"Lyric" Quotes from Famous Books
... low music-hall into which I strayed one evening, one of the nigger corner-men sang a song of which the nature may be sufficiently divined from the refrain, "And the tom-cat was the cause of it all." This lyric being loudly encored, the performer came forward, and, to my astonishment, began to recite a long series of doggerel verses upon Mr. Kipling's ... — America To-day, Observations and Reflections • William Archer
... he was ask'd to sing, He gave the different nations something national; 'T was all the same to him—'God save the king,' Or 'Ca ira,' according to the fashion all: His muse made increment of any thing, From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from being as ... — Don Juan • Lord Byron
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes ... — The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... is one long poem. In our youth We rise and sing a noble epic song, A trumpet note of sound both clear and strong, With idyls now and then too sweet for truth. A lyric of lament, it swells along The tide of years, a protest 'gainst the wrong Of life, an unavailing cry for ruth, A wish to know the end—the end forsooth! 'Tis not on earth. The end which makes or mars The song of life, we who sing seldom ... — The Argosy - Vol. 51, No. 6, June, 1891 • Various
... raptures of fancy, had, in the pursuit of Grecian literature, drunk largely, at the source, of the delicious springs of Castalia; and it seems to have been ever after his chief ambition, to transplant into the plains of Latium the palm of lyric poetry. Nor did he ... — The Lives Of The Twelve Caesars, Complete - To Which Are Added, His Lives Of The Grammarians, Rhetoricians, And Poets • C. Suetonius Tranquillus
... needed it as a child needs its cradle song. Often he was angry when in her confusion and blinded by unshed tears, she chose a wrong one. Like a literary connoisseur who rolls a Horatian ode or a Goethean lyric upon his tongue—even thus he enjoyed ... — The Indian Lily and Other Stories • Hermann Sudermann
... was scorched and dry with smoke, and she had to strain her ears to hear his lyric lovemaking. "Journeys' end"—she thought again as she had thought that afternoon. Sarah Farraday would say that she was making phrases, trying to be clever, even in this great and terrible moment,—to be thinking that she had taken the subway to the heights.... ... — Jane Journeys On • Ruth Comfort Mitchell
... we have to notice is the collected edition of Motherwell's Poems, which has just issued from the Glasgow Press, under the auspices of Mr James M'Conechy. William Motherwell must always stand very high in the list of the minor Scottish poets, and one lyric of his, "Jeanie Morrison," is as pathetic as any in the language. But of him so much has already been said in former numbers of MAGA, that we may dispense with present criticism: and we shall merely draw the attention of the ... — Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... was born in 1793, and died in 1823, would have been, it is probable, had a longer life been granted to him, one of the most distinguished poets of the age. His poems, epic, dramatic, and lyric, fill three volumes. "Liljor i Saron"—Lilies of Sharon, is the ... — The Home • Fredrika Bremer
... and Maurice ceased to remember that he had made a mess of his affairs. But the very next one failed—as far as Louise was concerned—to reach the same level: it was like a flower ever so slightly overblown. The lyric charms that had so pleased her—the dewy freshness of the morning, the solitude, the unbroken sunshine—were frail things, and, snatched with too eager a hand, crumbled beneath the touch. They were not made to stand the wear and tear ... — Maurice Guest • Henry Handel Richardson
... a drama by its author, it embodies, like all plays of the highest type, other than dramatic elements. In exalted poetry the allegoric, lyric, epic and dramatic seem to be blended. An effort to separate them often ... — How to Add Ten Years to your Life and to Double Its Satisfactions • S. S. Curry
... verse would draw a stone or beam, That now would overload a team; Lead 'em a dance of many a mile, Then rear 'em to a goodly pile. Each number had its diff'rent power; Heroic strains could build a tower; Sonnets and elegies to Chloris, Might raise a house about two stories; A lyric ode would slate; a catch Would tile; an epigram would thatch. Now Poets feel this art is lost, Both to their own and landlord's cost. Not one of all the tuneful throng Can hire a lodging for a song. For Jove consider'd well the case, That poets were a ... — The Poems of Jonathan Swift, D.D., Volume I (of 2) • Jonathan Swift
... Times in 1875: Trelawney eagerly accepts it, and though Dr. Garnett and Professor Dowden politely forbear to accuse the Italians, such crimes appear to have been sufficiently common in those days to confirm us, however reluctantly, in this explanation. Thus died perhaps the greatest lyric poet that even England had ever borne, an exile, and yet not an exile, for he died in Italy, the fatherland of us all. Ah! "'tis Death is dead, not he," for in the west wind you may hear his song, and in the tender ... — Florence and Northern Tuscany with Genoa • Edward Hutton
... remarkably receptive artistic temperament; splendid and vigorous movement of lines shows that the artist is a poet. Then we are in a cul-de-sac. There is no hint of what kind of poet—too reserved to be consistently lyric, there is not sufficient evidence of the dramatic faculty to help us on to the true scent. All we can say is that we have before us a mind capable of very complete and real illusions, haunted by imagination, always ... — Emily Bront • A. Mary F. (Agnes Mary Frances) Robinson
... is the most splendid ecclesiastical lyric ever poured forth by the genius of man. I give to every clause of it an implicit assent. It does not pretend to be divine; it is human, but the Church has hallowed it, and the Church ever acts under the influence of the Divine Spirit. St. Athanasius was ... — Endymion • Benjamin Disraeli
... Shelley's 'Cloud' was for many years, a comfort to those who do not like to deny altogether the genius they cannot understand. Yet I am certain that, in the long run, his grotesque plays with their lyric beauty, their violent laughter, 'The Playboy of the Western World' most of all, will be loved for holding so much of the mind of Ireland. Synge has written of 'The Playboy' 'anyone who has lived in real intimacy with the ... — Synge And The Ireland Of His Time • William Butler Yeats
... and a lyric to be lyrical and heart appealing, must be inevitable. It must be the spontaneous expression of the heart of the author—an expression which had to come. It is the latent secret of the power of true hymns, for what must ... — Hymns from the East - Being Centos and Suggestions from the Office Books of the - Holy Eastern Church • John Brownlie
... a pity that truth and beauty turn to cant on the second delivery, for it makes poetry, as a profession, impossible. The lyric poets have always spent most of their time in trying to write lyric poetry, and ... — Emerson and Other Essays • John Jay Chapman
... his work, likens Lincoln to a tree so mighty that its branches reach the heavens and its roots the primal rock and nations of men may rest in its shade; Edgar Lee Masters, whose work is full of the shadow and light of Lincoln, has made his most moving lyric an epitaph upon Ann Rutledge, the girl Lincoln loved and lost; and Vachel Lindsay, in Lincoln's own Springfield, during the World War thought of him as so stirred even in death by the horrors which then alarmed the universe that he could not sleep but ... — Contemporary American Novelists (1900-1920) • Carl Van Doren
... employed, however, in fables, and elsewhere when pointed or intense expression was craved. The earliest of the Greek elegists, Callinus and Tyrtaus, composed war-songs. Mimnermus, Solon, Theognis, Simonides of Ceos, are among the most famous elegists. Music developed in connection with lyric poetry. The Greeks at first used the four-stringed lyre. Terpander made an epoch (660 B.C.) by adding three strings. Olympus and Thaletas made further improvements. Greek lyric poetry flourished, especially from 670 to 440 B.C. The Aeolian lyrists ... — Outline of Universal History • George Park Fisher
... Spry. Bragg was once used for bold or brave, without any uncomplimentary suggestion. The New English Dictionary quotes (c. 1310) from a lyric poem— ... — The Romance of Names • Ernest Weekley
... critics have been unanimous in their praise of this exquisite lyric, which, had she written nothing more, would alone have been amply sufficient to vindicate Aphara Behn's genius and immortality. It was a great favourite with Swinburne, who terms it 'that melodious ... — The Works of Aphra Behn, Vol. II • Aphra Behn
... a blue and fragrant mist proceeding from twenty pipe-bowls. Mr. Peyton sang a pretty song of his own composing. The company applauded. Sir Charles Carew, in a richly plaintive tenor voice, sang a lyric of Rochester's. Several of the gentlemen looked askance (the clergyman had left the room with the ladies), but on the Governor's crying out "Excellent!" they considered ... — Prisoners of Hope - A Tale of Colonial Virginia • Mary Johnston
... his assurance, so strong was the contrast between that lightsome lyric and the coarse vanity of the man himself. He played it again, and she liked it still better, uttering a more decided ... — The Whirlpool • George Gissing
... customary conventionality of Mrs. Haywood's heroines ought to be noted. Ordinarily the novelist accepted the usual conception of man the pursuer and woman the victim, but sometimes instead of letting lovely woman reap the consequences of her folly after the fashion of Goldsmith's celebrated lyric, she violated romantic tradition by making her disappointed heroines retire into self-sufficient solitude, defying society. In real life the author of these stories was even more uncompromising. Far from pining in obscurity after her elopement ... — The Life and Romances of Mrs. Eliza Haywood • George Frisbie Whicher
... half. Let us follow him as he rides thither on his bob-tailed mule (Sat. I, vi, 104), the heavy saddlebags across its loins stored with scrolls of Plato, of the philosopher Menander, Eupolis the comedian, Archilochus the lyric poet. His road lies along the Valerian Way, portions of whose ancient pavement still remain, beside the swift waters of the Anio, amid steep hills crowned with small villages whose inmates, like the Kenites of Balaam's rhapsody, put their nests in ... — Horace • William Tuckwell
... afternoon I was waylaid on my way to the women by the head of the household I was visiting, a fine old man of the usual type, courteous but opposed. He asked to look at my books. I had a Bible, a lyric book, and a book of stanzas bearing upon the Truth, copied from the old Tamil classics. He pounced upon this. Then he began to chant the stanzas in their inimitable way, and at the sound several other old men drew round the verandah, ... — Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael
... the interlinking of the figures, and suggests the difficulty that may be encountered in the effort to define melodic figures. The difficulty is probably greatest in melodies of a lyric character, where it is necessary to sustain the coherency of the sentence; for instance, in many of the Songs Without Words,—see No. 40, No. 22, and others, in which an entirely definite separation of the figures ... — Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's Introduction to his Epopees Francaises) sang in Court and Camp. The ... — A Collection of Ballads • Andrew Lang
... the twelfth century saw the birth of the poetry of the troubadours, which possessed from the first in great perfection everything that distinguishes modern lyric poetry from the antique. Instead of the syllable-measuring quantity, we now have the emphasising accent; the rhyme, one of the most important lyrical contrivances—and in its near approach to music the most striking characteristic ... — The Evolution of Love • Emil Lucka
... secrets of the art which he practiced with such splendid success as few men have known them. His command of the lyric form was complete. And yet who that loves his work has not felt that lack in it which Matthew Arnold had in mind when he said that with all his genius Byron had the ideas of a country squire? The poet was a master of the technique of his art; he had ... — Essays On Work And Culture • Hamilton Wright Mabie
... opposite is a beautiful lyric poem. She might be called "A Hymn to the Night." Every line of her figure is musical, every move suggested, rhythmical. Seen at night, she croons you a slumber song. How subtly Mr. Weinman has told you that she comes to fold the world within ... — Sculpture of the Exposition Palaces and Courts • Juliet James
... to us to think what a tremendously rooted life is needed to make even one lasting lyric, though the strangeness of the process is but the same strangeness that accompanies the antecedent ... — Vanishing Roads and Other Essays • Richard Le Gallienne
... spiritless, and she was vehement without being passionate. She recited ballad stories, and whatever else is usually delivered in declamation. At the same time she had contracted an unhappy habit of accompanying what she delivered with gestures, by which, in a disagreeable way, what is purely epic and lyric is more confused than ... — The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... of the countryside. "The Passing of the Gael" is known wherever there are Irish emigrants, but there are other verses of "Ethna Carberry" (Mrs. Anna Johnstone MacManus) that are as fine as this. Mrs. Dora Sigerson Shorter is a balladist of stark power, and Miss Eva Gore-Booth a lyric poet whose natural lilt no preoccupation with mysticism can for more than a ... — Irish Plays and Playwrights • Cornelius Weygandt
... stress Of yearning notes that gush and stream, The lyric joy, the tenderness, And once again the dream! ... — Lyrics of Earth • Archibald Lampman
... familiar ground. All this part of the speech he had prepared, paragraph by paragraph: a defense of Catholicism, an apology pro fide, so intimately bound up with the history of Spain. He could now use impassioned outbursts and tremors of lyric enthusiasm, as if he ... — The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... contemporary sins, have all combined to win for him a far wider popularity than even that accorded to the fine lyrical passion of Mrs. Browning, or to the deep-thoughted and splendid, but often perplexing and ruggedly phrased, dramatic and lyric utterances of her husband. All three have honoured themselves and their country by a majestic purity of moral and religious teaching—an excellence shared by many of their contemporaries, whose powers ... — Great Britain and Her Queen • Anne E. Keeling
... or less before the race a move is made to Putney, where, as a general rule, very comfortable quarters are provided. The pleasantest of all that the Oxford crew have had lately has been the Lyric Club House; but it is not really a good place for the men's health. Lying, as it does, just down by the river, the air is not half so bracing as that of the higher ground. Still, it is undoubtedly very convenient to have a billiard-table or two to while away the men's time in the evening. Without ... — The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... Liddell and Scott definition: "any art over which the Muses presided, esp. music or lyric poetry ... — Plato and Platonism • Walter Horatio Pater
... historical primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. ... — An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... the frozen cod-lines are mostly aliens. The pride that once broke into singing has turned harsh and silent. "Labor" looms vast upon the future political and social horizon, but the songs of labor have lost the lyric note. They have turned into the dramas and tragedies of labor, as portrayed with the swift and fierce insistence of the short story, illustrated by the Kodak. In the great agricultural sections of the West and South the old bucolic sentiment still survives,—that ... — The American Mind - The E. T. Earl Lectures • Bliss Perry
... at this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read very nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin, and Mill. So it will be understood that Shelley not only gave me my first soul, but led all its first flights. But I do not think that if Shelley ... — Confessions of a Young Man • George Moore
... that Galds lacks the lyric flame which touches with poignant emotion the common things of life. He did not entirely escape the rhetoric of his race. And he was curiously little interested in the passions of sex—too little to be altogether human, perhaps. But his work appears extraordinarily vast and many-sided when ... — Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... that Art and Fashion have made upon Nature and the simplicity of Wisdom. Menage, the greatest name in France for all kind of philologic Learning, prided himself in writing critical Notes on their best lyric Poet, Malherbe: And our greater Selden, when he thought it might reflect credit on his Country, did not disdain even to comment a very ordinary Poet, one Michael Drayton. But the English tongue, at this Juncture, deserves and demands our particular regard. It hath, by means of ... — Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... Silenus, half falling from an ass, who would have fallen were he not held up by a satyr who carries a leathern bottle. Even the satirical poet paints the picture of the labyrinth. Now what do the lyric poets do, or the wits of Martial, or the tragic or comic ones? What do they do but paint reasonably? And what I say I do not invent, for each one of them himself confesses that he paints: ... — Michael Angelo Buonarroti • Charles Holroyd
... was inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of the ... — The Way of Ambition • Robert Hichens
... calmly, as majestically, at seventeen as when he wrote "The Flood of Years" at eighty-two. He is a master of description, though he has slight gift for narrative or drama, and he rarely sounds the clear lyric note. But everywhere in his verse there is that cold purity of the winter hills in Western Massachusetts, something austere and elemental which reaches kindred spirits below the surface on which intellect and passion have their play, something more primitive, indeed, ... — The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... compromise between meaning and melody, though in certain instances he may have fallen into that, but) a combination of the meaning with the melody, which latter is so important, so vital a part of the lyric poem's meaning, in any worthy sense. "No poetic translation," says Hayward's reviewer, already quoted, "can give the rhythm and rhyme of the original; it can only substitute the rhythm and rhyme of the translator." One might just ... — Faust • Goethe
... MITYLENE, a Greek lyric poet, an aristocrat by birth, a contemporary and an alleged lover of Sappho, and much admired by ... — The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... I have some slight control, But deem her of a feeble soul That doth not love my naked sword Above my sweetest lyric word," ... — Among My Books • James Russell Lowell
... taken from the little-read play, The Two Gentlemen of Verona, may serve to illustrate the perfection of the Shakespearean lyric. ... — An Introduction to Shakespeare • H. N. MacCracken
... bolt HIDDEN, as is fit, under such a horizon as he had. A singularly radiant man. Could have been a Poet, too, in some small measure, had he gone on that line. There are many touches of genius, comic, tragic, lyric, something of humor even, to be read in those Shadows of Speeches taken down ... — History of Friedrich II. of Prussia, Vol. XVIII. (of XXI.) - Frederick The Great—Seven-Years War Rises to a Height.—1757-1759. • Thomas Carlyle
... adorned the grounds, as Roth's stirring "Chariot Race" and St. Gaudens's equestrian statue of General Sherman. Sculpture was profusely used to beautify buildings. Wholly original and charming were the four groups for the Temple of Music: Heroic Music, Sacred Music, Dance Music, and Lyric Music. Perched in every corner were figures of children ... — History of the United States, Volume 5 • E. Benjamin Andrews
... place in our catalogue of authors. She is, without doubt, the most highly intellectual of our female poets.... The new poems, while not inferior to the others in point of literary art, have in them more of fervor and of feeling; more of that lyric sweetness which catches the attention and makes the song sing itself over and over afterwards in the remembering brain.... Some of the new poems seem among the noblest H. H. has ever written. They touch the ... — Hetty's Strange History • Helen Jackson
... collection of several hundred folk-songs of the sixteenth, seventeenth, and eighteenth centuries, under the name of 'Des Knaben Wunderhorn' (The Boy's Wonderhorn), 1806-1808. That so musical a people as the Germans should be masters of lyric poetry is but natural,—every longing, every impression, every impulse gushes into song; and in 'Des Knaben Wunderhorn' we hear the tuneful voices of a naive race, singing what they have seen or dreamed ... — Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... to put my reader in possession of the facts so unfamiliar to the modern oracles of classical mythology! Briefly, it appears that in the best period of ancient Greece nine Muses were recognised, namely, Calliope, the Muse of epic poetry; Euterpe, of lyric poetry; Erato, of erotic poetry; Melpomene, of tragedy; Thalia, of comedy; Polyhymnia, of sacred hymns; Terpsichore, of choral song and dance; Clio, of history; and Urania, of astronomy. The last two seem to have very little in common with the addiction to singing and dancing characteristic of ... — More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess the very highest degree of merit in its peculiar style. We have mentioned some details respecting ... — Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be ... — The Book-Collector • William Carew Hazlitt
... in Blake, my heart becomes as water, and I feel that I would lose, if necessary, all of Milton, all of Shakespeare but a song or two, much of Dante and some of Homer, to be secured in them for ever. My friend (of the Ramillies) and I were disputing about a phrase I had applied to lyric poetry as the infallible test of its merit. I asked for "the lyric cry," and he scorned me. I could find a better phrase with time; but the quatrain just quoted makes it unmistakable, as I think. Anyhow, it will be conceded that there was some putting ... — In a Green Shade - A Country Commentary • Maurice Hewlett
... all, but reduced both Jowett and myself to something like complete silence by a constant flow of anecdotes and social allusions, which, though not deficient in point, had more in them of jocularity than wit. He was not, perhaps, my ideal of the author of "Men and Women," or the singer of "Lyric Love" as "a wonder and a wild desire"; but there the great man was, and when I quitted his presence and found myself once more in undergraduate circles I felt myself shining like Moses when he ... — Memoirs of Life and Literature • W. H. Mallock
... the musing May, She is deep in the wood, Viewing and pursuing The beautiful and good. Where the grassy bank receding, Spreads its quiet couch for reading The pages of the sages, And the poet's lyric lay— We shall find the musing ... — Poems • Denis Florence MacCarthy
... notes, I slipped once more From lyric dawn through dreamland's open door, And there was God, Eternal Life that sings, Eternal joy, brooding all mortal things, A nest of ... — The Second Book of Modern Verse • Jessie B. Rittenhouse
... said to be classes of orators as there are of poets. But it is not so; for of poets there are a great many divisions; for of tragic, comic, epic, lyric, and also of dithyrambic poetry, which has been more cultivated by the Latins, each kind is very different from the rest. Therefore in tragedy anything comic is a defect, and in comedy anything tragic is out of place. And in ... — The Orations of Marcus Tullius Cicero, Volume 4 • Cicero
... high in the heavens; his heart was lyric with joy; He plucked a posy of lilies; he sped like a love-sick boy. He stole up the velvety pathway—his cottage was sunsteeped and still; Vines honeysuckled the window; softly he peeped o'er the sill. The lilies dropped from his fingers; devils were ... — Ballads of a Cheechako • Robert W. Service
... almost all our readers, many of the chief peculiarities depending too upon the nationality of which that language is the expression and vehicle. It is, however, our intention, should the specimens of lyric poetry presented in the translations accompanying this notice be favourably received in England, to extend the sphere of our humble labours, and to endeavour to Daguerreotype, by faithful versions, portions of the longer poems (and in particular the narrative ... — Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... ingeniously and economically collected by the musician. Being ignorant of the rare value of his museum, he went from house to house, giving private lessons in harmony. This lack of knowledge proved his ruin afterwards, for he became all the more fond of paintings, stones and furniture, as lyric glory was denied him, and his ugliness, coupled with his supposed poverty, kept him from getting married. The pleasures of a gourmand replaced those of the lover; he likewise found some consolation for his isolation in his friendship with Schmucke. Pons ... — Repertory Of The Comedie Humaine, Complete, A — Z • Anatole Cerfberr and Jules Franois Christophe
... Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches with its ... — Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... operatic masterpieces are imperishable, and a few words about them are in place, particularly since Mozart has left numerous and interesting comments on "Die Entfuhrung aus dem Serail." This first German opera he composed with the confessed purpose of substituting a work designed for the "national lyric stage" for the conventional and customary Italian opera. Despite its Hispano-Turkish color, the work is so ingenuous, so German in feeling, and above all so full of German humor that the success was unexampled, and Mozart ... — Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... of the evening! General Hardshell Jackson, Senor Lupe de Tamale, and the renowned lyric barytone, James Russell Lowell Mason, will combine in a grand farewell concert. Ascend the platform, Senor!" he cried to the Mexican lad, who stood, wide-eyed, in a corner. Then he gestured ... — Stanford Stories - Tales of a Young University • Charles K. Field
... motive may be either to obtain discharge from the sense of guilt or a desire to save and store up the very echoes and last drops of pleasure. Human beings keep diaries for as many different reasons as they write lyric poems. With Pepys, I fancy, the main motive was a simple happiness in chewing the cud of pleasure. The fact that so much of his pleasure had to be kept secret from the world made it all the more necessary for him to babble when alone. True, in ... — The Art of Letters • Robert Lynd
... Moscow opera a Belgian singer, Desiree Artot, who was then thirty-three years old, a woman whose pictures make her nearly beautiful, and who is recorded as a queen of grace and a queen of dramatic and lyric song. She was witty and magnetic, and Peter Iljitsch, five years her junior, like another Chopin and another Mary's lamb, followed ... — The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Weimar, where he studied zealously and composed the above-mentioned opera which was at once accepted on the small but celebrated stage of this town and has now appeared on the greater one of Dresden. This opera is half romantic half lyric, neither does it lack the humorous elements. It abounds in melody, a great rarity in our times, and the romance (Lied) is ... — The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... have been tossed Rudely against Time's shore, and wrecked and lost, While Keats, the dreaming boy, floats down Time's sea His lyric argosy! ... — Cap and Gown - A Treasury of College Verse • Selected by Frederic Knowles
... kinds of pagan folk-lore. Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship of ... — The Kalevala (complete) • John Martin Crawford, trans.
... and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several noblemen, and the small earnings ... — Every Man In His Humor - (The Anglicized Edition) • Ben Jonson
... and their smiling valley under the blue canopy of heaven, and near the shimmering sea, form a picture of entrancing loveliness. It is the most peaceful spot on the Adriatic. It seems as if the breezes from sea and land wafted a lyric harmony over the valley, expanding the heart and filling the soul with visions of beauty and happiness. Pesaro is the birthplace of Rosini, and also of Terenzio Mamiani, the brilliant poet and statesman who devoted his great talents ... — Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... some others, when I see the twins on the point of quarreling with each other. Number one pushes number two over. Number two screams: that frightens the baby and he joins in. I call number one a naughty girl, take the persecuted one in my arms, and endeavor to comfort her by trotting to the old lyric:— ... — The Life of Harriet Beecher Stowe • Charles Edward Stowe
... charm for him; and he once declared that he would almost rather have been Ireland than Shakespeare; and then it was his delight to write Greek versions of a poem that might attach the mark of plagiarism to Tennyson, or show, by a Scandinavian lyric, how the laureate had been poaching from the Northmen. Now it was a mock pastoral in most ecclesiastical Latin that set the whole Church in arms; now a mock despatch of Baron Beust that actually deceived the Revue des Deux Mondes and caused quite a panic at the ... — Lord Kilgobbin • Charles Lever
... a very difficult matter to gain immortality,—such an immortality at least as a perishable language can give. A single lyric is enough, if one can only find in his soul and finish in his intellect one of those jewels fit to sparkle "on the stretched forefinger of all time." A coin, a ring, a string of verses. These last, and hardly anything else does. Every ... — The Poet at the Breakfast Table • Oliver Wendell Holmes, Sr.
... divine conceptions of Milton, the luxuriant fervour of Thomson, the vast discoveries of Newton, the deep wisdom of Bacon, the burning thoughts of Gray, the masculine intellect of Johnson, the exquisite polish of Pope, the lyric fire of Campbell, the graphic powers of Scott, the glowing eloquence of Burke, the admirable conceptions of Reynolds, the profound sagacity of Hume, the pictured page of Gibbon, demonstrate how mighty and varied have been the triumphs of the human mind in these ... — Blackwood's Edinburgh Magazine, Volume 59, No. 363, January, 1846 • Various
... by the aid of virtue in the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation he was appointed musical director of Cologne ... — My Life, Volume I • Richard Wagner
... is instructive; because to judge well and candidly, we must wean our selves from a slavish Bigotry to the Ancients. For, tho' Homer and Virgil, Pindar and Horace be laid before us as Examples of exquisite Writing in the Heroic and Lyric Kind, yet, either thro' the Distance of Time, or Diversity of Customs, we can no more expect to find like Capacities, than like Complexions. Let a Man follow the Talent that Nature has furnish'd him with, ... — Discourse on Criticism and of Poetry (1707) - From Poems On Several Occasions (1707) • Samuel Cobb
... in the few poems of shipwreck or of mental conflict, we can only wonder at the gift of vivid imagination by which this recluse woman can delineate, by a few touches, the very crises of physical or mental struggle. And sometimes again we catch glimpses of a lyric strain, sustained perhaps but for a line or two at a time, and making the reader regret its sudden cessation. But the main quality of these poems is that of extraordinary grasp and insight, uttered with ... — Poems: Three Series, Complete • Emily Dickinson
... book of Daniel. The contact with the outside world makes possible a phase of literature such as that to which the books of Job and Ecclesiastes belong. The deepening of the inner life gave the world the lyric of the Psalms, some of which are credibly assigned to a period so late as that ... — Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... never saw him in his modest kurtka of 1814. These and those will be surprised in the botanizing, circumnavigating—the once well-appointed Royal Prussian officer, in the historiographer of the illustrious Peter Schlemihl, to discover a lyric whose poetical heart is rightly fixed, whether he sing ... — Peter Schlemihl • Adelbert von Chamisso
... bitter-sweetness. Again with Zarathustra, Laforgue could say: "I do not give alms. I am not poor enough for that." He possesses the sixth sense of infinity. A cosmical jester, his badinage is well-nigh dolorous. His verse and prose form a series of personal variations. The lyric in him is through some temperamental twist reversed. Fantastic dreams overflow his reality, and he always dreams with wide-open eyes. Watteau's l'Indifferent! A philosophical vaudevillist, he juggles with such themes as a metaphysical Armida, the moon and her minion, ... — Ivory Apes and Peacocks • James Huneker
... impatience. He was the revolutionary impetus personified. The Assembly followed him breathless, and with him arrived at fury before it attained conviction. His discourses were magnificent odes, which elevated discussion to lyric poetry, and enthusiasm to convulsion; his action bespoke the tripod rather than the tribune. He was the Danton of the Gironde, as Vergniaud was to become ... — History of the Girondists, Volume I - Personal Memoirs of the Patriots of the French Revolution • Alphonse de Lamartine
... Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of his poems ... — History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... literature, containing various lyric compositions, and certain triads, in which are arranged historical facts or moral aphorisms, has been shown by Sharon Turner, who has established the high antiquity of many of ... — The Mabinogion • Lady Charlotte Guest
... certain occasions when we absolutely need the little cleverness that we possess. The orator needs it when he speaks, the poet when he Versifies, but neither cares how stupid he may become when the oration is delivered and the lyric set down on paper. The stimulant serves to bring out the talent when it is wanted, like the wind in the pipes of an organ. "What will it matter if I am even a little duller afterwards?" says the genius; "I can afford to be dull when I have done." But the truth still remains ... — Study and Stimulants • A. Arthur Reade
... poets principally occupied with describing the love of the sexes. This, as a rule, is the leading idea of every dramatic work, be it tragic or comic, romantic or classic, Indian or European. It in no less degree constitutes the greater part of both lyric and epic poetry, especially if in these we include the host of romances which have been produced every year for centuries in every civilised country in Europe as regularly as the fruits of the earth. All these works are nothing more than many-sided, short, or long descriptions ... — Essays of Schopenhauer • Arthur Schopenhauer
... for the views expressed on questions of the day, Maud provoked more hostile criticism than anything which he wrote; yet it seems to have been the poet's favourite work. The story of its composition is curious. It was suggested by a short lyric which Tennyson had printed privately in 1837 beginning with the words 'Oh, that 'twere possible after long grief'. His friend, Sir John Simeon, urged him to write a poem which would lead up to and explain it; and the poet, adopting ... — Victorian Worthies - Sixteen Biographies • George Henry Blore
... the same story. The Pleasant Comedie of Patient Grissill (1599), in which he collaborated with Thomas Dekker and William Haughton, was reprinted by the Shakespeare Society in 1841. It contains the lyric "Art thou poor, yet hast thou golden slumbers," which is probably Dekker's. In November 1599 Chettle receives ten shillings for mending the first part of "Robin Hood," i.e. The Downfall of Robert, Earl of Huntingdon, by Anthony Munday; and in the second ... — Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various
... explain satisfactorily what the "pea-vine" was. His "Ring around and shake a leg, ma lady," was a triumph in the lyric line. ... — The Great White Tribe in Filipinia • Paul T. Gilbert
... Some writers grew lyric about him. What visions, they asked, could one but read them, must lie behind the quiet, dreaming eyes ... — Arcadian Adventures with the Idle Rich • Stephen Leacock
... have been more variously designated than Comus. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the form of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and partly by the desire to ... — Milton's Comus • John Milton
... not be forgotten. He had the genuine lyric gift, and poured forth his bird-notes, sweet, fresh, and spontaneous, full of the singer's joy in his song. He also wrote ... — Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... their laws, and resolved at his return to make use of them in Sparta. Some others he rejected. Among the friends he gained in Crete was Thales, with whom he had interest enough to persuade him to go and settle at Sparta. Thales was famed for his wisdom and political abilities: he was withal a lyric poet, who under colour of exercising his art, performed as great things as the most excellent lawgivers. For his odes were so many persuasives to obedience and unanimity, as by means of melody and numbers ... — Ideal Commonwealths • Various
... classical Lyric Poets, Know a thing or two in a scurvy Planet: Don't we, now? Eh? Brother Horatius Flaccus, Tip us ... — The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... town-toys. Nor Cupid there less blood doth spill, But heads his shafts with chaster love, Not feather'd with a sparrow's quill, But of a dove. There you shall hear the nightingale, The harmless syren of the wood, How prettily she tells a tale Of rape and blood. The lyric lark, with all beside Of Nature's feather'd quire, and all The commonwealth of flowers in 'ts pride Behold you shall. The lily queen, the royal rose, The gilly-flower, prince of the blood! The courtier tulip, gay in clothes, The regal bud; The ... — Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... of his character. Nature must have designed him for a fellow of a college, where, apart from all cares, he might have collected fragments of forgotten authors, and immortalized his name by some edition of a Greek Lyric poet, known by four poems and a half, and two-thirds of a line quoted somewhere else. In such a controversy, lightened by perpetually polished poems, by a fair amount of modern literature, select college friendships, and methodical habits, Edmund Kendal would have been ... — The Young Step-Mother • Charlotte M. Yonge
... of Dante. Mr. Wilde, more than a year before his death, informed us that his work was nearly ready for the printer; and at the same time he confided to us for perusal his admirable translations of specimens of Italian Lyric Poets. We hope the descendants of our learned and ingenious friend will place these works, so creditable to his temper, scholarship, ... — The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... Now radiant in verdure springing, Since it must of our loss remind; As with a tortured soul we realize In Nature's glad awakening, That we shall never find renewal, Who evermore are withering. Perchance there haunts us in remembrance, Our own most dear and lyric dream, Another long forgotten Springtime— And trembling neath this pang supreme, The heart faints for a distant country And for a ... — Russian Lyrics • Translated by Martha Gilbert Dickinson Bianchi
... difference now—a difference which their discovery by an outsider had made unpleasantly manifest. De Folligny's appearance at Verneuil had made Markham thoughtful, but Olga's intrusion now had paraphrased their pastoral lyric into unworthy prose. Parnassus wept with them, but no amount of weeping could destroy the ugly doggerel as Olga had written it. Their idyl was smirched, the fair robe of Euterpe was trialing ... — Madcap • George Gibbs
... clear water was accessible during the day by an extension of the guards, but at night the lines were so contracted as to leave the path leading to the water outside the guard. Lieutenant S.H.M. Byers, who had already written the well-known lyric "Sherman's March to the Sea," was sharing my tent, which consisted of a ragged blanket. We had been in the new camp but little more than a week when we determined to make an attempt at escape. Preparatory to starting ... — Famous Adventures And Prison Escapes of the Civil War • Various
... came a lyric, having for its theme the pangs of despised love and the faithlessness of the fair. ... — Reminiscences of a South African Pioneer • W. C. Scully
... works of our great essayist. Emerson never wilfully leaves a point unguarded, never allows himself to be caught in undress. Thoreau spurns this punctiliousness, and thus impairs his average execution; while for the same reason he attains, in favored moments, a diction more flowing and a more lyric strain than his teacher ever allows himself, at least in prose. He also secures, through this daring, the occasional expression of more delicate as well as more fantastic thoughts. And there is an interesting passage in these letters where he rather unexpectedly recognizes the dignity ... — The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... poets are immortal, and exert a wide-spread influence. The fervent stanzas of Watts, of Steele, of Wesley, of Heber, are sung from generation to generation. The hymns of Luther are among the most valued of his various works. "From Greenland's icy mountains"—that sacred lyric—shall live as long as the "Elegy in a Country Church-yard," or the "Cotter's Saturday Night," yea, shall survive the "Night Thoughts," and the "Course of Time." There is nothing in Grecian or Roman poetry that fills the place of the psalmody of the early church. The songs of Ambrose were ... — The Old Roman World • John Lord
... have a lyric recitation; let us be brief and clear. What do you want? Explain yourself. I don't suppose that you have addressed this rebuke to me solely for the purpose of telling me that you are in love with ... — Serge Panine, Complete • Georges Ohnet
... is of great importance for the study of Greek mythology viewed in its different epochs, and for the interpretation and understanding of ancient tragic or lyric poets. Moral or historical inscriptions, in prose and in verse, have also been found on vases. The letters of these inscriptions are capital or cursive; they are very delicately traced, and often require a great deal of ... — Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... barbarians, who deified departed heroes and recited legends in praise of their deeds. As the hymn developed, the chorus and strophe were dropped, and the narrative only was preserved. The word "epic" was used simply to distinguish the narrative poem, which was recited, from the lyric, which was sung, and from the dramatic, which ... — National Epics • Kate Milner Rabb
... has before him a keyboard made up of a series of I's. The lyric and satiric writers play in the purely human octave; the critic plays in the bookman's octave; the historian in the octave of the investigator. When an author writes of himself, perforce he plays upon his own "I," which is not exactly that contained in the ... — Youth and Egolatry • Pio Baroja
... Yet, as is generally known, this dramatic and lyric adaptation of the famous romance is not particularly happy. I was much embarrassed and I pretended not to understand, but I never dared to ... — Musical Memories • Camille Saint-Saens
... Koraes has been completely attained. no people in Europe is now prouder of its native tongue, or turns it to better account in education, than his countrymen. In literature, the renovated language has still its work before it. The lyric poetry that has been written in Greece since the time of Koraes is not wanting, if a foreigner may express an opinion, in tenderness and grace The writer who shall ennoble Greek prose with the energy and directness of the ancient style ... — History of Modern Europe 1792-1878 • C. A. Fyffe
... "An' now again I see the faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends of Erin—the ... — The Moon Pool • A. Merritt
... upon the Song of Songs—which had been pasted down in the Enschede Bible—the burning litany of love; and from time to time she intoned some verse of tender lyric beauty. There was one verse that ... — The Ragged Edge • Harold MacGrath
... other. Quintilian, writing about the same time, goes into detail, as becomes an old schoolmaster. "It is an admirable practice that the boy's reading should begin with Homer and Virgil. The tragic writers also are useful; and there is much benefit to be got from the lyric poets also. But here you must make a selection not of authors only, but a part of authors." It is curious to find him banishing altogether a book that is, or certainly was, more extensively used in our schools than any other ... — Roman life in the days of Cicero • Alfred J[ohn] Church
... details of the battle of Copenhagen see Southey's Life of Nelson. That conflict has been celebrated, in a noble lyric, by Campbell— ... — The History of Napoleon Buonaparte • John Gibson Lockhart
... last. These at first discompose the singer, and he stops at each tap to inquire angrily what it is that is not right; he shortly resolves, however, to pay no heed to the spiteful enemy, but cover over the interruptions with his voice. Louder and louder and ever more breathlessly he sings, a lyric that is more prosy than prose, a piece of common statement of facts, tortured into verse, which attains metre only by throwing the accent continually, ludicrously, on the wrong syllables. The melody, nasal and snuffling, is the very prose, too, of music. A ridiculous, ... — The Wagnerian Romances • Gertrude Hall
... in the way, there still remains a body of verse in Browning's work which will richly repay any reader. The lyrics and short poems like The Pied Piper of Hamelin, Pippa Passes, Prospice, O Lyric Love, The Last Ride, One Word More, How They Brought the Good News, Herve Riel, the epilogue to Asolando, The Lost Leader, Men and Women, and A Soul's Tragedy will give any reader a taste of the real Browning. If you like these poems, then try the more ambitious poems ... — Modern English Books of Power • George Hamlin Fitch
... Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment ... — The Song of the Flag - A National Ode • Eric Mackay
... come under such denomination. I confess it is not a little puzzling to find a narrative poem of some five hundred lines or more included under the heading of hymns; it would seem that nearly all lyric poetry of an essentially Christian character was so designated, to separate it from secular or pagan poetry. In Prudentius' first published work, 'Liber Cathemerinon,' we find hymns composed absolutely after the manner of St Ambrose, ... — A Mere Accident • George Moore
... a true festival than most men experience even in the longest life time. The major with his Greek instinct of drama was a splendid personification of poetic quality; in fact he was himself almost a lyric. From time to time he glanced back at Coleman with eyes half dimmed with appreciation. The people gathered flowers, great blossoms of purple and corn colour. They sprinkled them over the three horsemen and flung them deliriously under the feet of the little nags. ... — Active Service • Stephen Crane
... known as Miss Catherine H. Waterman, under which name she wrote the popular and beautiful lyric, "Brother, Come Home!" has in press a collection of her writings, under the title of The Broken Bracelet and other Poems, to be published by Lindsay & ... — International Weekly Miscellany, Vol. I, No. 6 - Of Literature, Art, And Science, New York, August 5, 1850 • Various
... above: the cool grove, and the light dances of nymphs and satyrs, distinguish me from the crowd; if neither Euterpe withholds her pipe, nor Polyhymnia disdains to tune the Lesbian lyre. But, if you rank me among the lyric poets, I shall tower to the stars ... — The Works of Horace • Horace
... most striking songs which the war has brought forth, we must class that grim Puritanical lyric, 'The Kansas John Brown,' which appeared originally in the Kansas Herald, and which is, as we are informed, extensively sung in the army. The words ... — Continental Monthly, Vol. I, No. VI, June, 1862 - Devoted To Literature and National Policy • Various
... sometimes to precede the commencement of the bar, and occasional rests, as in musical compositions: if this was attended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Virgil, except in the length of the lines. B. Then there is no relationship between ... — The Botanic Garden. Part II. - Containing The Loves of the Plants. A Poem. - With Philosophical Notes. • Erasmus Darwin
... glorify gods and kings, Who scourged them ever with hate's sanguineous rods; But who with hope and faith may live at odds? And then these jingling jays with plume-plucked wings, Compete, and laureate laurels are lovely things, Though crowing lyric lauders ... — Punch, or the London Charivari, Vol. 103, October 22, 1892 • Various
... could affect the decision of grave burgesses at the polls was not apparent; but the Anti-Federationists feared that it might, and before noon was come they had engaged two bands and had composed in committee, the following lyric in reply to the ... — The Old Wives' Tale • Arnold Bennett
... in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Childe Roland" and "The Statue and the Bust"—from ... — Men and Women • Robert Browning
... bear directly upon the {14} origin of our numerals, yet it is highly pertinent as showing the aptitude of the Hindu for mathematical and mental work, a fact further attested by the independent development of the drama and of epic and lyric poetry. ... — The Hindu-Arabic Numerals • David Eugene Smith
... the lyric inn Where the rarer sort so long Drew the rein, to 'scape the din Of the cymbal and the gong, Topers of the classic bin,— Oporto, sherris and tokay, Muscatel, and beaujolais— Conning some old Book of Airs, Lolling in their Queen Anne ... — A Jongleur Strayed - Verses on Love and Other Matters Sacred and Profane • Richard Le Gallienne |