"Giotto" Quotes from Famous Books
 ... positive proofs to the contrary in the art of the Italians. The April freshness of Giotto, the piety of Fra Angelico, the virginal purity of the young Raphael, the sweet gravity of John Bellini, the philosophic depth of Da Vinci, the sublime elevation of Michael Angelo, the suavity of Fra Bartolommeo, the delicacy of the Della Robbia, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... I was at Assisi I arrived in the middle of the night. When the sun rose, flooding everything with warmth and light, the old basilica[11] seemed suddenly to quiver; one might have said that it wished to speak and sing. Giotto's frescos, but now invisible, awoke to a strange life, you might have thought them painted the evening before so much alive they were; everything was moving without ...
— Life of St. Francis of Assisi • Paul Sabatier
... the early autumn of 1900. I was at Rome, where I went to investigate the relative artistic affinity between Pietro Cavallini and Giotto (whose position, I think, will have to be adjusted). There were as yet only a few visitors at the Hotel Russie, chiefly maiden ladies and casual tourists, besides a certain Scotch family and myself. Colonel Brodie, formerly ...
— Masques & Phases • Robert Ross
... great talent by very different merits. M. Maurice Denis has abandoned Pointillism a few years ago, in favour of returning to a very strange conception which dates back to the Primitives, and even to Giotto. He simplifies his drawing archaically, suppresses all but the indispensable detail, and draws inspiration from Gothic stained glass and carvings, in order to create decorative figures with clearly marked ...
— The French Impressionists (1860-1900) • Camille Mauclair
... impressions left upon Milton's mind by the works of art he had seen in Italy, are hardly worth a thought. Though it may be conceded that Dante was an admirer of the Arts, his recommendation of the Apocalypse to Giotto, as a source of subjects for the pencil, shows, at least, what indifferent judges poets are, in general, of the sort of fancies fittest to be ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... of Fra Angelico at San Marco; of the infinite wealth and astounding variety of Donatello's marble in the spacious courts of the cool Bargello. But her window at the hotel looked straight as it could look down the humming Calzaioli to the pierced and encrusted front of Giotto's campanile, with the cupola of San Lorenzo in the middle distance, and the facade of Fiesole standing out deep-blue against the dull red glare of evening in the background. If that were not enough to sate and enchant Herminia, she would indeed have been difficult. And with Alan by her ...
— The Woman Who Did • Grant Allen
... of this sort was dominant: it had long been held that Eve, having been made by the Almighty from a rib taken out of Adam's side, there must be one rib fewer on one side of every man than on the other. This creation of Eve was a favourite subject with sculptors and painters, from Giotto, who carved it upon his beautiful Campanile at Florence, to the illuminators of missals, and even to those who illustrated Bibles and religious books in the first years after the invention of printing; but Vesalius and the anatomists who followed him put an end among thoughtful men ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... Italian Renaissance was little more than the harvest-time of medieval Italy, the glorious evening of a day which had dawned with the Fourth Crusade and had reached high noon in the lifetimes of Dante and Giotto. In the fifteenth century the aptitudes which had ripened in the intense and crowded life of turbulent republics were concentrated upon art and letters. The leisure and the security which the specialist demands were bought by renouncing the Utopian ...
— Medieval Europe • H. W. C. Davis
... heroic than the Lateran Sophocles, the Venetian Colleoni, or Rauch's statue of Frederick the Great?—Poetical? What picture more sweetly poetical than Raphael's head of himself in the Uffizi, or Giotto's Dante in the Bargello? What ideal statue surpasses in poetical power Michel Angelo's De' Medici in the San Lorenzo Chapel? What ideal head is more beautiful than the Townley Clytie of the British Museum, or the Young ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... Hilarius, with those whom he taught, set fair pictures on the walls, and blazoned the roof with the blue of heaven and gold of the wakeful stars. In the span over the High Altar he set Blessed Benedict himself with the face of Prior Stephen, and round him the angel virtues; even as one Giotto, a shepherd lad, had limned them in the Church ...
— The Gathering of Brother Hilarius • Michael Fairless
... myself and Elsie, and hired a ground floor in a convenient house, close under the shadow of the great marble Campanile. (Considerations of space compel me to curtail the usual gush about Arnolfo and Giotto.) This was our office. When I had got a Tuscan painter to plant our flag in the shape of a sign-board, I sailed forth into the street and inspected it from outside with a swelling heart. It is true, the Tuscan painter's unaccountable predilection for the rare spellings 'Scool' without ...
— Miss Cayley's Adventures • Grant Allen
... throb of her bells upon the warm Italian air! Those are the works of great men. And I have seen them with my own eyes, these very eyes which look upon you. I have seen Andrea Orcagna, Taddeo Gaddi, Giottino, Stefano, Simone Memmi—men whose very colors I am not worthy to mix. And I have seen the aged Giotto, and he in turn was pupil to Cimabue, before whom there was no art in Italy, for the Greeks were brought to paint the chapel of the Gondi at Florence. Ah, signori, there are the real great men whose ...
— The White Company • Arthur Conan Doyle
... a lad of thirteen, often comes to my room to display his skill in writing the Chinese character. He is a very bright boy, and shows considerable talent for drawing. Indeed, it is only a short step from writing to drawing. Giotto's O hardly involved more breadth and vigour of touch than some of these characters. They are written with a camel's-hair brush dipped in Indian ink, instead of a pen, and this boy, with two or three ...
— Unbeaten Tracks in Japan • Isabella L. Bird
... like," and stopping, at times, to give the true artist's sigh, as the little green and scarlet fragment lies there hopelessly, unapproachably perfect. Ignorantly to herself, the hands of the little pilgrim are knocking at the very door where Giotto and Cimabue knocked in the innocent child-life ...
— The Pearl of Orr's Island - A Story of the Coast of Maine • Harriet Beecher Stowe
... describe a form in a very few lines, making things intelligible at sight which could not be described in any other way. A little knowledge of drawing will lead to a love of pictures and delight in the beautiful works of nature. Giotto, a great painter, who lived many hundred years ago, was but a poor shepherd-boy, who amused himself by drawing portraits of his sheep as he tended them on the hills; from rude attempts he rose to be a great artist, ...
— The Royal Picture Alphabet • Luke Limner
... shade of the little stone summer-house within the Greek portico, she lingered in the blazing sunshine, a figure all glorious health and supple curves, and the stray brown hairs above the brown mass gleamed with the gold of a Giotto aureole. She stood, a duskily glowing, radiant emblem of life against the background of spring greenery and rioting convolvulus. I drew a full breath and looked at her as if magnetised. I had the very oddest sensation. She seemed, ...
— Simon the Jester • William J. Locke
... afterwards dwelt on Claude's classic scenes, or spoke with rapture of Raphael, and compared the women at Rome to figures that had walked out of his pictures, or visited the Oratory of Pisa, and described the works of Giotto and Ghirlandaio and Massaccio, and gave the moral of the picture of the Triumph of Death, where the beggars and the wretched invoke his dreadful dart, but the rich and mighty of the earth quail and shrink before it; and in that land of siren sights and ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... the Paraclete,— Wanting the reverence of unshodden feet, Fail of the nimbus which the artists paint Around the shining forehead of the saint, And are in their completeness incomplete. In the old Tuscan town stands Giotto's tower, The lily of Florence blossoming in stone,— A vision, a delight, and a desire,— The builder's perfect and centennial flower, That in the night of ages bloomed alone, But wanting still the glory ...
— The Atlantic Monthly, Volume 17, No. 104, June, 1866 • Various
... served also in the Legislature and in Congress. He spent the years 1834-40 in Europe studying chiefly Italian literature; in his researches he discovered some old documents relating to Dante and a portrait of him painted by Giotto on a wall which had become covered over with whitewash. On his return to America he settled in New Orleans and became professor of Law in the University of Louisiana. He died there of ...
— Southern Literature From 1579-1895 • Louise Manly
... as a reviver of artistic and industrial culture will be realised at once if the essential part it played in the great Italian Renaissance is called to mind. Previous to the age of Cimabue and Giotto in Florence, Italian refinement had passed steadily down the path of deterioration. Graeco-Roman art, which still at a high level in the early centuries of the Christian era, entirely lost its originality during ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall
... these exercises are very irksome, and they are not to be persisted in alone; neither is it necessary to acquire perfect power in any of them. An entire master of the pencil or brush ought, indeed, to be able to draw any form at once, as Giotto his circle; but such skill as this is only to be expected of the consummate master, having pencil in hand all his life, and all day long,—hence the force of Giotto's proof of his skill; and it is quite possible to draw very beautifully, ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... still look upon these works of the older masters, from Giotto to the teacher of Raphael, with a sort of reverence, indeed with a certain predilection, if not that the faithfulness of their endeavor, and the grand earnestness of their serene voluntary limitation, compel our ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... result has been complete mental chaos. The tradition of which true Post- Impressionism is the modern expression has been kept alive down the ages of European art by scattered and, until lately, neglected painters. But not since the time of the so-called Byzantines, not since the period of which Giotto and his School were the final splendid blossoming, has the "Symbolist" ideal in art held general sway over the "Naturalist." The Primitive Italians, like their predecessors the Primitive Greeks, and, in turn, their predecessors the ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... is one artist, more than another, whose work it is desirable that you should examine in Florence, supposing that you care for old art at all, it is Giotto. You can, indeed, also see work of his at Assisi; but it is not likely you will stop there, to any purpose. At Padua there is much; but only of one period. At Florence, which is his birthplace, you can see pictures by him of every date, and every kind. But you had surely ...
— Mornings in Florence • John Ruskin
... lonely Roman Campagna and the wondrous dome of St. Peter's, as when first beheld on the horizon ten years ago. Then, as from the slopes of San Miniato at sunset, gray, red-tiled Florence, with its Boboli gardens, full of nightingales, its old towers and cathedrals, and its soaring Giotto Campanile. Then Genoa, with its terraces and marble palaces, and that huge statue of Andre Doria. Then Naples, gleaming white in the eye of day over her pellucid depths of sea. The golden days of Italy floated by me. Then came the memories, ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... by this spiral action; and the fine {138} instinct of its being so, caused the twisted pillar to be used in the Lombardic Gothic,—at first, merely as a pleasant variety of form, but at last constructively and universally, by Giotto, and all the architects of his school. Not that the spiral form actually adds to the strength of a Lombardic pillar, by imitating contortions of wood, any more than the fluting of a Doric shaft adds to its strength by imitating ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... a cruel and inhuman caprice of an Italian Painter (I think his name was Giotto), who designing to draw a crucifix to the life, wheedled a poor man to suffer himself to be bound to the cross an hour, at the end of which he should be released again, and receive a considerable gratuity for his pains. But instead of this, as soon as he had him ...
— A Museum for Young Gentlemen and Ladies - A Private Tutor for Little Masters and Misses • Unknown
... Forese da Rabatta and Master Giotto the painter coming from Mugello, each jestingly rallieth the other on ...
— The Decameron of Giovanni Boccaccio • Giovanni Boccaccio
... summer time, to sketch scenery and costume among the Tuscan hills, and pour, if he can, the purple air of Italy over his canvas. He studies the old schools of art in the mountain towns where they were born, and where they are still to be seen in the faded frescos of Giotto and Cimabue, on the walls of many a church, or in the dark chapels, in which the sacristan draws aside the veil from a treasured picture of Perugino. Thence, the happy painter goes to walk the ...
— The Marble Faun, Volume II. - The Romance of Monte Beni • Nathaniel Hawthorne
... offered her, wept bitterly for the death of her grandfather, who had loved her to the point of weakness. The king was buried with all solemnity in the church of Santa Chiara, which he had himself founded and dedicated to the Holy Sacrament, enriching it with magnificent frescoes by Giotto and other precious relics, among which is shown still, behind the tribune of the high altar, two columns of white marble taken from Solomon's temple. There still lies Robert, represented on his tomb in the dress of a king and in a monk's frock, on the right of ...
— CELEBRATED CRIMES, COMPLETE - JOAN OF NAPLES—1343-1382 • ALEXANDRE DUMAS, PERE
... Giotto that he introduced goodness into the art of painting; Washington carried it with him to the camp and the Cabinet, and established a new criterion of human greatness. The purity of his will confirmed his fortitude: and as he ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... a photograph from the fresco by His friend Giotto, discovered under the whitewash on a watt of the Bargello palace; now in the ...
— The World's Best Poetry Volume IV. • Bliss Carman
... strange god, by chance incarnate here, and I revered him above all the saints in the calendar. Yes, I wished in a vague sort of way that he might prove to be Christ, for then I, should know what to believe. For it may be very fine to manifest, as Giotto and Fra Angelico, and Rafael and Titian, how beautiful human nature is and can be imagined; but yet there is more comfort and salvation in revealing how in the unlovely, mean and ugly the divine life dwells, and is beautiful and can be seen as beautiful even by us poor human ...
— The Bride of Dreams • Frederik van Eeden
... where no great talent exists in the artist, gives a unique value to his work, but which, where the intimacy is that of great minds, gives us works on which no dilettanteism, even, makes a criticism,—as in that portrait of Dante by Giotto, to our mind the portrait par excellence of ...
— Atlantic Monthly, Volume 3, No. 19, May, 1859 • Various
... in the monologue is looking down upon Florence, in the valley beneath, from a villa on one of the surrounding heights. The startling bell-tower Giotto raised more than startles him. (For an explanation of this, see note under Stanza 2.) Although the poem presents a general survey of the old Florentine masters, the THEME of the poem is really Giotto, who received the affectionate homage ...
— Introduction to Robert Browning • Hiram Corson
... Benvenuto Cellini, translated by Dr. Nugent, v. ii. b. iii c. vii. p 113, where he mentions "having heard the words Paix, paix, Satan! allez, paix! in the court of justice at Paris. I recollected what Dante said, when he with his master Virgil entered the gates of hell: for Dante, and Giotto the painter, were together in France, and visited Paris with particular attention, where the court of justice may be considered as hell. Hence it is that Dante, who was likewise perfect master of the French, made use of that expression, and I have ...
— The Divine Comedy • Dante
... painting, and the Cosmas family, of whom the last died about the time that Cimabue was born. But though Cimabue was a noble, the Cosmas family who preceded him were artisans first and artists afterwards, and men of the people; and Giotto, whom Cimabue discovered sketching sheep on a piece of slate with a pointed stone, was a shepherd lad. So was Andrea Mantegna, who dominated Italian art a hundred and fifty years later—so was David, one of the greatest poets that ever lived, and so was Sixtus the Fifth, one of the strongest ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... sanctity by real sanctity, preaching lies by preaching truth." His fiery ardour and rigid orthodoxy were seconded by the mystical piety, the imaginative enthusiasm of Francis of Assisi. The life of Francis falls like a stream of tender light across the darkness of the time. In the frescoes of Giotto or the verse of Dante we see him take Poverty for his bride. He strips himself of all, he flings his very clothes at his father's feet, that he may be one with Nature and God. His passionate verse claims ...
— History of the English People, Volume II (of 8) - The Charter, 1216-1307; The Parliament, 1307-1400 • John Richard Green
... appeared, and before the influence we are about to refer to was felt in Europe, some efforts were made by unassisted genius to rise beyond the conventionalities of the time; in the latter half of the thirteenth century, Cimabue already surpassed his modern Greek preceptors; and his disciple Giotto was considered so natural and original, that his style could not be referred to any existing school, but was called the maniera di Giotto. 'Instead of the harsh outline,' says Vasari, 'circumscribing the whole figure, the glaring eyes, ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various
... The Italian artists made these with great refinement. Sometimes stucco was employed instead of genuine carving, and occasionally the work was embossed on leather. They were painted in heraldic colours, and gold, and nothing could be more decorative. Even Giotto produced certain works of this description, as ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... with the most beautiful women and great heroes of chivalry all around you, and with those quaint and loving presentations of sacred stories that tell of a time when art was proud to be the meek handmaid of religion. Oh, my dear Lady Macleod, there is a 'Holy Family' of Giotto's—" ...
— Macleod of Dare • William Black
... study of the fine arts of the Middle Ages. A few selected members of the Sixth had been told off to search through back numbers of The Studio and The Connoisseur for examples of the paintings of Cimabue and Giotto, and the large engraving of Botticelli's "Spring," which used to hang in Miss Beasley's study, now occupied a prominent position on the dining-room wall to afford a mental ...
— The Madcap of the School • Angela Brazil
... a tower nearly four hundred feet high. The principal picture-gallery of Dresden is the finest in Germany, and contains between three and four thousand admirable examples of high art,—the work of such artists as Raphael, Holbein, Corregio, Albert Duerer, Rubens, Giotto, Van Dyck, and other masters already named in these pages. Among them all the favorite, as generally conceded, is Raphael's Madonna di San Sisto, believed to be one of the last and best examples produced ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... is often ungrammatical. But the narrative is generally lively, full of neat phrases, and abounding in quaint expressions—many of them still recognizable in the modern Florentine vernacular—while, in such Lives as those of Giotto, Leonardo da Vinci, and Michelagnolo, Vasari shows how well he can rise to a fine subject. His criticism is generally sound, solid, and direct; and he employs few technical terms, except in connection with ...
— Lives of the Most Eminent Painters Sculptors and Architects - Volume 1, Cimabue to Agnolo Gaddi • Giorgio Vasari
... Giotto we see the commencement of a softer grace and a purer taste, further developed by some of his scholars. Benozzo Gozzoli and Orcagna have left in the Campo Santo examples of the most graceful and fanciful ...
— Literary and General Lectures and Essays • Charles Kingsley
... democratic cities,—Athens and Florence. Extinguish the architecture and the sculpture, the poetry and the philosophy of Attica; obliterate from the sum of civilization the names of Dante, Boccaccio, Petrarch, Machiavelli,—of Cimabue, Giotto, Leonardo da Vinci, Brunelleschi, Michel Angelo,—of Brunetto, Ficino, Politian; and how much ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... impersonation of ideal beauty, and Helen feels that she is now no longer a mere ideal, a mere phantom. She clings to her new, unknown lover, as to one who will make her realize her own existence. It is an allegory of modern art—the art of Dante, Giotto, Raphael, Shakespeare and Goethe—receiving as its queen the ideal of Greek imagination and inspiring, as it were, the cold statue with the warm vitality of a higher conception of chivalrous love and ...
— The Faust-Legend and Goethe's 'Faust' • H. B. Cotterill
... sympathetic crowd of fraternizing Italians; the Abbe Rosini, Professor of Fine Arts, whom he made friends with, endured as lecturer, and persuaded into scaffold-building in the Campo Santo for study of the frescoes. And there was Florence, with Giotto's campanile and Santa Maria Novella, where the young Protestant frequented monasteries, made hay with monks, sketched with his new-found friends Rudolf Durheim of Berne and Dieudonne the French purist; and ...
— The Life of John Ruskin • W. G. Collingwood
... door and they went into the church. It was small, overcharged with ornaments. They saw the tomb of Bishop Spinelli and Giotto's Virgin, and then went into a hall gay with red flags with a white cross, on whose walls they could read the names of the Grand Masters of the Order of Malta. The majority of the names were French and Polish. Two or three were Spanish, and among ...
— Caesar or Nothing • Pio Baroja Baroja
... There I am one with you. But you've also got an aesthetic side to your nature, which makes you worth arguing with upon the matter. I won't argue with your vulgar materialised socialist, who would break up the frieze of the Parthenon for road metal, or pull down Giotto's frescoes because they represent scenes in the fabulous lives of saints and martyrs. You know what a work of art is when you see it; and therefore you're worth arguing with, which your vulgar Continental socialist really isn't. ...
— Philistia • Grant Allen
... was inevitable, but in default of the man who initiated and guided it, it might have been postponed, and, postponed or not, might have borne a different cachet. I may illustrate by an instance which has just come under my notice. Modern painting was founded by Giotto, and the Italian expedition of Charles VIII, near the close of the sixteenth century, introduced into France the fashion of imitating Italian painters. But for Giotto and Charles VIII, French painting might have been ...
— Evolution in Modern Thought • Ernst Haeckel
... Millet, particularly Cezanne, Van Gogh, Rodin and Blake, has been marked. The Silver Birch group has never tired of extolling the great names of Rembrandt, Duerer, El Greco, Van Eyck, Goya, Leonardo, Michael Angelo, Tintoretto, Giotto and Mantegna[110]. ...
— The Foundations of Japan • J.W. Robertson Scott
... vanished, in the long space that now intervenes. It is five centuries since he ceased writing and living here. After all commentaries, the Book itself is mainly what we know of him. The Book;—and one might add that Portrait commonly attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face; perhaps of all faces that I know, the most so. Lonely there, painted as on vacancy, with the simple laurel wound round it; the deathless sorrow and pain, the known ...
— Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History • Thomas Carlyle
... earth—to make upon bones rude tracings of his surroundings. The proof of the universality of art is in these manifestations, of which the logical outcome was the complete and splendid art of Greece. Through the sequence of Byzantine art we come to Giotto, who, a shepherd's son under the skies of Italy, was reinspired at the source of nature, and became the first painter as we to-day know painting. From Giotto descends in direct line the great family of ...
— McClure's Magazine, January, 1896, Vol. VI. No. 2 • Various
... true light—first appears, how it bathes the sea and the hills in an ethereal glory not their own! What fair liquid tints of blue, and rose, and glorious gold! This period which, in art, began with Giotto and ended with Botticelli, culminated in Fra Angelico, who flooded the world of painting with a heavenly spiritualism not material, and gave his dreams of heaven the colours of the first pure rays ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... realised:—Roman du Saint Graal et Lancelot du Lac, on vellum, in three folio volumes, with beautifully painted miniatures and initials, fourteenth century—eighteen hundred pounds; Psalterium Latinum, on vellum, fourteenth century, with paintings attributed to Giotto—fifteen hundred and thirty pounds; Vie du vaillant Bertrand du Guesclin, written on vellum in the fourteenth century, with miniatures in camaieu gris—fifteen hundred pounds; La Legende Doree, translated by Jehan de Vignay, fifteenth century, on vellum, with a ...
— English Book Collectors • William Younger Fletcher
... himself lashed to the mast in a terrible gale on the Mediterranean when all others on board were seized with terror, and with great delight sketched the towering waves which threatened every minute to swallow the vessel. Several writers tell the story that a great artist, Giotto, about to paint the crucifixion, induced a poor man to let him bind him upon a cross in order that he might get a better idea of the terrible scene that he was about to put upon the canvas. He promised faithfully that he would release his model ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... "In 1332, Giotto was chosen to erect it (the Campanile), on the ground, avowedly, of the universality of his talents, with the appointment of Capo Maestro, or chief Architect (chief Master I should rather write), of the Cathedral and its dependencies, a yearly salary of one hundred gold ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... . . . It's vapor done up like a new-born babe— (In that shape when you die it leaves your mouth) It's . . . well, what matters talking, it's the soul! Give us no more of body than shows soul! Here's Giotto, with his Saint a-praising God, That sets us praising—why not stop with him? 190 Why put all thoughts of praise out of our head With wonder at lines, colors, and what not? Paint the soul, never mind the legs and arms! Rub all out, ...
— Men and Women • Robert Browning
... same beautiful eyes—Clare's sister-in-law, 'Liza-Lu. Their pale faces seemed to have shrunk to half their natural size. They moved on hand in hand, and never spoke a word, the drooping of their heads being that of Giotto's "Two Apostles". ...
— Tess of the d'Urbervilles - A Pure Woman • Thomas Hardy
... soul of beauty in all things. And though they have feigned to paint the Holy Family and the Crucifixion and the Dead Christ and the Last Supper, it is the loveliness of life that has inspired their art. Yea, even from the prayerful Giotto downwards, it is the pride of life, it is the glory of the human form, it is the joy of color, it is the dignity of man, it is the adoration of the Muses. Ay, and have not our nobles had themselves painted as Apostles, have they not intruded their ...
— Dreamers of the Ghetto • I. Zangwill
... a purely religious picture, this work, like almost all the works of the school, stands in striking contrast to Italian fourteenth-century painting, especially as illustrated by the frescoes of Giotto. The latter are characterized by an extreme simplicity of outline and by vivid narrative power. In Padua, for instance, Giotto tells us the story of Christ as he saw it in his mystical vision, without any concern for accessories or detail. He clings to essentials, to the figures of Christ and his ...
— Belgium - From the Roman Invasion to the Present Day • Emile Cammaerts
... much of her visit to Florence, I found, for when I recalled the great Duomo, where I had first seen her with Moroni, she became quite talkative and told me how much she admired the magnificent monuments—the Battistero, the Bigallo, Giotto's campanile and the magnificent pictures in the ...
— The Stretton Street Affair • William Le Queux
... a fanciful monologue, spoken as by one who is looking down upon Florence, through her magical atmosphere, from a villa on the neighbouring heights. The sight of her Campanile brings Giotto to his mind; and with Giotto comes a vision of all the dead Old Masters who mingle in spirit with her living men. He sees them each haunting the scene of his former labours in church or chapter-room, cloister or crypt; and he sees them grieving over the decay of their works, as ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... Beato Angelico's painting of the marriage of Mary and Joseph she receives the ring on her left hand. See woodcut in Mrs. Jameson's Legends of Madonna, p. 170. In the Marriage of the Blessed Virgin by Vanloo, in the Louvre, she also receives the ring on the left hand. Giotto, Taddeo Gaddi, Perugino, &c., have painted the "Sposalizio," but I have not copies by me ...
— Notes and Queries, Number 215, December 10, 1853 • Various
... is a visit to the old Church of the Arena, situated at the rear of a garden of luxuriant vegetation, where it would certainly not be conjectured to be located unless one were advised of the fact. It is entirely painted in its interior by Giotto. Not a single column, not a single rib, nor architectural division interrupts that vast tapestry of frescoes. The general aspect is soft, azure, starry, like a beautiful, calm sky; ultramarine dominates; thirty compartments of large ...
— Seeing Europe with Famous Authors, Vol VIII - Italy and Greece, Part Two • Various
... the forfeiture is paid. Nor were I even here; if, able still To sin, I had not turn'd me unto God. O powers of man! how vain your glory, nipp'd E'en in its height of verdure, if an age Less bright succeed not! imbue thought To lord it over painting's field; and now The cry is Giotto's, and his name eclips'd. Thus hath one Guido from the other snatch'd The letter'd prize: and he perhaps is born, Who shall drive either from their nest. The noise Of worldly fame is but a blast of wind, That blows from divers points, and shifts its name ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... the Countess Martin, "I am not learned enough to admire Giotto and his school. What strikes me is the sensuality of that art of the fifteenth century which is said to be Christian. I have seen piety and purity only in the images of Fra Angelico, although they are very pretty. The rest, those figures of Virgins ...
— The Red Lily, Complete • Anatole France
... what share Mr. Kirkup had in the recovery of the fresco of Giotto in the chapel of the Palazzo del Podesta at Florence, and whether directly or indirectly I have been the means of depriving him, or any of the cooeperators in that good work, of the merit due to their labors. I shall best enable those who take an ...
— The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... the same level. Compare also the Finding of the Cross, Piero della Francesca (1088), a serial picture in two parts, with their respective backgrounds all on the same level; and most of the frescoes by Giotto at Assisi—in particular St. Francis before the Sultan (1057), in which the actors are divided ...
— Harvard Psychological Studies, Volume 1 • Various
... arches, the ribs of groinings—every foot of space, in short—with life and color; and how much more precious is one of those solemn pearly faces than a panel of alabaster or the most cunning mosaic of marbles! In the upper church alone there are twenty-two large frescoes of Cimabue and thirty of Giotto. Over these pours the light from fourteen large colored windows, unimpeded by side-aisles. When the sun beats upon these windows the church seems to be filled with a transparent mist softly tinted with a thousand rich hues. The deep-blue, ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various
... letters are dearer to me than my crown; and were I obliged to renounce the one or the other, I should quickly take the diadem from my brow." It was his constant endeavor to show himself a generous and intelligent patron of the arts. The interior of his palace had been decorated by the brush of Giotto, one of the first great painters of Italy, and here in this home of luxury and refinement he had gathered together the largest and most valuable library ...
— Women of the Romance Countries • John R. Effinger
... decoration. This would have remedied their present nakedness and lack of interest, but it was only in a very few instances carried out. The double church of S.Francesco at Assisi, decorated by Cimabue, Giotto, and other early Tuscan painters, the Arena Chapel at Padua, painted by Giotto, the Spanish Chapel of S.M. Novella, Florence, and the east end of S.Croce, Florence, are illustrations of the splendor ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... mind, as the monkeys who make ropes of the pictures, to swing by. Then, every now and then at some old stable, or wine-cellar, or timber-shed, behind some forgotten vats or faggots, somebody finds a fresco of Perugino's or Giotto's, but doesn't think much of it, and has no idea of having people coming into his cellar, or being obliged to move his faggots; and so he whitewashes the fresco, and puts the faggots back again; and these ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... Arundel Society intelligible and interesting to those among its Members who have not devoted much time to the examination of mediaeval works. I have prefixed a few remarks on the relation of the art of Giotto to former and subsequent efforts; which I hope may be useful in preventing the general reader from either looking for what the painter never intended to give, or missing the points to which his endeavours were ...
— Giotto and his works in Padua • John Ruskin
... drawing incorrect, the design generally lame, and the colouring unnatural; yet there is merit in the expression: and the whole remains as a curious monument of the efforts made by this noble art immediately after her revival. [The History of Job by Giotto is much admired.] Here are some deceptions in perspective equally ingenious and pleasing; particularly the figures of certain animals, which exhibit exactly the same appearance, from whatever different points of view ...
— Travels Through France and Italy • Tobias Smollett
... Senator's palace, for that quarter lies on the extreme outer edge of Venice, looking across the lagoon towards Murano. The door was opened for her by a hunchback, with a large, intellectual face, beardless and strongly modelled, such a face as Giotto would have taken as a model for a Doctor of the Church. The sad blue eyes looked up to Pina's with cold gravity; but when she explained that she came from the Palazzo Pignaver with a message, they brightened a little, and the man at once stood ...
— Stradella • F(rancis) Marion Crawford
... expression? Those faces gathered under the trees or in a public thoroughfare—the expression of emotion there is not that which we witness, say, in Santa Croce, at prime, when the first light falls through the windows on Giotto's frescoes, Herod and Francis, St. Louis and the Soldan, and on the few, the still worshippers—but dare we assert that this alone is sincere, ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb
... people would object to this way of carving One who is supposed to be an infant; yet I have no doubt that the old sculptors were right in doing so, and to my help in this matter comes the remembrance of Ruskin's answer to what Lord Lindsay says concerning the inability of Giotto and his school to paint young children: for he says that it might very well happen that Giotto could paint children, but yet did not choose to in this instance, (the Presentation of the Virgin), for the sake of the much greater dignity to be obtained by using the more fully developed ...
— The World of Romance - being Contributions to The Oxford and Cambridge Magazine, 1856 • William Morris
... expressing the soul of things is still further helped by his system of continuous, unresolved melody. The melody which circumscribes itself like Giotto's O is almost as tangible a thing as a statue; it has almost contour. But this melody afloat in the air, flying like a bird, without alighting for more than a moment's swaying poise, as the notes flit from strings to voice, and from voice to wood and ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... constantly apologizing on being called to order, and constantly repeating the offense the moment afterwards. Mad and mysterious words, never heard before in Rubbleford, poured from his lips. "Devotional beauty," "Fra Angelico's angels," "Giotto and the cherubs," "Enough to bring the divine Raphael down from heaven to paint her." Such were a few fragments of the mad gentleman's incoherent mutterings, as they reached his neighbors' ears. The amusement they yielded was soon ...
— Hide and Seek • Wilkie Collins
... personal theories of its gospel, have not been, to the constant exultation of the enemies of the Church, fretted and disgraced by angers of controversy, or weakened and distracted by irreconcilable heresy. On the contrary, the scriptural teaching, through their art, of such men as Orcagna, Giotto, Angelico, Luca della Robbia, and Luini, is, literally, free from all earthly taint of momentary passion; its patience, meekness, and quietness are incapable of error through either fear or anger; they are able, without offence, to say all ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... Cimabue and Giotto," he added, "you would better read that also, for the work of these old painters will be the subject of our next lesson. For it, we will go to the church Santa ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... queer enough ones she often made, very likely. On the other hand, the American, who liked to talk to her in his own tongue, and to make her chatter to him in return, would tell her many a story of the old master painters, of Cimabue and the boy Giotto, of Lionardo da Vinci, and half a dozen others; old, old tales of the days when, as we sometimes fancy, looking back through the mist of centuries, there were giants on the earth, but all new and fresh to our little Madelon, and with a touch or romance ...
— My Little Lady • Eleanor Frances Poynter
... as calm as earliest morn, The eyes that flashed with passionate love and scorn, The lips that sang of Heaven and of Hell, The almond face that Giotto drew so well, The ...
— The Poet's Poet • Elizabeth Atkins
... quoted, but little read. He finished writing his book on the arts the 31st day of July 1437; was born soon after 1350; had been twelve years the disciple of Agnolo Gaddi, who died 1387; son of Taddeo Gaddi, the disciple and godson of Giotto, the "father of modern art." The precepts which he delivers are therefore those acquired in immediate succession from that great first master, and as the secrets of his art. We grieve to add that the work was written ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... period was all but devoid of purpose, of thought, imagination, or spirituality. At such a moment it was matter for little surprise that ardent young intellects should go back for inspiration to the Gothicism of Giotto and the early painters. There, at least, lay feeling, aim, aspiration, such as did not concern itself primarily with any question of whether a subject were painted well or ill, if only it were first of all a subject at all—a subject involving manipulative excellence, ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... its momentousness and his conviction will carry him. Disprove his assertion after it is made, yet its style remains. Darwin has no more destroyed the style of Job nor of Handel than Martin Luther destroyed the style of Giotto. All the assertions get disproved sooner or later; and so we find the world full of a magnificent debris of artistic fossils, with the matter-of-fact credibility gone clean out of them, but the form still splendid. ...
— Man And Superman • George Bernard Shaw
... more than all that has ever been written about him. But if one would like to dream what his art was like, one may imagine it as combining with the dramatic power of Euphronius and the exquisite loveliness of the Aphrodite cup, Giotto's elevation of feeling and Michael Angelo's ...
— A History Of Greek Art • F. B. Tarbell
... and Celtic cycles of romance led up to the new European style of painting which did not come to perfection until two centuries later. (Nothing positive can be said about the influence of France on Italian art; the monumental character and the art of Cimabue, Giotto and the Sienese does not, however, suggest that they were much influenced by the art of miniature painting, but rather hints that they drew inspiration ...
— The Evolution of Love • Emil Lucka
... moral regeneration. Beatrice became to him the type of Theology and Heavenly truth. Nor did his love in any way interfere with the studies or activities of his life. His sonnets early gained him fame as a poet, and the lovely portrait of him—painted by Giotto, on the walls of the Bargello, at the age of twenty-four side by side with Brunetto Latini and Corso Donati, and holding in his hand a pomegranate, the mystic type of good works—shows that he was already a man of distinction, and ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... were all eagerness, and exchanged names. Thus Joe came to know Jacob Izon and Salvatore Giotto and Nathan Latsky. He was greatly interested in Izon, the facts of whose life he soon came to know. Izon was a designer, working at Marrin's, the shirtwaist manufacturer; he made thirty dollars a week, had a wife and two children, and ...
— The Nine-Tenths • James Oppenheim
... to match. Her conversation had mainly an aesthetic flavour, for Mrs. Coventry was famously "artistic." Her apartment was a sort of Pitti Palace au petit pied. She possessed "early masters" by the dozen—a cluster of Peruginos in her dining-room, a Giotto in her boudoir, an Andrea del Sarto over her drawing-room chimney-piece. Surrounded by these treasures, and by innumerable bronzes, mosaics, majolica dishes, and little worm-eaten diptychs covered with angular saints on gilded backgrounds, our hostess enjoyed ...
— The Madonna of the Future • Henry James
... to guide. That is merely to waste time. When you go back to Italy, you must begin at the beginning, if you are in earnest—not at the middle. Only ignorance measures art in terms of skill, for there are no degrees in art. None has transcended Giotto, because technique and draughtsmanship are accidents of time; they lie outside the soul of the matter. Art is in fact a static thing. It changes as the face of the sea changes, from hour to hour; ...
— The Grey Room • Eden Phillpotts
... treats his patients. I am led here to repeat what I have already observed in one of my lectures, that for the young the pill of knowledge should be silver-coated, and that while they are being instructed they should also be amused. In other words, interest your pupils, do not depress them. Giotto did not begin by rigidly elaborating a drawing of the crook of his shepherd's staff for weeks together; his drawings upon the sand and upon the flat stones which he found on the hillsides are said to have been of the picturesque sheep he tended, and all the interesting ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... was as perfectly symmetrical as Giotto's circle, and as pure, withal, as the mathematics her father taught. It was just when spring was coming to extract the roots of frozen-up vegetation that I fell in love with the Corollary. That she herself was not indifferent I soon had reason to ...
— Stories by American Authors, Volume 5 • Various
... Alps and to Piedmont; to stately Milan and to the blue, rapturous reaches of Como; a road that would beckon him on and on, past villages sleeping under cypresses on sunny hillsides to Verona, the city of the "star-crossed lovers;" to Giotto's Padua, and by peerless Venice to strange Dalmatia, where Christian and Moslem look distrustfully into ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson |
