"Mozart" Quotes from Famous Books
 ... luck at play had saved him several unpleasant steps already; and often a wild hope sent him to the Salon des Etrangers only to lose his winnings afterwards at whist at the club. His life for the past two months had been like the immortal finale of Mozart's Don Giovanni; and of a truth, if a young man has come to such a plight as Victurnien's, that finale is enough to make him shudder. Can anything better prove the enormous power of music than that sublime rendering of the disorder and confusion ...
— The Collection of Antiquities • Honore de Balzac
... January it was 150 years since Wolfgang Amadeus Mozart was born. A grandmaster of music, a magician who leads the soul from the depths of life to its sunary heights. Mozart transposed life into music, Wagner and his pupils transposed problems of life. Wagner questions and receives no answer. Mozart ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... We had a singing-class, and we had some who could sing a song gracefully and accompany themselves at the piano. We had some piano music; and, so far as it was possible, care was taken that it should be good—sonatas of Beethoven and Mozart, and music of that order. We sang masses of Haydn and others, and no doubt music of a better quality than prevailed in most society at that date, but that would be counted nothing now. Occasionally we had artists come to visit us. We had delightful ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... the success of the lives of Lincoln, of Moody, of Mozart, of thousands of the world's great men is the story of work and hope, of ...
— Crayon and Character: Truth Made Clear Through Eye and Ear - Or, Ten-Minute Talks with Colored Chalks • B.J. Griswold
... evening after the opening of the convention the Royal Opera, a State institution, gave a special gala performance of Mozart's Entfuhrung aus dem Serail, with Cupid's Tricks, by the full ballet. This was complimentary to the visitors, as the regular season had closed, and the magnificent spectacle and splendid music were ...
— The History of Woman Suffrage, Volume VI • Various
... sharpness, the harmonic agreement is to them as mere noise. Let us suppose ourselves present at a concert, in company with one such person and another who possesses what is called musical sensibility. How are they affected, for instance, by a piece of Mozart's? In the sense of hearing they are equal: look at them. In the one we perceive perplexity, annoyance, perhaps pain; he hears nothing but a confused medley of sounds. In the other, the whole being is rapt in ecstasy, the unutterable ...
— Lectures on Art • Washington Allston
... music procured him friends who paid for his education. Haydn became his master, and long afterwards spoke of him as his best and dearest pupil. Pleyel's work—entirely instrumental—was much admired by Mozart. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... he murmured; while Charles Gould waited, standing by with inscrutable patience. "Lucia, Lucia di Lammermoor! I am passionate for music. It transports me. Ha! the divine—ha!—Mozart. Si! divine . . . What ...
— Nostromo: A Tale of the Seaboard • Joseph Conrad
... Apropos of Schubert he once remarked: "that the sublime is desecrated when followed by the trivial or commonplace." Among the composers for the piano Hummel was one of the authors whom he reread with the most pleasure. Mozart was in his eyes the ideal type, the Poet par excellence, because he, less rarely than any other author, condescended to descend the steps leading from the beautiful to the commonplace. The father of Mozart after having been present at a representation of IDOMENEE made to his ...
— Life of Chopin • Franz Liszt
... times; and he sent for everything else he could think of, and put it in his booth. There are the casts of Niobe and her children; and the Chimpanzee; and the wooden Caffres and New-Zealanders; and the Shakespeare House; and Le Grand Blondin, and Le Petit Blondin; and Handel; and Mozart; and no end of shops, and buns, and beer; and all the little-Pthah-worshippers say, ...
— The Ethics of the Dust • John Ruskin
... his genius? Where did Mozart get his music? Whose hand smote the lyre of the Scottish plowman? and stayed the life of the German priest? God alone; and, so surely as these were raised up by God, inspired by God was Abraham Lincoln, and, a thousand years hence, no story, no tragedy, ...
— Our American Holidays: Lincoln's Birthday • Various
... a herd of comic elephants, five enormous animals in a Hindoo setting; and no master on the stage, no boss, no prof: they all obeyed a whistle blown in the wings. And, conducting the orchestra with an air of unspeakable gravity, a monkey, Mozart II., a caricature of an infant prodigy, made the huge brutes perform their evolutions, to the Soldiers' Chorus from Faust. Then, in his enthusiasm, Mozart sent his desk flying into the air, followed by his coat, his shoes, his conductor's baton, and ended ...
— The Bill-Toppers • Andre Castaigne
... for the other. Even in "Septimius" we can discern Hawthorne standing upon the wayside hill-top, and, through the turbid medium of the unhappy hero, tenderly diffusing the essence of his own concluding thoughts on art and existence. Like Mozart, writing what he felt to be a requiem for his own death, like Mozart, too, throwing down the pen in midmost of the melody, leaving the strain unfinished, he labors on, prescient of the overhanging doom. Genial and tender at times, amidst their sadness, his reveries are ...
— A Study Of Hawthorne • George Parsons Lathrop
... chisel of an artist seemed to have folded and closed and hung,—all idealised again by the magic of the magnesium-light. As the crimson curtain was drawn apart, an organ sounded, and a far-away choir sent into the hush the Ave Verum of Mozart, low-breathed ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... of nuance. You need only to take his quartets or these same sonatas to convince yourself of the fact. In my Brahms revisions I have supplied really needed fingerings, bowings, and other indications! Important compositions on which I am now at work include Ernst's fine Concerto, Op. 23, the Mozart violin concertos, and Tartini's Trille du diable, with a special cadenza for my ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... the most flying wits must have three wings—art, meditation, exercise. Genius is in the instinct of flight. A boy came to Mozart, wishing to compose something, and inquiring the way to begin. Mozart told him to wait. "You composed much earlier?" "But asked nothing about it," replied the musician. Cowper expressed the same sentiment to a friend: "Nature gives men a bias to their respective ...
— Chambers's Edinburgh Journal, No. 433 - Volume 17, New Series, April 17, 1852 • Various
... about to sing? Then we shall all have a treat, for let me tell you, Lady Olivia, that my young friend possesses the voice of an angel, and the knowledge how to use it properly. Now, what is it to be? Tschaikowski, Beethoven, Schubert, Brahms, Handel, Mozart? Ah, here is something that will suit your voice, little one, 'Caro mio ben!' by Giuseppe Giordani— quaint, delicate, old-fashioned. Come, I will play your accompaniment for you." And, taking the girl's hand, von Schalckenberg, who was an accomplished as well as an enthusiastic ...
— With Airship and Submarine - A Tale of Adventure • Harry Collingwood
... of them say the last word that is to be said in their respective arts. Michael Angelo said the last word; but then he said just a word or two over. So with Titian and Leonardo Da Vinci, and in music with Haydn, Mozart, and Beethoven. We admire them, and know that each in many respects surpassed everything that has been done either before or since, but in each case (and more especially with the three last named) we feel the presence of an autumnal tint over all the luxuriance of development, ...
— Ex Voto • Samuel Butler
... The Mozart was like an idyll after a farcical melodrama. They played it with an astounding delicacy. Through the latter half of the movement I could hear Mr Brindley breathing regularly and heavily through his nose, exactly as though he were being hypnotized. I had a tickling sensation in the ...
— The Grim Smile of the Five Towns • Arnold Bennett
... other intellectual enterprises. As mathematics is akin to music, it will be enough to say that when he was fifteen a friend's piano was left in his grandmother's house, and, without a master, the boy soon learned its secrets well enough to play such works as Mozart's Twelfth Mass. Later in life Mr. Fiske studied the science of music. He has printed many musical criticisms, and has himself composed a ...
— The War of Independence • John Fiske
... is one of the most famous men in history—as a man more famous than Michelangelo or Shakespeare or Mozart—because posterity has elected him the member for the Renaissance. Most great artists live in what they did, and by that we know them; but what Leonardo did gets much of its life from what he was, or rather ...
— Essays on Art • A. Clutton-Brock
... your equal, because he does not go into raptures over young Mozart, and does not indulge in speculative theology, but worships God after the manner of his fathers!—a Jew, in short, who hates the Christian and ...
— Joseph II. and His Court • L. Muhlbach
... now and then wretched election meetings, as of late in New York, where a worn-out FERNANDO WOOD and others like him gabble as much treason as they dare. It is all played out—Mozart, Tammany, and all the trash. Rummy, frowsy candidates, treating Five-Point graduates, and shoulder-hitting bravos yelling at the polls, are beginning to be disgusting and anti-national elements. Their very ...
— Continental Monthly , Vol I, Issue I, January 1862 - Devoted to Literature and National Policy • Various
... in a tiny oratory, scooped by Guidobaldo II. from the thickness of the wall, a cast of Raphael's skull, which will be studied with interest and veneration. It has the fineness of modelling combined with shapeliness of form and smallness of scale which is said to have characterised Mozart and Shelley. ...
— New Italian sketches • John Addington Symonds
... back in the nineteenth century. Unless it be Thomas Hardy, there is no first-rate novelist in Europe; there is no first-rate poet; without disrespect to D'Annunzio, Shaw, or Claudel, it may be said that Ibsen was their better. Since Mozart, music has just kept her nose above the slough of realism, romance, and melodrama. Music seems to be where painting was in the time of Courbet; she is drifting through complex intellectualism and a brilliant, exasperating realism, to arrive, I ...
— Art • Clive Bell
... you can't go by his not liking his lessons,' assured Madame Frabelle, as she ate a muffin. 'That has nothing to do with it at all. The young Mozart—' ...
— Love at Second Sight • Ada Leverson
... people: they are all for the sole purpose of producing the utmost obtainable rent for the proprietor. If the twin flats and twin beds produce a guinea more than Shakespeare, out goes Shakespeare and in come the twin flats and the twin beds. If the brainless bevy of pretty girls and the funny man outbid Mozart, out ...
— Heartbreak House • George Bernard Shaw
... air pour qui je donnerais Tout Rossini, tout Mozart, tout Weber, Un air tres vieux, languissant et funebre, Qui pour moi seul a des charmes secrets. Or, chaque fois que je viens a l'entendre, De deux cents ans mon ame rajeunit; C'est sous Louis treize ... et je crois voir s'etendre Un coteau vert que ...
— French Lyrics • Arthur Graves Canfield
... very true, as you say, Madame, that actions prove nothing. This thought is striking in an episode in the life of Don Juan, which was known neither to Moliere nor to Mozart, but which is revealed in an English legend, a knowledge of which I owe to my friend James Russell Lowell of London. One learns from it that the great seducer lost his time with three women. One was a bourgeoise: she was in love with her husband; the other was ...
— The Red Lily, Complete • Anatole France
... Queen's Hall lately?" asked the Chief of me. "I should like to hear some Beethoven or Mozart tonight. Aye, but we're awa'. It'll be yon sprats." He sighed his affirmative again in resignation, and stood regarding the steward bending over the pails on the deck. "What make ye," he asked, "of this ...
— London River • H. M. Tomlinson
... enlarged their conception of what opera-music might mean. He gave them new sources of happiness without robbing them of the old. For my part, although I prefer Wagner's to all other operas, I keenly enjoy Mozart's Don Giovanni, Charpentier's Louise, Gounod's Faust, Strauss's Salome, Verdi's Aida, and I never miss an opportunity to hear Gilbert and Sullivan. Almost all famous operas have something good in them except the ...
— Robert Browning: How To Know Him • William Lyon Phelps
... for a long time. Listen then! I brought with me hither the two last cantos of 'Oniegin,' ready for the press, a tale in octaves, (the Little House in the Kolomora,) number of dramatic scenes—'The Stingy Knight,' 'Mozart and Salieri,' 'The Feast in the Time of the Plague,' and 'Don Juan.' Besides this, I have written about thirty small pieces of poetry. I have not done yet; I have written in prose (this is a great secret) five tales," (Ivan Bielkin's Stories.) The ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... Wonderful Boys and our Boyhood of Great Men carefully and critically. We had seen that Mozart had composed music at six, and written it down very untidily too; we had seen that Marlborough had, by sheer cheek, been made an officer at about our age; that David Wilkie, one of the dullest of boys, had painted pictures while ...
— Boycotted - And Other Stories • Talbot Baines Reed
... altogether. Even so do our emotions increase in exact proportion as the exciting cause approaches perfection—according as the beauty heard or seen or felt approaches the heavenly keynote. A simple ballad awakens a quiet pleasure, while the magnificent symphonies of Beethoven or Mozart fill the soul with a rapture with which the former feeling is no more to be compared than the brooklet with the ocean; for the latter is inexpressibly nearer ...
— The Continental Monthly, Vol III, Issue VI, June, 1863 - Devoted to Literature and National Policy • Various
... would, and she at once sat down before the little instrument. It was scarcely more to be compared with the magnificent machines of our day than the flageolets of Virgil's shepherds with the cornet-a-piston of the modern star performer, but Mozart, Haydn, Handel, or Beethoven never lived to see a better. It was only about two feet across by four and a half in width, with a small square sounding board at the end. The almost threadlike wires, strung on a wooden frame, gave forth a thin ...
— The Duke of Stockbridge • Edward Bellamy
... pride and the daughter's triumph. I felt, as I listened, the truth of what Vieuxtemps said the first time he heard her, "That is the traditional voice for which the ages have waited and longed." When, on one occasion, Mrs. Moulton sang a song of Mozart's to Auber's accompaniment, someone present asked, "What could be added to make this more complete?" Auber looked up to heaven, and, with a sweet smile, said, "Nothing but that Mozart should have ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... sing like you," said Lothair, "that would be unnecessary. But a fine mass by Mozart—it requires great skill as well as power to render it. I admire no one so much as Mozart, and especially his masses. I have been hearing a great many of ...
— Lothair • Benjamin Disraeli
... Cockney twang: I keep out of hearing of it and speak and listen to Italian. I find Beethoven's music coarse and restless, and Wagner's senseless and detestable. I do not listen to them. I listen to Cimarosa, to Pergolesi, to Gluck and Mozart. Nothing simpler, sir. ...
— Fanny's First Play • George Bernard Shaw
... hastily putting the instrument to rest in a too closely fitting case being often sufficient. Sometimes, on the reverse, it is from being in too large a one, getting well shaken while being taken home after some orchestral rehearsal; the joy of having mastered Mozart or battered Beethoven for an evening is turned in the morning to grief and vexation, when in response to the gentle persuasions of the bow there are but chatters and jarrings. Under such circumstances the treatment administered by the hands of non-practical or inexperienced people ...
— The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... rubbish," the German would cry, after spending an hour in going through some trashy modern Italian music. "Now, my child, you shall hear something worth listening to;" and with a sigh of relief he would turn to some old piece by Mozart or Bach, some minuet of Haydn's, some romance of Beethoven's, which he would play with no great power of execution, indeed, but with a rare sweetness and delicacy of touch and expression, and with an intense absorption in ...
— My Little Lady • Eleanor Frances Poynter
... of the balconies now with a young man. She saw her mother opposite to her with Sir Hilary Burnington, looking down on the singer and the crowd, and she thought her mother must have heard something very sad. Millie Deans sang an aria of Mozart in a fine, steady, and warm soprano voice. Then she sang two morceaux from the filmy opera, Crepe de Chine, by a young Frenchman, which she had helped to make the rage of Paris. Her eyes were often on Mr. Brett, commanding him to be favorable, ...
— The Way of Ambition • Robert Hichens
... of stalls (most uncomfortable seats) who followed every note of the music, turning around and frowning at any unfortunate person in a box who dropped a fan or an opera-glass. It was funny to hear the hum of satisfaction when any well-known movement of Beethoven or Mozart was attacked. The orchestra was perfect, at its best I think in the "scherzos" which they took in beautiful style—so light and sure. I liked the instrumental part much better than the singing. French voices, the women's particularly, are thin, as a rule. I ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington
... catalogue of pianola music includes everything from Bach to Richard Strauss it seemed to me that it would be easy to give the reader a course in musical development, beginning with the simpler pieces of Bach, like the bourrees and gavottes; then taking up the sonatas of Mozart and Beethoven; the compositions of the romantic school from Schubert to Chopin; and ending with the modern school of Wagner, Liszt and Richard Strauss—in other words giving a survey of the whole ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... soft but poignant. Some songs—the "Adelaide," for example—are songs to make one commit suicide. But this sort of music stirs and delights while it mocks with the sweetness which soothes us not. "She kept me awake all night, as a strain of Mozart's might do," Keats wrote of his Charmian. There was no song this special songstress sang which she did not make her own by a peculiar and powerful effort. Her instinct was to rouse, charm, fascinate her little audience. ...
— Lippincott's Magazine, September, 1885 • Various
... writer argues, from a comparison of the pictures of Raphael, Rubens, and modern French artists, that the idea of beauty is not absolutely the same even throughout Europe: see the 'Lives of Haydn and Mozart,' by Bombet (otherwise M. Beyle), English translation, p. 278.); and then unconscious selection would come into action through the more powerful and leading men preferring certain women to others. Thus the differences between the tribes, at first very slight, would ...
— The Descent of Man and Selection in Relation to Sex • Charles Darwin
... not only by the discovery of new harmonies, but by proving that sounds which are actually inharmonious are nevertheless essentially and eternally delightful? What an outcry has there not always been against the 'unwarrantable licence' with the rules of harmony whenever a Beethoven or a Mozart has broken through any of the trammels which have been regarded as the safeguards of the art, instead of in their true light of fetters, and how gratefully have succeeding musicians acquiesced in and adopted the innovation." Then would ...
— The Fair Haven • Samuel Butler
... prohibitions that for centuries have been supposed final. People like Wagner and Strauss and the rest seem so much sticky and insanitary mud next to these exquisite young ones, and so very old; and not old and wonderful like the great men, Beethoven and Bach and Mozart, but uglily old like a noisy old lady ...
— Christine • Alice Cholmondeley
... have his madness, to which he may give his leisure and his thoughtful hours. Let it grow upon him, until it becomes a strong, controlling, natural element, as Mozart grew into music and Haydon into painting, and is ingrained into his very habit and method of life; for it is only thus and then he becomes a master, fitted to lead the van in the world's march. Only, let it be a praise-worthy madness, and one the development of which ...
— The Continental Monthly, Vol. 6, No. 6, December 1864 - Devoted To Literature And National Policy • Various
... for which I would disown Mozart's, Rossini's, Weber's melodies,— A sweet sad air that languishes and sighs, And keeps its ...
— Grass of Parnassus • Andrew Lang
... arm round the waist of his daughter the Judge now went to his wife; they found Leonore with her; nor was ever a quartet of Mozart's more harmonious than that which was now performed ...
— The Home • Fredrika Bremer
... pumpkin, should you have endured such a lot? I lament for you beyond all other expenses. Other expenses are light; you are the Cleopatra's pearl that should not have been flung into Mahogany's claret-cup. And Rossini, too, and Mozart and Bellini—Oh, Heavens, when I think that Music too is condemned to be mad and to burn herself, to this end, on such a funeral pile,—your celestial Opera-house grows dark and infernal to me! Behind its glitter stalks the shadow of Eternal Death; through ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... by the supposition—what he did seek, is still left; whereas in poetry, if the golden apparel is lost, if the music has melted away from the thoughts, all, in fact, is lost. Old Hobbes, or Ogilbie, is no more Homer than the score of Mozart's Don ...
— The Uncollected Writings of Thomas de Quincey—Vol. 1 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... Dante (who at nine years of age wrote sonnets), Tasso (wrote at ten years of age), Wieland (who wrote an epic at 16), Lope de Vega (who wrote verses at 12), Calderoii (at 13), Metastasio (who composed at 10), Handel (who wrote a mass at 13, and was director of opera at 19), Eichhorn, Mozart, and Eibler (all three of whom gave concerts at 6), Beethoven (who wrote sonatas at 13), Weber (who wrote his first opera at 14), Cherubini (who wrote a mass at 15), ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... to appropriate, what dramatic writer, in our own experience or history, has been greeted with such homage as that paid to Handel, when the king and people of England stood up in trembling awe to hear his Hallelujah chorus?—that which hailed Mozart from the enraptured theatres of Prague when listening to his greatest operas?—that which fanned into new fire the dying embers of Haydn's spirit, when the Creation was performed at Vienna, to delight his declining days, before an audience of ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... I should like to hear Fidelio again, often as I have heard it. I do not find so much 'Melody' in it as you do: understanding by Melody that which asserts itself independently of Harmony, as Mozart's Airs do. I miss it especially in Leonora's Hope song. But, what with the story itself, and the Passion and Power of the Music it is set to, the Opera is one of those that one can hear repeated as ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... continued the discussions of art, of life, in which they both found such pleasure. They praised the by-gone things, they took a sentimental, childish delight in the achieved perfections of the past. Particularly they liked the late eighteenth century, the period of Goethe and of Shelley, and Mozart. ...
— Women in Love • D. H. Lawrence
... him with sincere admiration, and called him the giant of music. Haydn wrote: "Whoever understands me knows that I owe much to Sebastian Bach, that I have studied him thoroughly and well, and that I acknowledge him only as my model." Mozart's unceasing research brought to light many of his unpublished manuscripts, and helped Germany to a full appreciation of this great master. In like manner have the other luminaries of music placed on record their sense of obligation to one whose ...
— The Great German Composers • George T. Ferris
... this time the Italians led all Europe in the arts. At a later period the clavichord was copied by the Germans and Belgians. It was used by them for centuries on account of its simple construction and low price. Mozart always carried one with him as part of his baggage when traveling. The virginal, spinet, and harpsichord followed the clavichord in rapid succession, considering that the last named instrument had been in favor for ...
— How the Piano Came to Be • Ellye Howell Glover
... musical sectarianism. There has been much contention whether the music of the modern Italian school, that of Rossini and his successors, be impassioned or not. Without doubt, the passion it expresses is not the musing, meditative tenderness, or pathos, or grief of Mozart or Beethoven. Yet it is passion, but garrulous passion—the passion which pours itself into other ears; and therein the better calculated for dramatic effect, having a natural adaptation for dialogue. Mozart also is great in musical ...
— English Critical Essays - Nineteenth Century • Various
... with headdresses of gold or silver filagree, something in shape like a Roman helmet, with a projection at the back of the head, a foot long. The most interesting objects in Salzburg to us, were the house of Mozart, in which the composer was born, and the monument lately erected to him. The St. Peter's Church, near by, contains the tomb of Haydn, the great composer, and the Church of St. Sebastian, that of the renowned Paracelsus, who was also a native ...
— Views a-foot • J. Bayard Taylor
... the novel should be counted supreme among the great traditional forms of art. Even if there is a greatest form, I do not much care which it is. I have in turn been convinced that Chartres Cathedral, certain Greek sculpture, Mozart's Don Juan, and the juggling of Paul Cinquevalli, was the finest thing in the world—not to mention the achievements of Shakspere or Nijinsky. But there is something to be said for the real pre-eminence ...
— The Author's Craft • Arnold Bennett
... did not pause, but began Mozart's Requiem, and all the while that slow rain of tears dripped down on her white fingers, and splashed upon ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... and nights together, during which I live on music only, and then I rest for years at a time.' 'Will you play me something out of your Don Juan Triumphant?' I asked, thinking to please him. 'You must never ask me that,' he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.' Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, ...
— The Phantom of the Opera • Gaston Leroux
... exclaimed. "Talk about riveh ladies—theh's one. She owns Mozart Bend. Seventeen mile of Mississippi River's her'n, an' nobody but knows hit, if not to start with, then by the end. She stands theh, at the breech of her rifle, and, ho law, cayn't she shoot! She's real respectable, too, cyarful an' 'cordin' to law. She's ...
— The River Prophet • Raymond S. Spears
... glad man. All the morning, reclined in his deck-chair, with eyes full of a gloating triumph, he watched Pollyooly direct the play of the prince; and as he watched he hummed an aria, the same aria, of Mozart. He foresaw a speedy end to this distressing social entanglement ...
— Happy Pollyooly - The Rich Little Poor Girl • Edgar Jepson
... well; we had not the necessary music, and that which we had my wife could not play at sight. I amused myself with their difficulties. I aided them, I made proposals, and they finally executed a few pieces,—songs without words, and a little sonata by Mozart. He played in a marvellous manner. He had what is called the energetic and tender tone. As for difficulties, there were none for him. Scarcely had he begun to play, when his face changed. He became serious, and much more sympathetic. He was, it is needless to say, much stronger than ...
— The Kreutzer Sonata and Other Stories • Leo Tolstoy
... and to sounds is clearly betrayed all through the romantic narrative of the Cremona Violin, where the instrument is a symbol of the human heart. Those who, in the old days before the Germans began their career of wholesale robbery and murder, used to hear Mozart's operas in the little rococo Residenz-Theater in Munich, ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... common. Whatever it was, it simmered to some purpose, for he grew more and more discontented with his desultory life, began to long for some real and earnest work to go at, soul and body, and finally came to the wise conclusion that everyone who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again. ...
— Little Women • Louisa May Alcott
... glass, incense, candles, and for music, and were it not for the services of the Church he didn't know into what barbarism the people mightn't have fallen: the tones of the organ sustaining clear voices of nuns singing a Mass by Mozart must sooner or later inspire belief in the friendliness of pure air and the beauty of flowers. Flowers are the only beautiful things within the reach of these poor people. Roses all may have, and it was pleasant to think that there is nothing more entirely natural or charming in the ...
— The Lake • George Moore
... veins, is sufficient to prove that no malignant Ahriman made the world. Just here the question is not, what increment or what momentum genius may receive from outward circumstances, but what coloring, what mood. Here it is that a Mozart differs from a Mendelssohn. The important difference which obtains, in this respect, between great powers in literature, otherwise cooerdinate, will receive illustration from a comparison between De Quincey and Byron. For both these ...
— Atlantic Monthly, Vol. XII. September, 1863, No. LXXI. - A Magazine Of Literature, Art, And Politics • Various
... shining through a silvery veil. Groups of figures were sauntering about in the square, under the trees, and two bands having stationed themselves with lamps and music, played alternately pieces from Mozart and Bellini. We regretted leaving so delightful a scene for the theatre, where we arrived in time to hear La Pantanelli sing an aria, dressed in helmet and Theatre of Tacon tunic, and to see La Jota Arragonesa danced by two handsome Spanish ...
— Life in Mexico • Frances Calderon de la Barca
... the Parliamentary life of this country. So far as intellectual gifts are concerned, he is not, of course, to be named in the same breath with a man like Burke, for example; one might as well think of comparing Offenbach with Mozart or Handel. But the influence of the career of Pulteney on the English Parliament is nevertheless more distinctly marked than the influence of the career of Burke. We are speaking now not of political thought—no man ever made a greater impression on political thought ...
— A History of the Four Georges, Volume I (of 4) • Justin McCarthy
... intelligence, Alfred went early the next Sunday to St. Anne's Church, and sat down in the side gallery at its east end. While the congregation flowed quietly in, the organist played the Agnus Dei of Mozart. Those pious tender tones stole over his hot young heart, and whispered, "Peace, be still!" He sighed wearily, and it passed through his mind that it might have been better for him, and especially for his studies, if he had never seen her. Suddenly the aisle seemed to lighten up; ...
— Hard Cash • Charles Reade
... emerged unwillingly from the green, dark valley, and journeyed along the level highway to Frankfort, where in the evening they heard the glorious Don Giovanni of Mozart. Of all operas this was Flemming's favorite. What rapturous flights of sound! what thrilling, pathetic chimes! what wild, joyous revelry of passion! what a delirium of sense!—what an expression of agony and woe! all the feelings of suffering and rejoicing humanity sympathized with ...
— Hyperion • Henry Wadsworth Longfellow
... Mozart and Beethoven, advanced this art beyond the limits of their predecessors by identifying themselves more closely with the development of active life itself. By their creative power they invested the life of the nation and mankind with profounder ...
— Life of Wagner - Biographies of Musicians • Louis Nohl
... Batchelor, Leon D., Horticulturist, Utah Agricultural College, Logan Pendleton, M. A., 3 Mozart Apartments, Salt ...
— Northern Nut Growers Association Report of the Proceedings at the Fifth Annual Meeting - Evansville, Indiana, August 20 and 21, 1914 • Various
... of the German music—days which followed the City Hotel epoch and the Garcia opera—people were so unaccustomed to the proprieties of the concert-room that the Easy Chair has even known some persons to whisper and giggle during the performance of the finest symphonies of Beethoven and Mozart, and so excessively rude as to rustle out of the hall before the last piece ...
— From the Easy Chair, vol. 1 • George William Curtis
... bachelor—of arts, And parts, and hearts: he danced and sung, and had An air as sentimental as Mozart's Softest of melodies; and could be sad Or cheerful, without any 'flaws or starts,' Just at the proper time; and though a lad, Had seen the world—which is a curious sight, And very much ...
— Don Juan • Lord Byron
... the church of Saint Hilaire, where the clergy of the four parishes had assembled. High mass was performed by the full choir. The Miserere of Beethoven was given, and some exquisite pieces from Mozart. Deep emotion was produced by the introduction, in the midst of this beautiful music, of some popular airs from the romance of Franconnette and Me Cal Mouri, Jasmin's first work. The entire ceremony was touching, ...
— Jasmin: Barber, Poet, Philanthropist • Samuel Smiles
... concert or opera? It is a fixed and permanent expression, for we can renew it so long as men preserve the score where it is written; and, finally, it is free—who can find any practical or moral or scientific purpose in an etude of Chopin or a symphony of Mozart? Music is the most signal example of a mode of expression that has attained to a complete and pure aesthetic character, an unmixed beauty. Yet this was not true of music in its earlier forms, and a long process of development was necessary before freedom was realized. ...
— The Principles Of Aesthetics • Dewitt H. Parker
... aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure:—within each book the pieces have therefore been arranged in gradations of feeling or subject. The development of the symphonies of Mozart and Beethoven has been here thought of as a model, and nothing placed without careful consideration. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, "as episodes," in the noble language of Shelley, ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... the little city. In its place among the mountains on both sides of the gray-green river it was full of romance to him, romance colored all the more deeply by memory. Off there among those peaks the Arrow had first come for him and Lannes, while here the great Mozart had been born and lay buried. In remoter days Huns had swept through these passes, coming from Asian deserts ...
— The Hosts of the Air • Joseph A. Altsheler
... you," returns Mr. Bucket, squeezing his hand. "You're a friend in need. A good tone, mind you! My friend is a regular dab at it. Ecod, he saws away at Mozart and Handel and the rest of the big-wigs like a thorough workman. And you needn't," says Mr. Bucket in a considerate and private voice, "you needn't commit yourself to too low a figure, governor. I don't want ...
— Bleak House • Charles Dickens
... form of the music,—the more architectonic it is—the less variation in tempo should there be in its rendition, for in this type of music the expression is primarily intellectual. Such instrumental works (of which certain compositions of Bach and Mozart are typical) must not be played sentimentally, as a modern English writer has remarked, and yet they must be played with sentiment. The remarks of this same author may well be quoted in closing ...
— Essentials in Conducting • Karl Wilson Gehrkens
... undistracted by the romps around her. Dinner at six was followed by a short evening walk, after which she played with the children, or set them dancing indoors. She liked to sit at the piano, playing over to herself bits of music by her favorite Mozart, or old Spanish and Berrichon airs. After a game of dominoes or cards she would still sit up so late, occupying herself with water-color painting or otherwise, that sometimes her son was obliged to take away the lights. These long evenings, the same writer bears witness, ...
— Famous Women: George Sand • Bertha Thomas
... like a bird, that her laugh was merry, that her heart was careless, and that her voice rang through the house—a sweet soprano voice—singing snatches of songs (now a street tune she had caught from a London organ, now an air from Handel or Mozart), or that she would sometimes tease her elder sister about her solemn and anxious looks; for Wynnie, the eldest, had to suffer for her grandmother's sins against her daughter, and came into the world with a troubled little heart, that was soon compelled to flee for refuge to the rock that was ...
— The Seaboard Parish Volume 1 • George MacDonald
... just as the curtain rose on the fourth act of Don Giovanni. They were, fortunately, able to secure two orchestra-chairs. The stage was gorgeous; but what did they care for the singer on the boards, or the divine music of Mozart? Brevan took his opera-glasses out, and rapidly surveying the house, he had soon found what he was looking for. He touched Daniel with his elbow, and, handing him the ...
— The Clique of Gold • Emile Gaboriau
... was a common man," says his friend Joshua Speed, "expanded into giant proportions; well acquainted with the people, he placed his hand on the beating pulse of the nation, judged of its disease, and was ready with a remedy." Inspired he was truly, as Shakespeare was inspired; as Mozart was inspired; as Burns was inspired; each, like him, sprung directly ...
— America First - Patriotic Readings • Various
... heard from many of his friends, Cavour occupied his seat with tolerable ease, and without undue strain discharged his duties as First Minister of Piedmont, and the shaper of its destiny. The fact was, that his nature was that of a statesman; he was born, not made, and performed his work as Mozart executed his symphonies or Raphael painted his pictures, without torturing his brains, without any special difficulty. In his sphere of duty he was as much a genius and an artist as ...
— Celebrated Women Travellers of the Nineteenth Century • W. H. Davenport Adams
... nothing." It may be doubted whether his general proposition is at all true, and whether it is any more the essential business of a poet to be a teacher than it was the business of Handel, Beethoven, or Mozart. They attune the soul to high states of feeling; the direct lesson is often as nought. But of himself no view could be more sound. He is a teacher, or he is nothing. "To console the afflicted; to add sunshine to daylight by making the ...
— Studies in Literature • John Morley
... crate dings from Mozart, Beethoven, und Méhul Mit chorals of Sebastian Bach Soopline und peaudiful. Der Breitmann feel like holy saints, De tears roon down his fuss; Und he sopped out, "got verdammich ...
— The Breitmann Ballads • Charles G. Leland
... this visit to Vienna that he met Mozart, and played for him. Mozart gave due attention, and when the player had ceased he turned to the company and said, "Keep your eye on this youth—he will yet make ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... bawling at the chapel. And, as yet, Mr. Hullah had not risen into a power more enviable than that of kings, and given to every workman a free entrance into the magic world of harmony and melody, where he may prove his brotherhood with Mozart and Weber, Beethoven and Mendelssohn. Great unconscious demagogue!—leader of the people, and labourer in the cause of divine equality!—thy reward is with ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... a slight examination of musical literature will show. For we see that the fugal form has been used to express well-nigh every form of human emotion, the sublime, the tragic, the romantic; very often the humorous and the fantastic. When we recall the irresistible sparkle and dash of Mozart's Magic Flute Overture, of the Overture to the Bartered Bride by Smetana, of the Finale of Mozart's Jupiter Symphony, and of many of the fugues in the Well-tempered Clavichord, it is evident that to call a fugue "dry" is an utter abuse of language. It is true that there are weak, ...
— Music: An Art and a Language • Walter Raymond Spalding
... but in piety he falls off greatly. True, he also proposes to repent; but in what terms? "Oui, ma foi! il faut s'amender. Encore vingt ou trente ans de cette vie-ci, et puis nous songerons a nous." After Moliere comes the artist-enchanter, the master of masters, Mozart, who reveals the hero's spirit in magical harmonies, elfin tones, and elate darting rhythms as of summer lightning made audible. Here you have freedom in love and in morality mocking exquisitely at slavery to them, and interesting ...
— Man And Superman • George Bernard Shaw
... by 1877 he had already appeared in concert at Danzig. His family was very poor, and his early years were full of difficulties. It is said that, at the age of nine, he copied the whole score of Wagner's Ring, the scores of the nine Beethoven symphonies and the complete works of Mozart. His regular teacher, in those days, was Stadtpfeifer Schmidt, who instructed him in piano and thorough-bass. In 1884, desiring to have lessons in counterpoint from Prof. Kalbsbraten, of Mainz, he walked to that city from Hamburg once a week—a distance for the round trip of 316 miles. In 1887 ...
— A Book of Burlesques • H. L. Mencken
... de Parme, all the furniture, rosewood. The only ornament in the room is a replica of the Mozart statue in Vienna. Nothing but Mozart is to be played in the room. Absolutely, ...
— When William Came • Saki
... or shopkeeper understands and appreciates good music, as he understands and appreciates good beer. You cannot impose upon him with an inferior article. A music-hall audience in Munich are very particular as to how their beloved Wagner is rendered, and the trifles from Mozart and Haydn that they love to take in with their sausages and salad, and which, when performed to their satisfaction, they will thunderously applaud, must not be taken liberties with, or they ...
— Diary of a Pilgrimage • Jerome K. Jerome
... friend Victorien Sardou had undergone similar experiences. As a medium he wrote descriptions of divers planets in our system, principally of Jupiter, and drew very odd pictures, representing the habitations of that planet. One of these pictures depicted the house of Mozart, while others represented the dwellings of Zoroaster and of Bernard Palissy, who seemed to be country neighbors in that immense planet. These habitations appeared to be aerial and of marvellous lightness. The first ...
— The Arena - Volume 4, No. 19, June, 1891 • Various
... authentic edition of Mozart's Letters ought to require no special apology; for, though their essential substance has already been made known by quotations from biographies by Nissen, Jahn, and myself, taken from the originals, still in these three works the letters are necessarily not only very ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... in full youthful vigour, as music from the soul of a young god should. It cannot and never will grow old; the everlasting life is in it that makes the green buds shoot. To realise the immortal youth of Purcell's music, let us make a comparison. Consider Mozart, divine Mozart. Mixed with the ineffable beauty of his music there is sadness, apart and different from the sadness that was of the man's own soul. It is the sadness that clings to forlorn things of an order that is dead ...
— Purcell • John F. Runciman
... here with interest the manners of the different artists in jotting down their ideas as they rose; some by chalk, some by crayon, some by pencil, some by water colors, and some by a heterogeneous mixture of all. Mozart's scrap bag of musical jottings could not ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... quenched in its music, I said to myself that it had certainly taken a delicate hand to wind up that fine machine. No doubt Madame Blumenthal was a clever woman. It is a good German custom at Homburg to spend the hour preceding dinner in listening to the orchestra in the Kurgarten; Mozart and Beethoven, for organisms in which the interfusion of soul and sense is peculiarly mysterious, are a vigorous stimulus to the appetite. Pickering and I conformed, as we had done the day before, to the fashion, and when we were seated under the ...
— Eugene Pickering • Henry James
... yes, my friend. And in my scarf— For 'tis a thing looks well upon a lover— I'll wear a dainty eaglet for a pin. There's music!—Now, O Caesar's son, you're but Mozart's Don Juan! Nay, not even Mozart's! Strauss's! I'll waltz; for now I must become Charming and useless: Austrian ...
— L'Aiglon • Edmond Rostand
... no time had us both laughing; I think the first air which he tortured to fit his unrhymed and unrhythmical words belonged once to Mozart, but I am not sure. It was made out ...
— We Three • Gouverneur Morris
... peevish cry cannot by any efforts make itself impassioned. The cry of impatience, of hunger, of irritation, of reproach, of alarm, are all different—different as a chorus of Beethoven from a chorus of Mozart. But if ever you saw an infant suffering for an hour, as sometimes the healthiest does, under some attack of the stomach, which has the tiger-grasp of the Oriental cholera, then you will hear moans that address to their mothers ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... is past, it sang itself out in Mozart—how happy are WE that his ROCOCO still speaks to us, that his "good company," his tender enthusiasm, his childish delight in the Chinese and its flourishes, his courtesy of heart, his longing for the elegant, the amorous, the tripping, the tearful, and his belief in the ...
— Beyond Good and Evil • Friedrich Nietzsche
... should rather say, not the rule, but the discovery of the rule, men whose intuitive perception led them to the right practice. We cannot imagine Homer to have studied rules, and the infant genius of those giants of their art, Handel, Mozart, and Beethoven, who composed at the ages of seven, five, and ten, must certainly have been unfettered by them: to the less brilliantly endowed, however, they have a use as being compendious safeguards against error. Let me then lay down as the best of all rules for writing, "forgetfulness ...
— Samuel Butler's Cambridge Pieces • Samuel Butler
... accidental interruptions in the shape of cold chicken and cheese-cakes. She trifled away half an hour at the piano; and played, in that time, selections from the Songs of Mendelssohn, the Mazurkas of Chopin, the Operas of Verdi, and the Sonatas of Mozart—all of whom had combined together on this occasion and produced one immortal work, entitled "Frank." She closed the piano and went up to her room, to dream away the hours luxuriously in visions of her married future. The green shutters ...
— No Name • Wilkie Collins
... of the "Paradiso" turns one to other books, so much the better. Aristotle is worth while; he holds the germ of what is best in modern life; and St. Thomas Aquinas, his echo, with new harmonies added the Wagner to Aristotle's Mozart. No—that is going too far!—the musical comparison fails. "If thou should'st never see my face again, pray for my soul," is King Arthur's prayer. It is the prayer of Pope Gregory ...
— Confessions of a Book-Lover • Maurice Francis Egan
... the distinction in the mind of Everycritic between good music and bad music, in the mind of Everyman between popular music and "classical" music? What is the essential difference between an air by Mozart and an air by Jerome Kern? Why is Chopin's G minor nocturne better music than Thecla Badarzewska's La Priere d'une Vierge? Why is a music drama by Richard Wagner preferable to a music drama by Horatio W. Parker? ...
— The Merry-Go-Round • Carl Van Vechten
... in a beautiful, narrative style, and can not but be every where acceptable. To all who appreciate the extraordinary genius of Mozart, the delicate structure of his mind, the incidents of his life, and his romantic death, this volume will indeed ...
— The Expedition to Borneo of H.M.S. Dido - For the Suppression of Piracy • Henry Keppel
... one long success. Yet it scarcely seemed possible that a boy of fourteen could know so much about music as this one was said to. That was why the learned men of Bologna had gathered together this afternoon. They were going to test Wolfgang Amadeus Mozart's skill. ...
— Historic Boyhoods • Rupert Sargent Holland
... particular, he speaks of with the utmost enthusiasm, and after hearing his "Symphony in Ut mineur," he says that the great musician is the only person who makes him feel jealous, and that he prefers him even to Rossini and Mozart. "The spirit of the writer," he says, "cannot give such enjoyment, because what we print is finished and determined, whereas Beethoven wafts his ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... carriages were sent out to the city gates for the Empress and her suite, but Josephine did not get into any of them; she kept on her travelling dress. This did not mar the brilliancy of the entrance, which was conspicuous for universal joy. December 7, she went to the theatre, where Mozart's Don Juan was given, and she was greeted with sound of trumpets and the applause of ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... the drawing-room, after dinner, Miss Arabella took her harp, and was on the point of favouring us with a Mozart; but her mother, recollecting that we were Presbyterians, thought it might not be agreeable, and she desisted, which I was sinful enough to regret; but my mother was so evidently alarmed at the idea of playing on the harp on a Sunday night, that ...
— The Ayrshire Legatees • John Galt
... quaint old theatre down in the centre of the Old Town; you will find it standing comfortably among old red-roofed houses, between two open spaces, market-places bright with fruit and flowers in their season. It was in this theatre that Mozart's Don Giovanni was performed ...
— From a Terrace in Prague • Lieut.-Col. B. Granville Baker
... Blinded Bird "The wind blew words" The Faded Face The Riddle The Duel At Mayfair Lodgings To my Father's Violin The Statue of Liberty The Background and the Figure The Change Sitting on the Bridge The Young Churchwarden "I travel as a phantom now" Lines to a Movement in Mozart's E-flat Symphony "In the seventies" The Pedigree This Heart. A Woman's Dream Where they lived The Occultation Life laughs Onward The Peace-offering "Something tapped" The Wound A Merrymaking in Question "I said and sang her excellence" A January Night. 1879 A ...
— Moments of Vision • Thomas Hardy
... painter when he has completed his picture, a writer his book, an architect his house, or even a mechanic his machine. An interesting example of a musician constructing a thought-picture is given by Mozart himself: ...
— Science and the Infinite - or Through a Window in the Blank Wall • Sydney T. Klein
... unearthly repose; and the balmy quiet, that deepened ever with the deepening light, seemed to hover over us with a gentler influence still, when there stole upon it from the piano the heavenly tenderness of the music of Mozart. It was an evening of sights ...
— The Woman in White • Wilkie Collins
... saying: "Je pourrais en finir des Polonais si je venais a bout des Polonaises."] They remind Heine of the tenderest and loveliest flowers that grow on the banks of the Ganges, and he calls for the brush of Raphael, the melodies of Mozart, the language of Calderon, so that he may conjure up before his readers an Aphrodite of the Vistula. Liszt, bolder than Heine, makes the attempt to portray them, and writes like an inspired poet. No Pole can speak on this subject without being transported into a transcendental rapture that illumines ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... to disturb the hilarity of the conversation. I sat silently among them, and was perfectly contented in listening to their merriment. But my behaviour was set down as proceeding from stupidity, and I soon gathered from their discourse that they were comparing me to the "stone guest" in Mozart's Don Giovanni. If these kind people had only surmised the true reason of my keeping silence, they would perhaps have thanked ...
— Visit to Iceland - and the Scandinavian North • Ida Pfeiffer
... intellect can that be? You can assign to it no character in accordance with its acts. It is an intellect, if it be an intellect at all, which will swallow up a city, and will create the music of Mozart for me when I am weary; an intellect which brings to birth His Majesty King George IV., and the love of an affectionate mother for her child; an intellect which, in the person of a tender girl, shows an exquisite conscience, and in the person of one or two religious ...
— The Autobiography of Mark Rutherford • Mark Rutherford
... her face. As one great singer expresses it: "You should have the jaw of an imbecile when emitting a tone. In fact, you shouldn't know that you have one." Let us take the following passage from "The Marriage of Figaro," by Mozart: ...
— Caruso and Tetrazzini on the Art of Singing • Enrico Caruso and Luisa Tetrazzini
... 2 to 4. President, the Earl of Aylesford. The "Messiah" was given for the first time here with Mozart's accompaniments; part of the "Creation" &c. Mr. Thomas Vaughan was among the singers (and he took part in every Festival until 1840), and Signor Domenico Dragonetti (double bass) and the Brothers Petrules (horn players) with the ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... well as necessity, of obtaining the proper credentials for traveling in China was impressed upon us by the arrest the previous day of three Afghan visitors, and by the fact that a German traveler had been refused, just a few weeks before, permission even to cross the Mozart pass into Kashgar. So much, we thought, ...
— Across Asia on a Bicycle • Thomas Gaskell Allen and William Lewis Sachtleben
... of them being a festal march, written for his father's birthday, and a grand funeral march. He shares his father's intense devotion to Bach and Handel, as well as his fondness for the works of Mendelssohn, Beethoven and Mozart, and is a most accomplished performer on the violoncello, being a pupil of the well-known master of that instrument, Professor Luedemann. Prince Albert's sister, the widowed Duchess William of Mecklenberg-Schwerin, has been particularly ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... Chopin. This was followed by a blending of heliotrope, moss-rose, and hyacinth, together with dainty touches of geranium. He dreamed of Beethoven's manly music when whiffs of apple-blossom, white rose, cedar, and balsam reached him. Mozart passed roguishly by in strains of scarlet pimpernel, mignonette, syringa, and violets. Then the sky was darkened with Schumann's perverse harmonies as jasmine, lavender, and lime were sprayed over him. Music, surely, was the art nearest akin to odour. A superb and subtle chord floated about him; ...
— Visionaries • James Huneker
... storms of air and sea; and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... here's a feller answers by the name Mozart Rabiner," Morris continued. "Did y'ever hear ...
— Potash & Perlmutter - Their Copartnership Ventures and Adventures • Montague Glass
... twenty-eighth birthday in Munich. A short time before he had gone to Bayreuth to hear the Wagnerian operas, and now in the capital of Bavaria he attended the theater of the Residence, where the Mozart festival was celebrated. Jaime was not a melomaniac, but his vagrant existence forced him with the crowd, and his accomplishment as an amateur pianist had led him to make his musical ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez
... played anything newer than Mozart at Hiltonbury. Miss Charlecote taught me very well, I believe, and I had lessons from the organist from Elverslope, besides a good deal in the fashionable line since. I have kept that up. One ...
— Hopes and Fears - scenes from the life of a spinster • Charlotte M. Yonge
... squires; there exists a Germany pharisaic and iniquitous, the Germany of all the unintelligible pedants whose empty lucubrations and microscopic researches have been so unduly vaunted. But these two Germanies are not the great Germany, that of the artists, the poets, the thinkers, that of Bach, Mozart, Beethoven, Goethe, Schiller, Heine, Leibnitz, Kant, Hegel, Liebig. This latter Germany is good, generous, humane, pacific; it finds expression in the touching phrase of Goethe, who when asked to write against us replied that he could not find it in his heart to ...
— The European Anarchy • G. Lowes Dickinson
... with the writings of the French political philosophers, and performed the quaint achievement of pirating Figaro for the English stage. No printed copy was obtainable, and Holcroft contrived to commit the whole play to memory by attending ten performances, much as Mozart had pirated the ancient exclusive music of St. Peter's in Rome. He was at this period a thriving literary craftsman, and the author of a series of popular plays in which the critics of the time had just begun to note and resent an obtrusive ...
— Shelley, Godwin and Their Circle • H. N. Brailsford
... to this on the eastern side was occupied for many years by the artistic family of the Lawsons. Thomas Attwood, a pupil of Mozart and himself a great composer, died there in 1838. The house had formerly a magnificent garden, to the mulberries of which Hazlitt makes allusion in one of his essays. No. 18 was the home of the famous ...
— Chelsea - The Fascination of London • G. E. (Geraldine Edith) Mitton
... of Mornington, Mus. D., was appointed first professor of music in Dublin University. A few years later Charles Clagget invented the valve-horn. Michael Kelly of Dublin was specially selected by Mozart to create the parts of Basilio and Don Curzio at the first performance of the opera of Figaro, on May 1st, 1786. Kane O'Hara, Samuel Lee, Owenson, Neale, Baron Dillon, Dr. Doyle, T.A. Geary, Mahon, and the Earl of Westmeath were distinguished musicians—while ...
— The Glories of Ireland • Edited by Joseph Dunn and P.J. Lennox
... lady deceived by Don Giovanni, who basely deluded her into an amour with his valet Leporello.—Mozart's opera, ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... that I see a gnosis in him of which as a young man I knew nothing. But I do not greatly care about gnosis, I want agape; and Beethoven's agape is not the healthy robust tenderness of Handel, it is a sickly maudlin thing in comparison. Anyhow I do not like him. I like Mozart and Haydn better, but not so much better as I should like ...
— The Note-Books of Samuel Butler • Samuel Butler
... the amount of toil it costs. But all the standards, all the precedents of every art, show that the greatest gifts do not supersede the necessity of work. The most astonishing development of native genius in any direction, so far as I know, is that of Mozart in music; yet it is he who has left the remark, that, if few equalled him in his vocation, few had studied it with such persevering labor and such unremitting zeal. There is still preserved at Ferrara the piece of paper on which Ariosto wrote in sixteen different ways one of ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... the art. He wrote for the proprietors of the "Atlas" that elegant little book of dilettante criticism, "A Ramble among the Musicians in Germany." He latterly contributed to the "Musical Times" a whole series of masterly essays and analyses upon the Masses of Haydn, Mozart, and Beethoven. But the work upon which his reputation will rest was a "Life of Mozart," which was purchased by ...
— Atlantic Monthly Volume 7, No. 39, January, 1861 • Various
... so precocious as Mozart's musical compositions at the same age, but how could the boy Hawthorne have given a clearer account of himself and his situation at the time, without one word of complaint? It is worth noting also that his prediction ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... Hoffmann is considered in London the greatest young pianist since the days of Mozart. He is coming to America. He is ...
— Buchanan's Journal of Man, October 1887 - Volume 1, Number 9 • Various
... perspective has been attained, it may be seen that the majority of composers fall into this category not a consoling notion, but an unavoidable. Richard Wagner has his epigones; the same is the case with Haydn, Mozart, Beethoven. Mendelssohn was a delightful feminine variation on Bach, and after ...
— Ivory Apes and Peacocks • James Huneker
... delicacy of shading, like the art of Bach himself for purity, poignancy, and clarity, he envelops us with the thrilling atmosphere of the most absolutely musical music in the world. The playing of this concerto is the greatest thing I have ever heard Pachmann do, but when he went on to play Mozart I heard another only less beautiful world of sound rise softly about me. There was the "glittering peace" undimmed, and there was the nervous spring, the diamond hardness, as well as the glowing light and ardent sweetness. Yet another manner of playing, not less appropriate ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... "The Mozart Society at Fisk treated us to an excellent rendering of Haydn's great oratorio, 'The Creation.' Many came over from the city (Nashville),—whites from the "best families," all crowding in, listening, wondering, enjoying! How ...
— American Missionary, Volume 44, No. 6, June, 1890 • Various
... Italian composers, French composers, and English composers had ever existed. The music offered to the English public was music of exclusively German (and for the most part modern German) origin. Carmina held the opinion—in common with Mozart and Rossini, as well as other people—that music without melody is not music at all. ...
— Heart and Science - A Story of the Present Time • Wilkie Collins
... poor apple-woman, who had been drawn on to disclose a tale of distress that, almost in the mere hearing, made me weary of life, "I hope I may yet see you in a happier condition." "With God's help," she replied, with a smile that Raphael would have delighted to transfer to his canvas; a Mozart, to strains of angelic sweetness. All her life she had seemed an outcast child; still she leaned upon ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli |
