"Orchestral" Quotes from Famous Books
 ... which most nearly resembles that just related is the Scottish ballad of The Demon Lover, which inspired the late Hamish MacCunn, the gifted Scottish composer, in the composition of his weird and striking orchestral piece, ...
— Legends & Romances of Brittany • Lewis Spence
... and earth than are dreamed of in our philosophy." Several other things happened also, but the religion never seemed to get much beyond its first manifestations; though it added an air-line postal dak, and orchestral effects in order to keep abreast of the ...
— The Lock And Key Library - Classic Mystery And Detective Stories, Modern English • Various
... the bellowing enjoyable and applauded loudly. Then a feminine person did a Castilian dance between the tables. I was ready to declare a second war with Spain when she had finished. Then there was an orchestral interval, during which the ...
— Kent Knowles: Quahaug • Joseph C. Lincoln
... in the Hoftheater on April 22 of the same year; a C major Overture was given at the Gewandhaus eight days later; on January 10 of the following year the C Symphony was played at the Gewandhaus after being tried by a smaller orchestral society; an Overture to a preposterous play, King Enzio, in which Rosalie took a part, had been played nightly while the piece ran. I don't know what the "Scena with Aria" may be; a "declamatorium" seems to be a fine term for a recitation or evening of spouting; ...
— Richard Wagner - Composer of Operas • John F. Runciman
... display of autumnal colors we had on that morning. Our little friends of the summer time are flitting here and there through the naked branches in silent confusion. There are no green boughs behind which to conceal their orchestral moods. Besides, their inspiration is gone, their singing hearts are benumbed by the cold. But for your letter thrust somewhere I could not have escaped the ghost of sadness that seemed to haunt the earth and sky. Suddenly, as I stood in the midst of it all, a cardinal ...
— The Jessica Letters: An Editor's Romance • Paul Elmer More
... gave a lesson on the violin to the youngest son, Carl, and I chanced to come in at the time, I never gave him credit for much talent, but I saw that he took great pains in giving his lesson; and when we entered into conversation about violin, concert, and orchestral playing, he reasoned very well, and was always of my opinion, so I retracted my former sentiments with regard to him, and was persuaded that I should find him play well in time, and a correct violinist in the orchestra. I, therefore, invited him to be so kind ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... subordination of their individuality to the general purpose. Without this method a play when acted is at best a disjointed and incoherent piece of work, instead of being a harmonious whole like the fine performance of an orchestral symphony. The root of the matter is that the actor must before all things form a definite conception of what he wishes to convey. It is better to be wrong and be consistent, than to be right, yet hesitating and uncertain. This is why great actors are sometimes very bad or very good. ...
— The Drama • Henry Irving
... from a somewhat higher form of art, you would not be likely to succeed in awakening enthusiasm in any one for orchestral music by giving him his individual part of the score to study and play over by himself. No matter what his instrument might be, the solitary performance of the part assigned to it would be the dryest possible business. ...
— The Church and Modern Life • Washington Gladden
... music is consorted with this oracular utterance. The words are set to an old German church melody—"Ach Gott, vom Himmel sieh darein"—around which the orchestral instruments weave a contrapuntal web of wondrous beauty. At the gates Pamina joins her lover and accompanies him on his journey, which is happily achieved with the help of the flute. Meanwhile Papageno is pardoned his loquacity, but told that he shall never feel the joy of the elect. ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... secret haven, the profounder aspirations of man's heart are in solitude continually travelling. Obliquely upon our left we were nearing the sea; which also must, under the present circumstances, be repeating the general state of halcyon repose. The sea, the atmosphere, the light, bore each an orchestral part in this universal lull. Moonlight and the first timid tremblings of the dawn were by this time blending; and the blendings were brought into a still more exquisite state of unity by a slight silvery mist, motionless and dreamy, that covered the woods and fields, but with a veil of equable ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... sincerely (and a baron may well do such a thing) to give him a good box on the ear. How gladly would I work and work, if it were only left me to write always such music as I please, and as I can write; such, I mean to say, as I myself set some value upon. Thus I composed three weeks ago an orchestral symphony, and by to-morrow's post I write again to Hoffmeister (the music-seller) to offer him three pianoforte quatuors, supposing that he is able to pay. Oh heavens! were I a wealthy man, I would say, 'Mozart, compose what ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... absolutely wrong. A hymn-tune, which they hastily assume to be the commonest and lowest form of music, actually possesses liberties coveted by other music[13]. It is a short melody, committed to memory, and frequently repeated: there is no reason why it should submit to any of the time-conveniences of orchestral music: there is no reason why its rhythm should not be completely free; nor is there any a priori necessity why any one tune should be exactly like another in rhythm. It will be learned by the ear (most often in childhood), be known and loved for its own sake, and blended ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... die. We all, Flora and Fauna, go down to the bosom of our common mother to rest in death. I love the companionship of the forest. There is an elevation of soul in this communion with incorruptible nature: there is sincerity and truth in the hills and valleys—in the trees and vines, and music—grand orchestral music—in the moaning of the limbs and leaves, played upon by the hurrying winds. I have prayed to be a savage, and to ...
— The Memories of Fifty Years • William H. Sparks
... at his deepest sleep a thundering summons at his door aroused him. A dream which came between the first prelude to this orchestral drumming and his awaking had advised him of a fainter disturbance, but by the time he was fairly awake the knocking had grown so exigent that it bade fair to raise ...
— Despair's Last Journey • David Christie Murray
... Brantome, informing her that if she went to a certain orchestral concert she would hear a piece that David Verne had written at the ...
— Sacrifice • Stephen French Whitman
... knowledge and skill by a boy of twelve years old, and they therefore not only charged the composition with a want of dramatic effect, but they even went so far as to say, that he had not scored it himself. To counteract such calumnies, Leopold Mozart often obliged his son to put the orchestral parts to his compositions in the presence of spectators, which he did with wonderful celerity before Metastasio, Hasse, the Duke of Braganza, and others. The injurious opinion of the nobility, which these ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, Saturday, October 24, 1829. • Various
... Ingersoll at the banquet given in New York City, April 2, 1891, by the Liederkranz Society to Edmund C. Stanton, director of German Opera in New York, and Anton Seidl, orchestral conductor. William Steinway presided, and called upon Robert Ingersoll to speak to the toast, "Music, Noblest ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... not alone for reasons of thrift, but because we thought they ought to be left for old folks, "a leetle mite hard o' hearin'," or the unfortunates who were "not so fur-sighted" as we. So we seated ourselves in delight already begun, for was not Mr. Gad Greenfield performing one of the "orchestral pieces" which the programme had led us to expect? The piano was an antique, accustomed to serve as victim at Sudleigh's dancing-school and sociables. I have never heard its condition described, on its return ...
— Meadow Grass - Tales of New England Life • Alice Brown
... here represented is much stronger than those that generally figure in Japanese orchestral and theatrical entertainments. Music is not used, as with us, to fill the interval between the pieces, but accompanies the performers throughout; the louder instruments being energetically struck as the singing becomes impassioned or ...
— Sketches of Japanese Manners and Customs • J. M. W. Silver
... out of her eyes, her hair, she emerged to a grand orchestral flare. The same obsequious hands that applauded her helped her from the gold coping. Waiters dared to smile behind their trays. Up to her knees her dark-cloth skirt clung dankly. Water glistened on her shoulders, spotted ...
— Every Soul Hath Its Song • Fannie Hurst
... had been going into church; yet the firing of a cannon or two more or less would hardly have disturbed the performers at the two pianos, so tremendous was their own uproar. They were taking the overture in what they called orchestral time; though it is doubtful whether even their playing could have kept pace with the hurrying of excited fiddles in a presto passage, or the roll of the big drum, simulating distant thunder. Be that as it may, the four performers were pounding along at a breathless pace; and if ...
— The Golden Calf • M. E. Braddon
... served me as the theme for an orchestral composition (in the form of an overture) named Polonia; I shall recount the fate of this work later on. My friend Tyszkiewitcz's passport now arrived, and he made up his mind to go back to Galicia via ...
— My Life, Volume I • Richard Wagner
... "I see no way of stopping this bad habit that gentlemen have of going out between the acts," said he, "unless you ladies combine, and insist on a higher grade of orchestral excellence." ...
— Quincy Adams Sawyer and Mason's Corner Folks - A Picture of New England Home Life • Charles Felton Pidgin
... and similar thoughts crowded themselves into my brain, my attention was attracted by soft strains of music emanating from the room I had just left, and I stood still and listened. Arletta had evidently set the orchestral mechanism in motion again, and was accompanying it by tenderly singing her own requiem. With tremulous modulation, her vocal chords produced sounds such as I had never heard before, and of which I am powerless to give the faintest description. ...
— Born Again • Alfred Lawson
... at a quarter-past seven, and on two evenings a week those who wish to join the orchestral or choral societies have the pleasure of meeting together and practising under the direction ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... moral morass, and the world grew weary of them. And then the faint, fading flowers of romanticism were put into albums where their purple harmonies and subtle sayings are pressed into sweet twilight forgetfulness. Berlioz, mad Hector of the flaming locks, whose orchestral ozone vivified the scores of Wagnerand Liszt, began to sound garishly empty, brilliantly superficial; "the colossal nightingale" is difficult to classify even to-day. A romantic by temperament he unquestionably was. But then ...
— Chopin: The Man and His Music • James Huneker
... knowing Brown that cannot be trivial which they feel to be characteristic and in some degree explicative of the man; and with this 'I postulate the continuity' we touch accurately and simply for once a note which sang in many chords of the most vocal, not to say orchestral, nature it has ever been my ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... be checked. In the case of modern instruments, heavy in wood, and needing constant use to wear down their freshness, strings of a larger size may be used with advantage, and particularly when such instruments are in use for orchestral purposes. ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... about 2,000 players of orchestral instruments have been thrown out of employment by the war. It is suggested that, with a view to providing them with more employment, reverses as well as victories should be ...
— Punch or the London Charivari, Vol. 147, November 25, 1914 • Various
... last night, under the direction of Sir Henry Peacham, was successful in bringing together an audience of eminently respectable dimensions. The occasion served for the launching under favourable circumstances of what constituted the chief landmark of the programme—a set of orchestral variations with the quaint title of "The Quangle Wangle," from the prolific pen of Mr. Carl Walbrook. It is satisfactory to be able to record the gratifying fact that this work met with cordial acceptance. In the interests of serious art, the borrowing of a title from one of ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... castanets, a pair of cymbals, and a triangle, and with these loud-sounding instruments she and her companions emphasized the chorus. Garnet and Winona helped with mandoline and guitar, so the general result was quite orchestral. During the performance of this chef-d'oeuvre some of the prefects went round with collecting bags, which were passed ...
— The Luckiest Girl in the School • Angela Brazil
... for a pyrotechnical display have been heaped up; it is from these that the rockets will ascend, it is here the blue and red Catherine wheels will revolve. The vaulted ceiling of the cavern is so high that the rockets in their highest flight will not graze it. An orchestral-like balustrade has been provided for the musicians. The shareholders themselves will do their best to enliven the festivities with fiddles, flutes and bagpipes. The guests are already appearing, singly and in groups, down through the machinery ...
— The Poor Plutocrats • Maurus Jokai
... delivered her balsam to the faithful Gurnemanz, and thrown herself exhausted upon the grass—where she lies gnawing her hair morosely—than a change in the sound atmosphere, which never ceases to be generated in the mystic orchestral gulf, presages ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... the 'Prometheus Unbound', which is, in the words of Todhunter, "to all other lyrical poems what the ninth symphony is to all other symphonies; and more than this, for Shelley has here outsoared himself more unquestionably than Beethoven in his last great orchestral work. . . . The Titan Prometheus is the incarnation of the genius of humanity, chained and suffering under the tyranny of the evil principle which at present rules over the world, typified in Jupiter; the name Prometheus, FORESIGHT, connecting him ...
— Introduction to Robert Browning • Hiram Corson
... delight will be the result of making its acquaintance. Four and eight hand piano arrangements of the great overtures and symphonies, too, are valuable and enjoyable. They prepare the way for an appreciation of an orchestral performance of these masterpieces, and broaden the musical horizon. Where there are several music students in a family it is a pity for them to confine their efforts exclusively to the piano, although every musician ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... conductors and orchestral players were extraordinarily sensitive to sartorial influences. Unfortunately the force of tradition was so strong that he found it impossible to indulge his tastes. It was de rigueur to conduct in either a frock or an evening coat, but if he ...
— Punch, or the London Charivari, Vol. 146, January 28, 1914 • Various
... simulated stature, face, and speech: It also peradventure may outgrow The simulation of the painted scene, Boards, actors, prompters, gaslight, and costume, And take for a worthier stage the soul itself, Its shifting fancies and celestial lights, With all its grand orchestral silences To keep the pauses of ...
— Familiar Quotations • John Bartlett
... musically sensitive. The intonations, inflections, the tone colors of voice, orchestral and incidental music, found him an ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... into his clothes and, taking his cane, hurried off to the theatre, breathless and breakfastless. Orchestral music vibrated through the lobby and almost killed his pleasure in the placards of the Yiddish 'Hamlet.' He gave but a moment to absorbing the great capital letters of his name; a dash at a swinging-door, and he faced a glowing, crowded stage at the end of a gloomy hall. Goldwater, limelit, ...
— Ghetto Comedies • Israel Zangwill
... of all dignity and sweetness, blending a child-like simplicity and half-trembling womanly modesty with the beautiful confidence of genius and serene wisdom of art, addressed herself to song, as the orchestral symphony prepared the way for the voice in Casta Diva. A better test-piece could not have been selected for her debut. Every soprano lady has sung it to us; but nearly every one has seemed only trying to make something of it, ...
— A Unique Story of a Marvellous Career. Life of Hon. Phineas T. • Joel Benton
... unsatisfactory performance of the "Dante Symphony" in Dresden (partly, moreover, the fault of the bad, incorrectly written orchestral parts, and my careless conducting), and without regard to the rapture of the spiritual substance (a matter which the general public tolerates only when demanded by the higher authority of tradition, and ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... other instances which might be cited, a notable example to refute the assertion of the ancient poet. The place was principally devoted to the exhibition of musical talent, and opened at a period of the night when the performances at the theaters were over. The orchestral arrangements were comprised in one bad piano, to which were occasionally added, by way of increasing the attractions, performances on the banjo and guitar. All the singers were called "ladies and gentlemen;" and the one long ...
— Hide and Seek • Wilkie Collins
... [7] Musicians often 'dot' a note for the sake of emphasizing | | the accent, especially in orchestral music and with such | | instruments as the flute, where variations of stress are | | difficult to produce. ...
— The Principles of English Versification • Paull Franklin Baum
... lowest ebb. There were one or two ambitious orchestra conductors in America; one in Chicago trying to introduce the Wagnerian polyphonic school, and perhaps one or two in New York; but the public clamoured after divas, prima donnas and tenors with temperaments and vocal pyrotechnic skill. For orchestral music there was little demand. Wagner was as yet unknown to the public—certainly he was unheard except on the rarest occasions and the majority of musicians did not like him because he ...
— The Music Master - Novelized from the Play • Charles Klein
... to know that the germ of the old powers is always there ready to sprout forth if they be nourished and cultivated. If our cathedral choirs were the best in the old Catholic days, it is equally true, I believe, that our orchestral associations are now the best in Europe. So, at least, the German papers said on the occasion of the recent visit of a north of England choir. But one cannot read Pepys without knowing that the general musical habit is much less cultivated now than ...
— Through the Magic Door • Arthur Conan Doyle
... by the addition of periodically recurring sections, called the "tutti-passages," and by a "cadenza," occurring generally within the regular coda. In some concerto-allegros (for instance, in the classic forms of Mozart, Beethoven and others), the first orchestral tutti is a complete introductory Exposition, in concise form, of the thematic material used in the body of the movement. See the first piano-forte concerto of ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... evening the hall was filled to overflowing, and ushers were appointed to seat the crowd. Naturally there was much chattering and scraping of feet until suddenly a strain of music, an orchestral selection, began to come out of the horn and there was instant quiet. After its conclusion came ...
— Radio Boys Cronies • Wayne Whipple and S. F. Aaron
... front of us, within the garden, a joyous crowd of the radiantly raimented laughed over dainty food set on snowy cloths. Here and there a lobster struck a note of colour, or a ray of sunlight striking through the red or gold translucencies of wine in a glass: which distracted my attention from my orchestral duties and caused an absent-minded jingle ...
— The Beloved Vagabond • William J. Locke
... all others which made the deepest impression on Schubert's mind at this stage, however, was Mozart's 'G minor Symphony.' 'One can hear the angels singing in it,' he used to say. But he revelled also in the overtures to 'Figaro' and the 'Zauberfloete,' and, indeed, the orchestral music to which he was now introduced opened up to his mind ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... flourished at a still earlier date, won reputation as an orchestral conductor. This work is hardly deemed to come within woman's sphere, but the many choral and orchestral festivals of England offered her a better chance in this direction than her sisters in other lands could ...
— Woman's Work in Music • Arthur Elson
... anything short of perfection. What will such people do in our clanging streets? What of those fine ears tuned to the most exquisite appreciation of sweet sound? What of that refinement of hearing that detects the least departure from the rhythm and pitch in complex orchestral music? And must they bear the crash of steel on stone, the infernal clatter of traffic? Well, yes,—as a matter of fact—they must, at least for a good many years to come, until advancing civilization eliminates ...
— The Untroubled Mind • Herbert J. Hall
... changes of time, the changes of timbre of the voice, and the many other modifications of expression. While between the old monotonous dance-chant and a grand opera of our own day, with its endless orchestral complexities and vocal combinations, the contrast in heterogeneity is so extreme that it seems scarcely credible that the one should have been the ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... every village church had its Madonna and Child, when, in a word, art and life and religion went hand in hand, not sharply sundered by castes and professions. But we may not put back the clock, and, if by differentiation we lose something, we gain much. The old choral dance on the orchestral floor was an undifferentiated thing, it had a beauty of its own; but by its differentiation, by the severance of artist and actors and spectators, we have gained—the drama. We may not cast reluctant eyes backwards; the world goes forward to new forms of life, ...
— Ancient Art and Ritual • Jane Ellen Harrison
... blunders, but I know I can never be a composer until I have mastered all the branches of musical theory. I am now writing a symphony. I played some parts for Herr Nikisch and he has agreed to produce it. Of course, the orchestral parts will have to be written for me, but I know what instruments I ...
— Great Pianists on Piano Playing • James Francis Cooke
... spoken of his music generally, and now I come to deal (briefly, for my space is far spent) with the orchestral, choral, and chamber music and songs; and first with the choral music. I begin to fear that by insisting so strongly on the distinctive sweetness of Purcell's melody, I may have given a partially ...
— Old Scores and New Readings • John F. Runciman
... of this handbook cannot be doubted. Its pages are packed full of these fascinating renderings. The accounts of each composer are succinct and yet sufficient. The author has done a genuine service to the world of music lovers. The comprehension of orchestral work of the highest character is aided efficiently by this volume. The mechanical execution of the volume is in harmony with its subject. No worthier volume can be found to put into the hands of an amateur or a friend of ...
— Education and the Higher Life • J. L. Spalding
... to be forgotten. When these ceased and finally died away, the great organ and a band of brass instruments took up Schubert's funeral march, booming sonorously; and changed to Beethoven's funeral march with a clash of cymbals in the orchestral accompaniment. A third march being required, owing to the time needed by the procession to reach the Abbey, ...
— The Grand Old Man • Richard B. Cook
... opera, and Archduke Joseph, so well known by the name of the "Gypsy Archduke," who has done more than anyone else in Europe to place on record, both in writing and in print, the weird music and extraordinary quaint melodies of the Tziganes, melodies which he has arranged exquisitely for orchestral use. True, there is not a single archduke or archduchess in Austria and Hungary, who does not play with taste and feeling. Indeed, music seems to be inborn in them, and while the widowed crown princess is devoted to her piano, on which her performances ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... string from end to end. It has been well spoken of by the press and several noted artists. For chord playing it possesses distinct advantages, and I should think it would be very useful for certain orchestral players; it does not, however, seem to have attracted more ...
— The Bow, Its History, Manufacture and Use - 'The Strad' Library, No. III. • Henry Saint-George
... even its own weird harmony—for I have often heard a low, whistling hum as the air rushed through the cordage mesh. In a sudden tropical gale every taut strand of my hamaca has seemed a separate, melodious, orchestral note, while I was buffeted to and fro, marking time to some rhythmic and reckless tune of the wind playing fortissimo on the woven strings about me. The climax of this musical outburst was not without a mild element of danger—sufficient ...
— Edge of the Jungle • William Beebe
... indicated his tempi a little more clearly," I remarked as I finished Sarka for the third time. "It matters, because he really has something to say. An orchestral accompaniment would be ...
— Youth and the Bright Medusa • Willa Cather
... an amateur musician with a thorough knowledge of orchestral and band instruments, harmony, theory, and orchestration but during the last few years none but intimate frequenters of his home had the privilege of hearing him, although until within the last two or three years he often played ...
— Northern Nut Growers Association Report of the Proceedings at the 13th Annual Meeting - Rochester, N.Y. September, 7, 8 and 9, 1922 • Various
... said, such disturbing earthly emotions; why should they be a thicket in the way of his work for Christ? The betrothal was sealed in a religious ceremony. Young Zinzendorf composed a cantata for the occasion {March 9th, 1721.}; the cantata was sung, with orchestral accompaniment, in the presence of the whole house of Castell; and at the conclusion of the festive scene the young composer offered up on behalf of the happy couple a prayer so tender that all were moved to tears. His self-denial was well rewarded. If the Count had ...
— History of the Moravian Church • J. E. Hutton
... was undoubtedly crossing the grass. In consequence, I stole on tiptoe up to the gates, and entering, saw in the moonlight that Moroni was stealing along in the opposite direction to the great country mansion, many of the windows of which were illuminated. As I halted my ears caught the strains of orchestral music. A waltz was being played, for, as I afterwards knew, a gay ball was in progress, the cars entering and leaving by the ...
— The Stretton Street Affair • William Le Queux
... good thing it didn't set the car on fire. But there in the dark—for the car lamps went out at the same time with the lantern—I could hear those fellows pulling and hauling up and down the aisle and scuffling over the floor, and through all Melford bellowing away, like an orchestral accompaniment to a combat in Wagner opera, but getting quieter and quieter till his bellow died away altogether. At the same time the row in the aisle of the car stopped, and there was perfect silence, and I could hear the snow rattling against my window. Then I went off into ...
— Between The Dark And The Daylight • William Dean Howells
... d'esprit; and, unless he be an adequate exception, the unaccompanied rounds of Mozart and Brahms stand alone as works that raise the round to the dignity of a serious art-form. With the addition of an orchestral accompaniment the round obviously becomes a larger thing; and when we consider such specimens as that in the finale of Mozart's Cosi fan tutte, the quartet in the last act of Cherubim's Faniska, the wonderfully subtle quartet "Mir ist so wunderbar" in Beethoven's Fidelio, ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... There he sat, high above his neighbours, smiling, and nodding his great head enjoyingly from time to time. When the people near him applauded the close of an air (as an English audience in such circumstances always WILL applaud), without the least consideration for the orchestral movement which immediately followed it, he looked round at them with an expression of compassionate remonstrance, and held up one hand with a gesture of polite entreaty. At the more refined passages of the singing, at the more delicate phases of the music, ...
— The Woman in White • Wilkie Collins
... Atlantic. "We should get every school ma'am in the Union, to begin with," said poppa confidently, and by the time we reached Verona he had floated the company, launched the first ship, arrived in Venice with full orchestral accompaniment, and dined the imitation Doge—if he couldn't get Umberto and Crispi—upon clam chowder and canvas-backs to the solemn strains of Hail Columbia played up and down the Grand Canal. "If it could be worked," said poppa as we descended upon the platform, ...
— A Voyage of Consolation - (being in the nature of a sequel to the experiences of 'An - American girl in London') • Sara Jeannette Duncan
... create, to do, to accomplish; to know the white glory of mighty midnights and the pale Amen of dawns was his day of days. Songs, pianoforte and violin pieces, trios and quintets for strings, incidental music, symphony, orchestral, and choral works rushed from his fingers. Nor were they laboriously contrived or light, thin things made to meet sudden popularity. Rather they were the flaming bits that must be said and sung,—that could not wait the slower birth of years, so hurried to the world as though their young ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... Hole, Scriabin Fellow of Syndicalist Economics at Caius College, Cambridge, then presented a memorandum on the Guild Control of Composers on the bagis of a forty-hour week, with equal opportunity for performance, the economic use of orchestral resources and the preferential treatment of Russian folk-tunes as thematic material. All members of the Guild should receive the same salary free of income tax; all performances should be free, and applause or encores prohibited ...
— Punch, or the London Charivari, Vol. 156, May 14, 1919 • Various
... He's not poorly, Aunt; he's a Musician—he's supposed to be (quoting from Catalogue) "thinking out a composition, imagining an orchestral effect, with the occasional help ...
— Punch, or the London Charivari, Vol. 102, May 14, 1892 • Various
... of worship has been considerably improved during recent times; but it is nothing very amazing yet. There is a curtain amount of cadence, along with a fair share of power, in the orchestral outbursts; the pieces the choir have off go well; those they are new at rather hang fire; but we shall not parry with either the conductor or the members on this point. They all manifest a fairly-defined devotional feeling in ...
— Our Churches and Chapels • Atticus
... able to call up a fairly good image of your absent friend's face, the actual presence of your friend would be more satisfactory, just as a sensory experience. You may be able to run over a piece of music "in your head", and if your auditory imagery is strong you may even run over an orchestral piece, and get the tone quality of the various instruments; but, after all, such a mental concert is an imperfect substitute for a real orchestra. You enjoy a real whiff of the sea more than the ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth
... blaze of coloured lights and was bedecked with flags and streamers. The orchestral part of the town band was doing its best. Everybody, his wife and his sweetheart, were conspicuously present, despite the fact that it was the height of the harvest season and most of them had been hard at work in the orchards since early morning, garnering their ...
— The Spoilers of the Valley • Robert Watson
... fields, by which means the key of the whole is raised, and the rising rapture of expression powerfully seconded. Did I not fear to insist too much on what may be only a private fancy, I should say that these colors reverberate like some rich orchestral strain of music. ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... At a great orchestral rehearsal, which Sir Michael Costa was conducting, the man who played the piccolo stayed his fingers for a moment, thinking that his trifling contribution would never be missed. At once Sir Michael raised his hand, and said: "Stop! Where's the piccolo?" ...
— My Daily Meditation for the Circling Year • John Henry Jowett
... character of the service was changed; you could not say it was high even now, for high-church Theobald could never under any circumstances become, but the old easy-going slovenliness, if I may say so, was gone for ever. The orchestral accompaniments to the hymns had disappeared while my hero was yet a boy, but there had been no chanting for some years after the harmonium had been introduced. While Ernest was at Cambridge, Charlotte and Christina had prevailed on Theobald to allow the canticles ...
— The Way of All Flesh • Samuel Butler
... solo with noticeable loftiness, as if the orchestra were the common dust of the earth, and she only condescended to come for the soloist. So Elizabeth had scarcely known the delight of a whole concert of fine orchestral music. ...
— The Girl from Montana • Grace Livingston Hill
... the relative place which a sovereign God has assigned them in the scale of intelligence, by holding that relation to the end of time. Of course it would cease to be a curse; it would become one of those subordinate parts in the great orchestral music of life which subdue and soften it for the highest effect. If any one gets angry at such an idea, I leave him to his folly; for he is angry without a cause at me, who have, in this idea, expressed no wish that it may ...
— The Sable Cloud - A Southern Tale With Northern Comments (1861) • Nehemiah Adams
... as Verdi himself. While the rehearsals of the opera were going on, Mirate, who sang the Duke, continued to complain that he hadn't the MS. of one of his songs. Verdi kept putting him off, till the evening before the orchestral rehearsal, when he brought forth the lines; but at the same time he demanded a promise that Mirate—nor indeed any of the singers—should not hum or whistle the air till it should be heard at the first performance. This signified Verdi's belief that the song would instantly ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon
... Fontana, who was a daily visitor at his parents' house. We have a Polonaise (D minor) and a Nocturne (E minor) of 1827, and another Polonaise (B flat) and the Rondo for two pianos of 1828. The Sonata, Op. 4, and La ci darem la mano, varie for pianoforte, with orchestral accompaniments, belong also to this time. The Trio (Op. 8), although not finished till 1829, was begun and considerably advanced in 1828. Several of the above compositions are referred to in a letter written by him on September 9, 1828, to one of his most intimate friends, Titus Woyciechowski. ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... many times since, when a sensation rather than a conviction took possession of my very soul, and I seemed not only to believe in, but actually see, the strange lands, the strange people and the strange world of which he told, and to hear the mighty orchestral chorus ...
— The Smoky God • Willis George Emerson
... reading of a song, for technical defects. We must all commend every evidence of intellectuality in music, but this does not imply that we should accept good intentions for execution—performance. Let us have every possible development of orchestral music; let every village have, if possible, its choral society, but let none enter it who have ...
— Voice Production in Singing and Speaking - Based on Scientific Principles (Fourth Edition, Revised and Enlarged) • Wesley Mills
... popular lectures have been steadily held even during this devastating war; the Workers' Educational Association carry on their work under our roof; mothers bring their babies to the Infant Welfare Center in the afternoon; there are orchestral and choral classes, boys' clubs and girls' clubs. Only one club has closed down—the Men's Club, which occupied the top floor of the Invalid Children's School before the war. Their members are scattered over France, ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... themselves are not more astonishing than the actual recorded achievements of Liszt, pronounced a perfect virtuoso at twelve years old—and no wonder! The boy had so carried away his accompanyists, the band of the Italian opera at Paris, by his performance of the solo in an orchestral piece, that when the moment came for them to strike in, one and all forgot to do so, but remained silent, petrified with amazement. And Liszt when in the full development of his genius, had, as we have seen, been the art-comrade of George Sand; he had ...
— Famous Women: George Sand • Bertha Thomas
... gave for the Shah of Persia at Schoenbrunn would at that time have been impossible. The same might be said of certain forms of musical entertainment; for example, concerts. Society in that age would have shuddered at the orchestral music of to-day, and the ear-splitting drums would have appeared barbarous to the Italians of the Renaissance, just as would the military parades, which are still among the favorite spectacles with which distinguished guests are either honored or intimidated ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... fallow. Herbs in great variety were just emerging from the recently watered earth, and the splendid morning did ample justice to the vernal scene. The charm of a beginning seemed to pervade all nature, and the songs of many birds sounded like the orchestral music before the commencement of any theatrical performance. Such a morning, in such a place, was quite incompatible with the brow of care. Here was an almost boundless extent of the richest surface in a latitude corresponding to that ...
— Journal of an Expedition into the Interior of Tropical Australia • Thomas Mitchell
... opera, to see what they have meant in the education of the race and what is the significance, to us, of the fact of the strong dramatic instinct in childhood. Naturally the subject can only be mentioned here and the suggestion be offered that parents take time to cultivate an appreciation of good orchestral and concert music ...
— Religious Education in the Family • Henry F. Cope
... himself in playing the flute, and attended regularly the great concerts then being given by Theodore Thomas. It was an opportune time. The day of the Italian opera, for which Lanier did not care, was past, and orchestral music was beginning its triumphant career in this country. These were months, then, of education in the very music for which Lanier had yearned. He at once attracted musical critics and made a stir in some of the churches and concert-rooms of the city. He had brought along with him two of his ...
— Sidney Lanier • Edwin Mims
... influence upon modern music. Weber's power of characterisation was remarkable, as shown particularly in the music assigned to Agathe and Aennchen, but in this respect he was certainly inferior to some of his predecessors, notably to Mozart. But in imaginative power and in the minute knowledge of orchestral detail, which enabled him to translate his conceptions into music, he has never been surpassed among writers for the stage. Modern opera, if we may speak in general terms, may be said to date from ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... the campanella. Berlioz speaks in high praise of Paganini's genius as a composer. A volume would be required, he says, to indicate the new effects, the ingenious methods, the grand and noble forms which he discovered, and even the orchestral combinations, which before him were not suspected. In spite of the rapid progress which, thanks to Paganini, the violin is making at the present day in respect of mechanical execution, his compositions are yet beyond the skill of most violinists, and ...
— The International Monthly Magazine - Volume V - No II • Various
... play; but certainly the deep tones of the harps and the flutes, together with the chanting of men's voices, must have been appropriate. Add to these the almost silent rattle of the sistrum, which, for the Egyptians, possessed something of the supernatural, and we have an orchestral colouring which is suggestive, to ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... lovely infinitesimality yonder you showed no bigger than a carpet-tack. The whole performance now seemed to be worked by those tireless figures pumping at the organ, in obedience to signals from a very alert figure on the platform below. The choral and orchestral thousands sang and piped and played; and at a given point in the scena from Verdi, a hundred fairies in red shirts marched down through the sombre mass of puppets and beat ...
— Suburban Sketches • W.D. Howells
... them, when her rapt face revealed feelings unknown to him as she looked into the sunset; as she stood at the door on summer nights while bell-notes and flower-scents went by on the wind; as she listened to orchestral music which in his ears was a noisy snarl. But, for all that, he said to himself that this ideal intelligence, so to call it, of Lilian's, was something higher than his own rude senses; he had no wish to place her on a lower level; he must do away the barrier by surmounting ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 87, March, 1875 • Various
... when Illowski announced the performance of his new orchestral drama named "Nietzsche." The newspapers printed columns about the composer and his strange career. A disused monster music-hall, near the Moulin Rouge on Montmartre, was to be the scene of the concert and the place was at once christened "Theatre du Tarnhelm"—for a story had leaked out about ...
— Melomaniacs • James Huneker
... beat on the ground with a staff and howled some tuneless notes. He was dressed in red and green. No one heeded him. A distant sound of the beating of drums rose in the air, mingled with piercing cries uttered by a nasal voice. And as if below it, like the orchestral accompaniment of a dramatic solo, hummed many blending noises; faint calls of labourers in the palm-gardens and of women at the wells; chatter of children in dusky courts sheltered with reeds and pale-stemmed grasses; dim pipings of homeward-coming shepherds ...
— The Garden Of Allah • Robert Hichens
... prelude to a grand orchestral performance. Beginning somewhat softly, Hodge fires away with a gravity and emotion which do him infinite credit, each succeeding repetition of the word "stwuns" being rendered with ever-increasing pathos and emphasis, until, like the ...
— A Cotswold Village • J. Arthur Gibbs
... dissociated, and one finds oneself perplexed at all the science, all the secret order which has presided over this accumulation of spots which seem projected in a furious shower. It is a veritable orchestral piece, where every colour is an instrument with a distinct part, and where the hours with their different tints represent the successive themes. Monet is the equal of the greatest landscape painters as regards ...
— The French Impressionists (1860-1900) • Camille Mauclair
... evening prays the forest, and these orchestral sounds rise at every sunset from earth to heaven—and float high, high, reaching where there is no creature, where there is nothing only the silvery dust and the milky way of the ...
— Sielanka: An Idyll • Henryk Sienkiewicz
... Company was able to walk by itself at last, and that he was going to have a long holiday after his dry-nursing of it. We went first to Paris, where we heard all the classical concerts that were given while we were there. I found that he never tired of listening to orchestral music; and yet he never ceased grumbling at it. He thought nothing of the great artists in Paris. Then we went for a tour through Brittany; and there, in spite of his classical tastes, he used to listen to the peasants' songs ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... Host. A part of them are conducted in absolute silence. The choir is not required to be silent during all the prayers said by the celebrant, and the occasion is frequently utilized, particularly at high festivals, by the introduction of orchestral music or a brilliant chorus. The choir is silent during the elevation of the Host and chalice, which takes place immediately after the consecration. It is a period of peculiar solemnity, the congregation kneeling in silent prayer at the signal of a ...
— Beethoven • George Alexander Fischer
... the way from Hawthorne, among these Enderby, the Cockney butcher, and his wife and daughter, and as soon as Ringfield had made a few appropriate remarks, couched this time in safe and secular terms, the first number was given, consisting of an orchestral selection by four players belonging to St. Ignace and to the choir of Father Rielle's big church, St. Jean-Baptiste-on-the-Hill. A cornet, two fiddles and a flute rendered the music with good time and fair intonation, ...
— Ringfield - A Novel • Susie Frances Harrison
... they had reached the Inn of Monsieur Duchanel some time later that Hermia, having divested herself of the orchestral adjuncts of her costume, confided to Markham the stroke of good fortune which had put her into possession of this providential accoutrement. She had confessed her predicament to Madame Bordier, who, after assuring herself that Hermia was ...
— Madcap • George Gibbs
... good fortune to be present at the orchestral concert at Queen's Hall, when Mr. Stojowski was the soloist. It was pleasant to see the enthusiasm aroused by the concerto itself, and the performance of ...
— Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... of the audience, the mellow tones of the singer, the orchestral accompaniment full of mysterious harmony, seemed to awaken the ineffable joy that love implants in the human heart. How much weakness there is in the strength ...
— The Cross of Berny • Emile de Girardin
... The beautiful aluminum organ graced the center of the apartment, and the musicians gathered about it. Fred was surprised and delighted to find that the young Bartons were all really accomplished musicians, and their instruments blended in sweetest harmony. So they played a number of orchestral pieces that were received with great applause by the audience. Then solos, duets, trios, quartettes, choruses, etc., were sung, and it is not probable that the Barton family ever spent so delightful an evening in their lives. And let us just contemplate the scene for a moment. How happy, ...
— Doctor Jones' Picnic • S. E. Chapman
... the autumn has not been fulfilled; instead of the anticipated feasts, we have had but few concerts, and, as yet, no opera. Some few noteworthy incidents have occurred, however, which we desire to record. We pass over the ever welcome orchestral concerts, the quiet pleasures of our delightful chamber music, and the inspiring four-part singing of the Orpheus Club. Neither can we give the space to notice fully the debut of a young singer,—a singer with a rare ...
— Atlantic Monthly, Vol. 1, No. 5, March, 1858 • Various
... driven in our faces. All round the isle of Aros the surf, with an incessant, hammering thunder, beat upon the reefs and beaches. Now louder in one place, now lower in another, like the combinations of orchestral music, the constant mass of sound was hardly varied for a moment. And loud above all this hurly-burly I could hear the changeful voices of the Roost and the intermittent roaring of the Merry Men. At that hour, there flashed into my mind the reason ...
— The Merry Men - and Other Tales and Fables • Robert Louis Stevenson
... row of trees, directly across the lawn in front of him, loomed the dark shadow of a long, low, cottage-like building, and from a window a light twinkled out between the tree trunks; while from beyond again came the roll of surf, low, rhythmic, like the soft accompaniment of orchestral music. ...
— The Miracle Man • Frank L. Packard
... concerts, vocal and instrumental. I stepped into the West Ende Halle the other night, having first surrendered twelve kreuzers to the money-changer at the entrance,—double the usual fee, by the way. It was large and well lighted, with a gallery all round it and an orchestral platform at one end. The floor and gallery were filled with people of the most respectable class, who sat about little round tables, and drank beer. Every man was smoking a cigar; and the atmosphere was of that degree of haziness that we associate with Indian summer at home; so that through ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... Brahms, Liszt—and the classics. Oh, Strauss, Richard, knows his business! He is a skilled writer. He has his chamber-music moments, his lyric outbursts; his early songs are sometimes singable; it is his perverse, vile orgies of orchestral music that I speak of. No sane man ever erected such a mad architectural scheme. He should be penned behind the bars of his own mad music. He has no melody. He loves ugly noises. He writes to distracting lengths; and, worst of all, his harmonies are hideous. But he doesn't forget ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... overhead, and the rattle of its fragments on the roof of the bomb-proof dug-out. Think what it must have meant to this eager, ardent, pleasure-loving spirit to sit out, day after day, in a chill, sodden, verminous trench, a grand orchestral concert of this ...
— Poems • Alan Seeger
... in steps, each slightly overhanging that below. Taken in order from the top, they are:—(1.) Echo organ, of stops of small scale and very soft tone, enclosed in a "swell-box." (2.) Solo organ, of stops imitating orchestral instruments. The wonderful "vox humana" stop also belongs to this manual. (3.) Swell organ, contained in a swell-box, the front and sides of which have shutters which can be opened and closed by the pressure of the foot on a lever, so as to regulate the amount of sound proceeding from the ...
— How it Works • Archibald Williams
... Italian, scenting the sweet perfume of Latin adulation despite the fact that he scarcely knew the language. A sonnet by Illica moved him actually to tears. Other inscriptions were meaningless to him—the lines from Hans Keller, especially, the great orchestral conductor, disciple and confidant of Wagner, the artistic executor, charged with watching over the master's glory—that Hans Keller of whom Leonora was speaking all the time with the fondness of a woman and the admiration of an artist—all of which did not prevent her ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... our review of the chief figures among contemporary Irish poets that the jolly, jigging Irishman of stage history is quite conspicuous by his absence. He still gives his song and dance, and those who prefer musical-comedy to orchestral compositions can find him in the numerous anthologies of Anglo-Irish verse; but the tone of modern Irish poetry is spiritual ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of ...
— Under the Greenwood Tree • Thomas Hardy
... encircle the town. In the suburbs are circuses, open-air theaters, concert gardens, and other forms of entertainments, simple and serious. A number of fine restaurants are maintained in the parks, where people can get a good dinner and spend the evening under the cool foliage, listening to an orchestral concert or a band. Every form of outdoor amusement is furnished, and the people eat, drink, and are merry, making the most of their time from June to September before the long and dreary winter ...
— Norwegian Life • Ethlyn T. Clough
... segregated districts, by reason of severe competition, were compelled to resort to all means of advertising, which included red lights over the doors, the serving of liquors and other refreshments, orchestral music, persistent displaying of charms by women in the windows and other means of making their business as conspicuous as possible, and thereby attracting even innocent spectators to the vicinity who were often robbed by attaches and hangers-on from the resorts. The segregated districts ...
— Fighting the Traffic in Young Girls - War on the White Slave Trade • Various
... All interrupt again with "Sh-h." Curtain is raised, and enter ETHEL, dressed as a child of 1840, in white and green. She comes forward and sings ("Henrietta"), with orchestral accompaniment, a flute obligato being a feature of the latter, which, every little while, indulges in loud variations, entirely drowning the singer's voice, much to her annoyance, and the only half-suppressed amusement of the guests. As ...
— Representative Plays by American Dramatists: 1856-1911: The Moth and the Flame • Clyde Fitch |
