"Laocoon" Quotes from Famous Books
... new expressions by which the artist may set forth that part of human life which Delsarte called "the transluminous obscurities of our inmost organism." Dating from this epoch we find in sculpture less of plastic beauty and more spiritual and touching expression. Who would compare the pathos of the Laocoon to that of Canova's Magdalen? The sculptor Marcello (Mme. de Castiglione), too early removed from an artistic career, exhibited certain creations which illustrate this difference. Among them is a bust, in marble, of an Arab chief, ... — Delsarte System of Oratory • Various
... dominated the room as the Laocoon group would dominate a ten by twelve "parlor." His size was only a minor element in that impression. True, he was as great in bulk as Bonbright and his father rolled in one, towering inches above them, and they were tall men. It was the jagged, dynamic, granite personality of him that ... — Youth Challenges • Clarence B Kelland
... centuries. For the child or the "child-man" to imitate the cry of the cock so successfully was an inspiration; Mr. Aston tells us that "the formation of a word like cock-a-doodle-do, is as much a work of individual genius as Hamlet or the Laocoon" (394. 335). Of certain modern aspects of onomatopoia the author observes: "There is a kindred art, viz. that of the exact imitation of animal cries and other sounds, successfully practised by some of ... — The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... a Government secretary at Breslau. He held that office for five years, and then again returned to his old work in Berlin. During the five years in Breslau, Lessing had completed his play of "Minna von Barnhelm," and the greatest of his critical works, "Laocoon," a treatise on the "Boundary Lines of Painting and Poetry." All that he might then have saved from his earnings went to the buying of books and to the relief of the burdens in the Camenz parsonage. At Berlin the office of ... — Nathan the Wise • Gotthold Ephraim Lessing
... Cassandra, with a sly glance at Helen. "The fact is, until you mentioned it yourself, it never occurred to me that there was much fun in any portion of the Trojan incident, excepting perhaps the delirium tremens of old Laocoon, who got no more than he deserved for stealing my thunder. I had warned Troy against the Greeks, and they all laughed at me, and said my eye to the future was strabismatic; that the Greeks couldn't get into Troy at all, even if they wanted to. And then the Greeks ... — The Pursuit of the House-Boat • John Kendrick Bangs
... is often not made of a single piece. Thus the Aphrodite of Melos (page 249) was made of two principal pieces, the junction coming just above the drapery, while several smaller parts, including the left arm, were made separately and attached. The Laocoon group (page 265), which Pliny expressly alleges to have been made of a single block, is in reality made of six. Often the head was made separately from the body, sometimes of a finer quality of marble, and then inserted into a socket prepared for it in the neck of the figure. ... — A History Of Greek Art • F. B. Tarbell
... in the Bay of Naples—a seraph with a golden lyre—and shrouded in a white cymar! No, no!" would he continue, turning his footsteps towards the adjacent room, where the suffering pangs of Apollo's high priest are painfully told in marble, "let let me rather contemplate the Laocoon! His agony seems to sympathise with mine—but was his fate as hard? He saw his sons dying before him; could a son, or sons, be as the wife of one's bosom? The serpent twines around him, too, awaking exquisite corporeal pangs, ... — A Love Story • A Bushman
... Calydon came the son of Oeneus, strong Meleagrus, and Laocoon—Laocoon the brother of Oeneus, though not by the same mother, for a serving-woman bare him; him, now growing old, Oeneus sent to guard his son: thus Meleagrus, still a youth, entered the bold band of heroes. No other had come superior to him, ... — The Argonautica • Apollonius Rhodius
... of centuries of students rest with mine!—added to its library, in 1823, a small, but excellent museum of the antique sculpture, in plaster;—the selection being dictated, it is said, by no less an adviser than Canova. The Apollo, the Laocoon, the Venuses, Diana, the head of the Phidian Jove, Bacchus, Antinous, the Torso Hercules, the Discobolus, the Gladiator Borghese, the Apollino,—all these, and more, the sumptuous gift of Augustus Thorndike. It is much that one man should ... — Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli |