nature, and sought to explain them to their followers. Between these two came the Druids, men of loftier genius, bound in brotherhoods ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... life in Homer's manner, we cannot see why this passage, and indeed the whole poem, should not be thought as good as any one of the episodes in the "AEneid." We are not comparing Mr. Arnold with Virgil: for it is one thing to have written an epic and another to have written a small fragment; but as a working up of a single incident it may rank by the side of Nisus and Euryalus, and deeper chords of feeling are touched in it than ...
— Froude's Essays in Literature and History - With Introduction by Hilaire Belloc • James Froude
... in intellectual works; and indeed, among all nations in a very low grade of civilization, the germs of all art and science are found connected with theology; and later, the germs of all poetry and history with the epic. The expression: non defuit homini, sed scientiae, quod nescivit Salmasius, is a clear proof of the insignificance of the science of the time. Think of the increase during the last hundred years of the branches of study ...
— Principles Of Political Economy • William Roscher
... to bring his name before Maecenas, the confidential adviser and minister of Octavius, in whom he had himself found a helpful friend. This was followed up by the commendation of Varius, already celebrated as a writer of Epic poetry, and whose tragedy of "Thyestes," if we are to trust Quintilian, was not unworthy to rank with the best tragedies of Greece. Maecenas may not at first have been too well disposed towards a follower of the republican party, who had not been sparing of his ...
— Horace • Theodore Martin
... his musical delivery in reciting apt bits of poetry and other quotations adding to the pleasure of hearing his accounts rendered. He gave us modern versions of the Greek myths and hero legends, of Cadmus and Thebes, of Jason and the Golden Fleece, of the Trojan epic, of ...
— My Friends at Brook Farm • John Van Der Zee Sears
... we rank the Legend of St. Andrew among the other poems of the Anglo-Saxons? and what are its chief merits as a work of art? The Old English epics may be divided into two general classes: the heroic epic, of which the Beowulf is the chief example; and the larger group of religious epics, including the poems of Cynewulf, of Pseudo-Caedmon, the Judith, ...
— Andreas: The Legend of St. Andrew • Unknown
... is work for epic poets or reciters, and I am no good at poetry. I should be sure to put in too many feet, or leave out some, and spoil the thing; they would only laugh at my rude verses. Why, I've known Apollo himself laughed at for some of his oracles; and prophecy has ...
— Works, V3 • Lucian of Samosata
... Thebes' fell brethren, Theseus, stern of face, And Peleus' son, unrivalled in the race, AEneas, founder of the Roman line, And William, glorious on the banks of Boyne? Who has not learned to weep at Pompey's woes, And over Blackmore's epic page to doze? 'Tis I, who dare attempt unusual strains, Of hosts unsung, and unfrequented plains; The small shrill trump, and chiefs of little size, And armies rushing down the darkened skies. Where India reddens to the early dawn, Winds a deep vale from vulgar ...
— The Minstrel; or the Progress of Genius - with some other poems • James Beattie
... the epic struggle of my compatriots against Greeks and Turks, and I took part with them in order to obtain these national institutions. And did you come there in Ochrida, and everywhere in Macedonia protected by our valiant army of Lule Bourgas and Chataldja, ...
— Current History, A Monthly Magazine - The European War, March 1915 • New York Times
... of Balzac's is often no more than an analysis of character, and while a novel of Zola's is a massive epic of human endeavor, a novel of Daudet's is a gallery of pictures, brushed in with the sweep and certainty of a master-hand,—portraits, landscapes with figures, marines, battlepieces pieces, bits ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... grandeur. And then consider the great historical fact that, for three centuries, this book has been woven into the life of all that is best and noblest in English history; that it has become the national epic of Britain, and is as familiar to noble and simple, from Land's End to John-o'-Groat's House, as Dante and Tasso once were to the Italians; that it is written in the noblest and purest English, and abounds in exquisite beauties of mere literary form; and, finally, that ...
— Thomas Henry Huxley; A Sketch Of His Life And Work • P. Chalmers Mitchell
... undertook, he laboured with great diligence, there is no reason for doubting" It was after the Restoration, when his official employment ceased, that Milton entered upon the principal literary work of his life; but before he undertook the writing of his great epic, he deemed it indispensable that to "industrious and select reading" he should add "steady observation" and "insight into all seemly and ...
— Character • Samuel Smiles
... absolutely perfect, but of an excessive and over-boiling courage; but Homer and Tasso are my precedents. Both the Greek and the Italian poet had well considered, that a tame hero, who never transgresses the bounds of moral virtue, would shine but dimly in an epic poem; the strictness of those rules might well give precepts to the reader, but would administer little of occasion to the writer. But a character of an eccentrick virtue is the more exact image of human life, because he is not wholly exempted from its frailties; such a ...
— The Works Of John Dryden, Volume 4 (of 18) - Almanzor And Almahide, Marriage-a-la-Mode, The Assignation • John Dryden
... the Divine Comedy, the work of DANTE, and yet no one, so far as we know, has pointed out its especial character. The work of the great Ghibellin is a declaration of war against the Papacy, by bold revelations of the Mysteries. The Epic of Dante is Johannite and Gnostic, an audacious application, like that of the Apocalypse, of the figures and numbers of the Kabalah to the Christian dogmas, and a secret negation of every thing absolute ...
— Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry • Albert Pike
... romance of the forest with the romance of man's heart, making a story that is big and elemental, while not lacking in sweetness and tenderness. It is an epic of the life of the lumbermen of the great forest of the Northwest, permeated by out of door freshness, and the glory of the struggle ...
— At the Time Appointed • A. Maynard Barbour
... modern poetry. It is here that an inordinate love of decoration finds its opportunity and its snare. To keep the most elaborate comparison in harmony with its occasion, so that when it is completed it shall fall back easily into the emotional key of the narrative, has been the study of the great epic poets. Milton's description of the rebel legions adrift on the flaming sea is a fine instance of the difficulty ...
— Style • Walter Raleigh
... the prodigious deeds set forth therein, the journalistic epic is of itself naively prodigious, as anyone knowing Mr. Boone with pen in hand will at once suspect. All the little Trojan band—call them Gascons if you will, but own that if they boasted they were ever keen to substantiate the bluff—all ...
— The Missourian • Eugene P. (Eugene Percy) Lyle
... is the most pretentious kind of narrative poetry; it tells in serious verse of the great deeds of a popular hero. The Iliad, the Aeneid, Beowulf, Paradise Lost are important epics. The Idylls of the King is in the main an epic poem. ...
— Lady of the Lake • Sir Walter Scott
... which the dollars do not jingle; full of the unrest and movement of our century, so that the reader is hurried from place to place and sea to sea, and the book is less a romance than a panorama—in the end, as blood-bespattered as an epic? ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 13 (of 25) • Robert Louis Stevenson
... In Maghas' epic, The Death of Sisupala, plants and animals lead the same voluptuous life as the 'deep-bosomed, wide-hipped' girls ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... unknown, with our little fleet of automobiles containing ourselves and our equipment. We made a very flourishing start out of Warsaw, but very soon plunged into an appalling mess of mud. One could really write an epic poem on Russian roads. At the best of times they are awful; on this particular occasion they were full of large holes made by shells and covered with thick swampy mud that had been snow the week before. It delayed us so much that we did not get to ...
— Field Hospital and Flying Column - Being the Journal of an English Nursing Sister in Belgium & Russia • Violetta Thurstan
... that Homer returned to life, no one would dispute with him his claim to be the author of the Iliad, and each would vie with the rest to do honour to the father of epic poetry. But if peradventure some rich landowner of that day came back to assert a claim to the fields, the woods, the pastures of which he used to be so proud, ten to one he would be received like a thief and perhaps die a ...
— The Man-Wolf and Other Tales • Emile Erckmann and Alexandre Chatrian
... pay tribute to the passing of Dr. Shaw. Aside from her epic contribution to the cause of progressive American womanhood it is in no sense perfunctory to say that whether in war time Washington, organizing and directing the eighteen thousand units of the Woman's Committee of National Defense, or with indomitable courage ...
— The History of Woman Suffrage, Volume V • Ida Husted Harper
... The repertoire of the Weimar theater was stocked with pieces of solid merit, which long held their place. In August, 1792, he accompanied the duke to the campaign in the Ardennes. In 1793 he went with his master to the siege of Mainz. Goethe took the old German epic of Reynard the Fox, with which he had long been familiar, and which, under the guise of animals, represents the conflicting passions of men, ...
— Autobiography • Johann Wolfgang von Goethe
... ideas are already contained in the "Communist Manifesto,'' a work of the most amazing vigor and force, setting forth with terse compression the titanic forces of the world, their epic battle, and the inevitable consummation. This work is of such importance in the development of Socialism and gives such an admirable statement of the doctrines set forth at greater length and with more pedantry in "Capital,'' that its salient passages must be known by anyone ...
— Proposed Roads To Freedom • Bertrand Russell
... declares that the "Philoctetes" of Sophocles, if issued to-day, would be called romantic. And he points out—what indeed has been often pointed out—that the "Odyssey"[7] is more romantic than the "Iliad:" is, in fact, rather a romance than a hero-epic. The adventures of the wandering Ulysses, the visit to the land of the lotus-eaters, the encounter with the Laestrygonians, the experiences in the cave of Polyphemus, if allowance be made for the difference in sentiments and manners, remind the reader constantly ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... the incident described in the last chapter was to strengthen the bond between John and Desmond. Desmond had the epic from Fluff, from the Caterpillar, and finally ...
— The Hill - A Romance of Friendship • Horace Annesley Vachell
... looked horrified enough to satisfy even Sally May, who loved to tell a story, and she related one epic after another, until the York audience were convinced that life would not be worth living unless they too could recount similar tales when they went home for ...
— Judy of York Hill • Ethel Hume Patterson Bennett
... public. I find character and life in it. There is no poem or novel that is worth the Memoirs of Saint Helena, although it is written in ridiculous fashion. What I think of Napoleon, if you wish to know, is that, made for glory, he had the brilliant simplicity of the hero of an epic poem. A hero must be human. Napoleon ...
— The Red Lily, Complete • Anatole France
... Mahabharata seem to us inartistic, yet to those who take the pains to familiarize themselves with what at first is strange, the Mahabharata is, I think, a greater poem than the Iliad. It should not be regarded as an epic distended and interrupted by interpolated sermons but as the scripture of the warrior caste, which sees in the soldier's life a form ...
— Hinduism and Buddhism, Vol I. (of 3) - An Historical Sketch • Charles Eliot
... lofty strain, of earlier days, I spread the King's or Hero's praise, And struck the martial Chords with epic fire: But farewell, Hero! farewell, King! Your deeds my lips no more shall sing, For Love alone shall be ...
— The Monk; a romance • M. G. Lewis
... is not a single ballad, but a conglomeration of several, forming a short epic. Ballads representing its component parts are not now extant; although on the other hand there are later ballads founded on certain episodes in the Gest. The compiler availed himself of incidents from other traditional sources, but he ...
— Ballads of Robin Hood and other Outlaws - Popular Ballads of the Olden Times - Fourth Series • Frank Sidgwick
... helpless maid, whom you seek to protect, holding back that bunch of desperadoes, it occurs to me that she can give a fairly good account of herself. Gad, it was epic!" ...
— A Pagan of the Hills • Charles Neville Buck
... representation is lost, and the mind is displeased to find a picture which bears no resemblance to any original. Nor are such excessive refinements more agreeable in the epistolary or philosophic style, than in the epic or tragic. Too much ornament is a fault in every kind of production. Uncommon expressions, strong flashes of wit, pointed similes, and epigrammatic turns, especially when laid too thick, are a disfigurement rather than any embellishment of discourse. As the ...
— The Illustrated London Reading Book • Various
... did over and over again, with unflagging vehemence, with splendid variations, in stories of peasants and wrestlers and thieves and prostitutes. They are all, as his daughter says, epic; she calls them Homeric, but there is none of the Homeric simplicity in this tumult of coloured and clotted speech, in which the language is tortured to make it speak. The comparison with Rabelais is nearer. La recherche du terme vivant, sa mise en valeur et en saveur, la surabondance des ...
— Figures of Several Centuries • Arthur Symons
... to disappear. So strong was this impulse that where the Highlands were concerned men of sense gave ready credence to stories without evidence, and men of taste gave rapturous applause to compositions without merit. Epic poems, which any skilful and dispassionate critic would at a glance have perceived to be almost entirely modern, and which, if they had been published as modern, would have instantly found their proper place in company with Blackmore's ...
— The Celtic Magazine, Vol. 1, No. 1, November 1875 • Various
... just then under way—Goethe and Schiller interchanged views by letter on the subject of epic poetry in general and the ballad in particular. As they had both written ballads in their youth, it was but natural that they should be led to fresh experiments with the species. So they both began to make ballads for ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. III • Kuno Francke (Editor-in-Chief)
... the plausible explanation of most of the brief Hymns—they were preludes to epic recitations—but the question as to the long narrative Hymns with which the collection opens is different. These were themselves rhapsodies recited at Delphi, at Delos, perhaps in Cyprus (the long Hymn to Aphrodite), in Athens (as the Hymn to Pan, who was friendly in the Persian invasion), ...
— The Homeric Hymns - A New Prose Translation; and Essays, Literary and Mythological • Andrew Lang
... explain and justify it. Thus it is that that great struggle for sea-power to which Spain, Portugal, Holland, England, and France all contributed maritime genius and boundless courage, becomes transformed under the half-accidental success of one nation into an almost religious epic of a destined wave-ruler. There could not be a finer British spirit than Mr. Chesterton's fallen friend, the poet Vernede, yet even ...
— Chosen Peoples • Israel Zangwill
... Tamburlaine's rant about the kings who draw his chariot, or puts fragments of similar bombast into the mouth of Pistol. According to Coleridge, on the other hand, this idea is 'below criticism.' No sort of ridicule was intended. 'The lines, as epic narrative, are superb.' It is true that the language is 'too poetical—the language of lyric vehemence and epic pomp, and not of the drama'; but this is due to the fact that Shakespeare had to distinguish the style of the speech from that of his own ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... of novels about the sorrers of step-children, but I ain't never come up with no epic as yet portrayin' the sufferin's of a step-ma. If I had a talent like your husband's got, I'll be blest if I wouldn't do it. What I went through with them children aged me ten years ...
— At the Sign of the Jack O'Lantern • Myrtle Reed
... the historian of that name is meant; in any case it cannot refer to the celebrated epic ...
— The Eleven Comedies - Vol. I • Aristophanes et al
... charge," Ludovick asked, "and whence did you come?" Fearing he might seem motivated by vulgar curiosity, he explained, "I am doing research for an epic poem." ...
— The Blue Tower • Evelyn E. Smith
... equal to the hymn of Cleanthes or the twelfth ode of Horace; and in one of his earlier essays he speaks of tragedy as possessing such beauty and grandeur that he is almost ready to believe it is the proper goal and destination of earthly life. In "Epic Philosophy" he says: "Strife is around man, and strife is within him; the lightning thrusts its blazing scymitar through his roof, the thief creeps in at his door, and remorse at his heart. Who, looking ...
— Sketches from Concord and Appledore • Frank Preston Stearns
... perils, while encased and concealed yourself, is, we repeat, exceedingly interesting. The player at such a game becomes eager, even to passion. He throws himself into the work as if he were composing an epic. To be very mean, and to attack that which is great, is in itself a brilliant action. It is a fine thing to be a flea on ...
— The Man Who Laughs • Victor Hugo
... the Medium," cannot be called a poem. It would not be possible to write satire, epic, idyl, not even elegy, upon that "rat-hole philosophy," as Mr. Emerson once styled the new fetichism of the mahogany tables. It has not one element that asks the sense of beauty to incorporate it, or challenges ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... Epic events have a stunning quality. They paralyse the faculties. For a moment there was a pause. The world stood still. Mr. Brewster bubbled inarticulately. Mr. Gossett dried himself sketchily with a napkin. The ...
— Indiscretions of Archie • P. G. Wodehouse
... chiefly upon the fact that Portugal's greatest bard, Camoens, there wrote in part or its entirety the immortal "Lusiad," which in epic form details the prowess of the sons of ancient Lusitania in Eastern discovery and oversea feats of daring, and in which work the voyages and discoveries of Vasco da Gama are recorded with the fidelity of a history prepared by a sympathetic admirer. As scholars ...
— East of Suez - Ceylon, India, China and Japan • Frederic Courtland Penfield
... fourpence of the operatic villain. Then he took the 'bus for Scotland Yard. There was a not ill-looking servant girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in his brain. He forgot all about his situation and his object. He had never really written an epic—except "Paradise Lost"—but he composed lyrics about wine and women and often wept to think how miserable he was. But nobody ever bought anything of him, except articles on bacon-curing or attacks on vestrymen. He was a strange, wild creature, and the ...
— The Big Bow Mystery • I. Zangwill
... students of literature to write about, and "My Favourite Elopement in Fiction" would be outside the purview of any of her girls. She would substitute instead (with my permission), "The Debt of Literature (as well as Science) to DARWIN" and "My Favourite Piece of Epic Poetry." In fine, if I did not really mind, she would herself set all the questions and I should examine the answers. She thought ...
— Punch, or the London Charivari, Volume 158, June 2, 1920 • Various
... attention chiefly for its famous dead. In its sacred dust lie buried our old hero Haroun al Raschid, Firdousi, Persia's greatest epic poet, and the holy Imaum Riza, within whose shrine every criminal may take refuge from even the Shah himself until the payment of a blood-tax, or a debtor until the giving of a guarantee for debt. ...
— Across Asia on a Bicycle • Thomas Gaskell Allen and William Lewis Sachtleben
... stated the hunchback. "But—please—do not look so shocked. I assure you I do not commonly pick young gentlemen's pockets. It is a vulgar pastime, and I am an accomplished villain. Why, once upon a time, I wrote an epic poem. What mere larceny can compare with that fell deed! Besides, this particular outrage upon the sanctity of your overcoat was not without justification. Observe: Ichi, the beast, picks Little Billy's ...
— Fire Mountain - A Thrilling Sea Story • Norman Springer
... have fancied from the girls about What she was at their age, what they will be When they are old as she. But now she sits And smokes away each night till dawn comes round, Thinking, beside the pinyons' flame, of days Long past and gone, when she was young — content To be no longer young, her epic done: ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... time To stun the first sensation of his crime, And raise it in his followers—"Ho! the bowl!"[357] Lest passion should return to reason's shoal.[fb] 100 "Brandy for heroes!"[358] Burke could once exclaim— No doubt a liquid path to Epic fame; And such the new-born heroes found it here, And drained the draught with an applauding cheer. "Huzza! for Otaheite!"[359] was the cry. How strange such shouts from sons of Mutiny! The gentle island, and the genial soil, The friendly hearts, the feasts without a toil, The courteous manners ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... it was vigorous and manly, keeping even pace with a rich and strong imagination, always on the wing, and never tired with aspiring; there are many of his first essays in oratory, in epigram, elegy and epic, still handed about the university in manuscript, which shew a masterly hand, and though maimed and injured by frequent transcribing, make their way into our most celebrated miscellanies, where they mine with uncommon lustre. As his parts were extraordinary, so he well ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. IV • Theophilus Cibber
... You're a poet—Poet-laureate, And representative of all the race; Although 't is true that you turned out a Tory at Last,—yours has lately been a common case; And now, my Epic Renegade! what are ye at? With all the Lakers, in and out of place? A nest of tuneful persons, to my eye Like "four and twenty ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... clapping her hands noiselessly. "Oh, la-la," she cried, "if we are not to have an epic flight from Monsieur Eloin!" ...
— The Missourian • Eugene P. (Eugene Percy) Lyle
... somewhat obscure Finn episode in Beowulf appears to be part of a Finn epic, of which only the merest fragment, called the Fight at Finnsburg, is extant. The following conjectured outline of the whole story is based on this fragment and on the Beowulf episode; Finn, king ...
— The Tale of Beowulf - Sometime King of the Folk of the Weder Geats • Anonymous
... Grettissaga, Flateyjarbk, and Egilssaga to which counterparts are found in Beowulf, he believes to have been acquired by contact either with the Beowulf legend or, perhaps, with the Anglo-Saxon epic itself.[22] ...
— The Relation of the Hrolfs Saga Kraka and the Bjarkarimur to Beowulf • Oscar Ludvig Olson
... patriotism which Tolstoy repudiated is none the less the animating power of the noble epic, "War and Peace," and of his peasant-tales, of his rare gift of reproducing the expressive Slav vernacular, and of his magical art of infusing his pictures of Russian scenery not merely with beauty, but with spiritual significance. I can think of ...
— The Forged Coupon and Other Stories • Leo Tolstoy
... led on to yarn about his African campaigns. Gigantic adventures worthy of the tales of a Pizarro and a Cortez! Christophe was delighted with the vivid narrative of that marvelous and barbaric epic, of which he knew nothing, and almost every Frenchman is ignorant: the tale of the twenty years during which the heroism, and courage, and inventiveness, and superhuman energy of a conquering handful of Frenchmen were spent far away in the depths of ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland
... his epic high; The hero fronts his dangers; The brave his duty still doth ply— And did it while, I won't deny, Philosophers were strangers: But grant by heart and brain achiev'd What Locke and Des Cartes ne'er conceiv'd— By them yet, as behoved, ...
— Rampolli • George MacDonald
... The other is John Tzetzes, who wrote a rambling work consisting of mythological and historical notices in Greek political, civil, or profane verse, as it may be called, (versus politici)—the epic poetry of modern Greece; correctly compared by Lord Byron to the heroic ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... him, had nevertheless intended a sly touch of irony upon his proverbially prosing character. He therefore determined to "be up to him," as the fancy have it; and having somewhere found the copy of an obsolete satirical epic which an enamored snuff-taker had once addressed to a mistress, who could reciprocate the ...
— Ups and Downs in the Life of a Distressed Gentleman • William L. Stone
... English poetry has been for years eminently lyric; the few attempts at the epic or dramatic having been laid aside, if not permanently, at least for a time. The age has been too busy in working out, with machinery and steam, its own great epic thought, to find leisure to listen to any thing longer than a single bugle-blast ...
— Graham's Magazine Vol XXXIII No. 4 October 1848 • Various
... home, she teased me to that extent, was so charming, and made so many promises, that I consented to communicate to her the confidences of the old soldier. Next day she received the following episode of an epic which one might call "The ...
— A Passion in the Desert • Honore de Balzac
... here the Wortley Montagu copy can be taken as a test. We may, I believe, safely compare the history of The Nights with the so-called Homeric poems, the Iliad and the Odyssey, a collection of immortal ballads and old Epic formulae and verses traditionally handed down from rhapsode to rhapsode, incorporated in a slowly-increasing body of poetry and finally welded together ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... later he was pointed out to strangers by the people of Sweetwater Springs. "That is Richard Clement, the sole owner of 'The Witch,' a mine valued at three millions of dollars." This in itself was truly an epic. ...
— The Spirit of Sweetwater • Hamlin Garland
... Revolution:—Vol. I., The Bastile; Vol. II, The Constitution; Vol. III., The Guillotine." The publication of this book produced a profound impression on the public mind. A history abounding in vivid and graphic descriptions, it was at the same time a gorgeous "prose epic." It is perhaps the most readable of all Carlyle's works, and indeed is one of the most remarkable books of the age. There is no other account of the French Revolution that can be compared with it for intensity of feeling and ...
— On the Choice of Books • Thomas Carlyle
... unknown." He was very angry with Lord Byron for designating him as a Mr. Landor. He thought it should have been the. You ought to have forewarned such readers that the Mr. Landor, now your Walter Savage, is the learned author of an epic poem called Gebir, composed originally in Egyptian hieroglyphics, then translated by him into Latin, and thence done into English blank verse by the same hand. It is a work of rare occurrence even in the English character, ...
— Blackwood's Edinburgh Magazine - April 1843 • Various |
