"Goodall" Quotes from Famous Books
 ... subjects in all, the work would be a difficult task. Mr. J. B. Yates might, indeed, with his excellent collection of Emblemata, revive this old and beautiful taste now in abeyance: it is now rarely practised by our painters. There is, however, a very fine picture in the Royal Academy Exhibition, by Mr. Goodall, which is, strictly speaking, an emblem, though the artist calls it an historical episode. Now it appears to me an episode cannot be reduced into a representation; it might embrace a complete picture in writing, but as I read the picture it is an emblem, and ...
— Notes and Queries, Number 195, July 23, 1853 • Various
... a man wearing a blue jumper and an old hat came down the road, stepped on to the verandah of the inn, and threw down his swag. Nosey was there, holding forth to Bill the Butcher, Dick Smalley, Frank Barton, Bob Atkins, Charley Goodall, and George Brown the Liar. A dispute occurred, in which the presumptuous stranger joined, and Nosey promptly knocked him off the verandah into the gutter. A valid claim to satisfaction was thus established, ...
— The Book of the Bush • George Dunderdale
... and delivering them into Queen Elizabeth's hands. Melvil confirms the same story, and says that the design was acknowledged by the conspirators, (p. 56.) This serves to justify the account given by the queen's party of the Raid of Baith, as it is called. See farther, Goodall, vol. ii. p. 358. The other conspiracy, of which Murray complained, is much more uncertain, and is ...
— The History of England in Three Volumes, Vol.I., Part D. - From Elizabeth to James I. • David Hume
... illustrations we can only notice the Lute, by C. Rolls, after Bonnington; Morning, by E. Goodall, from Linton's "joyful" picture; Sir W. Scott in his Study (qy. the forehead); a little "Monkeyana," by Landseer; Chillon, by Wallis, from a drawing by Clarkson Stanfield—a sublime picture; Fonthill, an exquisite ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 12, - Issue 344 (Supplementary Issue) • Various
... pulpy arillus surrounding the seed has an agreeable vinous taste." Singular to say, however, they appeared perfectly ignorant of the qualities of the seed, which possesses the most delightful aroma. Sir Robert adds, they evinced the greatest astonishment when they beheld him and Mr. Goodall collecting these seeds and using them as chocolate, which was the most delicious they had ever tasted. These indigenous cacao trees were met with in innumerable quantities on the 5th of June, 1843, and the ...
— The Commercial Products of the Vegetable Kingdom • P. L. Simmonds
... utmost. But his reply was—"We must be contented: we have done very well."—"Now," said Nelson, "had we taken ten sail, and allowed the eleventh to escape, when it had been possible to have got at her, I could never have called it well done. Goodall backed me; I got him to write to the admiral; but it would not do. We should have had such a day as, I believe, the annals of England never produced." In this letter the character of Nelson fully manifests itself. "I wish," said he, "to ...
— The Life of Horatio Lord Nelson • Robert Southey
... of the name of Goodall, who belonged to the orchestra of the Theatre Royal, Richmond, in 1767, was fonder of his, or any other man's, bottle than his own bassoon. The natural consequence was, that he frequently failed in his attendances at the theatre. Upon one ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 17, No. 483., Saturday, April 2, 1831 • Various
... Cruikshank, John Leech, Hablot Knight Browne, and Richard Doyle, but with artists occupying the position of Sir John Gilbert, Frank Stone, Maclise, Clarkson Stanfield, Creswick, E. M. Ward, Elmore, Frost, Sir J. Noel Paton, Frederick Goodall, Thomas Landseer, F. W. Popham, Fairholt, Harrison Weir, Redgrave, Corbould, and Stephanoff. He was a thoroughly useful man; and a thousand examples of quaint imaginings—oftentimes of graceful workmanship—might be culled from the various works and serials in which his hand ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt |
