"Inigo Jones" Quotes from Famous Books
 ... churches; and when the Italian style superseded the Gothic, churches were Italian as well as houses. If there is a Gothic spire to the cathedral of Antwerp, there is a Gothic belfry to the Hotel de Ville at Brussels; if Inigo Jones builds an Italian Whitehall, Sir Christopher Wren builds an Italian St. Paul's.[207] But now you live under one school of architecture, and worship under another. What do you mean by doing this? Am I ...
— Selections From the Works of John Ruskin • John Ruskin
... I corrected these sheets for the press, the case of two such pieces of destruction is forced upon me: first, the remains of the Refectory of Westminster Abbey, with the adjacent Ashburnham House, a beautiful work, probably by Inigo Jones; and second, Magdalen Bridge at Oxford. Certainly this seems to mock my hope of the influence of education on the Beauty of Life; since the first scheme of destruction is eagerly pressed forward by the authorities of Westminster School, ...
— Hopes and Fears for Art • William Morris
... declared (1614) that "Presbyterians were as bad as Papists." Did Laud, after all, think Papists so very bad? In 1617 he was President of his college, St. John's, on which he set his mark. It is to Laud and to Inigo Jones that Oxford owes the beautiful garden-front, perhaps the most lovely thing in Oxford. From the gardens—where for so many summers the beauty of England has rested in the shadow of the chestnut-trees, amid the music of the chimes, ...
— Oxford • Andrew Lang
... buildings at Wilton, forming the south front of the house, and facing an extensive garden which was laid out at the same time. In designing both the building and the gardens, he employed Solomon de Caus, a Gascon, on the recommendation of Inigo Jones. About fifteen years afterwards the south front so erected was destroyed by fire, and rebuilt by the same Earl in 1648, from the designs of John Webb, who had married the niece of Inigo Jones. This peer was a great lover of the fine arts, and a patron ...
— The Natural History of Wiltshire • John Aubrey
... enhanced, as well, the beauty and dignity of those portions of the masque in which noble lords and ladies took their parts to create, by their gorgeous costumes and artistic grouping and evolutions, a sumptuous show. On the mechanical and scenic side Jonson had an inventive and ingenious partner in Inigo Jones, the royal architect, who more than any one man raised the standard of stage representation in the England of his day. Jonson continued active in the service of the court in the writing of masques and other entertainments far into the reign of King Charles; but, ...
— Epicoene - Or, The Silent Woman • Ben Jonson |
