"Lyric" Quotes from Famous Books
 ... risky experiment which nothing but the sheer dramatic force of an Ibsen could have carried through. As it is, there are palpable fluctuations, discrepancies of manner; the realism of treatment often provokes a realism of style out of keeping with the lyric afflatus of the verse; and we pass with little warning from the barest colloquial prose to the strains of high-wrought poetic fancy. Nevertheless, the style, with all its inequalities, becomes in ...
— Love's Comedy • Henrik Ibsen
... enterprise, and soon rose superior in wealth and in power to their AEolian and Dorian neighbours. Among the Ionic cities themselves Miletus and Ephesus were the most flourishing, Grecian literature took its rise in the AEolic and Ionic cities of Asia Minor. Homer was probably a native of Smyrna. Lyric poetry flourished in the island of Lesbos, where Sappho and Alcaeus were born. The Ionic cities were also the seats of the earliest schools of Grecian philosophy. Thales, who founded the Ionic school of philosophy, was a native of Miletus. Halicarnassus was one of the ...
— A Smaller History of Greece • William Smith
... Onnie often the next winter, and especially when she wrote a lyric of thanksgiving after the family had come to Rawling's Hope in April, saying that all would be well and trouble would cease. But his ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... similar care that their young disciple is temperate and gets into no mischief; and when they have taught him the use of the lyre, they introduce him to the poems of other excellent poets, who are the lyric poets; and these they set to music, and make their harmonies and rhythms quite familiar to the children's souls, in order that they may learn to be more gentle, and harmonious, and rhythmical, and ...
— Protagoras • Plato
... century Fitz-Greene Halleck was regarded as one of the greatest of American poets. He is now, however, remembered chiefly as the author of a single poem, "Marco Bozzaris," published in 1827. This poem has been described, perhaps justly, as "the best martial lyric in ...
— Eighth Reader • James Baldwin
... of Christmas as reflected in lyric poetry, we now pass to other forms of devotion in which the Church has welcomed the Redeemer at His birth. These are of two kinds—liturgical and popular; and they correspond in a large degree to the successive ways of apprehending the ...
— Christmas in Ritual and Tradition, Christian and Pagan • Clement A. Miles
... was scorched and dry with smoke, and she had to strain her ears to hear his lyric lovemaking. "Journeys' end"—she thought again as she had thought that afternoon. Sarah Farraday would say that she was making phrases, trying to be clever, even in this great and terrible moment,—to be ...
— Jane Journeys On • Ruth Comfort Mitchell
... this part of the speech he had prepared, paragraph by paragraph: a defense of Catholicism, an apology pro fide, so intimately bound up with the history of Spain. He could now use impassioned outbursts and tremors of lyric enthusiasm, as if he were ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... jingle—a word which, if we may trust the reviews, is a satisfactory account of much of the "minor" poetry of the day. If a man does not see somewhat deeper into himself and things than the average human being, never among the sacred band of lyric souls can he find a lasting place. Philosophy is the propaedeutic of poetry. But surely, it may be urged, the book of nature is open to every one, and a poet's soul may sing of that without any need of the philosopher's interpretation. Has not some of the sublimest ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... the Palazzo del Te is the Villa Farnesina, raised on the banks of the Tiber by Baldassare Peruzzi for his fellow townsman Agostino Chigi of Siena. It is an idyll placed beside a lyric ode, gentler and quieter in style, yet full of grace, breathing the large and liberal spirit of enjoyment that characterised the age of Leo. The frescoes of Galatea and Psyche, executed by Raphael and his pupils, ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... We admire a fine etching hardly less than a painting. Here we have neither the plastic effect of the sculpture nor the color of the painting. The essential features of the real model are left out. As an imitation it would fail disastrously. What is imitated in a lyric poem? Through more than two thousand years we have appreciated the works of the great dramatists who had their personages speak in the rhythms of metrical language. Every iambic verse is a deviation from reality. If they had tried to imitate nature Antigone and Hamlet ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... excursion in the direction of such topics as 'Spring,' 'The Months,' 'The Old Water Wheel,' 'The Old Seaman,' 'Remembrance,' 'The Last Smile,' and the like. The rhythm is always regular and flowing, and the descriptive passages have light and colour; but the 'lyric cry' has no particular tone that could attract the public. The longest piece ever written by Mr. Ruskin was, not the prize poem, but that entitled 'The Broken Chain,' with an extract from which I may conclude this brief survey ...
— By-ways in Book-land - Short Essays on Literary Subjects • William Davenport Adams
... years of my season erotic, When Eros was lord of my days, And I loved, with a love idiotic, The Mabels and Madges and Mays; When a purple and passionate lyric Would sing all the night in my head,— I yearned, like the young Mr. ...
— A line-o'-verse or two • Bert Leston Taylor
... picture, and is found, on trial, to consist mostly of embellishments. The more I saw of my fellow passengers, the less I was tempted to the lyric note. Comparatively few of the men were below thirty; many were married, and encumbered with families; not a few were already up in years; and this itself was out of tune with my imaginations, for the ideal emigrant should certainly be young. Again, I thought he should offer to the eye ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 2 (of 25) • Robert Louis Stevenson
... as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that field he ...
— Robert Browning • G. K. Chesterton
... like Barty to begin a lyric that will probably last as long as the English language with an innocent jingle worthy of ...
— The Martian • George Du Maurier
... all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... of Germany in these years inevitably reflected the liberal sentiment of the time; it is always the radical emotion of any revolutionary period that finds the most effective lyric expression, the conservative state of mind being more characteristically prosaic. For the group of ardent spirits who made themselves the heralds of the new day, one of their number, the novelist and dramatist Karl Gutzkow, found the name "Young Germany." Just as the "Storm and Stress" of ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VII. • Various
... smiling valley under the blue canopy of heaven, and near the shimmering sea, form a picture of entrancing loveliness. It is the most peaceful spot on the Adriatic. It seems as if the breezes from sea and land wafted a lyric harmony over the valley, expanding the heart and filling the soul with visions of beauty and happiness. Pesaro is the birthplace of Rosini, and also of Terenzio Mamiani, the brilliant poet and statesman who devoted his great talents ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... Miss Tazewell, that the lyric to which you have reference is celebrated, both for its antiquity, and the pleasing harmonies that must ever commend it to the taste of the true lover of music; although I allow that to a disciple of the modern and more flimsy school of this glorious art, it may seem puerile and ridiculous," he ...
— At Last • Marion Harland
... like). This she did let slip. Generally, throughout all the centuries, she kept up a pretence of thinking history the greatest of all the arts. She always held her head high among her Sisters. It was only on the sly that she was an omnivorous reader of dramatic and lyric poetry. She watched with keen interest the earliest developments of the prose romance in southern Europe; and after the publication of "Clarissa Harlowe" she spent practically all her time in reading ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... regimental protest and the remarks thereon by members of the military committee. The officers gathered in the club-room and drank long life to Leonard and confusion to Devers, and then little Sanders tuned up his guitar and sang. He was just back from leave, and a popular lyric of the day was one they called "The Accent On," for the last line of every verse was "with the accent on" some syllable of the last word of the previous line. There was nothing especially poetic or refined about the composition, but the newspapers were ringing the changes on it. ...
— Under Fire • Charles King
... saddest at dinner, for I know that I have been asked because there is a tradition in society that I am a wit. If I speak of the gloomiest subjects people snicker; if I am eloquent or pathetic, they roar. I am by nature rather a lyric poet than a wit—ah, you are laughing, Mrs. Carey, you are laughing. ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... allows himself to be caught in undress. Thoreau spurns this punctiliousness, and thus impairs his average execution; while for the same reason he attains, in favored moments, a diction more flowing and a more lyric strain than his teacher ever allows himself, at least in prose. He also secures, through this daring, the occasional expression of more delicate as well as more fantastic thoughts. And there is an interesting passage in these letters where he rather unexpectedly ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... Crocks! Oh, exuberant younkers! You "guy" "the old gang" as "played out," As fogies, and fussers, and funkers, You've over-much reason, no doubt. But, great Scott! as your rowing-rhymes rattle And lilt lyric praise of the Crews, We too sniff the air of the battle! We too have a Fit of ...
— Punch, or the London Charivari, Vol. 104, March 18, 1893 • Various
... his abilities and liked his social qualities, but to have sincerely respected his character. And so we may at last find ourselves alone with the plump volume of poems in which we shall hardly discover with the amiable M. Vallat "the greatest lyric poet of England," but in which we shall find a poet certainly, and if not a very great poet, at any rate a poet who has done many things well, and one particular ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... before my departure my mother drove with me to Blasewitz, where there was an elegant entertainment at which the lyric poet Julius Hammer, the author of "Look Around You and Look Within You," who was to become a dear friend of mine, extolled in enthusiastic verse the delights of student liberty and the noble sisters Learning ...
— Uarda • Georg Ebers
... the aromatic breath of the brown earth, giving curiously the sense of fecundity—a warm, generous odour of daylight and sunshine. Down the field, toward the corner, cutting in sharply, as though a door opened (or a page turned to another lyric), came the cloying, sweet fragrance of wild crab-apple blossoms, almost tropical in their richness, and below that, as I came to my work, the thin acrid smell of the marsh, the place of the rushes and the flags ...
— Adventures In Contentment • David Grayson
... another series of short pieces (cf. the epithet nugae in l. 4). Catullus doubtless published his larger pieces together. The traditional arrangement, due to a later hand, is as follows: (1) The lyric poems in various metres; (2) the larger poems and the elegies; (3) the shorter poems written in elegiacs. Catullus began to be popular as soon as his works were published; cf. Nep. Att. 12, 4 (quoted p. 124). He is imitated in the Priapea, ...
— The Student's Companion to Latin Authors • George Middleton
... religions are said to be hostile to indecency. Meadows is quoted as saying that any sentence of the canonical writings of China could be read in any English family without offense, and that there is nothing in Chinese religious rites resembling the immoral rites which are met with elsewhere. Chinese lyric poetry is said to ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... extravaganza, or as a reductio ad absurdum or playful defense of the conception underlying the original idea. In the intervals between the scenes, the chorus sing rollicking topical songs or bits of exquisite lyric, or in the name of the poet directly exhort and admonish the audience in the ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... conscious woods, the stony meadows growing Up to birch pastures, where we heard the lowing Of one disconsolate cow. All the warm afternoon, Lulled in a reverie by the myriad tune Of insects, and the chirp of songless birds, Forgetful of the spring-time's lyric words, Drowsed round us while we tried to find the lane That to our coming feet had been so plain, And lost ourselves among the sweetfern's growth, And thickets of young pine-trees, nothing loath, ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... his assurance, so strong was the contrast between that lightsome lyric and the coarse vanity of the man himself. He played it again, and she liked it still better, uttering a more decided ...
— The Whirlpool • George Gissing
... and councils of the Roman people is defaced by the inconsiderate levity of a few, who never recollect where they have been born, but who fall away into error and licentiousness, as if a perfect impunity were granted to vice. For as the lyric poet Simonides teaches us, the man who would live happily in accordance with perfect reason, ought above all things to have a ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... than twenty years," concluded the report in a strain of lyric prophecy, "petroleum will have taken the place of all the primitive and useless illuminating mediums now employed. It will replace, in like manner, all the coarse and troublesome varieties of fuel of our day. In less than twenty years the whole world will be lighted and heated by petroleum; ...
— The Clique of Gold • Emile Gaboriau
... realm of magic, into the upper air of spontaneous spiritual activity, his imagination has, for the romantic imagination which it is, a trifle too much self-possession—too much sanity, if one chooses. He has the ambitions, the faculties, of a lyric poet, and he gives us ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... Lyric poetry is by its excellence the chief art of England, as music is the art of Germany. A book of poetry is almost sure of fair appreciation in the English press which does not trouble to notice a "Sartor Resartus" or the first essays of an Emerson. The excessive ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... the neighbourhood was in no wise surprising, for it was one of his favourite haunts when he was not engaged farther up the Avenue, in his daily labour, which was, as he explained to the chance acquaintance met at the ball in Lyric Hall described in "Cinderella," "mixing cocktails at the Knickerbocker Club." Only a few doors distant from the Ninth Street house there is an apartment hotel known as the Berkeley, and it was to a Berkeley apartment that Van Bibber, as related ...
— Fifth Avenue • Arthur Bartlett Maurice
... most entertaining Fables ever written in any language, and made them a model of literary perfection; yet our translators and compilers have somehow neglected him. His Fables are lyric poetry of a high order, and this alone has doubtless been a barrier to a better acquaintance with his work when transferred to our own tongue. Done into prose, the Fables are no longer La Fontaine, but take their place with the many respectable, ...
— Fables in Rhyme for Little Folks - From the French of La Fontaine • Jean de La Fontaine
... the pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty will say ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... conception, although the decision of the glorious contest now waging in Greece being yet suspended forbids a catastrophe parallel to the return of Xerxes and the desolation of the Persians. I have, therefore, contented myself with exhibiting a series of lyric pictures, and with having wrought upon the curtain of futurity, which falls upon the unfinished scene, such figures of indistinct and visionary delineation as suggest the final triumph of the Greek cause as a portion of the cause of civilisation ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... pretended to rack my brains. "I believe I do recall something, in a hazy sort of way. You had on a rose-colored gown that was distinctly wonderful, and when we tracked the German to the door of your room, you were wearing an evening coat, bright blue. But the main thing was your hair!" Here I became lyric. "An oak-leaf in the sunlight, Miss ...
— The Firefly Of France • Marion Polk Angellotti
... to the English literary consciousness is the Swabian Ludwig Uhland, the sweetest lyric poet of the romantic school. Uhland studied the poems of Ossian, the Norse sagas, the "Nibelungenlied" and German hero legends, the Spanish romances, the poetry of the trouveres and the troubadours, and treated motives from all these varied sources. His true field, however, was the ballad, as Tieck's ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... be subdivided into sundry more special denominations; the most notable be the heroic, lyric, tragic, comic, satyric, iambic, elegiac, pastoral, and certain others; some of these being termed according to the matter they deal with; some by the sort of verse they like best to write in; for, indeed, the greatest part of poets have apparelled their ...
— A Defence of Poesie and Poems • Philip Sidney
... was primarily part of a religious rite; with music it formed the lyric art. The term, however, with them included all those actions of the body and limbs, and all expressions and actions of the features and head which suggest ideas; marching, acrobatic performances, and mimetic action all came ...
— The Dance (by An Antiquary) - Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. • Anonymous
... has been for years eminently lyric; the few attempts at the epic or dramatic having been laid aside, if not permanently, at least for a time. The age has been too busy in working out, with machinery and steam, its own great epic thought, to find leisure to listen to any thing longer ...
— Graham's Magazine Vol XXXIII No. 4 October 1848 • Various
... were not a very difficult matter to gain immortality,—such an immortality at least as a perishable language can give. A single lyric is enough, if one can only find in his soul and finish in his intellect one of those jewels fit to sparkle "on the stretched forefinger of all time." A coin, a ring, a string of verses. These last, and hardly anything else does. ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... completed her view of his character. Nature must have designed him for a fellow of a college, where, apart from all cares, he might have collected fragments of forgotten authors, and immortalized his name by some edition of a Greek Lyric poet, known by four poems and a half, and two-thirds of a line quoted somewhere else. In such a controversy, lightened by perpetually polished poems, by a fair amount of modern literature, select college friendships, and methodical ...
— The Young Step-Mother • Charlotte M. Yonge
... the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly shifted in its fall, the rainbows shimmering on the silver spray, the shivering ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... is this same lyric cry that has been crystallised for all time, so far as the American people are concerned, in "The ...
— The Romance of Old New England Rooftrees • Mary Caroline Crawford
... of unusual proportion, artistic workmanship, lyric inspiration; an absence of so much as a trace of morbid feeling, a felicitous and poetic choice of subjects and intuitive good taste raise the writer at once above the ranks ...
— A Beautiful Alien • Julia Magruder
... is intended as an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its ...
— French Lyrics • Arthur Graves Canfield
... unmoving as that of a statue, and makes the human race cheat itself unanimously and delightfully by the illusion that he preordains; while as an obscure Fate, he sits invisible, and hardly lets his being be divined by those who cannot flee him. The Lyric Art is childish, and the Epic barbarous, compared to this. But of the true and perfect Drama it may be said, as of even higher mysteries, Who is sufficient for these things?"—On this Tragedy of Strafford, writing it and again ...
— The Life of John Sterling • Thomas Carlyle
... a little volume of Whittier, bound in calf, handling it as tenderly as if it were a priceless possession. Some pressed violets dropped out as she opened it, and she replaced them with devotional fingers. After some time she decided upon a lyric lament entitled "Eva." I was asked to run over the verses, and found them remarkably easy to learn; fatally impossible to forget. I presently arose and with an impish betrayal of the poverty of rhyme and the plethora of sentiment, repeated ...
— Painted Windows • Elia W. Peattie
... enthusiasm. But never mind; the offense, if any, was so charming, I almost wish you would offend again. As for certain poetic left-handers in your panegyric, those I cheerfully concede to the indefinite privileges of the poet. Upon the whole, it was quite in the lyric style—a style I always admire on account of that spirit of Sibyllic confidence and assurance which is, perhaps, its prime ingredient. But come," glancing at his companion's glass, "for a lyrist, you let the bottle stay with you ...
— The Confidence-Man • Herman Melville
... repeated six or seven times, is also familiar to most ears; but its wild, ringing, rapturous burst of song in the air high above the tree-tops is not so well known. From a very prosy, tiresome, unmelodious singer, it is suddenly transformed for a brief moment into a lyric poet of great power. It is a great surprise. The bird undergoes a complete transformation. Ordinarily it is a very quiet, demure sort of bird. It walks about over the leaves, moving its head like a little hen; ...
— Bird Stories from Burroughs - Sketches of Bird Life Taken from the Works of John Burroughs • John Burroughs
... for applause. It is now what Shelley's 'Cloud' was for many years, a comfort to those who do not like to deny altogether the genius they cannot understand. Yet I am certain that, in the long run, his grotesque plays with their lyric beauty, their violent laughter, 'The Playboy of the Western World' most of all, will be loved for holding so much of the mind of Ireland. Synge has written of 'The Playboy' 'anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings in this play are ...
— Synge And The Ireland Of His Time • William Butler Yeats
... in the light of mere meretricious gewgaws, which took away from the interest of dramatic action without affording him any satisfaction in return. As it was with metre and metaphor and description, so it was also with the indefinable something which we call lyric quality: the something which sings to our soul, and which sends a thrill of delight through our nerves or a gust of emotion across our nature in the same direct way as do the notes of certain voices, the phrases of certain pieces of music: ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... equals me with the gods above: the cool grove, and the light dances of nymphs and satyrs, distinguish me from the crowd; if neither Euterpe withholds her pipe, nor Polyhymnia disdains to tune the Lesbian lyre. But, if you rank me among the lyric poets, I shall tower to the stars with ...
— The Works of Horace • Horace
... walking through the streets beneath. With what admiration do men recall the intellectual achievements of Athens! What temples, and what statues in them! What orators and eloquence! What dramas! What lyric poems! What philosophers! Yet one ideal man who never lived, save in a poet's vision, turned rude tribes into intellectual giants. Thus each nation hungers for heroes. When it has none God sends poets to invent them as soul food for the nation's ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... The lice among your feathers, Stiff-winged and aimless-eyed, With song dead you shall fall; Refuse of some clotted ditch, Seeking no more berries; Why with lyric numbers now Do ...
— Miscellany of Poetry - 1919 • Various
... all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the ...
— The Sport of the Gods • Paul Laurence Dunbar
... qualities moderation in prosperity cannot be reckoned, seemed for a time to be drunk with pride. Even Boileau, hurried along by the prevailing enthusiasm, forgot the good sense and good taste to which he owed his reputation. He fancied himself a lyric poet, and gave vent to his feelings in a hundred and sixty lines of frigid bombast about Alcides, Mars, Bacchus, Ceres, the lyre of Orpheus, the Thracian oaks and the Permessian nymphs. He wondered whether Namur, had, like Troy, been built by Apollo and Neptune. He asked ...
— The History of England from the Accession of James II. - Volume 4 (of 5) • Thomas Babington Macaulay
... acquaintance with Goethe), began to scribble verses at the age of six, he says in his autobiography. Born in 1817, he became Master of the Hounds at the imperial court in 1857, and died in 1875. He made his literary debut in 1842 with prose tales, and only in 1855 did he publish his lyric and epic verses in various newspapers. His best poetical efforts, beautiful as they are in external form, are characterless, and remind one of Zhukovsky's, in that they were influenced by foreign or Russian poets—Lermontoff, for instance. ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood
... more striking of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... Rome; thence turn to the "Jeu de Paume," where the ardent figure of Mirabeau represents the genius of the Revolution, and from it to "Louis XVIII. and the Charter," emblematic of the Restoration; how shines on this canvas the "helmet of Navarre" in the "Battle of Ivry," as in Macaulay's spirited lyric, and chastely beautiful in its stainless marble, stands the heroic Maid of Orleans; while, appropriately in the midst of these historic characters, we find the bust of that ideal of picturesque narrators, Froissart. The modern rule of France is abruptly ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship ...
— The Kalevala (complete) • John Martin Crawford, trans.
... gentle music of the brook, Its solitary, meditative song. On every hill Some stream has birth, Some lyric rill, To wake the selfish earth, And smile and toss the heavens their shining look, Repeat and every flash of life prolong. In spite of play, Along its cheerful way It turns to rest beneath some sheltering ...
— The Arena - Volume 4, No. 19, June, 1891 • Various
... already stated my conviction that there are two and only two ways of translating Arabic poetry into English. One is to represent it by good heroic or lyric verse as did Sir William Jones; the other is to render it after French fashion, by measured and balanced Prose, the little sister of Poetry. It is thus and thus only that we can preserve the peculiar cachet of the original. This old world Oriental song is spirit-stirring as a "blast of that dread ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... now he can scarcely endure to read the immortal quatrains. Immortal they are, no doubt, and deserve to be by reason of their style—"fame's great antiseptic." But their philosophy is thin after all, and will not bear discussion. As exercise for a grown man's thought, I will back a lyric of Blake's or Wordsworth's, or a page of Ibsen's Peer Gynt against the ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... England was a profound one, and the seed sown bore fruit long after his mortal body had crumbled into dust; but it was chiefly in theological lines, to which all thought now tended. Poetry, so far as drama or lyric verse was concerned, had been forsworn by the soul of every true Puritan, but "of course poetry was planted there too deep even for his theological grub- hooks to root out. If, however, his theology drove poetry out of many forms in which it has been used to reside, poetry itself practiced ...
— Anne Bradstreet and Her Time • Helen Campbell
... order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, and by his lofty, clear, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... to put up; it costs 16 pounds at the most. Large lyric theatres, churches, and concert-rooms should long ago have been provided with one. Yet, save at the Brussels Theatre, it is nowhere to be found. This would appear incredible, were it not that the carelessness of the majority of directors of institutions where music forms a feature ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... Again, it would be full of bumps and jars. It was very uncomfortable, her position being wretchedly cramped. Once she was startled to hear the driver break into song. It sounded like a Spanish love song and his voice was a lyric tenor and very musical. It was Pachuca! She determined to know what ...
— Across the Mesa • Jarvis Hall
... gone, they are vanished, these deeds of beauty and these words of wit! The bright and glorious gardens of the tiaraed poet and the royal sage, that once echoed with his lyric voice, or with the startling truths of his pregnant aphorisms, end in this wild and solitary valley, in which with folded arms and musing eye of long abstraction, Tancred halts in his ardent pilgrimage, nor can refrain from asking ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... looked on the lovely face Which made his world; and by its magic grace Trailed rosy clouds across each early sin. And, leaning lawnward, is the room where Keats Wrote the last one of those immortal songs (Called by the critics of his day 'mere rhymes'). A lark, high in the boxwood bough repeats Those lyric strains, to idle passing throngs, There by ...
— The Englishman and Other Poems • Ella Wheeler Wilcox
... chapter on Prosody, I have designedly omitted all special treatment of the lyric metres of Horace and Catullus, as well as of the measures of the comic poets. Our standard editions of these authors all give such thorough consideration to versification that repetition in a separate ...
— New Latin Grammar • Charles E. Bennett
... step-son to the poet Gascoigne, and the elder of our fascinating trio, is conspicuous for an unswerving, whole-hearted attachment to nature and rural scenes. It is in the pastoral lyric where, with tenderest devotion, he pursues, untrammelled, a light and free-born fancy. His fertile, varied muse, laden with the passionate exaggerations of love-lorn swain, is yet charged with richest ...
— Pastoral Poems by Nicholas Breton, - Selected Poetry by George Wither, and - Pastoral Poetry by William Browne (of Tavistock) • Nicholas Breton, George Wither, William Browne (of Tavistock)
... seem odd that the soldier should care so little for martial songs, or the songs that are ostensibly written for him; but that is not the fault of Tommy Atkins. Lyric poets don't give him what he calls "the stuff." He doesn't get it even from Kipling; Thomas Hardy's "Song of the Soldiers" leaves him cold. He wants no epic stanzas, no heroic periods. What he asks for is something simple and romantic, something about a ...
— Tommy Atkins at War - As Told in His Own Letters • James Alexander Kilpatrick
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down ...
— The Autocrat of the Breakfast Table • Oliver Wendell Holmes
... from vases is of great importance for the study of Greek mythology viewed in its different epochs, and for the interpretation and understanding of ancient tragic or lyric poets. Moral or historical inscriptions, in prose and in verse, have also been found on vases. The letters of these inscriptions are capital or cursive; they are very delicately traced, and often require a great deal of attention to perceive. ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... translated into prose and committed to parchment. Accordingly, no tale is without its defects as poetry, possessing therefore necessarily, a corresponding value as history. But that there was in the country, in very early times, a high and rare poetic culture of the lyric kind, native in its character, ethnic in origin, unaffected by scholastic culture which, as we know, took a different direction; that one exquisite poem, in which the father of Ossian praises the beauty ...
— Early Bardic Literature, Ireland • Standish O'Grady
... in the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation as expressing ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... ever responsive to new harmonies. By force of his imagination, which is one function of his temperament, he sends his spirit into other lives, absorbs their experience and makes it his own, and ultimately identifies himself with world forces and becomes creator. In a lyric passage ...
— The Enjoyment of Art • Carleton Noyes
... rather dull; while Adriance's were always points of high light, and always meaning another thing than the thing they meant yesterday. It was hard to see why this earnest man should so continually suggest that lyric, youthful face, as gay as his was grave. For Adriance, though he was ten years the elder, and though his hair was streaked with silver, had the face of a boy of twenty, so mobile that it told his thoughts before ...
— Youth and the Bright Medusa • Willa Cather
... dreams, Dionysus the god of intoxication; the one represents for us the world of appearances, the other is, as it were, the voice of things in themselves. The chorus, then, which arose out of the hymns to Dionysus, is the "lyric cry," the vital ecstasy; the drama is the projection into vision, into a picture, of the exterior, temporary world of forms. "We now see that the stage and the action are conceived only as vision: that the sole 'reality' ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... Man of Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The worthy Man ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... note in the stupendous agony of the drama,' are rhymed. The management of rhyme is a difficult and very delicate art; it is an instrument that requires a first-class performer, like Mr. Swinburne, to bring out its potency; to this art the English lyric, the ode and the song, owe their musical perfection. Mr. Swinburne, in an essay upon Matthew Arnold's New Poems (1867), has said, truly, that 'rhyme is the native condition of lyric verse in England'; and that 'to throw away the natural grace of rhyme ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... Socrates," replied Pradel, "that actors and actresses are the most religious of people. My company would be deeply grieved if they could not be present at the celebration of a Mass for their colleague. They have already secured the co-operation of several lyric artists, and the music ...
— A Mummer's Tale • Anatole France
... wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity of his caricatures, he has displayed all the forces and weaknesses of an artist, ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... well known to the Greeks, they associated Music with Medicine as an attribute of Apollo.[178:1] Chiron the centaur, by the aid of melody, healed the sick, and appeased the anger of Achilles. By the same means the lyric poet Thales, who flourished in the seventh century B. C., acting by advice of an oracle, was able to subdue a ...
— Primitive Psycho-Therapy and Quackery • Robert Means Lawrence
... laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's Introduction to his Epopees Francaises) sang in Court and Camp. The ...
— A Collection of Ballads • Andrew Lang
... dreadful way of human birth, His shadow sometimes fell upon the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... to speak of all his perfect applications of the idea; of the poem in which, for instance, a lady's eyes are compared, not to stars, but to two perfect street-lamps guiding the wanderer. We have no space to speak of the fine lyric, recalling the Elizabethan spirit, in which the poet, instead of saying that the rose and the lily contend in her complexion, says, with a purer modernism, that the red omnibus of Hammersmith and the white omnibus of Fulham fight there for ...
— The Napoleon of Notting Hill • Gilbert K. Chesterton
... for effect; that he is simply a backward eddy in the tide, and significant only as a temporary reaction against ultra civilization—like Thoreau, though in a different way. But with all his shortcomings in art there is a healthy, virile, tumultuous pulse of life in his lyric utterance and a great sweep of imagination in his panoramic view of times and countries. One likes to read him because he feels so good, enjoys so fully the play of his senses, and has such a lusty confidence in his own immortality and in the prospects of the human race. Stripped of verbiage ...
— Initial Studies in American Letters • Henry A. Beers
... towards the unornamented grace of the Greek model. But we often fancy those treasures most valuable that are beyond our reach, and hence when we run over the names of the authors in this library we think perhaps too much of those which are now missing. The student in the museum could have read the lyric poems of Alcaeus and Stersichorus, which in matter and style were excellent enough to be judged not quite so good as Homer; the tender lamentations of Simonides; the warm breathings of Sappho, the tenth muse; the pithy iambics ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 11 (of 12) • S. Rappoport
... lifted from her eyes; and Maurice ceased to remember that he had made a mess of his affairs. But the very next one failed—as far as Louise was concerned—to reach the same level: it was like a flower ever so slightly overblown. The lyric charms that had so pleased her—the dewy freshness of the morning, the solitude, the unbroken sunshine—were frail things, and, snatched with too eager a hand, crumbled beneath the touch. They were not made to stand the wear and tear of ...
— Maurice Guest • Henry Handel Richardson
... more of a true festival than most men experience even in the longest life time. The major with his Greek instinct of drama was a splendid personification of poetic quality; in fact he was himself almost a lyric. From time to time he glanced back at Coleman with eyes half dimmed with appreciation. The people gathered flowers, great blossoms of purple and corn colour. They sprinkled them over the three horsemen and flung them deliriously ...
— Active Service • Stephen Crane
... lyric muse, thou didst not tune alone The lyre that loving Orpheus smote With subtle touch, who struck the golden note That pierced dread Pluto's heart of stone, And won again Eurydice his own; Nor yet Erate's lute, nor Sappho's throat That thrilled the ...
— The Loom of Life • Cotton Noe
... to patriotic purposes was no novelty. Plutarch, in his "Life of Lycurgus," says that "Thales was famed for his wisdom and his political abilities; he was withal a lyric poet who, under cover of exercising his art, performed as great things as the most excellent lawgivers. For his odes were so many persuasions to obedience and unanimity, and as by means of numbers they had great grace and power, they softened insensibly the manners ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... eloquence of his mute attitudes, his physical mastery of the conditions, his strength repressed, tied to my silly freaks and subject to my commands, while his thoughts roamed free! That was the beginning. It lasted through a week of starlight and a week of moonlight—lyric nights with the hot, close days between; and each night an increasing interest attached to the moment when he was to put me on my horse. I make no apology for myself ...
— A Touch Of Sun And Other Stories • Mary Hallock Foote
... of my sojourn over the tinsmith's shop, Sunday, I drew down from the shelf my Heinrich Heine ... in German ... one of the tasks I set myself, during that three months, was the making an intensive study of just how Heine had "swung" the lyric form to such conciseness, such effectiveness ...
— Tramping on Life - An Autobiographical Narrative • Harry Kemp
... a large district in the south of Invernesshire, having Ben Nevis and other Grampian heights within its compass. It is a classic name in Scottish literature owing to Allan Ramsay's plaintive lyric, 'Lochaber no more.' ...
— Marmion • Sir Walter Scott
... true. Look, for example, at the work of those two whom we could so ill spare—Synge and St. John Hankin. They were as far apart as dramatists well could be, except that each had found a special medium—the one a kind of lyric satire, the other a neat, individual sort of comedy—which seemed exactly to express his spirit. Both forms were in a sense artificial, but both were quite sincere; for through them each of these two dramatists, so utterly dissimilar, shaped forth the essence of his broodings ...
— Another Sheaf • John Galsworthy
... library a book which he had never read. Nietzsche was an inveterate enemy of efficiency, astigmatic with regard to practical life, and he never worked out a philosophy in the accepted sense of the term. He was a lyric poet who wrote psychology when he failed to sustain the poetic mood. In the Engadine and at Sils-Maria, brooding in a rocky void wherein he touched the sharp edge of infinity, he sang a Dionysian hymn to life against the melancholy products of German ...
— The New York Times Current History of the European War, Vol. 1, January 9, 1915 - What Americans Say to Europe • Various
... think I blaspheme, when I tell you that your great London, as compared to Dun-Edin, 'mine own romantic town,' is as prose compared to poetry, or as a great rumbling, rambling, heavy epic compared to a lyric, brief, bright, clear and vital as a flash of lightning. You have nothing like Scott's monument, or, if you had that, and all the glories of architecture assembled together, you have nothing like Arthur's Seat, and, above all, you ...
— The Life of Charlotte Bronte • Elizabeth Cleghorn Gaskell
... and in themselves—oracular, without apology or abasement—fearlessly. He tells of the powers and mysteries that pervade and guide all life, all death, all purpose. His work is masculine, as the sun is masculine; for the Prophetic Voice is as surely masculine as the lullaby and lyric cry ...
— Little Journeys to the Homes of the Great, Vol. 1 of 14 - Little Journeys to the Homes of Good Men and Great • Elbert Hubbard
... The lyric "The Voice of Spring" was written in 1823. It was followed by "Breathings of Spring." The season of spring had a marked influence upon her. It was, with all its joy and beauty, generally "a time of thoughtfulness rather than mirth." It ...
— Excellent Women • Various
... elegiac strain Softly sings of mental pain, And mournful diapasons sail On the faintly dying gale. But, ah! the soothing scene is o'er, On middle flight we cease to soar, For now the muse assumes a bolder sweep, Strikes on the lyric string her sorrows deep, In strains unheard before. Now, now the rising fire thrills high, Now, now to heaven's high realms we fly, And every throne explore: The soul entranced, on mighty wings, With all the poet's heat upsprings, And loses earthly woes; Till all alarm'd at the giddy ...
— The Poetical Works of Henry Kirke White - With a Memoir by Sir Harris Nicolas • Henry Kirke White
... not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an ...
— The Song of the Flag - A National Ode • Eric Mackay
... masterpieces by great artists. From a background of gold-leaf emerge and fade away suggestions of river and coast and hill, of peonies, chrysanthemums, lotuses, of wild geese and swans, of reeds and pools, of all that is elusive and choice in nature; decorations that are also lyric poems, hints of landscape that yet never pretend to be a substitute for the real thing. The real thing is outside, and perhaps it will not intrude; for where we should have glass windows the Japanese ...
— Appearances - Being Notes of Travel • Goldsworthy Lowes Dickinson
... when he was asked to sing, He gave the different nations something national. 'Twas all the same to him—'God save the King' Or 'Ca ira' according to the fashion all; His muse made increment of anything From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from being ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... and the weariness of care, fills the empty hours, and warms away the chill of winter (i., 9). But the wine that has the power to infuse gentle forgetfulness into the veins, has also the contrasting power of rousing lyric fervour in the spirit, the fervour heroic, divining, mystic (iii., 2). Finally, wine is also a source of power and heroism, as well as of joy and sensuous delight; a principle of civilisation ...
— Characters and events of Roman History • Guglielmo Ferrero
... work of Mickiewicz as a whole two characteristics predominate: a great intensity of feeling, which sometimes sinks into sentimentality, and at others rises into lyric fervour; and a wonderful truth, not only to the general impressions of his experience, but to the actual concrete facts of it, even to such trifles as the names of persons and places. Thus The Forefathers, despite all its fantastic elements, reproduces many incidents in which the poet himself ...
— Pan Tadeusz • Adam Mickiewicz
... plant suddenly became conscious, and learned the laws of its growth and development. As it is, it develops in lovely unconsciousness. If it knew about the laws of its own being, its relation to itself would be completely changed. What the lyric poet feels when he sings about a plant, what the botanist thinks when he investigates its laws, this would hover before a conscious plant as ...
— Christianity As A Mystical Fact - And The Mysteries of Antiquity • Rudolf Steiner
... himself. "It might work—it might add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by ...
— A Man and His Money • Frederic Stewart Isham
... have summoned myself as a witness I take the stand once more to confess that Alan Seeger's lofty lyric, 'I have a rendezvous with Death' has a diminished appeal because of the foreign connotations of 'rendezvous'. The French noun was adopted into English more than three centuries ago; and it was used as a verb nearly three ...
— Society for Pure English, Tract 5 - The Englishing of French Words; The Dialectal Words in Blunden's Poems • Society for Pure English
... only love-dances in vogue are those performed by the women" (545a. 4069). And Letourneau considers that "there are good grounds for supposing that women may have especially participated in the creation of the lyric of the erotic kind." Professor Mason, in the course of his remarks upon woman's labour in the world in all ages, says ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read very nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin, and Mill. So it will be understood that Shelley not only gave me my first soul, but led all its first flights. But I do not think that if Shelley had been no more ...
— Confessions of a Young Man • George Moore
... small; and was very early distinguished for my classical attainments, especially for my knowledge of Greek. At thirteen I wrote Greek with ease; and at fifteen my command of that language was so great that I not only composed Greek verses in lyric metres, but could converse in Greek fluently and without embarrassment—an accomplishment which I have not since met with in any scholar of my times, and which in my case was owing to the practice of daily reading off the newspapers into the best Greek I could furnish extempore; for the ...
— Confessions of an English Opium-Eater • Thomas De Quincey
... coruscations. Sport, as of sheet-lightning glancing about, the bolt lying under the horizon; bolt HIDDEN, as is fit, under such a horizon as he had. A singularly radiant man. Could have been a Poet, too, in some small measure, had he gone on that line. There are many touches of genius, comic, tragic, lyric, something of humor even, to be read in those Shadows of Speeches taken down for ...
— History of Friedrich II. of Prussia, Vol. XVIII. (of XXI.) - Frederick The Great—Seven-Years War Rises to a Height.—1757-1759. • Thomas Carlyle
... eyes filled with tears. "Harboro!" she cried, "do you need to ask me that?" Her fingers sought his face and traveled with ineffable tenderness from line to line. It was as if she were playing a little love-lyric of her own upon a beautiful harp. And then she fell upon his breast and pressed her cheek to his. "Harboro!" she cried again. She had seen only ...
— Children of the Desert • Louis Dodge
... as one with you and me, being, in fact, the third canto cut into two, because I found it too long. Remember this, and don't imagine that there could be any other motive. The whole is about 225 stanzas, more or less, and a lyric of 96 lines, so that they are no longer than the first single cantos: but the truth is, that I made the first too long, and should have cut those down also had I thought better. Instead of saying in future for so many cantos, say so ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... Three other choruses of the same kind as that of the Blacksmiths, which should sum up the most poetical methods of human activity, and which should be called (unless you advise otherwise) Labourers, Sailors, and Soldiers, would form a lyric epic of which the genius of Rossini or Meyerbeer would be proud. I know I have no right to make any such claim, but your kindness to me has always been so great that I have a faint hope of obtaining this new and glorious favor. If, however, this work would give you even an hour's ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... suit him. In the collection was the air—unknown at that time to Americans—to which Dr. Smith set the words now so widely known and sung. There was not the slightest idea on his part that he was producing a national lyric, but it caught the popular taste at once, and every year has fixed it more firmly in the hearts of the people as an expression of patriotic feeling. It was first sung at a children's festival at Park Street Church, July 4, 1832, and very soon found its way into ...
— The Bay State Monthly, Vol. II, No. 6, March, 1885 - A Massachusetts Magazine • Various
... "Those lyric feasts, Where men such clusters had, As made them nobly wild, not mad; While yet each verse of thine Outdid the ...
— The Fortunes of Nigel • Sir Walter Scott
... of whatever repels us in Mr. Browning's verse, and also of whatever attracts. Wherever in it sense keeps company with sound, we have a music far deeper than can arise from mere sound, or even from a flow of real lyric emotion, which has its only counterpart in sound. It is in the idea, and of it. It is the brain picture beating itself ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... would try to quench them. His powers should not be judged of by my extracts or by anybody's extracts from his last-published volume.[68] Do you remember his grand ode upon Childhood—worth, to my apprehension, just twenty of Dryden's 'St. Cecilia's Day'—his sonnet upon Westminster Bridge, his lyric on a lark, in which the lark's music swells and exults, and the many noble and glorious passages of his 'Excursion'? You must not indeed blame me for estimating Wordsworth at his height, and on the other side I readily confess to you that he ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... my bread and honey, set among A grove of spice; An ever brimming cup; a lyric sung ...
— Ptomaine Street • Carolyn Wells
... light from the source from which the promise had come to him. Although his mission was not properly a prophetic one,—although, in the main, it belonged to him to describe poetically what had come to him through prophetic inspiration, yet prophetic inspiration and sacred lyric are frequently commingled in him. The man who is "the sweet psalmist of Israel" claims a [Hebrew: naM] in 2 Sam. xxiii. 1, and, in ver. 2, says that the Spirit of God spake by him, and His word was upon his tongue. In Acts ii. 30, 31, Peter declares that, by the divine promise, David received, ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... after, stands and combs her hair, And calls me much the wittiest there! With reckless loyalty, dear Wife, She lays herself about my life! The joy I might have had of yore I have not; for 'tis now no more, With me, the lyric time of youth, And sweet sensation of the truth. Yet, past my hope or purpose bless'd, In my chance choice let be confess'd The tenderer Providence that rules The fates of children and of fools! I kiss'd the kind, warm neck that ...
— The Victories of Love - and Other Poems • Coventry Patmore
... and Menelaus, and conduct their own horses in the rapid career. [41] Ten, twenty, forty chariots were allowed to start at the same instant; a crown of leaves was the reward of the victor; and his fame, with that of his family and country, was chanted in lyric strains more durable than monuments of brass and marble. But a senator, or even a citizen, conscious of his dignity, would have blushed to expose his person, or his horses, in the circus of Rome. The games were exhibited at the expense of the republic, the magistrates, or the emperors: ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... persistently as to become a nuisance, and the only way to get rid of it is to whistle or sing myself. For instance, I may be mentally reciting for my solace and delectation some beloved lyric like "The Waterfowl," or "Tears, Idle Tears," or "Break, Break, Break"; and all the while, between the lines, this fiend of a subcerebral vocalist, like a wandering minstrel in a distant square, insists on singing, "Cheer, Boys, ...
— Peter Ibbetson • George du Marier et al
... if the poetic, inspiration is not vital enough to find an immediate expression it is not true enough to make it worth while to remould and recast it. It would seem—judging by results—that Dr. Macdonald's conception of a lyric is of something wholly spontaneous. Be this as it may, the poetic cast of his mind is revealed in his prose with greater freedom and a completer charm than in his verse. The best of him is the atmosphere he carries. ...
— My Contemporaries In Fiction • David Christie Murray
... Singha poems were coming out in the Bharati, Dr. Nishikanta Chatterjee was in Germany. He wrote a thesis on the lyric poetry of our country comparing it with that of Europe. Bhanu Singha was given a place of honour as one of the old poets such as no modern writer could have aspired to. This was the thesis on which Nishikanta Chatterjee got ...
— My Reminiscences • Rabindranath Tagore
... Browning The Welcome Thomas Osborne Davis Urania Matthew Arnold Three Shadows Dante Gabriel Rossetti Since we Parted Edward Robert Bulwer Lytton A Match Algernon Charles Swinburne A Ballad of Life Algernon Charles Swinburne A Leave-Taking Algernon Charles Swinburne A Lyric Algernon Charles Swinburne Maureen John Todhunter A Love Symphony Arthur O'Shaughnessy Love on the Mountain Thomas Boyd Kate Temple's Song Mortimer Collins My Queen Unknown "Darling, Tell me Yes" John Godfrey Saxe "Do I Love Thee" John Godfrey Saxe ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... one another's to find a meaning and an answer to the odd query. It is only quite lately that they have come at all to see that the Dithyramb was a Spring Song, a primitive rite. Formerly it was considered to be a rather elaborate form of lyric poetry invented comparatively late. But, even allowing it is the Spring Song, are we much further? Why should the Dithyramb be bull-driving? How can driving a Bull help the spring to come? And, above all, what ...
— Ancient Art and Ritual • Jane Ellen Harrison |
