"Hazlitt" Quotes from Famous Books
 ... plot; but to the grand creation of Isabella, they award either silence or worse than silence. Johnson and the rest of the black-letter crew, pass over her without a word. One critic, a lady-critic too, whose name I will be so merciful as to suppress, treats Isabella as a coarse vixen. Hazlitt, with that strange perversion of sentiment and want of taste which sometimes mingle with his piercing and powerful intellect, dismisses Isabella with a slight remark, that "we are not greatly enamoured of her rigid chastity, nor can feel much confidence in the virtue that is sublimely ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... little one" that I was tempted to add it to mark the general introduction of handkerchiefs. Having printed it, arose the question, 'Where did it come from?' No Weste's Schoole of Vertue could I find in catalogues, or by inquiring of the Duke of Devonshire, Mr W.C. Hazlitt, at the Bodleian, &c. Seager's Schoole of Vertue was the only book that turned up, and this I accordingly reprinted, as Weste's Booke of Demeanor seemed to be little more than an abstract of the first four Chapters of ...
— Early English Meals and Manners • Various
... whose secrets are known to her alone, envelope her in a cloud of scented vapor, through which she seems a social fairy, weaving potent spells with Gunpowder and Bohea. At the tea-table she reigns omnipotent, unapproachable. What do men know of the mysterious beverage? Read how poor Hazlitt made his tea, and shudder at the dreadful barbarism. How clumsily the wretched creatures attempt to assist the witch president of the tea-tray; how hopelessly they hold the kettle, how continually they imperil the frail cups and saucers, or ...
— Lady Audley's Secret • Mary Elizabeth Braddon
... plan for original effects if he or she would get out of gardening all the pleasure there is in it. It may seem almost necessary for the beginner to copy the ideas of others in the arrangement of the garden, to a considerable extent, but he should not get into the slavish habit of doing so. Hazlitt says: "Originality implies independence of opinion. It consists in seeing for one's self." That's it, exactly. Study your plants. Find out their possibilities. And then plan arrangements of your own for ...
— Amateur Gardencraft - A Book for the Home-Maker and Garden Lover • Eben E. Rexford
... successfully against the coalition of Hungary, Padua, and Genoa—for never at any time were the virtues of Venice, her steadfastness, her patriotism, and her willingness to make all sacrifice for her independence, more brilliantly shown. The historical portion of the story is drawn from Hazlitt's History of the Republic of Venice, and with it I have woven the adventures of an English boy, endowed with a full share of that energy and pluck which, more than any other qualities, have made the British empire the greatest the world ...
— The Lion of Saint Mark - A Story of Venice in the Fourteenth Century • G. A. Henty
... probably contain every play of the slightest interest, even to a voracious student—who would then have all his material under his hand. What time, expense, and trouble are required to obtain, and that very imperfectly, any such advantage now, only those who have tried to do it know. Even Mr. Hazlitt's welcome, if somewhat uncritical, reprint of Dodsley, long out of print, did not boldly carry out its principle—though there are plans for ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... years younger than Waldo, he must have received much of his intellectual and moral guidance at his elder brother's hands. I told the story at a meeting of our Historical Society of Charles Emerson's coming into my study,—this was probably in 1826 or 1827,—taking up Hazlitt's "British Poets" and turning at once to a poem of Marvell's, which he read with his entrancing voice and manner. The influence of this poet is plain to every reader in some of Emerson's poems, and Charles' liking for him ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... life.' 'Garrick complained that when he went to read before the court, not a look or a murmur testified approbation; there was a profound stillness—every one only watched to see what the king thought.' Hazlitt's Conversations of Northcote, ...
— Life Of Johnson, Vol. 1 • Boswell
... has Webster wrought the character of this white devil, that we seem to see her before us as in a picture. 'Beautiful as the leprosy, dazzling as the lightning,' to use a phrase of her enthusiastic admirer Hazlitt, she takes her station like a lady in some portrait by Paris Bordone, with gleaming golden hair twisted into snakelike braids about her temples, with skin white as cream, bright cheeks, dark dauntless eyes, and on her bosom, where it has been chafed by jewelled chains, a flush ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... charming us by its lovableness, as well as thrilling us by its power; but generally his sentiment and imagination break upon us in unexpected felicities, strangely better than what surrounds them. These have been culled by the affectionate admiration of Lamb, Hunt, and Hazlitt, and made familiar to all English readers. To prove how much finer, in its essence, his genius was than the genius of so eminent a dramatist as Massinger, we only need to compare Massinger's portions of the play of "The Virgin Martyr" with Dekkar's. ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... most celebrated book, lived in the fields, making his bed of grass and nettles, while two-pennyworth of bread and cheese with an onion was his daily food. I know of no more refreshing reading than the books of William Hazlitt. I take down from my shelf one of his many volumes, and I know not when to stop reading. So fresh and yet so old! But through all the volumes there comes a melancholy, accounted for by the fact that he had an awful struggle for bread. On his dying couch he had a friend ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... the speaker, and his methods throughout are suited to declamation and oratory. He lacks the ease and delicacy that we are accustomed to look for in the best prose writers, and occasionally one feels the justice of Johnson's stricture, that "he sometimes talked partly from ostentation", or of Hazlitt's criticism that he seemed to be "perpetually calling the speaker out to dance a minuet with him ...
— Burke's Speech on Conciliation with America • Edmund Burke
... Ulysses (by Charles Lamb), 1808; Mrs. Leicester's School and Poetry for Children, 1809; and Prince Dorus (by Charles Lamb), 1811. Mrs. Godwin translated tales from the French, Godwin contributed Baldwin's Fables, Baldwin's Pantheon, and histories of Greece, England and Rome, and Hazlitt wrote an English Grammar. The principal illustrator to the firm ...
— Books for Children - The Works of Charles and Mary Lamb, Vol. 3 • Charles and Mary Lamb
... he believed to be the mischievous Conservatism in Burke's constitutional doctrines at the very outset. So did the Constitutional Society detect it. So did Mrs. Macaulay, Bishop Watson, and many other people. The story of Burke's inconsistency is, of course, as old as Sheridan. Hazlitt declared that the Burke of 1770 and the Burke of 1790 were not merely opposite persons, but deadly enemies. Mr. Buckle, who is full of veneration for the early writings, but who dislikes the later ones, gets over ...
— Studies in Literature • John Morley
... coming on the stage. Crabbe, Shelley, Keats, Croly, Hazlitt, Lockhart, Lamb, Hunt, Galt, Lady Morgan, Miss Mitford, Horace Smith, Hook, Milman, Miss Austen, and a host of others, were already on it. Many of these appear to have received rewards far greater than fall now to the lot of some ...
— Letters on International Copyright; Second Edition • Henry C. Carey
... Hazlitt has well said that "There is no class of society whom so many persons regard with affection as actors. We greet them on the stage, we like to meet them in the streets; they almost always recal to us pleasant associations." {21} When they have strutted and fretted their hour ...
— Speeches: Literary and Social • Charles Dickens
... is coarse and vulgar. He was superficial where Fielding showed deep insight; but he had a rude conception of generosity of which Fielding seems incapable. It is owing to this that "Strap" is superior to "Partridge."—Hazlitt, Comic Writers. ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... demure as a nun; also the "Modern Midnight Conversation" from the same hand; three or four bewitching Romneys; a room full of beauties of the Court of Queen Anne; Henry VIII by Holbein; a wonderful Claude Lorraine; a head of Cervantes attributed to Velasquez; and four views of the Thames by Turner. Hazlitt, in his Sketches of the Picture Galleries of England, says of this collection:—"We wish our readers to go to Petworth ... where they will find the coolest grottoes and the finest ...
— Highways & Byways in Sussex • E.V. Lucas
... present him as he appeared to William Hazlitt in the February of 1798, when he was little more than five ...
— Biographia Epistolaris, Volume 1. • Coleridge, ed. Turnbull
... life of Bonaparte appeared we had no English treatment of Bonaparte that was in any sense fair, and, by the way, Hazlitt's work is the only one in English I know of which gives the will of Bonaparte, ...
— The Love Affairs of a Bibliomaniac • Eugene Field
... very well, indeed!" said he. "Ben Jonson has said worse things" (I brightened up, but he went stammering on to the end of the sentence)—"and—and—and better!" A pinch of snuff concluded this compliment, which put a stop to my wit for the evening. I related the thing to Hazlitt, afterwards, who laughed. "Aye," said he, "you are never sure of him till he gets to the end. His jokes would be the sharpest things in the world, but that they are blunted by his good-nature. He wants malice—which is a pity." "But," said I, "his words at first seemed ...
— The Bed-Book of Happiness • Harold Begbie
... with Bentley for a life of Hazlitt; I hope it will not fall through, as I love the subject, and appear to have found a publisher who loves it also. That, I think, makes things more pleasant. You know I am a fervent Hazlittite; I mean regarding him as THE English writer who has ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... But with all this labour, Wills never disregarded the commoner duties and virtues of life. Even at the breakfast-table he was as neat and clean as a woman. At the ball, of which he was as fond as a child, he was scrupulously temperate, and in speech pure as a lady. Wills read Sharon Turner, Hazlitt, Pope, Wordsworth, Tennyson, and commented on all. Of Tennyson's In Memoriam he said it was wonderful for its frequent bordering on faults without ever reaching them. He was a student of literature as well as of astronomy and ...
— Successful Exploration Through the Interior of Australia • William John Wills
... [See Hazlitt's "Handbook," p. 470. Almost all the extant copies of this drama—and no fewer than ten have been examined—appear to vary in certain literal particulars. Of two copies in the Malone collection, one presents additions which might bespeak it a later impression than the ...
— A Select Collection of Old English Plays, Vol. IX • Various
... that of setting off fire-works in a blind asylum. Phelps sits in a chair at Yale. Boynton is a master of arts in English literature, whatever that may mean. Brownell is both L.H.D. and Litt.D., thus surpassing Samuel Johnson by one point, and Hazlitt, Coleridge and Malone by two. But the learning of these august umbilicarii, for all its pretensions, is precisely the sterile, foppish sort one looks for in second-rate college professors. The appearance is there, but ...
— A Book of Prefaces • H. L. Mencken
... about both his compositions and his celebrity. He grows the oracle of small coteries; and we can rarely get out of the impression that he is cockneyfied and conventional. Periodicals sadly mortgaged the claims that Hazlitt, and many others of his contemporaries, had upon a vast reversionary estate of Fame. But I here speak too politically; to some the res angustoe domi leave no option. And, as Aristotle and the Greek proverb have it, we cannot carve out all ...
— Ernest Maltravers, Complete • Edward Bulwer-Lytton
... critic. His article on Hogarth is a masterly specimen of acute and subtile criticism. Hazlitt says it ought to be read by every lover of Hogarth and English genius. His paper on "The Tragedies of Shakspeare, considered with Reference to their Fitness for Stage-Representation," is, in the opinion of ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... also "who did the butchering business in the Anti-Jacobin." He was far heavier, in bludgeoning, than Jeffrey; while Hazlitt epitomized his principles of criticism with his accustomed vigour:—"He believes that modern literature should wear the fetters of classical antiquity; that truth is to be weighed in the scales of opinion and prejudice; that power is equivalent to ...
— Famous Reviews • Editor: R. Brimley Johnson
... incoherent babblings, that rambling chat which was to him 'better than the sense and sanity of this world.' In her lucid intervals they played picquet together, or talked gravely but firmly of the inevitable separation looming nearer and nearer. In 1830 Hazlitt died. Four years later that 'great and dear spirit,' Coleridge, passed away after long suffering. The blow to Lamb was stunning in its severity; and the loss of this earliest and best-loved friend possibly accelerated his own decease. Towards the close of the year a fall while walking ...
— Stories of Authors, British and American • Edwin Watts Chubb
... hand, the orthodox attitude, with even greater uniformity, has been shocked, or sometimes even unshocked, admiration. Hazlitt went into frequently quoted raptures over the "regality" of his character: and though to approve of him as a man would only be the pretence of a cheap paradoxer, general opinion seems to have gone various lengths in the same direction. There have, however, been a few dissenters: and I venture ...
— The English Novel • George Saintsbury
... temporarily. Previously it had been called Petty France, from the number of French refugees and merchants who inhabited it. Milton lived in No. 19, now destroyed. The house belonged to Jeremy Bentham, and was afterwards occupied by Hazlitt, who caused a tablet bearing the words "Sacred to Milton, Prince of Poets," to be placed on the outside wall in memory ...
— Westminster - The Fascination of London • Sir Walter Besant
... Lessing is only second to him. It is hardly possible for a man to be a great dramatist, and it is simply impossible for a man to be a great critic of the drama, who has not seriously studied the rules, aims, and conditions of stage representation. Hazlitt, for instance, has written some admirable pages about the poetry, the imaginative conception, the language, of Shakespeare's plays, but we find his limit when he says that King Lear is so noble a play that he cannot bear to see it acted. As if a play could be fully judged without ...
— Diderot and the Encyclopaedists (Vol 1 of 2) • John Morley
... Hazlitt belongs to a "class of men by whom literature is more than at any period disgraced." His style is suited for washerwomen, a "class of females with whom ... he and his friend Mr. ...
— There's Pippins And Cheese To Come • Charles S. Brooks
... new system of education; Bentham and Ricardo were unravelling the tangled web of political economy; Hallam, Lingard, Mitford, Mills, were writing history; Macaulay, Carlyle, Smith, Lockhart, Jeffrey, Hazlitt, were giving a new stimulus to periodical literature; while Miss Edgeworth, Jane Porter, Mrs. Hemans, were entering the field of literature as critics, poets, and novelists, instead of putting their inspired thoughts into letters, as ...
— Beacon Lights of History, Volume IX • John Lord
... requires a certain "treatment," and the choice of his tone follows his title. These "treatments" are always traditional, and even his titles tread closely on the heels of former titles. He can write the style of Charles Lamb better than Lamb could do it himself, and his Hazlitt is very nearly as good. He fences with his left hand as well as with his right, and can manage two styles at once like Franz Liszt playing the allegretto from the 7th symphony with an air of Offenbach twined ...
— Emerson and Other Essays • John Jay Chapman
... Hazlitt's genius was of a heavier type. As an essayist his work breathes the spirit of an earlier age; but as a literary critic he is a leader, and displays an inwardness in his appreciation that makes him in a sense ...
— The Political History of England - Vol XI - From Addington's Administration to the close of William - IV.'s Reign (1801-1837) • George Brodrick
... delighted crowds that assembled nightly in the Tremont Temple, and no one who heard Dickens, during that eventful month of December, will forget the sensation produced by the great author, actor, and reader. Hazlitt says of Kean's Othello, "The tone of voice in which he delivered the beautiful apostrophe 'Then, O, farewell,' struck on the heart like the swelling notes of some divine music, like the sound of years ...
— Yesterdays with Authors • James T. Fields
... things should be thus with us, for a good essayist is the pleasantest companion imaginable. There are folk in plenty who have never read Montaigne at all; but there are few indeed who have read but a page of him, and that page but once. And the same may be said of Addison and Fielding, of Lamb and Hazlitt, of Sterne and Bacon and Ben Jonson, and all the members of their goodly fellowship. To sit down with any one of them is to sit down in the company of one of the 'mighty wits, our elders and our betters,' who have done much to make literature ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... I am done, I shall find that I have forgotten much that was most influential, as I see already I have forgotten Thoreau, and Hazlitt, whose paper "On the Spirit of Obligations" was a turning-point in my life, and Penn, whose little book of aphorisms had a brief but strong effect on me, and Mitford's "Tales of Old Japan," wherein I ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... could pass this play over and say nothing about it," says Hazlitt, "all that we can say must fall far short of the subject, or even of what we ourselves conceive of it. To attempt to give a description of the play itself, or of its effects upon the mind, is mere impertinence; yet we must say ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... or some of them? He should be bookish and irresolute, a lover of thought and not of action, of melancholy temper too, and prone to unpack his heart with words. Almost every one who has followed the argument thus far will be inclined to think of Romeo. Hazlitt declared that "Romeo is Hamlet in love. There is the same rich exuberance of passion and sentiment in the one, that there is of thought and sentiment in the other. Both are absent and self-involved; both live out ...
— The Man Shakespeare • Frank Harris
... fortunate as this scarlet-coated gentleman was Mr. Hudson, alias Hazlitt, who in 1770 stopped a post-chaise on Gateshead Fell, near Newcastle, and robbed the occupant, a lady who was returning to Newcastle from Durham. A poor-spirited creature was this Hudson, a little London clerk gone wrong, and he trembled so excessively when robbing the lady that she plucked ...
— Stories of the Border Marches • John Lang and Jean Lang
... great, if circumstances favour him." Menge was his instructor in geometry, who also entertained a high opinion of him. M. Bauer, his German master, was the only one who saw nothing in him, and was surprised at being told he was undergoing his examination for the artillery. —Hazlitt.]— ...
— Memoirs of Napoleon Bonaparte, Complete • Louis Antoine Fauvelet de Bourrienne
... be proud. It is strange that Charles Lamb, to whom of all critics and all men the pathetic and humorous charm of the old man's personality might most confidently have been expected most cordially to appeal, should have left to Hazlitt and Leigh Hunt the honor of doing justice to so beautiful a creation—the crowning evidence to the greatness of Dekker's gifts, his power of moral imagination and his delicacy of dramatic execution. From the first ...
— The Age of Shakespeare • Algernon Charles Swinburne
... Lamb in two volumes. Another is Complete Works and Correspondence, edited by Canon Ainger (London, six volumes). Ainger also wrote an excellent short life of Lamb for the English Men of Letters series. Hazlitt and Percy Fitzgerald have revised Thomas Noon Talfourd's standard Letters of Charles Lamb, With a Sketch of His Life. Among sketches of the life of Charles and Mary Lamb may be noted Barry Cornwall's Charles Lamb—A Memoir; Fitzgerald, Charles Lamb: His Friends, His ...
— Modern English Books of Power • George Hamlin Fitch
... derived from inference and by inspiration. Of such is the precious, small group of essayists made. While she talked to me I kept brushing my fingers, trying, unconsciously, to rid them guiltily of the absent dust from the half-calf backs of Lamb, Chaucer, Hazlitt, Marcus Aurelius, Montaigne and Hood. She was exquisite, she was a valuable discovery. Nearly everybody nowadays knows too much—oh, so much too ...
— Strictly Business • O. Henry
... and that it should not have been reprinted with some one of the countless impressions of the "History of the Plague of London," to which it forms an almost necessary accompaniment. The omission, I trust, will be repaired by Mr. HAZLITT the younger, DEFOE'S last and best editor, in his valuable edition of the works of that great novelist and political writer, now in the course of publication. It may be added, that a case precisely similar to that of the Grocer, and attended with the same happy results, occurred during ...
— Old Saint Paul's - A Tale of the Plague and the Fire • William Harrison Ainsworth
... flight when the eye falls on the portrait of one in whose living presence one would have blushed to own them." A Catholic money-lender, when about to cheat, was wont to draw a veil over the picture of his favourite saint. So Hazlitt has said of the portrait of a beautiful female, that it seemed as if an unhandsome action would be impossible in its presence. "It does one good to look upon his manly honest face," said a poor German woman, pointing to a portrait of the great Reformer hung ...
— Character • Samuel Smiles
... was an honest man, but vain of he knew not what. He was once sitting where Sarratt was playing a game at chess without seeing the board; and after remaining for some time absorbed in silent wonder, he turned suddenly to me and said, 'Do you know, Mr. Hazlitt, that I think there is something I could do?' 'Well, what is that?' 'Why, perhaps you would not guess, but I think I could dance, I'm sure I could; ay, I could dance like Vestris!' Sarratt, who was a man of various accomplishments (among others one of the Fancy), afterwards bared his ...
— Table-Talk - Essays on Men and Manners • William Hazlitt
... interest, are those which may be called Table-Talks; of which the best are Saadi's Gulistan; Luther's Table-Talk; Aubrey's Lives; Spence's Anecdotes; Selden's Table-Talk; Boswell's Life of Johnson; Eckermann's Conversations with Goethe; Coleridge's Table-Talk; and Hazlitt's Life of Northcote. ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... at: want of a rubric, of a title to name my speech by. Could any one but appoint me Lecturing Professor of Teufelsdrockh's science,— "Things in general"! To discourse of Poets and Poetry in the Hazlitt style, or talk stuff about the Spirit of the Age, were most unedifying: one knows not what to call himself. However, there is no doubt that were the child born it might be christened; wherefore ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... a letter of introduction from the Emperor Napoleon. I was not inclined to think much of either of them; but I knew Hazlitt was a friend of Lamb's; and I have a regard for Lamb, on account of his regard for his sister. So my porter asked Mr. Hazlitt to walk in; and so Mr. Hazlitt did. Presently I heard him say, in an aside to Mrs. Jameson, that ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... libraries at Oxford and Cambridge the treasures are innumerable. Those which belong to the printed department are very fully registered in special catalogues and by Hazlitt, except, perhaps, the very recent legacy to Trinity College, Cambridge, of the library of the late Mr. Samuel Sandars, rich in early English typography, and the result ...
— The Book-Collector • William Carew Hazlitt
... to hear preachers who are not bound by the proprieties of the religious pulpit. Some essayists, like Johnson, have been as solemn as the true clerical performer, and some have diverged into the humorous with Charles Lamb, or the cynical with Hazlitt. At this period the most popular of the lay preachers was probably Sir Arthur Helps, who provided the kind of material—genuine thought set forth with real literary skill and combined with much popular sentiment—which served to convince his readers that they were ...
— The Life of Sir James Fitzjames Stephen, Bart., K.C.S.I. - A Judge of the High Court of Justice • Sir Leslie Stephen
... revolution in France, and contempt for the futilities of the revolution at home, drove the new movement into as many refuges as its votaries had temperaments. For some there was cynicism, for others recantation. "The French Revolution" as Hazlitt put it, "was the only match that ever took place between philosophy and experience; and waking from the trance of theory we hear the words Truth, Reason, Virtue, Liberty, with the same indifference or contempt that a cynic who has married a jilt or a termagant ...
— Shelley, Godwin and Their Circle • H. N. Brailsford
... not spoil her with admiration, and by laughing at all her foolish little pranks. Mary set herself the task of educating this little girl, and formed a class the better to do it—a class of three: Emma Isola, William Hazlitt's son and Mary Victoria Novello. I met Mary Victoria once; she's over eighty years of age now. Her form is a little bent, but her eye is bright and her smile is the smile of youth. Folks call her ...
— Little Journeys to the Homes of the Great, Vol. 2 of 14 - Little Journeys To the Homes of Famous Women • Elbert Hubbard
... the dramatist. In the following year, in conjunction with his father-in-law, he purchased from Garrick the Drury Lane Theatre. They brought out several operas together; Linley's music in "The Duenna" and "The Beggar's Opera," being especially fine. Hazlitt speaks of the songs in them as having a joyous spirit of intoxication, and strains of ...
— Some Old Time Beauties - After Portraits by the English Masters, with Embellishment and Comment • Thomson Willing
... critic; and his paper on Wordsworth, beside the fine touches, has solider qualities that command one's admiration. The personal memorials of the author's literary friends have a peculiar charm to us in this land and generation, for whom Hazlitt and Keats are names almost as shadowy and romantic as Amadis or Lancelot; but best of all is his noble tribute to Shelley. After speaking (Vol. II. p. 38) of the deep philanthropy which lay beneath the apparent cynicism of Hazlitt, he thus continues:—"But only imagine a man who should ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... constituents of a good style is what Coleridge calls "progressive transition," which implies a dynamic force, a propulsive movement, behind the pen. Hazlitt, for example, somewhat lacked this force, and hence De Quincey is justified to speak of his solitary flashes of thought, his "brilliancy, seen chiefly in separate splinterings of phrase or image, which throw upon the eye ...
— Essays AEsthetical • George Calvert
... recollect is Mrs. Barbauld, with whose works I became acquainted—before those of any other author, male or female—when I was learning to spell words of one syllable in her story-books for children.' So says Hazlitt in his lectures on living poets. He goes on to call her a very pretty poetess, strewing flowers ...
— A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen • Anne Thackeray (Mrs. Richmond Ritchie)
... Drury Lane in 1819 he applied to Scott for plays, but without effect.[123] Scott seems never to have felt any concern over the fact that the dramatized versions of his novels were often very poor, but Hazlitt wished that he would "not leave it to others to mar what he has sketched so admirably as a ground-work," for he saw no good reason why the author of Waverley could not write "a first-rate tragedy as well, as so many ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... literature produced before and after that year. In the year of the Queen's accession to the throne, the great writers of the early part of this century were either dead or silent. Scott, Byron, Shelley, Keats, Coleridge, Lamb, Sheridan, Hazlitt, Mackintosh, Crabbe, and Cobbett, were gone. There were still living in 1837, Wordsworth, Southey, Campbell, Moore, Jeffrey, Sydney Smith, De Quincey, Miss Edgeworth, Miss Mitford, Leigh Hunt, Brougham, Samuel ...
— Studies in Early Victorian Literature • Frederic Harrison
... The senior pastor was a strict Calvinist, but the parish called as his colleague this young man of pronounced liberal views in theology. As early as 1784 Mr. Bentley was interested in the teachings of the English Unitarian, William Hazlitt,[32] who at that time visited New England. And in 1786 he was reading Joseph Priestley's book against the Trinity with approval. He soon after commended Dr. Priestley's short tracts as giving a good statement of the simple doctrines of Christianity.[33] He insisted upon free inquiry ...
— Unitarianism in America • George Willis Cooke
... nothing to do, reads "Nicholas Nickleby,"—and when she has finished the book, reads "Nicholas Nickleby": and so do I read and re-read the essays and letters of Charles Lamb; and the oftener I read them, the better I like then, the higher I value them. Indeed, I live upon the essays of Elia, as Hazlitt did upon "Tristram Shandy," as a sort of food that simulates ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... 'to rise to the height of its great argument and incorporate all its beauties in themselves.' There you have it—'to incorporate.' Do you remember that saying of Wordsworth's, casually dropped in conversation, but preserved for us by Hazlitt?—'It is in the highest degree unphilosophic to call language or diction the dress of our thoughts.... It is the incarnation of our thoughts.' Even so, I maintain to you, the first business of a learner in literature ...
— On The Art of Reading • Arthur Quiller-Couch
... going to say Max Beerbohm. Some of his essays I put beside Lamb's, and above Hazlitt's. He has style; but then I am prejudiced because he is the only modern artist I really admire. He is a superb draughtsman and our only caricaturist. Then there is George Moore. I don't care for his novels, but his essays are delightful. ...
— Masques & Phases • Robert Ross
... insufficiency of that objection. The fact is, and it does honor to the king's memory, he reverenced the moral feelings of his country, which are, in this and in all points of domestic morals, severe and high toned, (I say it in defiance of writers, such as Lord Byron, Mr. Hazlitt, &c., who hated alike the just and the unjust pretensions of England,) in a degree absolutely incomprehensible to Southern Europe. He had his frailties like other children of Adam; but he did not seek to fix the public attention upon them, after the fashion ...
— Autobiographic Sketches • Thomas de Quincey
... wherein he is ignorant or doubtful, and he is ready for correction and enlightenment wherever he finds it." Such a man never presses his hearers to accept his views; he not only tolerates but considers opposed opinions and listens attentively and respectfully to them. Hazlitt said of the charming discussion of Northcote, the painter: "He lends an ear to an observation as if you had brought him a piece of news, and enters into it with as much avidity and earnestness as if it interested ...
— Conversation - What to Say and How to Say it • Mary Greer Conklin
... work of his maturity, Orpheus and Eurydice (1659); and 742, Apollo and Daphne, his last work, left unfinished. Such are some of the more striking manifestations of this remarkable genius who alone, says Hazlitt, has the right to be considered as the painter of classical antiquity. His integrity was so rigid that he once returned part of the price paid for one of his works which he deemed excessive. To the modern, Poussin is somewhat antipathetic by reason of his scholarly aloofness and insensibility ...
— The Story of Paris • Thomas Okey
... In 1819 Hazlitt felt that Ossian is "a feeling and a name that can never be destroyed in the minds of his readers," and he classed the work as one of the four prototypes of poetry along with the Bible, Homer, and Dante. On the question of authenticity ...
— Fragments Of Ancient Poetry • James MacPherson
... the critical spirit of this age. Though most of the authors so far mentioned were critics, as well as essayists, you will find it helpful to read from the following: De Quincey, Hazlitt, Hallam, Ruskin, Whipple. If you can read but one work from DeQuincey, take, instead of a criticism, his "Confessions of an English Opium Eater," the style of which is considered masterly. Its sentences are melodious, its English ...
— Hold Up Your Heads, Girls! • Annie H. Ryder
... and Toulouse, and Rennes, and Rouen, Amiens still wears that 'look of a capital' which is as unmistakeable, if also as undefinable, as Hazlitt found the 'look of a gentleman' to be. York and Exeter, for example, in England, have this look, while Liverpool and Hull have it not. There are traces of the Spaniards in Amiens, as there are wherever that most Roman of all the Latin peoples has ever passed, and the ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... holds with himself, you will find a rare and an ever fresh delight in the Religio Medici. Sir Thomas is one of the greatest egotists of literature—to use a necessary but an unpopular and a misleading epithet. Hazlitt has it that there have only been but three perfect, absolute, and unapproached egotists in all literature—Cellini, Montaigne, and Wordsworth. But why that fine critic leaves out Sir Thomas Browne, I cannot understand or accept. I always turn to Sir Thomas Browne, ...
— Sir Thomas Browne and his 'Religio Medici' - an Appreciation • Alexander Whyte
... succession of Thomas de Quincey to this vacant throne? Shall it be Coleridge, 'the noticeable man with large, gray eyes,' or the stately Macaulay, or Carlyle, with his Moorish dialect and sardonic glance, or hale old Walter Scott, or Lamb, or Hazlitt, or Christopher North? The time was when Coleridge's literary fame was second to that of no other man. But he has suffered a disastrous eclipse; it has been articulately demonstrated that the vast body of his most valuable speculations, both in the department of philosophy, ...
— Continental Monthly , Vol. 5, No. 6, June, 1864 - Devoted to Literature and National Policy • Various
... of poetry. The face is ugly, and rather hatchet-shaped, with thick sensual lips, and is utterly unlike the poet himself, who was very beautiful to look upon. 'His countenance,' says a lady who saw him at one of Hazlitt's lectures, 'lives in my mind as one of singular beauty and brightness; it had the expression as if he had been looking on some glorious sight.' And this is the idea which Severn's picture of him gives. Even Haydon's rough pen-and-ink sketch of him is better than this 'marble libel,' which I ...
— Miscellanies • Oscar Wilde
... you could not call this aimless, cloud-capt, cloud-based, lawlessly meandering human discourse of reason by the name of "excellent talk," but only of "surprising;" and were reminded bitterly of Hazlitt's account of it: "Excellent talker, very,—if you let him start from no premises and come to no conclusion." Coleridge was not without what talkers call wit, and there were touches of prickly sarcasm ...
— The Life of John Sterling • Thomas Carlyle
... the Writings of Atherstone, Blair, Bowles, Sir E. Brydges, Carlyle, Carrington, Coleridge, Cowper, Croly, Gillfillian, Graham, Hazlitt, Heber, Heraud, Harvey, Irving, Keats, Miller, Pollock, Tighe, Wordsworth, and other Modern Writers, by the Rev. J.W. LESTER, B.A., royal 8vo., 100 pages of closely printed letterpress, originally published at 5s., reduced to ...
— Notes & Queries, No. 47, Saturday, September 21, 1850 • Various
... Correggio are found in Symonds's volume on "The Fine Arts" in the series "The Renaissance in Italy," and are also scattered through the pages of Ruskin's "Modern Painters" and Hazlitt's "Essays on the Fine Arts." The volume on Correggio in the series "Great Masters in Painting and Sculpture" is valuable chiefly for a complete list of Correggio's works. The ...
— Correggio - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... Aside from Hazlitt, who thought that Portia is affected and pedantic, and who did not like her because he did not happen to appreciate her, the best analytical thinkers about Shakespeare's works have taken the high view of that character. Shakespeare himself certainly took it; for aside ...
— Shadows of the Stage • William Winter
... evening mail, to the graces of good King William, from their wishing the bill to be anything else than final. Even with its limited franchise, he deemed it a very excellent bill; and the woolsack, to which it had elevated him, a very desirable seat. People did occasionally see that Hazlitt was in the right—that he was rather a man of speech than of action; that he was somewhat too imprudent for a leader, somewhat too petulant for a partisan; and that he wanted in a considerable degree the ...
— Leading Articles on Various Subjects • Hugh Miller
... preserved in a case; and to the Turners he kept alive such gratitude for their assistance that for years, and after he had begun to mount himself into higher zones, he continued to have that family to dinner on the anniversary of the operation. Not Hazlitt nor Rousseau had a more romantic passion for their past, although at times they might express it more romantically; and if Pepys shared with them this childish fondness, did not Rousseau, who left behind him the Confessions, ...
— Harvard Classics Volume 28 - Essays English and American • Various
... that they were ages of barbarism and ignorance, of picturesque customs and aimless adventure. "I desire to know nothing of those who knew nothing," was the saying, in reference to them, of the French philosophe. "Classical antiquity is nearer to us than the intervening darkness," said Hazlitt. And Hume and Robertson both consider that the interest of European history begins with the revival of letters, the invention of printing, the colonization of America, and the great contests between consolidated monarchies and between ...
— The Atlantic Monthly, Vol. 12, No. 74, December, 1863 • Various
... rather favorably by modern English critics. Mr. Hazlitt calls it, "though an imperfect and unequal performance, Marlowe's greatest work." Mr. Hallam remarks,—"There is an awful melancholy about Marlowe's Mephistopheles, perhaps more impressive than the malignant mirth of that ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... different place to Elia from the London of twenty years before, when he resided at No. 4, Inner-Temple Lane, (near the place of his "kindly engendure,") and gave his famous Wednesday-evening parties, ("Oh!" exclaims Hazlitt, "for the pen of John Buncle to consecrate a petit souvenir to their memory!") and when Jem White, and Ned P——, and Holcroft, and Captain Burney, and other of his old friends and jovial companions ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... One of his early letters he closes, as being from his correspondent's "afflicted, headachey, sore-throatey, humble servant." In another he calls Hoole's translation of Tasso "more vapid than smallest small beer, 'sun-vinegared.'" In speaking of Hazlitt's intention to print a political pamphlet at his own expense, he comes out with a general maxim, which has found many disciples: "The first duty of an author, I take it, is never to pay any thing." When Hannah ...
— Graham's Magazine Vol XXXIII No. 4 October 1848 • Various
... Hazlitt (Lectures on English Poets) says of this Ode: "It is more mechanical and commonplace [than the Elegy]; but it touches on certain strings about the heart, that vibrate in unison with it to our latest breath. No one ever passes by Windsor's ...
— Select Poems of Thomas Gray • Thomas Gray
... Hazlitt took no pleasure in writing, and in having written, his delicious essays is that he did not know how to take proper care of his body. To be extremely antithetical, I, on the other hand, take so much pleasure in writing and in having written these essays of mine (which are no hundredth ...
— The Joyful Heart • Robert Haven Schauffler
... the assassination scene wonderful power and pathos, and is regarded by Hazlitt as his ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee
... meant us to laugh all through at the pompous steward, and to join in the practical joke upon him, and yet how impossible not to feel a good deal of sympathy with him! Perhaps in this century we are too altruistic to be really artistic. Hazlitt says somewhere that poetical justice is done him in the uneasiness which Olivia suffers on account of her mistaken attachment to Orsino, as her insensibility to the violence of the Duke's passion is atoned for by the discovery of Viola's ...
— Reviews • Oscar Wilde
... the first Venetian colonists were the descendants of emigrants who in prehistoric times had established themselves in Asia and who had returned from thence to Northern Italy. "These colonists," says Hazlitt, "were called Tyrrhenians, and from their settlements round the mouth of the Po the Venetian stock was ultimately derived." If the tradition has any truth, we think with a deeper interest of that instinct for commerce which seems to have been in the very blood of the early Venetians. Did ...
— The Venetian School of Painting • Evelyn March Phillipps
... and of his gratitude, respect, and affection for her long and meritorious services." [Footnote: It will serve to connect the narrative with one of the famous literary quarrels of the day, if we remind the reader that Hazlitt published a cruel and libellous pamphlet in 1819, entitled "A Letter to William Gifford," in which he hinted that some improper connection had subsisted between himself and his "frail memorial." Hazlitt wrote this pamphlet because of a criticism on the "Round Table" in the Quarterly, ...
— A Publisher and His Friends • Samuel Smiles
... ground in his white dress and tightened turban, the chief of the Indian jugglers begins with tossing up two brass balls, which is what any of us could do, and concludes with keeping up four at the same time, which is what none of us could do to save our lives." ... You remember Hazlitt's essay on the Indian Jugglers, and how their performance shook his self-conceit. "It makes me ashamed of myself. I ask what there is that I can do as well as this. Nothing..... Is there no one thing in which I can challenge competition, that I can bring as an instance of exact perfection, in ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... play within their limits. What great poet ever wrote his poems in prose? or where is a good prose poem, of any length, to be found? The poetry of the Bible is understood to be in verse, in the original. Mr. Hazlitt has said a good word for those prose enlargements of some fine old song, which are known by the name of Ossian; and in passages they deserve what he said; but he judiciously abstained from saying anything about the form. Is Gesner's Death of Abel a poem? or Hervey's Meditations? The ...
— English Critical Essays - Nineteenth Century • Various
... and consummation, have always come when our activity was already flowing, our attention stimulated, and when, so to speak, the special artistic impressions were caught up into our other interests, and woven by them into our life. We can all recall unexpected delights like Hazlitt's in the odd volume of Rousseau found on the window-seat, and discussed, with his savoury supper, in the roadside inn, after his ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... almost as scarce as the chap-book copies themselves: the only copy I have seen is in the Euing collection in the Glasgow University Library. The tales were next reprinted in the "Shakespeare Jest-books," so ably edited and annotated by Mr. W. Carew Hazlitt, in three volumes (1864). They were again reproduced in Mr. John Ashton's "Chap-books ...
— The Book of Noodles - Stories Of Simpletons; Or, Fools And Their Follies • W. A. Clouston
... notice a second point. The English classics on the top of the chest of drawers were not in the order I had left them. Izaak Walton had got to the left of Sir Thomas Browne, and the poet Burns was wedged disconsolately between two volumes of Hazlitt. Moreover a receipted bill which I had stuck in the Pilgrim's Progress to mark my place had been moved. Someone had been going through ...
— Mr. Standfast • John Buchan
... the fact concerning Mr. Philip Spruce, that his method of telling a story ("Which reminds me," always meant a story with him) is very discursive. He may be said to resemble Jeremy Bentham, who, according to Hazlitt's criticism, fills his sentence with a row of pegs, and hangs a garment upon each of them. Let us omit some portion of his tediousness, and allow him to go on with ...
— Harper's New Monthly Magazine, Vol. 2, No. 8, January, 1851 • Various
... issued his tragedy of 'Marino Faliero;' Southey, his 'Vision of Judgment;' Shelley, his 'Prometheus,' and Wordsworth a new edition of his poems. Besides these giants in the field of literature, numerous stars of the second and third magnitude sent forth their light. Charles Lamb, Hazlitt, Barry Cornwall, Tom Moore, Allan Cunningham, Leigh Hunt, and others, were busy writing and publishing, and John Keats sent his swan-song from the tombs of the Eternal City. In the midst of this galaxy of genius and fame, John ...
— The Life of John Clare • Frederick Martin
... Colloquia Mensalia had been burned; but in 1626, on the foundation of a house being removed, a printed copy was found lying in a deep hole and wrapped up in a linen cloth. The book, translated by Bell, and again by the younger Hazlitt in 1847, was originally collected by Dr Anton Lauterbach (1502-1569) "out of the holy mouth of Luther.'' It consists chiefly of observations and discussions on idolatry, auricular confession, the mass, excommunication, clerical ...
— Project Gutenberg Encyclopedia
... 1801. 'One of my juvenile works,' says Burns. 'I do not think it very remarkable, either for its merits or demerits.' But Hazlitt thought the world of it, and now it passes for one ...
— Lyra Heroica - A Book of Verse for Boys • Various
... custom at this day all over Wales to strew the graves, both within and without the church, with green herbs, branches of box, flowers, rushes, and flags, for one year, after which such as can afford it lay down a stone."—Brand's Popular Antiquities, edited W. C. Hazlitt, vol. ii., ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... intellects of modern times against him. The author of the History of England is a great name, but not so great as Napoleon the First, Goethe, and Sir Walter Scott, nor is he greater than Professor Wilson and William Hazlitt; and yet all these great spirits were more or less devoted admirers of the blind Bard of Morven. Napoleon carried Ossian in his travelling carriage; he had it with him at Lodi and Marengo, and the style of his bulletins—full of faults, but full too of martial and poetic fire—is coloured ...
— The Celtic Magazine, Vol. 1, No. 1, November 1875 • Various
... the name of any one who may displease you at the moment, and became one of the seventeen York-streets of the metropolis. Soon after the re-baptism of the street, Milton's house was occupied by William Hazlitt, who rented it of Bentham. Milton had lived in it for nine years, from 1651 till a few weeks before the Restoration. Its nearness to Whitehall where the Council sat, was less ...
— Milton • Mark Pattison
... really accepted manner of an essayist. He is really more a brilliant exponent of an original point of view. In other words, he essays to knock down opinions held by other essayists, whether writers or politicians. It would be manifestly absurd to praise Chesterton as being equal to Hazlitt, or condemn him as being inferior to J.S. Mill. Comparisons are usually odious, which is precisely the reason so much use is made of them. In this case any comparison is not only odious; it is worse, it is merely futile, for the very simple fact that there has been no essayist ever quite like ...
— Gilbert Keith Chesterton • Patrick Braybrooke
... from a garden in a populous community to the deep black mould of the west, and it grows to be a forest monarch. It is Hazlitt who says "the heart reposes in greater security on the immensity of nature's works, expatiates freely there and finds elbow room ...
— Woman on the American Frontier • William Worthington Fowler
... definitions of humor lay stress upon this element of incongruity. Hazlitt begins his illuminating lectures on the Comic Writers by declaring, "Man is the only animal that laughs or weeps; for he is the only animal that is struck with the difference between what things are and what they ought to be." James ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... for it is to be found in "Mery Tales, Wittie Questions and Quicke Answeres Very pleasant to be Readde" (published by H. Wilkes in 1567), under the heading, "Of the Courtier that bad the boy holde his horse, xliii." This little book, by the way, is included in Hazlitt's collection of Shakespeare's Jest-books. ...
— The History of "Punch" • M. H. Spielmann
... Lanier. One feels often that the worship of what he calls his "sweet masters" is overdone, and that he praises far too highly some obscure sonneteer; but there is in his work the spirit of the romantic critic — the zest of Charles Lamb and Hazlitt for the old masters. Lowell, speaking of a period in his own life when he was delivering his early lectures at Lowell Institute, said: "Then I was at the period in life when thoughts rose in covies, . . . a period of life when it doesn't seem as if everything has been said; when a man overestimates ...
— Sidney Lanier • Edwin Mims
... An instance of a fairy incubus is given in the "Life of Robin Goodfellow," Hazlitt's Fairy ...
— Elizabethan Demonology • Thomas Alfred Spalding
... and authors of all nations are to be found. You can step in any morning and have a chat with Lawrence, Reynolds, Lessing, Delaroche Hazlitt, Coleridge, Charles Lamb, Beethoven, Mendelssohn, Rossini, Willis, Irving, Anthon, Sigourney, Osgood, Booth, Kemble, Kean, Cooper, Vandenhoff, Palmerston, Pitt, O'Connel, Lamartine, Napoleon, Margaret ...
— Strange Visitors • Henry J. Horn
... better people to fall among than Mr. Barnes. And though Falstaff was neither sober nor very honest, I think I could name one or two long-faced Barabbases whom the world could better have done without. Hazlitt mentions that he was more sensible of obligation to Northcote,[19] who had never done him anything he could call a service, than to his whole circle of ostentatious friends; for he thought a good companion emphatically the greatest ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... his letter to Bowles in defence of Pope, alludes to Falconer's Shipwreck, and cites it in proof of the poetical use which may be made of the works of art. But it has justly been remarked by Hazlitt, in his very masterly reply, published in the 'London Magazine', that the finest parts of the Shipwreck are not those in which he appears to versify parts of his own Marine Dictionary, or in which he makes vain efforts to describe the vestiges ...
— The Poetical Works of Beattie, Blair, and Falconer - With Lives, Critical Dissertations, and Explanatory Notes • Rev. George Gilfillan [Ed.]
... far, for each of them has to be defined, especially the first and last. It is all very well for Keats in his airy manner to assert that beauty is truth, truth beauty, and that that is all he knows or needs to know. I, for one, need to know a lot more. And I never shall know. Nobody, not even Hazlitt nor Sainte-Beuve, has ever finally explained why he thought a book beautiful. I take the first fine ...
— Literary Taste: How to Form It • Arnold Bennett
... Strength and humorous exaggeration come more readily to our pens than grace. We are better inspired by the follies of the crowd, or the errors of humanity, than by the whims of culture or aspects of pleasant leisure. And when we try to put on style in the manner of Lamb or Hazlitt, Stevenson or Beerbohm, we seldom ...
— Definitions • Henry Seidel Canby
... men who had established themselves as friends of Rachel was a young attorney named George Hazlitt. He had gone to school with her in a small Wisconsin town. A year ago he had discovered her again in Chicago. The discovery had excited him. He was a young man with proprietary instincts. He had at once devoted them to Rachel. After several months he had ...
— Erik Dorn • Ben Hecht
... Life of Marcus Antonius. Cf. Antony and Cleopatra, III, xi, 37. Falstaff's famous cry was for 'spare men.' See 2 Henry IV, III, ii, 288. 'Sleek-headed' recalls Lamb's wish that the baby son of the tempestuous Hazlitt should be "like his father, with something of a better temper and a ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... singular fascination. Coleridge naturally suggests the name of De Quincey, whose works are as often tantalising as satisfying. And to make, it is true, a considerable drop from the greatest of these names, we often feel when we take up one of Hazlitt's glowing Essays, that here, too, was a man who might have made a far more enduring mark as a writer of English prose. At their best, his writings are admirable; they have the true stamp; the thought is masculine and the expression masterly; phrases engrave ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... Chichester,' wrote Hazlitt, 'that the poet Collins brought together a certain number of early books, some of the first rarity; his name is found, too, in the sale catalogues of the last century as a buyer of such; and the strange and regrettable ...
— The Book-Hunter at Home • P. B. M. Allan
... his personal connection with the most-celebrated literary men of his day, gives them a spirit and flavor, which could not have been obtained by the mere records of his individual biography. The work abounds with piquant anecdotes of Coleridge, Wordsworth, Shelley, Byron, Keats, Lamb, Hazlitt, and Moore—gives a detailed exposition of Hunt's connection with the Examiner, and his imprisonment for libel—his residence in Italy—his return to England—and his various literary projects—and describes with the most childlike frankness the present state of ...
— Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850 • Various
... But there were reviewers who went farther, who framed for Cooper imaginary feelings and then proceeded to assail him for having them. He was accused, especially, of pluming himself highly upon the title of the "American Scott." Hazlitt, for instance, seeing him strutting, as he terms it, in the streets of Paris, was enabled to detect by the way the novelist walked the way he felt upon this special matter, and afterward to state the conclusion at which he had arrived as a positive fact. Similar specimens of fine ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury
... relations between population and the means of subsistence. In present conditions the numbers of the race are only kept from increasing far beyond the means of subsistence by vice, misery, and the fear of misery. [Footnote: This observation had been made (as Hazlitt pointed out) before Malthus by Robert Wallace (see A Dissertation on the Numbers of Mankind, p. 13, 1753). It was another book of Wallace that suggested the difficulty to Godwin.] In the conditions imagined by Condorcet and Godwin these checks are removed, and consequently ...
— The Idea of Progress - An Inquiry Into Its Origin And Growth • J. B. Bury
... noon. William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him. He has no imaginative memory; ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... companions, so I am pleased to talk to my old friend John Allen: which indeed keeps alive my humanity very much. . . . I have been about to divers Bookshops and have bought several books—a Bacon's Essays, Evelyn's Sylva, Browne's Religio Medici, Hazlitt's Poets, etc. The latter I bought to add to my Paradise, which however has stood still of late. I mean to write out Carew's verses in this letter for you, and your Paradise. As to the Religio, I have read it again: and keep ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... his possession for many years, was a copy in the handwriting of Sarah Stoddart (afterwards Mrs. Hazlitt). J. P. Collier notes certain differences between this MS., which he calls the 'Salisbury Copy', and the text of the First Edition. He goes on to say that before Christabel was published Coleridge lent him an MS. in his own handwriting, ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... defining element in poetry is music. You may have truth, beauty, imagination, emotion, but without music you have not yet got poetry. But it is hardly less true that prose should be read aloud. "The best test of good writing," said Hazlitt—and no man in his generation wrote better prose than he—"is, does it read well aloud." The sympathetic oral reading of a passage from any prose master, a reading that naturally indicates points ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... outside authority, he rejected as a form of tyranny. His nature lacked robustness and ballast. Byron, who was at bottom intensely practical, said that Shelley's philosophy was too spiritual and romantic. Hazlitt, himself a Radical, wrote of Shelley: "He has a fire in his eye, a fever in his blood, a maggot in his brain, a hectic flutter in his speech, which mark out the philosophic fanatic. He is sanguine complexioned ...
— Brief History of English and American Literature • Henry A. Beers
... said only to fulfil our destiny in the place that gave us birth. I should on this account like well enough to spend the whole of my life in travelling abroad if I could anywhere borrow another life to spend afterwards at home."—WILLIAM HAZLITT: On Going a Journey. ...
— Little Rivers - A Book Of Essays In Profitable Idleness • Henry van Dyke
... was too readily convinced by Coleridge and Hazlitt that they were the first to recognise and to explain the greatness of Shakespeare. If amends have recently been made to the literary ideals of Pope and Johnson, the reaction has not yet extended to Shakespearian criticism. Are we ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... writers generally that 'they were sought after because they were scarce, and would not have been scarce had they been much esteemed.' His decision is neither true history nor sound criticism. They were esteemed, and they deserved to be so" (Hazlitt, Lectures on ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... loved his friends, or was so honest with them, or made such a religion of friendship. His character of Hazlitt in the 'Letter to Southey' is the finest piece of emotional prose which he ever wrote, and his pen is inspired whenever he speaks of Coleridge. 'Good people, as they are called,' he writes to Wordsworth, 'won't serve. I want individuals. I am made ...
— Figures of Several Centuries • Arthur Symons
... the sedulous ape to Hazlitt, to Lamb, to Wordsworth, to Sir Thomas Browne, to Defoe, to ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... kind; others attain to a certain character of the picturesque; while others, again, combine in themselves all the elements of a good picture. But even with these last, mere imitation will not do. Nature, as Hazlitt observes, 'has a larger canvas than man'—a canvas immensely larger; and the artist, since he cannot copy, must select. The same reasoning applies to figure and group-painting, and its accessories. ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various
... slowly progressing at the expense of the landlord and the eating-house keeper, Haydon spent his leisure in literary rather than artistic circles. At Leigh Hunt's he met, and became intimate with Charles Lamb, Keats, Hazlitt, and John Scott. In January 1813 he writes: 'Spent the evening with Leigh Hunt at West End. His society is always delightful. I do not know a purer, more virtuous partner, or a more witty and enlivening man. We talked of his approaching imprisonment. He said it would be a great pleasure ...
— Little Memoirs of the Nineteenth Century • George Paston
... Garrick kindly supplied him, to enable him to go to Barton—but there were to be no more holidays, and only one brief struggle more for poor Goldsmith—a lock of his hair was taken from the coffin and given to the Jessamy Bride. She lived quite into our time. Hazlitt saw her an old lady, but beautiful still, in Northcote's painting-room, who told the eager critic how proud she always was that Goldsmith had admired her. The younger Colman has left a touching reminiscence of ...
— Henry Esmond; The English Humourists; The Four Georges • William Makepeace Thackeray
... of the Convention which concluded the trial," says Hazlitt, "lasted seventy-two hours. It might naturally be supposed that silence, restraint, a sort of religious awe, would have pervaded the scene. On the contrary, everything bore the marks of gaiety, dissipation, ...
— Memoirs Of The Court Of Marie Antoinette, Queen Of France, Complete • Madame Campan
... the Metrical Romance; while the fighting, which, in those old poems, was tediously sincere, is between shadow and shadow, where we know that neither can harm the other, though are tempted to wish he might. Hazlitt bids us not mind the allegory, and says that it won't bite us nor meddle with us if we do not meddle with it. But how if it bore us, which after all is the fatal question? The truth is that it is too often forced upon us against our ...
— Among My Books • James Russell Lowell
... theme something that has to do with the influence of sin upon the conscience—something more than the Puritan conscience, but something which is permeated by it. In this relation he is wont to use what Hazlitt calls the "moral power of imagination." Hawthorne would try to spiritualize a guilty conscience. He would sing of the relentlessness of guilt, the inheritance of guilt, the shadow of guilt darkening innocent posterity. All ...
— Essays Before a Sonata • Charles Ives
... out of peril and strait. One day, for example, 'a member of our own mess roused the mob, by singing, from the windows of our dining-room, O Richard, O my King; and I had to snatch him from their fury.' (Norvins, Histoire de Napoleon, i. 47; Las Cases, Memoires translated into Hazlitt's Life ...
— The French Revolution • Thomas Carlyle
... library in five volumes was compiled by Mr. F.S. Ellis and Mr. W.C. Hazlitt, and partly revised ...
— English Book Collectors • William Younger Fletcher
... our part, as any which the past has treasured. There is a mirage over all literary associations. Keats and Lamb seem to our young people to be existences as remote and legendary as Homer, yet it is not an old man's life since Keats was an awkward boy at the door of Hazlitt's lecture-room, and Lamb was introducing Talfourd to Wordsworth as his own only admirer. In reading Spence's "Anecdotes," Pope and Addison appear no farther off; and wherever I open Bacon's "Essays," I am sure to end at last with that one magical sentence, ...
— Atlantic Monthly, Vol. 9, No. 54, April, 1862 • Various
... W.F.S * * (brother to the other of the name) till now, and I can make out nothing. He evidently shows a great power of words, but there is nothing to be taken hold of. He is like Hazlitt, in English, who talks pimples—a red and white corruption rising up (in little imitation of mountains upon maps), but containing nothing, and discharging nothing, ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... I have said, is an employment which literature has always approved. From Gay to Hazlitt, from Swift to Dickens, there have been few writers of light touch upon life who have not had a kind eye for the housemaid. There's a passage somewhere in Stevenson for which I have spent an hour's vain hunting, which exactly hits the centre. The confidential relationship, ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... heavenly vision. There are days which will always have a place by themselves in our memory, nights whose stars have never set, because they brought us face to face with some great soul, and struck into life in an instant some new and mighty meaning. The ferment of soul which Hazlitt describes on the night when he walked home from his first talk with Coleridge is no exceptional experience; it comes to most young men who are susceptible to the influence of great thoughts coming for the first time into consciousness. A lonely country road ...
— Under the Trees and Elsewhere • Hamilton Wright Mabie
... case, there might be "thoughts that breathe and words that burn"; still, there was but little of true criticism. The matchless papers on Spenser and Homer represent one class, and the articles on Hazlitt and Leigh Hunt the other. While the former exhibit the tender sympathy of a poet and the enthusiasm of a scholar, the latter reveal the uncompromising partisan, swinging the hangman's cord, and brandishing the scourge of scorpions. Of the ...
— Atlantic Monthly, Vol. 11, No. 65, March, 1863 • Various
... eighth and concluding lecture of Mr. Hazlitt's canons of criticism, delivered at the Surrey Institution (The English Poets, 1870, pp. 203, 204), I am accused of having 'lauded Buonaparte to the skies in the hour of his success, and then peevishly wreaking my disappointment on the god of my idolatry.' The first ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... possess a good autobiography of Leigh Hunt. It is the first we have from a long list of celebrated men; and no one could give us such correct, discerning, and delightful insights into their usual life and true characters. Hazlitt, Lamb, Shelley, Keats, Byron, and a crowd of others become familiar to us in these pages. It was in the Examiner that the first compositions of Shelley and Keats were introduced to the British public; and the friendship which Mr. Hunt maintained with those poets, ...
— International Weekly Miscellany, Vol. 1, No. 2, July 8, 1850 • Various
... and high, and round it, half-way up the dull yellow walls, ran an old carved gallery, relic of the time when it had been the studio of a hare-brained painter, a friend of Hazlitt and Coleridge, a believer in poor young Keats while the rest of the world laughed at him—in ...
— The Halo • Bettina von Hutten
... to the French Revolution; the third from the Revolution to the present day. The typical critic of the first period is Sidney; Dryden opens and Johnson closes the second; the third, a period of far more varied tendencies than either of the others, is perhaps most fitly represented by Lamb, Hazlitt, and Carlyle. It will be the aim of the following pages to sketch the broader outlines of the course that critical inquiry ...
— English literary criticism • Various
... insight into some of the greatest conclusions of modern science, see Munro's translation and notes, fourth edition, book v, notes ii, p. 335. On the relation of several passages in Horace to the ideas of Lucretius, see Munro as above. For the passage from Luther, see the Table Talk, Hazlitt's translation, p. 242. ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... the professional ones, but rather those who give us merely a delightful companionship and invite us to share their own favorite walks in Bookland. Such a choice companion, to name but one, awaits the student in Hazlitt's "Lectures on the English Poets." Of the author himself Charles Lamb says: "I never slackened in my admiration of him; and I think I shall go to my grave without finding, or expecting to find, such another companion." And of his books ...
— The Booklover and His Books • Harry Lyman Koopman
... and the want of sympathy of some writers with the art itself, who, unable to pray with Goethe and Voltaire, remain to scoff with Jeremy Collier, is a third. There are causes from without that will always keep alive a certain measure of hostility towards the player. As long as the public, in Hazlitt's words, feel more respect for John Kemble in a plain coat than the Lord Chancellor on the Woolsack, so long will this public regard for the actor provoke the resentment of those whose achievements in art appeal less immediately, less strikingly, to their audience. But if they would only ...
— [19th Century Actor] Autobiographies • George Iles
... an idea by extract, as nearly every line travesties some tragic passage once familiar to play-goers, and now utterly forgotten. But the following lines from one of the speeches of Lord Grizzle—a part admirably acted by Liston in later years [Footnote: Compare Hazlitt, On the Comic Writers of the Last Century.]—are a fair specimen of its ludicrous use ...
— Fielding - (English Men of Letters Series) • Austin Dobson
... politician. Robert Southey (1777-1843), the 'ultra servile sack-guzzler,' as Bentham pleasantly calls him in 1823,[151] was probably the best abused man, on his own side at least, among Mill's contemporaries. He was attacked by Mill himself, and savagely denounced by Byron and Hazlitt. He was not only a conspicuous writer in the Quarterly Review but, as his enemies thought, a renegade bought by pensions. It is, I hope, needless to defend him against this charge. He was simply an impatient man of generous instincts and no reflective power, who had in his youth caught ...
— The English Utilitarians, Volume II (of 3) - James Mill • Leslie Stephen
... piece coined by Joao II. Las Casas, I. 466, says: "20 Espadinos, a matter of 20 ducats." The Espadim contained 58 to 65 grains of gold. W.C. Hazlitt, Coinage of European Nations, sub voce. King Joao II. gave Columbus's pilot almost exactly the sum which Henry VII. gave to John Cabot, which was L10. In the French translation and the translation in J.B. Thacher's Christopher Columbus the word espadines is erroneously taken to be Spanish ...
— The Northmen, Columbus and Cabot, 985-1503 • Various
... Scribe. It is the sole example of a theme taken by him directly from comparatively modern history, and treated purely for its value as a study of contemporary intrigue. From this point of view it curiously exemplifies a remark of Hazlitt: "The progress of manners and knowledge has an influence on the stage, and will in time perhaps destroy both tragedy and comedy.... At last, there will be nothing left, good nor bad, to be desired or dreaded, on the theatre ...
— Henrik Ibsen • Edmund Gosse |
