"Louvre" Quotes from Famous Books
 ... of the twenty-four" sans-culottes[33103] to whom Bo entrusted the duty of weeding-out the popular club; before the organization of "this regenerating nucleus" the revolutionary committee, presided over by Rousselin, the civil commissioner, carried on its "gluttony" in the Petit-Louvre tavern, "passing nights bozing" and in the preparation of lists of suspects.[33104] In the neighboring provinces of Dijon, Beaune, Semur and Aignayle-Duc, the heads of the municipality and of the club always meet in taverns and bars. At Dijon, we see "the ten or ...
— The Origins of Contemporary France, Volume 4 (of 6) - The French Revolution, Volume 3 (of 3) • Hippolyte A. Taine
... her friends. But the great Head of the church, in removing her from one field of labor, was only preparing her for another. In 1836 she became connected with the Karen mission, and a more extended field of usefulness was thrown open before her. She sailed from this country in the ship Louvre, and arrived in Maulmain in the autumn of the ...
— Daughters of the Cross: or Woman's Mission • Daniel C. Eddy
... wanting in illustrious scholars, but it could not be said that a French school of art existed. Francois Clouet or Cloet, called Jehannet, was born in Tours about 1500. His portraits are seen in the Gallery of the Louvre, and have been likened to those of Holbein; but they lack the strength and spirit of that artist; in fact, the distinguishing feature of Clouet's work is the remarkable finish of draperies and accessories, while the ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... sweet child Trilby's time, do you? If you do you are very much mistaken. I almost wish I had not warned you of your danger and had let you go, just to see those eyes of yours open with amazement at the change. You'd find your Louvre a very different sort of a place from what it used to be, my dear lady. Those pleasing little windows through which your relations were wont in olden times to indulge in target practice at people who ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... where he did not tremble. One day his wife asked him if she might visit this dear refuge. He refused, and as, notwithstanding his refusal, she came and knocked at the door, he refrained from opening to her, telling her in the evening that he had spent the day at the Louvre Museum. He was afraid that Therese might bring the spectre of ...
— Therese Raquin • Emile Zola
... first is the 'Palace of Art,' or a fine house, in which the poet dreams that he sees a very fine collection of well-known pictures. An ordinary versifier would, no doubt, have followed the old routine, and dully described himself as walking into the Louvre, or Buckingham Palace, and there seeing certain masterpieces of painting:—a true poet dreams it. We have not room to hang many of these chefs-d'oeuvre, but for a few we must ...
— Early Reviews of English Poets • John Louis Haney
... same night a young man stepped from a window in one of the rooms on the third floor in the Hotel du Louvre in Paris, and stood in the balcony. It was a balcony in that side of the hotel which looks on the Rue de Rivoli. The young man smoked a cigar and leaned ...
— The Galaxy, Volume 23, No. 2, February, 1877 • Various
... greatest living historians—were for a long time connected with the Paris journals, and each made his first appearance as a writer in criticisms on the Fine Arts. For several years the former published series of articles on the exhibitions of the Louvre, which were remarkable both for artistic knowledge and literary verve. The latter also published in 1810 a pamphlet on the exhibition in the Louvre, which excited great sensation—more, however, from its having a political tendency than ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... send you to the Louvre to find there what people call "le beau ideal," something which is ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various
... brought the royal escort to the Louvre; and through a train of nobles, Helen was led by Prince Louis into the regal saloon. The Scottish chiefs followed. The queen and the Count D'Evereux received Bruce and Helen, while De Valois conducted Wallace to the king, who ...
— The Scottish Chiefs • Miss Jane Porter
... of the Louvre one day, attended by Baron Denon, turned round suddenly from a fine picture, which he had viewed for some time in silence, and said to him, "That is a noble picture, Denon."—"Immortal," was Denon's reply. "How long," inquired Napoleon, "will this picture last?" Denon ...
— The Mirror of Literature, Amusement, and Instruction. - Volume XII, No. 347, Saturday, December 20, 1828. • Various
... Paris Louvre shake for it, Were it the mistress-court of mighty Europe; And, be assur'd, you'll find a difference, As we his subjects have in wonder found, Between the promise of his greener days And these he masters now. Now he weighs ...
— The Life of King Henry V • William Shakespeare [Tudor edition]
... This column is used for sculpture and painting only. Enter official name of gallery under name of city, followed by country in parentheses, and separated by hyphen: London (Eng.)-National Gallery; Paris (France)-Louvre. ...
— A Library Primer • John Cotton Dana
... whereas, in England, we are obliged to stand on our own feet, and combat the envy and malice of our brethren. Egad! I have a good mind to come and settle here in Paris. I should like to have an apartment in the Louvre, with a snug pension of ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... at you! You remind me of the visitor to Paris who was asked how she liked the Louvre, and replied that the Bon Marche was cheaper for ribbons. To think that you could sit opposite some of the finest pictures of the year, and find more enjoyment in looking ...
— More About Peggy • Mrs G. de Horne Vaizey
... married you I would have money and fine clothes and gilded coaches, and an army of maids and pages, and honor from all men. And you would be kind to me, I know, when you returned from the day's work at Windsor—or Holyrood or the Louvre. But do you not see that I would always be to you only a rather costly luxury, like those cups, which the Queen's minister could afford to keep for his hours ...
— The Line of Love - Dizain des Mariages • James Branch Cabell
... she would be delayed three days for repairs. This news made Stephen decide to remain in Paris for those days, rather than go on and wait at Marseilles, or take another ship. He did not want to see any one he knew, but he thought it would be pleasant to spend some hours picture-gazing at the Louvre, and doing a few other things which one ought to do ...
— The Golden Silence • C. N. Williamson and A. M. Williamson
... had obscured my vision. A bright fire was leaping in the chimney of my study. Ice-crystals, shaped like fern-leaves, were sprouting over the windowpanes and concealed from me the Seine with its bridges and the Louvre of the Valois. ...
— The Crime of Sylvestre Bonnard • Anatole France
... have no courage for a letter to-day. I have just heard of the horrors of Paris, the burning of the Louvre, the Tuileries, the Hotel de Ville, etc. My heart is wrung. I have energy for nothing. I cannot go out and see people. I was in the Bodleian when the Librarian told me this and showed me the newspapers. In presence of such madness and such disasters, they treat a Frenchman ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... full of uniforms and mourning bands, with cafes closed at 9:30—no sugar, scarce bread, and tears so interwined with joy that there is scant difference. Paris has been dreaming a nightmare, and though she awakes, the grim terror is upon her—it lies on the sand-closed art treasures of the Louvre. Only the flowers are there, always the flowers, the Roses of England and the ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... by Van Ostade, with their uncouth children and their old fat women, embossed with huge breasts and enormous bellies. But of the unrestrained joys, the drunken family carousals, not a whit. He had to admit that the Dutch paintings at the Louvre had misled him. They had simply served as a springing board for his dreams. He had rushed forward on a false track and had wandered into capricious visions, unable to discover in the land itself, anything of that real and magical country which he had hoped ...
— Against The Grain • Joris-Karl Huysmans
... talents and chivalry!) went arm-in-arm, the insulter and the insulted, to breakfast together at Monsieur About's rooms, where, between a dozen oysters and a bottle of Sauterne, he asked his victims what they thought of some Titians he had just discovered, and which he wished to sell to the Louvre for a small fortune,—Titians which were not painted even by Mignard. The insulter and the insulted fell into each other's arms before these daubs, and they parted, each delighted with the other. These ...
— The Atlantic Monthly, Volume 14, No. 83, September, 1864 • Various
... turning-lathes and other instruments with which the monarch worked, contains curiosities, knickknacks, as well as some works of real art value: the connecting point of the whole collection is in Peter himself. An analogous collection was some years ago opened in the Louvre as the Museum of Napoleon I. Dynasties all the world over thus ...
— Russia - As Seen and Described by Famous Writers • Various
... wonders to him was Paris—its streets, its boulevards, its Tuileries, its Louvre, its Arc de Triomphe—reminding him of the Revolution and the wars ...
— Jasmin: Barber, Poet, Philanthropist • Samuel Smiles
... telling you what he has. But I confine myself to one picture only, which he keeps in a room by itself. I am not so foolish as to pretend to know anything, but to my eyes this picture was nothing whatever but the Louvre's "Monna Lisa." ...
— Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 • Various
... when he came out of the Louvre, where he had strayed for a long time before the canvases of the Early Painters, he was wont to take refuge in the old church of St. Severin, hidden away in a corner of the poorer ...
— En Route • J.-K. (Joris-Karl) Huysmans
... from Mr. Ewart, M.P., in French, and another from Mr. Cobden in the same language, the Convention was brought to a close for the day. I spent the morning yesterday, in visiting some of the lions of the French capital, among which was the Louvre. The French Government having kindly ordered, that the members of the Peace Congress should be admitted free, and without ticket, to all the public works, I had nothing to do but present my card of membership, ...
— Three Years in Europe - Places I Have Seen and People I Have Met • William Wells Brown
... however, when, in answer to a question of Althea's, she said that she hated Paris. Since girlhood Althea had accepted Paris as the final stage in a civilised being's education: the Theatre Francais, the lectures at the Sorbonne, the Louvre and the Cluny, and, for a later age, Anatole France—it seemed almost barbarous to say that one hated the splendid city that clothed, as did no other place in the world, one's body and one's mind. 'How can you hate it?' she inquired. ...
— Franklin Kane • Anne Douglas Sedgwick
... swallowed opium. At Bordeaux the steel fell on the necks of the bold and quick-witted Guadet and of Barbaroux, the chief of those enthusiasts from the Rhone whose valour, in the great crisis of the tenth of August, had turned back the tide of battle from the Louvre to the Tuileries. In a field near the Garonne was found all that the wolves had left of Petion, once honoured, greatly indeed beyond his deserts, as the model of republican virtue. We are far from regarding even the best of the Girondists with unmixed admiration; ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 2 (of 4) - Contributions To The Edinburgh Review • Thomas Babington Macaulay
... cravats, carried cudgels, and decreed that all men should have the hair plaited, powdered, and fastened up with a comb, like themselves! The wearer of a queue was likely to be knocked on the head. These creatures used to congregate at the old Feydeau theater, or meet around the entrance of the Louvre, to talk classical ...
— Lazarre • Mary Hartwell Catherwood
... examples of repose are the 'Lorenzo and Jessica,' and 'The Spanish Girl.' These are works also to which no perfection could be added,—from which, without loss, neither touch nor tint could be subtracted. We might search through all galleries, the Louvre or any other, for their equals or rivals in either conception or execution. I speak of these familiarly, because I suppose you all to be familiar with them. The first named, the 'Lorenzo and Jessica,' is a very small picture, one of the smallest ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... court of the Louvre is reached—here a halt is made and a general romp occurs. A girl and a type climb one of the tall lamp-posts and prepare to do a mid-air balancing act, when rescued by the others. At last, at the end of all this horse-play, the march is resumed ...
— The Real Latin Quarter • F. Berkeley Smith
... too, that help comes in the night. Things come back to a man that it is good to remember. That time—and that other. . . . A woman there—and the one you met in such a place. There is a picture in the Louvre, by Veronese: a young Venetian woman steps out upon the marble stairway of a palace holding a golden-haired boy by the hand; she is dressed in black velvet, she glows with youth and happiness. A lovers' meeting in her garden? The ...
— The Great Hunger • Johan Bojer
... Paris and its hotels, so let myself be guided by a fellow-traveller. We went to the Hotel du Louvre, then so new that it smelt of plaster and paint. In those days, big, splendid hotels were almost unknown in Europe. The vast dining-hall, with its palatial decoration, impressed my inexperience very strongly. During my stay in the Hotel du Louvre, I made the acquaintance of some English ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... examples of his pleasant painting. Even better is his work at the Wallace Collection. He died in 1667 in Amsterdam, where one of his best pictures "The Breakfast"—No. 1553 at the Ryks—may be seen. There are many fine examples at the Louvre. He was always graceful, always charming, with a favourite model—perhaps his wife—the pleasant plump woman who occurs again and again in his work. She is in "The ...
— A Wanderer in Holland • E. V. Lucas
... returned from a three months' visit to Europe, and she gave us a very lively account of her gay season in London, and her visit to Paris. I was glad to learn from her that my favorite Italian and Spanish pictures again occupied their accustomed places in the Salon Carre at the Louvre, and that the diadem mode of dressing the hair, so becoming to my tiny figure, was by no means out of style in Paris, but was, on the contrary, ...
— The Story of a Summer - Or, Journal Leaves from Chappaqua • Cecilia Cleveland
... Guillaume, the notary's wife spoke of the exhibition before Augustine, of whom she was very fond, and explained its purpose. Madame Roguin's gossip naturally inspired Augustine with a wish to see the pictures, and with courage enough to ask her cousin secretly to take her to the Louvre. Her cousin succeeded in the negotiations she opened with Madame Guillaume for permission to release the young girl for two hours from her dull labors. Augustine was thus able to make her way through the crowd to see the crowned work. A fit of trembling shook her ...
— At the Sign of the Cat and Racket • Honore de Balzac
... grave thoughts; but I do not agree that he was always a stranger to gentle beauty, to feminine beauty in particular. I shall not cite the "Virgin" of the London Academy, nor in another order the admirable "Captive" of the Louvre Museum; but, without quitting the Sistine, could we dream of anything more marvellously beautiful than his "Adam" awaking for the first time to light? or more chaste, more graceful, more touching than his young "Eve" leaning toward her ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson
... to the Hotel de Louvre, dined, and then went forth with friends to the Orangerie. This immense garden, devoted to concerts, beer, and cigars, is said to be capable of containing three thousand people; before I left it it held about five thousand. I knew not why this unwonted crowd had assembled; when I found ...
— The Gypsies • Charles G. Leland
... Rome so far as possible, and to suit his tastes. As for Napoleon, we all noticed his ever gentle and grateful gaiety, and his filial and affectionate deference to his guest. When the Holy Father gave his blessing from his window, and more especially at his audiences in the gallery of the Louvre, which were always crowded, precautions were taken against any outbreak of the indiscretion or levity to which the French are prone. We saw the atheist Lalande himself fall at the Pontiff's feet and kiss his slipper. In the public buildings which the Pope honored with his presence ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... street at mid-day and you will find a well-dressed crowd of both sexes, some driving and cycling, others inspecting the shops or seated at flower-bedecked tables in the fashionable French "Restaurant du Louvre" with its white aproned garcons and central snowy altar of silver, fruit, and hors-d'oeuvres all complete. Everything has a continental look, from the glittering jewellers' shops to the flower and fruit stalls, ...
— From Paris to New York by Land • Harry de Windt
... of which here follows belongs to the Museum of the Louvre, in Paris, where it is registered under the No. 3284 (Deveria, Catalogue des MS. egypt., p. 132). It probably dates from the epoch of the Ptolemies. It is in hieratic writing and generally known by the name of "Book of Respirations" or "Book of ...
— Egyptian Literature
... January 6, and, reaching Paris the following day, they made themselves comfortable at the Hotel du Louvre. However, they only remained there one week, during which it was so cold that they saw little and enjoyed little. They went to Notre Dame, the Louvre, the Madeleine, and the Champs Elysees, but without being ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... installed Paul Wayland Bartlett's spirited equestrian statue of Lafayette. This is a replica of the original work, which was presented to the French Government by the school children of the United States, and stands in the gardens of the Louvre. Other notable statues here are Karl Bitter's Thomas Jefferson, John J. Boyle's Commodore Barry, Herbert Adams's Bryant, and Robert T. McKenzie's charming figure of "The Young Franklin." Outside the rotunda, facing the main entrance to the ...
— The Jewel City • Ben Macomber
... and costly articles Paris is superior to London; since the opulence of the French capital arises from the defects of its government and religion. In the absence of Louis XIV. and his successors, the Louvre has been left unfinished: but the millions which have been lavished on the sands of Versailles, and the morass of Marli, could not be supplied by the legal allowance of a British king. The splendour of the French nobles is confined to their town residence; that of the English is more usefully ...
— Memoirs of My Life and Writings • Edward Gibbon
... theaters; I rode in the Bois de Boulogne in the morning, and picked up an acquaintance, whom I forced to drive with me in the afternoon. I went to mass at the Madeleine, and I attended the services at the English Church. I hung about the Louvre and Notre Dame. I went to Versailles. I spent hours in parading the Rue de Rivoli, in the neighborhood of Meurice's corner, where foreigners pass and repass from morning till night. At last I received an invitation to a reception at the English Embassy. I went, ...
— Stories by Modern American Authors • Julian Hawthorne
... museums of the world possess Correggios, and I will only mention the exquisite Saint Catherine and the resplendent Antiope of the Louvre; the Danae of the Borghese Gallery, a chef-d'oeuvre of grace and delicacy; and, finally, in the Dresden Gallery, our Magdalen in the Desert, that jewel so well-known and ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... o'clock he sat down to the evening meal at Conde's, after which, having attired himself in his new suit, he repaired with de Penthiere and de Caussac to the Louvre. It was eight o'clock when they entered, the reception rooms were already full, and the brilliancy of the attire, both of the courtiers and ladies, seen by the light of great chandeliers, was impressive in the extreme to one who had never ...
— Won by the Sword - A Story of the Thirty Years' War • G.A. Henty
... inviolable. It was a point of honour with every Ambassador to extend as widely as possible the limits of the region which was under his protection. At length half the city consisted of privileged districts, within which the Papal government had no more power than within the Louvre or the Escurial. Every asylum was thronged with contraband traders, fraudulent bankrupts, thieves and assassins. In every asylum were collected magazines of stolen or smuggled goods. From every asylum ruffians sallied forth nightly to plunder ...
— The History of England from the Accession of James II. - Volume 2 (of 5) • Thomas Babington Macaulay
... also loved Paris, where he had worked as a decorative painter in his youth. There were such opportunities for self-instruction there, he said. And if any one has read Zola's description of the workman's marriage-party visiting the Louvre, they would do well to have heard Bazin by way of antidote. He had delighted in the museums in his youth. 'One sees there little miracles of work,' he said; 'that is what makes a good workman; it kindles a spark.' We ...
— An Inland Voyage • Robert Louis Stevenson
... The dream haunted him in his waking hours. In the gallery of the Louvre there is a picture of Henry IV becoming entranced by the picture of his future wife, and next to it is the picture of the proud man being married to the woman whose face in the picture had once captivated his fancy. Those pictures were the realization of the one described in Milton's ...
— The True Woman • Justin D. Fulton
... was celebrated at Saint-Cloud on Sunday, the 1st of April, at two o'clock in the afternoon. The religious ceremony was solemnized the next day in the grand gallery of the Louvre. A very singular circumstance in this connection was the fact that Sunday afternoon at Saint-Cloud the weather was beautiful, while the streets of Paris were flooded with a heavy shower lasting some time, and on Monday there was rain at Saint-Cloud, ...
— The Private Life of Napoleon Bonaparte, Complete • Constant
... have a picture or two in sight, somewhere about the room. In the corners, hidden away behind pedestals and curtains, a quick eye may detect stacks of pictures, ready to be brought out and put on the easel when needed. On the pedestals stand plaster casts of busts from antique originals in the Louvre, the Uffizzi Gallery, and the British Museum; and yonder, beside the arched entrance between the ante-room and the library, stands a small white marble torso of a semi-recumbent river god which ...
— The Arena - Volume 4, No. 21, August, 1891 • Various
... Mrs. Balcombe desired them, in rather an angry tone, to keep back. Napoleon interfered, saying, 'Respect the burden, Madam.'" In the time of the empire, he directed attention to the improvement and embellishment of the market of the capital. "The market-place," he said, "is the Louvre of the common people." The principal works that have survived him are his magnificent roads. He filled the troops with his spirit, and a sort of freedom and companionship grew up between him and them, which the forms of his court ...
— Representative Men • Ralph Waldo Emerson
... is the finest in the world, you may believe him without reserve. He probably does not know what he is talking about. He may never have crossed the Pyrenees. He has no dream of the glories of Dresden, or Florence, or the Louvre. It is even possible that he has not seen the matchless collection he is boasting of. He crowns it with a sweeping superlative simply because it is Spanish. But the statement ...
— Castilian Days • John Hay
... the great undertaking he left unfinished—the large "Judgment of Solomon," next to be discussed. Moreover, eccentricities of drawing are not uncommon in his work, as a reference to the "Adrastus and Hypsipyle," and later works, like the "Fete Champetre" (of the Louvre), will show. ...
— Giorgione • Herbert Cook
... and Manasseh in Judaea, and with the Sabacos (Shebeks) and Tirhakah (Tehiak) in Egypt. The sources which chiefly illustrate this period are the magnificent series of engravings published by MM. Flandin and Botta, together with the originals of a certain portion of them in the Louvre; the engravings in Mr. Layard's first folio work, from plate 68 to 83; those in his second folio work from plate 7 to 44, and from plate 50 to 56; the originals of many of these in the British Museum; several monuments procured ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... note how Giorgione in his "Fete Champetre" of the Louvre (see illustration, page 151 [Transcribers Note: Plate XXXIII]), went out of his way to get a straight line to steady his picture and contrast with the curves. Not wanting it in the landscape, he has boldly made the contour of the seated female conform to a rigid ...
— The Practice and Science Of Drawing • Harold Speed
... matters of Protestant antiquarianism in France, has discovered one of the ovens in which Palissy baked his chefs- d'oeuvre. Several moulds of faces, plants, animals, &c., were dug up in a good state of preservation, bearing his well-known stamp. It is situated under the gallery of the Louvre, in the Place ...
— Self Help • Samuel Smiles
... haunt me like a tale Of my own future destiny. The King 105 Felt in his breast the phantom of the knife, Long ere Ravaillac arm'd himself therewith. His quiet mind forsook him: the phantasma Started him in his Louvre, chased him forth Into the open air: like funeral knells 110 Sounded that coronation festival; And still with boding sense he heard the tread Of those feet that ev'n then were seeking him Throughout the ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... that she was indifferent to other forms of art. Anything beautiful in nature or art made a profound impression upon her. When Leaker first went to Paris, on our way to Pau or Cannes, I forget which, my mother sent her to the Louvre and told her specially to look at the Venus of Milo. She gave her directions where to find the statue; when she came back, she said ...
— The Adventure of Living • John St. Loe Strachey
... murderers, and exciting the drunken populace to greater horrors? Lebrun. Yes, the French Pindar is appointed poet-laureate to the guillotine, and has apartments assigned him at the national cost in the Louvre. Whenever an atrocity is to be committed, an ode is published, "by order of authority," to raise the passions of the people to the proper pitch. When the atrocity is over, another ode is ordered to celebrate the performers, and congratulate the people on ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... and faces of the halberdiers, till their ears tingled with pain. "Prate to us of the king's favorites," cried one of the foremost of the scholars, a youth decorated with a paper collar: "they may rule within the precincts of the Louvre, but not within the walls of the university. Maugre-bleu! We hold them cheap enough. We heed not the idle bark of these full-fed court lapdogs. What to us is the bearer of a cup and ball? By the four Evangelists, ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... things that they do better in France, according to Lord SUDELEY, is the popularisation of picture-galleries and museums. He instanced the pictures on French match-boxes. But were they always confined to reproductions of Louvre masterpieces? My recollection is that at one time they took a wider range and were distinctly more ...
— Punch, or the London Charivari, Vol. 158, March 10th, 1920 • Various
... the Louvre sings the praise of a beautiful woman, a queen who died about 700 B.C., as follows: "The beloved before all women, the king's daughter who is sweet in love, the fairest among women, a maid whose like none has seen. Blacker is her hair than the darkness ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... August 18, 1572, a great festival was held in the palace of the Louvre. It was to celebrate the marriage of Henry of Navarre and Marguerite de Valois, a marriage that perplexed a good many ...
— The World's Greatest Books, Vol III • Arthur Mee and J.A. Hammerton, Eds.
... says he holds the record for the Louvre; he struck a six-mile pace at the entrance, and by looking neither to the right nor the left he did the whole building in ...
— Jerry • Jean Webster
... leaden-colored current of the Seine, spanned here and there by ghostly bridges, mysterious barges plied weirdly through the twilight. Up on the left the Arc de Triomphe began to emerge dimly out of night, while down on the right the line of the Louvre lay, black and sinister, beneath the towers and spires that faintly detached themselves against the growing saffron of the morning. High above all else, the domes of the Sacred Heart were white with the rays of the unrisen sun, like those of the ...
— The Inner Shrine • Basil King
... answer to his own questioning, "I think I can tell you where all these pictures are, though I've never seen them, except one. The two angels by Melozzo da Forli are in St. Peter's at Rome. The Sposalia of Raphael is in the Breza, Milan. The Andrea del Sarto is in the Louvre. That's the one I've seen. That little child of Heaven, playing the lute, is in the predella of an altar-piece by Vittore Carpaccio in the—in the—please don't tell me—in the Academia of Venice. Am ...
— The Fortunate Youth • William J. Locke
... was an exhibition of POSES- PLASTIQUES, the subjects being chosen from celebrated pictures in the Louvre. Theatrical costumiers, under the command of a noted painter, were brought from Paris. The ladies of the court were carefully rehearsed, and the whole thing was very perfectly and very beautifully done. All the English ladies were assigned parts. But, as nearly all ...
— Tracks of a Rolling Stone • Henry J. Coke
... finally, "have you ever negotiated for the Holy Coat at Treves; for the breastplate of Charlemagne in the Louvre; for the Crown ...
— The Turquoise Cup, and, The Desert • Arthur Cosslett Smith
... according to her own taste. All this grand furniture, but you can now hardly see what it is for the dust, and our light is none of the best—ah! how I have seen this room lighted up in my lady's time!—all this grand furniture came from Paris, and was made after the fashion of some in the Louvre there, except those large glasses, and they came from some outlandish place, and that rich tapestry. How the colours are faded ...
— The Mysteries of Udolpho • Ann Radcliffe
... Francesco Bianchi, whom Vasari exhumes in some three or four lines, was praised as possessing a subtle and mysterious talent very different indeed from the hesitating smile of La Jaconde. There is a picture of the Holy Family by him in the Louvre, and of it Harding wrote—"This canvas exhales for us the most delicious emanations, sorrowful bewitchments, insidious sacrileges, ...
— Mike Fletcher - A Novel • George (George Augustus) Moore
... Guises thus appropriated rather than received from the young monarch. But he was equally unsuccessful in influencing Francis and the queen mother. The former, when the constable waited upon him in the Louvre, according to one story, scarcely deigned to look at him;[745] but, according to a more trustworthy account, received him with a show of cordiality, and assured him that he would maintain his sons and his nephews, the Chatillons, in the dignities ...
— The Rise of the Hugenots, Vol. 1 (of 2) • Henry Martyn Baird
... master went to reside at Mantua. He remained there under three successive marquises till his death in 1506. He enriched the little capital with splendid creations of his art, now unfortunately mostly destroyed. Mantegna's "Madonna della Vittoria," in the Louvre, was painted to celebrate the deeds of Francesco Gonzaga in the battle ...
— Some Forerunners of Italian Opera • William James Henderson
... cared for that too! He had not guessed it, or rather he had not been sure of it, till the day when, on their way through Paris, he had taken her to the Louvre, and they had stood before the little Crucifixion of Mantegna. He had not been looking at the picture, or watching to see what impression it produced on Susy. His own momentary mood was for Correggio and Fragonard, the laughter of the Music ...
— The Glimpses of the Moon • Edith Wharton
... again at the foot of the statue of Louis XIV., the couples pressed behind her waiting, and joking about the bit of calf of her leg that she displayed. At length, after passing down the Rue Croix-des-Petits-Champs, they reached the Louvre. ...
— L'Assommoir • Emile Zola
... make his own. And when somewhat later he painted the exquisite, still Peruginesque, Apollo and Marsyas, semi-medieval habits again asserted themselves with delightfully blent effects. It might almost pass for a parable—that little picture in the Louvre—of the contention between classic art and the romantic, superseded in the person of Marsyas, a homely, quaintly poetical young monk, surely! Only, Apollo himself also is clearly of the same brotherhood; ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater
... which can be dated with comparative certainty is the famous Moabite stone, which was discovered in 1868, and after a controversy between rival claimants which led to its being broken in pieces by the Arabs, ultimately reached the Louvre, where in a restored form it remains. The long inscription upon it celebrates the achievements of Mesha, king of Moab, who had been a tributary of Ahab, king of Israel, and rebelled after his death (1 Kings iii. 4, 5). Though the chronology ...
— Project Gutenberg Encyclopedia
... Louvre, reared by the "Roi Chevalier" on the site of those dreary feudal towers which of old had guarded the banks of the Seine, held within its sculptured masonry the worthless brood of Valois. Corruption and intrigue ran riot at the court. Factious nobles, bishops, and cardinals, ...
— Pioneers Of France In The New World • Francis Parkman, Jr.
... works of Parisian sculpture. The sarcophagus, thirteen feet long, six and one-half feet high, consists of a single huge block of reddish-brown granite, weighing upwards of sixty-seven tons, brought as a gift from Finland at a cost of $700,000. The Louvre, Paris, contains one of the finest art galleries in Europe, and with the Tuilleries, covers about eight acres, "forming one of the most ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy
... her at your apartment this afternoon. Do not annihilate me, Madame; I mean not to offend you. The lady has come from England on purpose to entrap you; she came last night, and she stays at the Hotel du Louvre. She spoke to me of you." Jouffroy raised his hands to heaven. "Ha! then I understood, and I fled ...
— The Daughters of Danaus • Mona Caird
... address myself to any considerable task again, I know not. At present I am lying quite perdu. I have lost all faculty, but to read French histories, memoirs, novels, periodicals, etc., and to run after this great show-world of Paris,—Louvre, gallery, opera, what not. I am longing to get behind these visible curtains, and to know the spirit, character, manner of being, of this French people. At present all is problem to me. No Sunday, literally no cessation of labor, no sanctity of domestic ties with multitudes, no honesty or truth ...
— Autobiography and Letters of Orville Dewey, D.D. - Edited by his Daughter • Orville Dewey
... Arc de Triomphe, the Hotel de Ville, and the observatory; the latter being about half a mile south of the Luxembourg. The nearest approach to a mob that I ever noticed was a drill of young recruits of the National Guard, or a crowd in the court of the Louvre being harangued by an orator. With due allowance for the excitability of the French nature, the crowd was comparatively as peaceable as that which we may see surrounding a gospel wagon in one of our own cities. A drill-ground ...
— The Reminiscences of an Astronomer • Simon Newcomb
... the joint efforts of forces from England, India, and the Cape of Good Hope brought about the surrender of the French garrisons, and the acquisition for the British Museum of the treasures designed for the Louvre. This brilliant result was in the last instance due to Abercromby, Hutchinson, Popham, and their coadjutors. But the enterprise resulted from the untiring championship of the interests of India by Dundas. Long afterwards ...
— William Pitt and the Great War • John Holland Rose
... for many miles, the day being cloudless; the serpentine Seine, the richly cultivated country, its parks, its gardens, its arcades of trees, its villas, churches, colleges, hospitals, palaces, squares, and monuments, together with the elegant Tuileries, the noble Louvre, the magnificent Champs Elysees, the playing fountains, the spacious streets, and the moving masses of people, presented a scene which for variety, splendour, and I may add, solemnity, could not be excelled by any prospect that might have been commanded on the pinnacle ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... later to chain electricity for future use, was then a young artist painting in the Louvre, and helping Cooper to buy pictures. Of one purchase is noted: "Shortly after the revolution of 1830, passing through the Carousel, he bought a portrait, covered with dust but of apparent rare beauty, from a dealer in antiques, who said it was a Teniers. ...
— James Fenimore Cooper • Mary E. Phillips
... certainly the most living of his Imaginary Portraits, that Prince of Court Painters which is supposed to be the journal of a sister of Jean-Baptiste Pater, whom we see in one of Watteau's portraits in the Louvre. As far back as 1889[4] Pater was working towards a second volume of Imaginary Portraits, of which Hippolytus Veiled was to have been one. He had another subject in Moroni's Portrait of a Tailor in the National Gallery, whom he was going to make a Burgomaster; and another ...
— Figures of Several Centuries • Arthur Symons
... into line with this portion, and they are lower because the room they light is on a level lower than the great Council Hall's. The two ugly little square windows (Bonington in his picture in the Louvre makes them three) probably ...
— A Wanderer in Venice • E.V. Lucas
... alliance with representations of the human figure, must, then, be founded upon this immutable sympathy between the landscape world and the human. Thus, in the painting alluded to in the article on Mr. Page, "The Entombment" of the Louvre, the landscape is charged with the solemnity of the hour. No blade of grass or shadow of leaf but seems conscious of the great event, and the sky reveals, by its heavenly tenderness, that there all ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... and, in spite of herself, almost happy. She had lived so long in the miserable, little attic alone with Petronelle that she enjoyed the well-being of this refined home. It was not so grand or gorgeous of course as her father's princely palace opposite the Louvre, a wreck now, since it was annexed by the Committee of National Defence, for the housing of soldiery. But the Derouledes' home was essentially a refined one. The delicate china on the tall chimney-piece, ...
— I Will Repay • Baroness Emmuska Orczy
... new aestheticism: that up to the beginning of the nineteenth century all painting had been done first in monochrome and then glazed, and what we know as solid painting had been invented by Greuze. One day in the Louvre he had perceived something in Delacroix, something not wholly satisfactory; this something had set him thinking. It was Rubens, however, who had revealed the secret! It was Rubens who had taught him how to paint! He ...
— Memoirs of My Dead Life • George Moore
... in the Louvre. Not the French palace of that name, but a fashionable cafe in the heart of Havana. The interior of the Cafe del Louvre is tastefully decorated; the walls are concealed behind huge mirrors, the floor is of marble, and ...
— The Pearl of the Antilles, or An Artist in Cuba • Walter Goodman
... cultivated woman, but she had a good, common-sense appreciation of art in its various forms. She would tramp with untiring step through the galleries of the Louvre, but when she had seen a gallery, she did not care to visit it again. She went to the theatre and the opera because she wanted to see how they acted and sang in France, but she did not wish to go often to a place where she could not understand a ...
— The Adventures of Captain Horn • Frank Richard Stockton
... boards, which had served as an observatory to Messier, the naval astronomer under Louis XVI., was still to be seen. The Duchesse de Duras read to three or four friends her unpublished Ourika, in her boudoir furnished by X. in sky-blue satin. The N's were scratched off the Louvre. The bridge of Austerlitz had abdicated, and was entitled the bridge of the King's Garden [du Jardin du Roi], a double enigma, which disguised the bridge of Austerlitz and the Jardin des Plantes at one stroke. Louis XVIII., much preoccupied while annotating Horace with the corner of his ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... manufactured, but I have never seen a picture so large but that I should be glad to see it under glass. Even supposing it were possible, which I suppose it is not, the great Paul Veronese, in the gallery of the Louvre, I think would be ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... taken to see it, as it rose in its simple grandeur. Local reporters made articles on the progress of the interior whenever they could get an entrance. It was not ornate enough to please, generally, but those who admired the old Louvre liked the simplicity of its lines and the dignity of the elevations. They discovered the domestic note in its quiet character, and said that the architect had avoided the look of an "institution" in such a great mass. He was not afraid of dignified wall ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... measures against any renewed acts of aggression. Mitrailleuses and cannon are stationed before the Hotel de Ville; the drums beat the rappel throughout the town, and a great number of battalions of National Guards assemble in the Rue de Rivoli, at the Louvre, and on the Place de la Concorde; others bivouac before the Palais de l'Industrie, while on the other side of the Champs Elysees regiments of cavalry, infantry, and mobiles, are drawn out. The agitators have ...
— Paris under the Commune • John Leighton
... more in possession. During this paroxysm, which lasted nearly a quarter of an hour, Lebrun, who stood near, got such a vivid impression of her face that the following night he could not sleep, and with the sight of it ever before his eyes made the fine drawing which—is now in the Louvre, giving to the figure the head of a tiger, in order to show that the principal features were the same, and ...
— CELEBRATED CRIMES, COMPLETE - THE MARQUISE DE BRINVILLIERS • ALEXANDRE DUMAS, PERE
... the Museum of the Louvre at Paris are a few tablets belonging to this epoch. Seven of them are published in M. ...
— Babylonian and Assyrian Laws, Contracts and Letters • C. H. W. Johns
... the Revolution and life in general. One incident was indeed of a character which French students would not forget. I had among my many friends, reputable and demi-reputable, a rather remarkable lorette named Maria, whose face was the very replica of that of the Laughing Faun of the Louvre—or, if one can conceive it, of a very pretty "white nigger." This young lady being either ennuyee or frightened by the roar of musketry—probably the former—and knowing that I was a Revolutionist and at work, conceived the eccentric idea of ...
— Memoirs • Charles Godfrey Leland
... bombardment of Algiers, set many Christian slaves free. It is, as we said, hard to realize that in times almost within the memory of living men, Christians toiled in chains for the infidel, in the way some may have seen depicted by pictures in the Louvre. Similar pictures are kept in the old church of St. Giles, at Bruges, where a confraternity existed for the redemption of captives. This association is still represented in the parochial processions, by a ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various
... portion of the ancient Louvre, still preserved amid the changes to which it has been subjected, is the old wainscoted bedroom of the great Henry IV., with the carved recess, and the ruelle, as described above: it is a most interesting fragment of ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... understand, which nobody expects them to understand, nor have they had any opportunity for acquiring the requisite knowledge. But I suppose an Englishman is nothing if he is not dictatorial, and has a right to say that the pictures in the Louvre are "orrid" or that the Colosseum is a "himposition." "I don't know what they mean by Lucerne being the Queen of the Lakes," said a Yankee to me, "but I calc'late Lake St. George is a doocid deal bigger." ...
— Interludes - being Two Essays, a Story, and Some Verses • Horace Smith
... monarch is represented standing, with his right hand resting on a walking cane, and his left (the arm being beautifully foreshortened) against his hip; and immediately behind him his horse is held by an equerry, supposed to be the Marquis of Hamilton. The picture hangs in the great square room at the Louvre, close on the left hand of the usual entrance door, and is undoubtedly one of the finest in that magnificent collection. As a portrait, it is without a rival. It is well known in this country by the admirable engraving from it, executed in ...
— Notes and Queries, Number 201, September 3, 1853 • Various
... business under a safe-conduct, craved leave to pay his respects to me. I was not surprised, for I had been a little before this of some service to him. The pages of the court, while loitering outside the Louvre, had raised a tumult in the streets, and grievously insulted the father by shouting after him, "Old Wool! Old Cotton!" in imitation of the Paris street cry. For this the king, at my instigation, had caused them to be soundly whipped, and I supposed that the Jesuit now desired to thank me for ...
— Stories By English Authors: France • Various
... opinion to offer as an expert on art, but has his own standard of taste: "Of course I visited the Louvre and saw the Old Masters, which I could not enjoy. And I attended the Luxembourg, with modern masters, which I enjoyed greatly. To my mind, the Old Masters are not art, and I suspect that many others are of the same opinion; and ...
— Edison, His Life and Inventions • Frank Lewis Dyer and Thomas Commerford Martin
... walk of five hours he reached the Place du Carrousel. The hotel de Nantes was no longer there; but the Louvre had been erected instead. Fougas employed a quarter of an hour in regarding this monument of architecture, and half an hour in contemplating two Zouaves of the guard who were playing piquet. He inquired if the Emperor was in Paris; whereupon his attention was called to the ...
— The Man With The Broken Ear • Edmond About
... does Lucretius paint pictures of life and Nature so large, so glowing, so majestic that they remind us of nothing but the "Fete Champetre" of Giorgione, in the Louvre. All that life is a thing we must leave soon, and forever, and must be hopelessly lapped in an eternity of blind silence. "I shall let men see the certain end of all," he cries; "then will they resist religion, and the threats of priests ...
— Letters on Literature • Andrew Lang
... hope you are quite well. I am having an awfully jolly time of it here. What a pity it is you dont come over! I was wishing for you yesterday in the Louvre, where we spent a pleasant day looking at the pictures. I send you the silk you wanted, and had great trouble hunting through half-a-dozen shops for it. Not that I mind the trouble, but just to let you see my devotion to you. I have no more ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... were not the only artists he knew; at Paris he found his way into the Louvre, and got leave from the directors, though he was under the age required, to copy. The picture he chose ...
— The Life of John Ruskin • W. G. Collingwood
... such paltriness,—calm-eyed, firm-mouthed. I think Titian understood the look of a gentleman as well as anybody that ever lived. The portrait of a young man holding a glove in his hand, in the Gallery of the Louvre, if any of you have seen that collection, will remind you of what ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... nothing new; nor Crawford either, except in the tailoring line. There are not, as you will own, more than half a dozen positively original statues or groups in the world, and these few are of immemorial antiquity. A person familiar with the Vatican, the Uffizzi Gallery, the Naples Gallery, and the Louvre, will at once refer any modern production to its antique prototype; which, moreover, had begun to get out of fashion, ...
— The Marble Faun, Volume I. - The Romance of Monte Beni • Nathaniel Hawthorne
... again on Babylonian monuments, and always given a position of eminence;—it is the so-called "Triad of Stars," a crescent lying on its back and two stars near it. They are seen very distinctly at the top of the photograph of the boundary-stone from the Louvre, given on p. 318, and also immediately above the head of the Sun-god in the photograph of the tablet from Sippar, on p. 322. Their significance is now clear. Four thousand years before the Christian era, the two Twin stars, ...
— The Astronomy of the Bible - An Elementary Commentary on the Astronomical References - of Holy Scripture • E. Walter Maunder
... be ignored and through which he may be associated with the realist artists of the seventeenth century, who succeeded in preserving a purely Flemish and popular tradition in spite of Italian and monarchist influences. The "Kermesse" of the Louvre and the wonderful landscapes disseminated in so many European museums are the best proofs that the master did not lose touch with his native land and with the people who tilled it. This special aspect of his art is even more prominent in the works of his follower, Jacques ...
— Belgium - From the Roman Invasion to the Present Day • Emile Cammaerts
... replete though it be with the defects of his qualities, stands as a precursor of the great coloristic school of which Delacroix was the head and front. This is notably to be felt in his portraits, and in some of the rapidly executed single figures of which the Louvre has a specimen and the Metropolitan Museum, New York, another—the latter, "A Jewess ...
— McClure's Magazine, March, 1896, Vol. VI., No. 4. • Various
... down the avenue through which the king was expected to return. And so passed an hour, at the end of which the avenue was still and empty as a desert. It now became apparent that his majesty had selected some other route by which to reach the Louvre, and Olympia, awaking from her golden day-dreams, began to realize the exceeding awkwardness of her position. For the first time her heart faltered, and a ...
— Prince Eugene and His Times • L. Muhlbach
... hath the right: my commission I shall do, and set the King my master's cousins in safe keeping—with a chimney-board clapped to the louvre," [chimney]. ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt
... he; "one can't live at Court and learn nothing! We study the points of fine women as we do fine statuary in the gallery of the Louvre, only the living beauties will compel us to see their best points if they have them!" M. Froumois looked very critical as he took a pinch from the dame's box, which she held out to him. Her hand and wrist were yet unexceptionable, as he could not ...
— The Golden Dog - Le Chien d'Or • William Kirby
... Mr. Wynne agreed; "one hundred and thirty-six and three-quarter carats, cut as a brilliant, worn by Napoleon in his sword-hilt, now in the Louvre at Paris, the property of the French Government—valued at two and a half million dollars." His hand disappeared into the leather packet again; poised on his finger-tips, when he withdrew them, was another huge jewel. He dropped it into Mr. Schultze's hand. "There ...
— The Diamond Master • Jacques Futrelle
... here, and the steam which filled the open roof, and was passing out of a louvre, hung lower, so that the far end was seen through a mist. "Not here," said Gwyn. "Think we could ...
— Sappers and Miners - The Flood beneath the Sea • George Manville Fenn
... the means for it. Instead of going to your former lodgings, go to the Hotel du Louvre. I will see to it that my sister and Miss Ville-Handry shall have taken rooms there before you reach Paris; and you may be sure, that, in less than a quarter of an hour after your arrival, you will hear news. But, heavens, how near we ...
— The Clique of Gold • Emile Gaboriau
... disrepute our "annuals." He proceeds to architecture, and praises Vanburgh for his poetical imagination; though he, with Perrault, was a mark for the wits of the day.[11] Sir Joshua points to the facade of the Louvre, Blenheim, and Castle Howard, as "the fairest ornaments." He finishes this admirable discourse with the following eloquent passage:—"It is allowed on all hands, that facts and events, however they may ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... rather tall, with a long face lighted up by two very gentle black eyes, singular in their fire and intensity. She bore a striking resemblance to the portrait attributed to Froncia in the Salon Carre of the Louvre which goes by the name of the "Man in Black," because the color of his clothes and his mantle. About her mouth and nostrils was that same subdued nervousness, that same restrained feverishness which gives to the portrait ...
— International Short Stories: French • Various
... family, but at Eliock House. Burns would maybe have liked him not so much for taking his degree at St. Andrews when he was twelve, or for knowing ten languages and many sciences, as for wandering adventurously over the world, winning tilting matches at the Louvre, and the love of ladies ...
— The Heather-Moon • C. N. Williamson and A. M. Williamson
... first in Paris, at the Louvre, fashioned of snow-white marble. They were the shoulders of Venus. ...
— The Devil - A Tragedy of the Heart and Conscience • Joseph O'Brien
... women of the Southern Archipelago; to the snow-white women of Behring's Strait, and to the bronze women of Lahore and Ceylon. Now it was impossible for me to withdraw from the presence of two fair women whose portraits are the admiration of all connoisseurs who visit the Louvre. Besides, I have a theory: the less respectable a woman is, the more respect we should show her, and thus endeavor to bring her back ...
— The Cross of Berny • Emile de Girardin
... family of Modena. After several transfers it came into the possession of Cardinal Mazarin, from whose heirs it was acquired for Louis XIV.'s collection and hence became a permanent possession of the Louvre Gallery, Paris. Size: 3 ft. 5-1/3 in. by 3 ft. ...
— Correggio - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... able Masters to teach em the necessary Sciences, and to instruct them in all the Treaties of Peace, Alliance, and others, which have been made in several Ages past. These Members are to meet twice a Week at the Louvre. From this Seminary are to be chosen Secretaries to Ambassies, who by degrees may advance ...
— The Spectator, Volume 2. • Addison and Steele
... Bohemia continued as in the past to seek, according to Balzac's expression, a bone and a kennel. Clement Marot, the familiar of the ante-chamber of the Louvre, became, even before she was a monarch's mistress, the favorite of that fair Diana, whose smile lit up three reigns. From the boudoir of Diane de Poitiers, the faithless muse of the poet passed to that of ...
— Bohemians of the Latin Quarter • Henry Murger
... letter which I am signing to the Palace of the Louvre, where you will ask for the third supernumerary private Secretary of the Minister, to whom you are to hand it with the money there on the table, and say that it is sent by the Marquis de Lotbiniere. Repeat the name twice very distinctly ...
— The False Chevalier - or, The Lifeguard of Marie Antoinette • William Douw Lighthall
... eyes, that crawl over the green steaming mud; he began to brood over those verses which, drawing music from kiss-stained marble, tell of that curious statue that Gautier compares to a contralto voice, the "monstre charmant" that couches in the porphyry-room of the Louvre. But after a time the book fell from his hand. He grew nervous, and a horrible fit of terror came over him. What if Alan Campbell should be out of England? Days would elapse before he could come back. Perhaps he might refuse to come. What could he do then? Every moment was of vital importance. ...
— The Picture of Dorian Gray • Oscar Wilde
... Paris, a third to the Hotel Royale des Invalides, a fourth to the gardens of the Tuileries, a fifth to the suburbs of St. Lawrence, to see the fair which was then holding there; a sixth to the gardens of the Louvre, a seventh to the playhouse, and the eighth stayed all day at home to write a letter to the Quaker, letting her know where I then was, and how soon we should go forwards in our journey, but did not mention where we intended to ...
— The Fortunate Mistress (Parts 1 and 2) • Daniel Defoe
... on this work he lost his wife in February, 1825, and then his parents. In 1829 he visited Europe, and spent his time among the artists and art galleries of England, France, and Italy. In Paris he undertook a picture of the interior of the Louvre, showing some of the masterpieces in miniature, but it seems that nobody purchased it. He expected to be chosen to illustrate one of the vacant panels in the Rotunda of the Capitol at Washington; but in this too he was mistaken. However, ...
— Heroes of the Telegraph • J. Munro
... Gatteaux, the engraver, lives in the street St. Thomas du Louvre, opposite the Treasury of the ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... days we remained in Paris, I visited the Louvre and its stolen goods. It was a brilliant treat; never was any palace so decorated with such gems of art, nor, I hope, under the same circumstances, ever will be again. On the day Louis le Desire entered, ...
— A Sailor of King George • Frederick Hoffman
... have body, intellect, and moral natures, so is there physical, intellectual, and spiritual beauty, and each distinct from the others. Take first a few examples from the domain of art. The body and limbs of the Gladiator in the Louvre may be cited as the exponent of corporeal beauty; the face of the Apollo Belvedere as that of intellectual and physical; and the Santo Sisto Madonna of Raphael, and the Christ of the Last Supper by Leonardo da Vinci, for spiritual. Through these radiant creations we look ...
— Essays AEsthetical • George Calvert
... no," said Lady Foljambe. "Set free was he never, but he escaped out of Louvre [Note 2] in disguise of a pedlar, and so came to England to entreat the King's aid; but his Grace was then so busied with foreign warfare that little could he do, and the poor Count laid it so to heart that he died. He did but return home to ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... Emperor say in Berlin where he waited for the prize of Paris and heard that it had slipped from his grasp? How could they explain the meaning of that retreat to the people at home, expecting loot from the Louvre and ...
— The Soul of the War • Philip Gibbs
... "Louvre" has now been adopted by several places of entertainment in New York and its suburbs. A Boston gentleman, who visited seven of them a night or two since, under the escort of a policeman, declares that, by a slight alteration of a line ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... Louvre (Fig. 4) illustrates another and less stereotyped attitude. This figure was found in the tomb of one Sekhem-ka, along with two statues of the owner and a group of the owner, his wife, and son. The scribe was presumably in the employ of Sekhem-ka. The figure is of limestone, the commonest ...
— A History Of Greek Art • F. B. Tarbell
... nothing denoted externally the existence of these sarcophagi jealously hidden from investigation according to a usage that is established especially by the imprecations graven upon the basaltic casket now preserved in the Museum of the Louvre, and which contained the ashes of Eshmanazar, ...
— Scientific American Supplement, No. 832, December 12, 1891 • Various
... to which he has left behind him much suggestive matter and some valuable approximate results. Storms were his sworn adversaries, and it was through the study of storms that he approached that of meteorology at large. Many who knew him not otherwise, knew - perhaps have in their gardens - his louvre-boarded screen for instruments. But the great achievement of his life was, of course, in optics as applied to lighthouse illumination. Fresnel had done much; Fresnel had settled the fixed light apparatus on a principle that still seems unimprovable; and when Thomas Stevenson stepped in and ...
— Memories and Portraits • Robert Louis Stevenson
... her. I do not believe there is a poet living who could find the words to do it; but I once saw a picture that was somewhat like her (not half so lovely, but still like her), and, for aught I know, that picture is still hanging where I last looked at it—upon the walls of the Louvre. It represented a woman with brown eyes and golden hair, looking over her shoulder into a circular mirror held by a bearded man in the background. In this man, as I then understood, the artist had painted his own portrait; in her, the portrait of the woman he loved. No picture ...
— Mugby Junction • Charles Dickens
... more than three-and-twenty; her figure was of rarest symmetry; when the great world knew her it had been accustomed to say that her figure resembled that of the celebrated Diana for the Louvre; there was the marvelous, free-spirited grace ...
— Marion Arleigh's Penance - Everyday Life Library No. 5 • Charlotte M. Braeme
... be the Ulai of the Bible, Dan. viii. 2. It is within sight of the vast mound which denotes the site of Susa, the ancient Shushan. Here Mme. Dieulafoy in 1881 made extensive excavations of the palace of the Persian kings, many relics of which are now on view at the Louvre in Paris. ...
— The Itinerary of Benjamin of Tudela • Benjamin of Tudela |
