"Orpheus" Quotes from Famous Books
 ... Triptolemus—and to meet with those who have lived with justice and probity![23] Can this change of abode appear otherwise than great to you? What bounds can you set to the value of conversing with Orpheus, and Musaeus, and Homer, and Hesiod? I would even, were it possible, willingly die often, in order to prove the certainty of what I speak of. What delight must it be to meet with Palamedes, and Ajax, and others, who have been betrayed by the iniquity of their judges! Then, also, should ...
— Cicero's Tusculan Disputations - Also, Treatises On The Nature Of The Gods, And On The Commonwealth • Marcus Tullius Cicero
... subject which is full of valuable information.[16] The subject is so comprehensive, and in a certain sense so well known, that I must satisfy myself by mentioning only a few particulars connected with recent discoveries. First, as to symbolic images allowed in churches and cemeteries. Of Orpheus playing on the lyre, while watching his flock, as a substitute for the Good Shepherd, there have been found in the catacombs four paintings, two reliefs on sarcophagi, one engraving on a gem. Here is the latest representation discovered, from ...
— Pagan and Christian Rome • Rodolfo Lanciani
... Tabernacles, when they gathered the fruit of the vineyard, and in some of the earlier celebrations of the Nativity these festivities were closely copied. And as all down the ages pagan elements have mingled in the festivities of Christmas, so in the Catacombs they are not absent. There is Orpheus playing on his harp to the beasts; Bacchus as the god of the vintage; Psyche, the butterfly of the soul; the Jordan as the god of the rivers. The classical and the Christian, the Hebrew and the Hellenic elements had not yet parted; and the unearthing of these pictures after the lapse of ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... Orpheus, the night is full of tears and cries, And hardly for the storm and ruin shed Can even thine eyes be certain of her head Who never passed out of thy spirit's eyes, But stood and shone before them in such ...
— Songs before Sunrise • Algernon Charles Swinburne
... the Argonautic Expedition is told with many variations in the legends of the Greeks. Jason, a prince of Thessaly, with fifty companion heroes, among whom were Heracles, Theseus, and Orpheus, the latter a musician of superhuman skill, the music of whose lyre moved brutes and stones, set sail in "a fifty-oared galley," called the Argo (hence the name Argonauts, given to the heroes), in search of a "golden fleece" which was fabled to be nailed to a tree and watched by a dragon, ...
— A General History for Colleges and High Schools • P. V. N. Myers
... Sweet Orpheus, lord of minstrelsy, For this with flute and pipe came nigh The danger of the dog's heads three That ravening at hell's door doth lie; Fain was Narcissus, fair and shy, For love's love lightly lost and won, ...
— Poems & Ballads (Second Series) - Swinburne's Poems Volume III • Algernon Charles Swinburne
... beauty. There is the evidence of 'the beautiful mythology of Greece',[122] the offspring of an untaught folk-imagination, and so far richer in the quality of beauty than the mythology of the North. Even in the sawdust of a mythological dictionary the stories of Atalanta, Narcissus, Pygmalion, Orpheus and Eurydice, Phaethon, Medusa ...
— The Legacy of Greece • Various
... muse! For when mankind ran wild in grooves Came holy Orpheus with his songs And turned men's hearts from bestial loves, From brutal force and savage wrongs; Amphion, too, and on his lyre Made such sweet music all the day That rocks, instinct with warm desire, Pursued him in his ...
— Echoes from the Sabine Farm • Roswell Martin Field and Eugene Field
... ago, although many persons would think this a sufficient reason. Neither have I done so because I had, in my own opinion, failed in the delineation which I intended to effect. I intended to delineate the feelings of one of the last of the Greek religious philosophers, one of the family of Orpheus and Musaeus, having survived his fellows, living on into a time when the habits of Greek thought and feeling had begun fast to change, character to dwindle, the influence of the Sophists to prevail. Into ...
— English Critical Essays - Nineteenth Century • Various
... I ventured to take her hand and press it to my lips. Allowing it to rest in mine, she asked, "But, for Heaven's sake! is it your business to meddle with wolves? Don't you know that the fabulous days of Orpheus and Amphion are long past, and that wild beasts have quite lost all respect for even the most admirable of singers?" But this gleeful turn, by which the Baroness at once effectually guarded against all misinterpretation of her warm interest in me, I was put immediately ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... sixteen ells and a quarter of the same cloth, and it was fashioned on the top like unto a triumphant arch, most gallantly fastened with two enamelled clasps, in each of which was set a great emerald, as big as an orange; for, as says Orpheus, lib. de lapidibus, and Plinius, libro ultimo, it hath an erective virtue and comfortative of the natural member. The exiture, outjecting or outstanding, of his codpiece was of the length of a yard, jagged and pinked, ...
— Gargantua and Pantagruel, Complete. • Francois Rabelais
... kept quite still, glaring at the soldiers with big yellow eyes. The men were so astonished at the sight that they stole away without capturing an animal or saying a word to Saint Blaise, for they thought he must be Orpheus or some heathen god who charmed wild beasts. They went to the Governor and told him what they had ...
— The Book of Saints and Friendly Beasts • Abbie Farwell Brown
... with the bones, but with the skins, of those who have been consumed there. They address themselves, in the part of the song which Homer gives, not to the passions of Ulysses, but to his vanity, and the only man who ever came within hearing of them, and escaped untempted, was Orpheus, who silenced the vain imaginations by singing the ...
— The Crown of Wild Olive • John Ruskin
... subsided—The wise Dog again, Resumed his harangue, in a tedious strain;— Spoke of Theseus's hounds, of the true Spartan breed;— And the hounds of Actaeon, so famed for their speed— Of three-headed Cerberus, Guardian of Hell, Whom Orpheus subdued with his musical spell. How Hecuba changed, seeing dead Polydore, And became—Vide Ovid—(here he heard the Dogs snore) "Your patience my friends, I no longer will tire, But brief make excuses, at the earnest ...
— The Council of Dogs • William Roscoe
... this function of organizing society appear in the mythical figures of some higher religions. Among such figures may be reckoned the Babylonian Gilgamesh, the Old Testament Cainides, the Greek Heracles, Theseus, Orpheus, and others.[1068] But these personages generally take on human form and are treated as factors in ...
— Introduction to the History of Religions - Handbooks on the History of Religions, Volume IV • Crawford Howell Toy
... let you make its laws." This was, in our opinion, a speech of considerable boldness; and if Fletcher really made it, he must have had a high estimate of his own poetical powers. Why then, in the name of Orpheus, did he not set about it incontinently? We presume that there was nothing whatever to have prevented him from concocting as many ballads as he chose; or from engaging, as engines of popular promulgation, the ancestors of those unshaven ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... anything new. He was helmsman to a party; what he had to do, though seeming to give orders, was simply to repeat their orders—'Port your helm,' said the party; 'Port it is,' replied the helmsman.—But Burke was no steersman; he was the Orpheus that sailed with the Argonauts; he was their seer, seeing more in his visions than he always understood himself; he was their watcher through the hours of night; he was their astrological interpreter. Who complains of a prophet for being a little darker of speech than a ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... Minos and Rhadamanthus, AEacus and Triptolemus, and such others of the demi-gods as were just during their own life, would this be a sad removal? At what price would you not estimate a conference with Orpheus and Musaeus, Hesiod and Homer? I indeed should be willing to die often, if this be true. For to me the sojourn there would be admirable, when I should meet with Palamedes, and Ajax, son of Telamon, and any ...
— Apology, Crito, and Phaedo of Socrates • Plato
... acquaintance. My amusement was, to make some comparison between the two countries, which I knew would immediately bring on the conflict I desired; and not without danger, for I sometimes expected, in the ardour of their patriotism, to meet with the fate of Orpheus. ...
— Diary in America, Series Two • Frederick Marryat (AKA Captain Marryat)
... 16: Haemus.—Ver. 219. This, which is now called the Balkan range, was a lofty chain of mountains running through Thrace. Orpheus, the son of Oeagrus and Calliope, was there torn in pieces by the Maenades, or Bacchanalian women, whence the mountain obtained the ...
— The Metamorphoses of Ovid - Vol. I, Books I-VII • Publius Ovidius Naso
... succeed us in that garden of wit and courtesy shall alter or amend it. Venus delighted but in the language of Mercury, Bucephalus will stoop to no one but Alexander, none can sound Apollo's pipe but Orpheus." ...
— The Monastery • Sir Walter Scott
... breathed. Criticism was disarmed. Malibran was forgotten. The people were under the spell of the enchanter. Orpheus had come again. But suddenly the music ceased. The spell was broken. With a shock the audience returned to earth, and Ole Bull, restored to consciousness of his whereabouts by the storm of applause which shook the ...
— Eclectic School Readings: Stories from Life • Orison Swett Marden
... which show that influence there is no difficulty in choosing one of exceptional beauty, the so-called Orpheus relief (Fig. 136). This is known to us in three copies, unless indeed the Naples example be the original. The story here set forth is one of the most touching in Greek mythology. Orpheus, the Thracian ...
— A History Of Greek Art • F. B. Tarbell
... "Rather an Orpheus," said the King; "and what is worse, one that is already provided with a Eurydice—She is ...
— Peveril of the Peak • Sir Walter Scott
... point of activity, to our life in the Hotel Baur. The excuse for all this, as I have said, was the society concert of the musical club of St. Gall. At the rehearsal, to my genuine delight, Liszt impressed two of his compositions, Orpheus and the Prelude, upon the orchestra with complete success, in spite of the limited resources at his command. The performance turned out to be a really fine one, and full of spirit. I was especially delighted with ...
— My Life, Volume II • Richard Wagner
... sometimes from that jaded pagan world which had really afforded men so little of it from first to last; the various consoling images it had thrown off, of succour, of regeneration, of escape from the grave—Hercules wrestling with Death for possession of Alcestis, Orpheus taming the wild beasts, the Shepherd with his sheep, the Shepherd carrying the sick lamb upon his shoulders. Yet these imageries after all, it must be confessed, formed but a slight contribution to the dominant effect of tranquil hope there—a kind of ...
— Marius the Epicurean, Volume Two • Walter Horatio Pater
... orpheus), called by the inhabitants Calandria, is remarkable, from possessing a song far superior to that of any other bird in the country: indeed, it is nearly the only bird in South America which I have observed to take its stand for the purpose of singing. ...
— The Voyage of the Beagle • Charles Darwin
... could not have carried the things which I can draw, in less than a second, from one tiny convolution of my brain, from one corner of my mind. No wizard that ever lived had spells which could evoke such kingdoms and worlds as anyone of us can conjure up with certain words: Greece, the Middle Ages, Orpheus, Robin Hood, Mary Stuart, Ancient Rome, ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... her second volume, "Admetus and Other Poems," which at once took rank as literature both in America and England, and challenged comparison with the work of established writers. Of classic themes we have "Admetus" and "Orpheus," and of romantic the legend of Tannhauser and of the saintly Lohengrin. All are treated with an artistic finish that shows perfect mastery of her craft, without detracting from the freshness and flow of her inspiration. While sounding no absolutely new note in the world, she yet ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... No less than those of old did Orpheus' lyre: If she sit down, with tops all tow'rds her bow'd, They round about her into arbours crowd: Or if she walks, in even ranks they stand, Like some well-marshall'd and ...
— Lives of the Poets, Vol. 1 • Samuel Johnson
... held all actual written poems in very light esteem in the comparison. He admired Aeschylus and Pindar; but, when some one was commending them, he said that "Aeschylus and the Greeks, in describing Apollo and Orpheus, had given no song, or no good one. They ought not to have moved trees, but to have chanted to the gods such a hymn as would have sung all their old ideas out of their heads, and new ones in." His own verses are often rude and defective. ...
— The Atlantic Monthly, Vol. 10, No. 58, August, 1862 • Various
... 6. Orpheus, and other proper names ending in -eus, form the Vocative Singular in -eu (Orpheu, etc.). But in prose the other cases usually follow the second declension; ...
— New Latin Grammar • Charles E. Bennett
... recalled, nor out of his mind, nor sullying the glory of his wars, engagements, and conquests, by making feastings and debauches seem the apparent end and aim of them all; as Plato says scornfully of Orpheus, that he makes an eternal debauch hereafter, the reward of those who lived well here. Indeed, ease and quiet, and the study of pleasant and speculative learning, to an old man retiring from command and office, is a most suitable and becoming solace; but to ...
— Plutarch's Lives • A.H. Clough
... Hesiod, our most ancient authorities for Greek cosmogonic myths are probably the so-called Orphic fragments. Concerning the dates and the manner of growth of these poems volumes of erudition have been compiled. As Homer is silent about Orpheus (in spite of the position which the mythical Thracian bard acquired as the inventor of letters and magic and the father of the mysteries), it has been usual to regard the Orphic ideas as of late introduction. We may agree with Grote and Lobeck that these ideas and the ascetic "Orphic mode ...
— Myth, Ritual, and Religion, Vol. 1 • Andrew Lang
... opportunities for him to indulge his fancy, and we have found him adapting themes derived from these sources to the decoration of cassoni, or marriage chests. Another typical example of this practice is afforded by his "Orpheus and Eurydice," in the gallery at Bergamo, a splendid little panel, probably, like the "Apollo and Daphne" in the Seminario at Venice, intended as a decorative piece of applied art. Although bearing Giorgione's name by ...
— Giorgione • Herbert Cook
... Alexander, at once, on hearing this, declared that he did not wish for any further prophecy, but that he had obtained from her the response which he wished for. While he was preparing for his expedition, among many other portents, the statue of Orpheus at Loibethra, which is made of cypress-wood, was observed to be covered with sweat. All were alarmed at this omen, but Aristander bade them take courage, as it portended that Alexander should perform many famous acts, which would cause poets ...
— Plutarch's Lives Volume III. • Plutarch
... poet we in Florence that have an ear for sweet sounds are all talking of; the poet whose name no man knows, whose rhymes are on all men's lips; the fellow that praises fair ladies as never fair ladies were praised before since Orpheus carolled in Arcady." ...
— The God of Love • Justin Huntly McCarthy
... There is much dispute as to who is meant here. Some say Cicero refers to Amphion, some to Orpheus, and some to Mercury; the Romans certainly did attribute the civilization of men ...
— The Orations of Marcus Tullius Cicero, Volume 4 • Cicero
... the air, for the clouds, for the trees, for the sheep, for the kids, for the waters, for the stones; played as Pan did, and Orpheus and Apollo. ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... into any form? Then if she should awake! But how to awake her? A kiss awoke the Sleeping Beauty! a kiss cannot reach her through the incrusting alabaster." I kneeled, however, and kissed the pale coffin; but she slept on. I bethought me of Orpheus, and the following stones—that trees should follow his music seemed nothing surprising now. Might not a song awake this form, that the glory of motion might for a time displace the loveliness of rest? Sweet sounds ...
— Phantastes - A Faerie Romance for Men and Women • George MacDonald
... the morning, was the youngest daughter of Hyperion and Theia, or, according to some, of Titan and Terra. Orpheus calls her the harbinger of Titan, for she is the personification of that light which precedes the appearance of the sun. The poets describe this goddess as rising out of the ocean in a saffron robe, seated in a flame-colored car, drawn ...
— Roman Antiquities, and Ancient Mythology - For Classical Schools (2nd ed) • Charles K. Dillaway
... the concert-hall, the orchestra had already begun the programme of the day with Mendelssohn's "Italian" Symphony. The house was crowded to excess; numbers of people were standing, apparently willing to endure a whole afternoon's fatigue, rather than miss hearing the Orpheus of Andalusia,—the "Endymion out of Spain," as one of our latest and best poets has aptly called him. Only a languidly tolerant interest was shown in the orchestral performance,—the "Italian" Symphony is not a really great or suggestive work, and this is probably ...
— Ardath - The Story of a Dead Self • Marie Corelli
... digression[98] (because it is always agreeable to talk about learning with learned men) let your Wisdom choose out for us the best harper of the day, for the purpose that we have mentioned. Herein will you accomplish a task somewhat like that of Orpheus, when he with sweet sounds tamed the fierce hearts of savage creatures. The thanks which we owe you will be expressed by liberal compensation, for you obey our rule, and to the utmost of your power render it illustrious ...
— Theodoric the Goth - Barbarian Champion of Civilisation • Thomas Hodgkin
... Obadiah Orpheus Opened an Original Overture Outrageously Oddly, With a small whistle and a big drum, in front ...
— Cole's Funny Picture Book No. 1 • Edward William Cole
... day. Before I went to church I sang Orpheus' Hymn to my viall. After that to Mr. Gunning's, an excellent sermon upon charity. Then to my mother to dinner, where my wife and the maid were come. After dinner we three to Mr. Messum's where we met Mons. L'Impertinent, who got us a seat ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... we believe that some day the Mason will recognise the Mystic. He is the heir of the great names of antiquity, the philosophers and hierarchs, and the spiritual kings of old; he is of the line of Orpheus and Hermes, of the Essenes and the Magi. And all those illustrious systems and all those splendid names with which Masonry has ever claimed kindred belong absolutely to ...
— Devil-Worship in France - or The Question of Lucifer • Arthur Edward Waite
... passage, speaking of Poliziano's Orfeo, Symonds remarks that 'while Arcady became the local dreamland of the new ideal, Orpheus took the place of its hero.' Without inquiring too closely how far the writers of the renaissance actually connected the hero of music, as a power of civilization, with their newly discovered country, it is interesting ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... Celestial powers! I feel that ye are near me: and behold, 370 To meet your energy divine, I bring A high and sacred theme; not less than those Which to the eternal custody of Fame Your lips intrusted, when of old ye deign'd With Orpheus or with Homer to frequent The groves of Haemus or the ...
— Poetical Works of Akenside - [Edited by George Gilfillan] • Mark Akenside
... lips, lifted hands, and eyes listening, And her whole upward soul in her countenance glistening, Eurydice stood—like a beacon unfired, Which, once touched with flame, will leap heav'nward inspired— And waited with answering kindle to mark The first gleam of Orpheus that pained the red Dark. Then painting, song, sculpture, did more than relieve the need that men feel to create and believe, And as, in all beauty, who listens with love Hears these words oft repeated—'beyond ...
— Selections From American Poetry • Various
... Mount-Edgcumbe, all stay, and Some of them meet every evening. The Boufflers too are constantly invited, and the Comtesse Emilie sometimes carries her harp, on which they say she plays better than Orpheus; but as I never heard him on earth, nor chez Proserpine, I do not pretend to decide. Lord Fitzwilliam(718) has been here too; but was in the utmost danger of being lost on Saturday night, in a violent storm between ...
— Letters of Horace Walpole, V4 • Horace Walpole
... than the hum of bees. It was sweeter than the soul the lute gave up to the ears of Nature when Orpheus touched the strings. It was so sweet that tears came stealing from under Lily's eyelids and dropped down upon her clasped hands. She sat there motionless till the twilight came over the moor, and Maurice entered, white and weary, to ask impatiently ...
— Tongues of Conscience • Robert Smythe Hichens
... Proclaim him all the God of Day. Nay, learned sir, his dirty plight More fit beseems the God of Night. Besides, I cannot well divine How mud like this can ever shine.— Then look at that a little higher.— I see 'tis Orpheus, by his lyre. The beasts that listening stand around, Do well declare the force of sound: But why the fiction thus reverse, And make the power of song a curse? The ancient Orpheus soften'd rocks, Yours changes living ...
— The Sylphs of the Season with Other Poems • Washington Allston
... who, in the vacancy of the abbot, was now in charge of the house, was a man skilled in all the arts of his day. In sweetness of voice, in knowledge of sacred song, his eulogists pronounced him the superior of Orpheus, of Nero, of one yet more illustrious but, save in the Bury cloisters, more obscure, the Breton Belgabred. He was a man "industrious and subtle;" and subtlety and industry found their scope in suit after suit with the farmers and burgesses around. "Faithfully ...
— Stray Studies from England and Italy • John Richard Green
... winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus' self may heave his head From golden slumber on a bed Of heap'd Elysian flowers, and hear Such strains as would have won the ear Of Pluto, to have quite set free His half-regain'd Eurydice. These delights if thou canst give, Mirth, with thee I mean ...
— MacMillan's Reading Books - Book V • Anonymous
... the titles "A Modern Sappho," "The New Sirens," "Stagyrus," and "In utrumque paratus." It is Homer and Epictetus and Sophocles who "prop his mind;" the immortal air which the poet breathes is "Where Orpheus and where Homer are;" and he ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... oysters, buttermilk, and cabbages. They are great astrologers, predicting the different changes of weather almost as accurately as an almanac; they are moreover exquisite performers on three-stringed fiddles; in whistling they almost boast the far-famed powers of Orpheus's lyre, for not a horse or an ox in the place, when at the plough or before the wagon, will budge a foot until he hears the well-known whistle of his black driver and companion. And from their amazing skill at casting up accounts upon their ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... sing. Listening to her, I could well believe in the far-famed Orpheus lute. It was enough to bewilder any man. She had a sweet, rich voice, a contralto of no ordinary merit, and the way in which she used it was something ...
— Coralie • Charlotte M. Braeme
... groups have such "commandments" as "Honor thy father and mother," "Thou shalt not kill," "Thou shalt not steal." Formerly it was assumed that this similarity was the result of borrowing between groups. When Bastian recorded a Hawaiian myth resembling the one of Orpheus and Eurydice, there was speculation as to how this story had been carried so far from Greece. But it is now recognized that similarities of culture are due, in the main, not to imitation, but to parallel development. The nature of man is everywhere essentially the same and tends to express itself ...
— Introduction to the Science of Sociology • Robert E. Park
... to the grocer's shop in the Faubourg Saint-Honore and give him two or three thimblefuls of brandy to make him tipsy; otherwise he could not play. Then they would stand up together in front of the smart people sitting on the chairs, and one of the greatest geniuses of the time, the unrecognized Orpheus of Modern Music, would perform passages from his operas—pieces so remarkable that they would extract a few half-pence from Parisian supineness. When some dilettante of comic operas happened to be sitting there and did not recognize from what work they were taken, he would question the ...
— Gambara • Honore de Balzac
... it wald dance, Oure fute, and Orliance. Quha conjurit the litill gaist say ye? Nane bot the litill Spenzie fle, That with hir wit and her ingyne, Gart the gaist leif agane; And sune mareit the gaist the fle, And croun'd him King of Kandelie; And they gat them betwene, Orpheus king, and Elpha quene.[71] To reid quha will this gentill geist, Ye hard ...
— Minstrelsy of the Scottish border (3rd ed) (1 of 3) • Walter Scott
... London. Cornelia and her Children. Paris. Venus and Cupid. Rome. Villa Borghese: Toilet of Minerva. Venice. Academy: The Marriage of Cana; Madonna in Glory; Vanity, Orpheus, and Eurydice; Rape of Proserpine; Virgin in Glory. Verona. Man and Woman playing Chess; Triumph of Bacchus. Vienna. Woman ...
— The Venetian School of Painting • Evelyn March Phillipps
... is more real mischief and sapping licentiousness in a single French prose novel, in a Moravian hymn, or a German comedy, than in all the actual poetry that ever was penned, or poured forth, since the rhapsodies of Orpheus. The sentimental anatomy of Rousseau and Mad. de S. are far more formidable than any quantity of verse. They are so, because they sap the principles, by reasoning upon the passions; whereas poetry is in itself passion, ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... Cousin, as I am credibly informed, he is the Greek philosopher; the flower and crown of all its schools; in whom, says the learned Frenchman, "are combined, and from whom shine forth, in no irregular or uncertain rays, Orpheus, Pythagoras, Plato, Aristotle, Zeno, Plotinus, Porphyry, and Iamblichus;" and who "had so comprehended all religions in his mind, and paid them such equal reverence, that he was, as it were, the priest of ...
— Alexandria and her Schools • Charles Kingsley
... and Brett, Barker, and Hogsflesh, where be they? Brett, of all bowlers fleetest yet That drove the bails in disarray? And Small that would, like Orpheus, play Till wild bulls followed his minstrelsy? {2} Booker, and Quiddington, and May? Beneath the daisies, ...
— New Collected Rhymes • Andrew Lang
... cool gales shall fan the glade; Trees, where you sit, shall crowd into a shade; Your praise the birds shall chant in every grove, And winds shall waft it to the powers above. But would you sing, and rival Orpheus' strain, The wondering forests soon should dance again; The moving mountains hear the powerful call, And headlong streams hang, listening, ...
— Selections From the Works of John Ruskin • John Ruskin
... "it is as realistic as in the old days of the Coliseum, where the actor who played Orpheus was torn to pieces by bears at ...
— The Mystery of a Hansom Cab • Fergus Hume
... such representation might be found in the stories of Hector and Andromache, Siegfried and Brunnehilde, Dido and Aeneas, Orpheus and Eurydice, ...
— The Art of the Story-Teller • Marie L. Shedlock
... Quintilius. He tells his illustrious friend simply that his calamity is without hope, irretrievable and eternal; that it is idle to implore the gods to restore the dead; and that, although his lyre may be more sweet than that of Orpheus, he cannot reanimate the shadow of his friend nor persuade 'the ghost-compelling god' to unbar the gates of death. He urges patience as the sole resource. He alludes not unfrequently to his own death in the same despairing tone. In the Ode to ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... away to the northward, and into the land of Thrace, till he found Orpheus, the prince of minstrels, where he dwelt in his cave under Rhodope, among the savage Cicon tribes. And he asked him, 'Will you leave your mountains, Orpheus, my fellow- scholar in old times, and cross Strymon once more with me, to sail with the ...
— The Heroes • Charles Kingsley
... Daphne's lover here first wore the bays, Eurotas' secret streams heard all his lays, And holy Orpheus, Nature's busy child, By headlong Hebrus his deep hymns compil'd; Soft Petrarch—thaw'd by Laura's flames—did weep On Tiber's banks, when she—proud fair!—could sleep; Mosella boasts Ausonius, and the ...
— Poems of Henry Vaughan, Silurist, Volume II • Henry Vaughan
... was not yet easy to imagine the cause. Lucy's requests were laws to me, and Neb was ordered to sheer down on the quarter of this second sloop, as we had done on that of the first. As we drew near, her stern told us that she was called the "Orpheus of Sing-Sing," a combination of names that proved some wag had been connected with the christening. Her decks had also a party of both sexes on them, though neither carriage nor horses. All this time, Lucy stood ...
— Afloat And Ashore • James Fenimore Cooper
... the back wall is represented, in the same precious stones, and in a graceful attitude, a European in a kind of Spanish costume, playing upon his guitar, and in the character of Orpheus charming the birds and beasts which he first taught the people of India so well to represent in this manner. This I have no doubt was intended by Austin de Bordeaux for himself. The man from Shiraz, Amanat Khan, ...
— Rambles and Recollections of an Indian Official • William Sleeman
... jokes. It is enough, perhaps, that they caused a smile for the moment. Even those humorists who mark epochs in the history of American provincial and political satire, like Seba Smith with his Major Jack Downing, Newell with his Papers of Orpheus C. Kerr, "Petroleum V. Nasby's" Letters from the Confedrit X Roads, Shillaber's Mrs. Partington—all these have disappeared round the turn of the ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... the boy was carried was upset, and he himself fainted.[100] This is declared to have happened no longer ago than the year 1869. The writer, apparently a pious Roman Catholic, who vouches for the fact, probably never heard the touching tale of Orpheus and Eurydice. ...
— The Science of Fairy Tales - An Inquiry into Fairy Mythology • Edwin Sidney Hartland
... ridiculous of me, but I have heard the signals and the music more than once and wondered. I did not know"—he smiled the smile of the flaneur—"I did not know it was, let me say, Orpheus and Eurydice, Orpheus with his lyre restored from among the constellations, and forgetting something of its old wonder. Madame, I hope Orpheus will not en-rheum himself ...
— Doom Castle • Neil Munro
... that its inscriptions are no longer legible, and great part of its figures are gone. Selvatico states them as follows: Solomon, the wise; Priscian, the grammarian; Aristotle, the logician; Tully, the orator; Pythagoras, the philosopher; Archimedes, the mechanic; Orpheus, the musician; Ptolemy, the astronomer. The fragments actually remaining ...
— The Stones of Venice, Volume II (of 3) • John Ruskin
... in this fragment an offshoot of the classical story of Orpheus and Eurydice. The ballad, however, cannot be said to be derived directly from the classical tale: rather it represents the debris of the mediaeval romance of Orfeo and Heurodis, where the kingdom of ...
— Ballads of Mystery and Miracle and Fyttes of Mirth - Popular Ballads of the Olden Times - Second Series • Frank Sidgwick
... statues that seemed to be intended for some other monument referring to Revolutionary times and personages; and with these were intermixed some ideal statues or groups,—a naked boy playing marbles, very beautiful; a girl with flowers; the cast of his Orpheus, of which I long ago saw the marble statue; Adam and Eve; Flora,—all with a good deal of merit, no doubt, but not a single one that justifies Crawford's reputation, or that satisfies me of his genius. ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... Christian, and he had certainly learned enough of the Divine Law to love virtue, and be firm while he was forbearing. He loved virtue, but he did not accept the faith, and would only look upon our Blessed Lord as a sort of great philosopher, placing His statue with that of Abraham, Orpheus, and all whom he thought great teachers of mankind, in a private temple of his own, as if they were all on a level. He never came any nearer to the faith, and after thirteen years of good and firm government he was killed in a mutiny of the ...
— Young Folks' History of Rome • Charlotte Mary Yonge
... all who hear it; by turning the ring, the wearer is enabled to assume any form desired at will; by throwing it away he may summon the fairy herself to his aid. The Prince assumes the form of an old man, and, like Orpheus, softens the nature of the wild beasts that he meets in the forest. He even melts the heart of the magician himself, who admits him to his castle. Once he is within its walls, the inmates all yield to the charm of his magical music, not excepting the ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... love the shore, Let those adore The god Apollo, and his Nine, Parnassus' hill, And Orpheus' skill; But let Arion's ...
— The Poetical Works of Edward Young, Volume 2 • Edward Young
... Greek literature, an editorial writer in the London Daily News exclaimed: "Why, it would be less wild to remark that the Greeks had nothing but love-stories." After referring to the stories of Orpheus and Eurydice, Meleager and Atalanta, Alcyone and Ceyx, Cephalus and Procris, ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... Roman d'Eneas, l. 8807, sq.), Polynices, Tydeus, and Eteocles; Apollonius of Tyre; Alexander; Hero and Leander; Cadmus of Thebes; Jason and the sleepless Dragon; Hercules; Demophoon and Phyllis (a hard passage); Narcissus; Pluto and the wife of Orpheus ("Sir Orfeo"); David and Goliath; Samson and Dalila; Judas Maccabeus; Julius Caesar; the Round Table, and how the king had an answer for all who sought him; Gawain and Yvain ("of the lion that was companion of the knight whom Lunete rescued"[91]); of the ...
— Epic and Romance - Essays on Medieval Literature • W. P. Ker
... the cold white body of love and delight Orpheus arose in the terrible storm of his grief, With quivering up-clutched hands, deadly and white, And his whole soul wavered and shook ...
— Collected Poems - Volume One (of 2) • Alfred Noyes
... as book covers. Occasionally the five leaves were made up of classical ivories which had been altered in such a way that they now had Christian significance. The beautiful diptych in the Bargello, representing Adam in the Earthly Paradise, may easily have been originally intended for Orpheus, especially since Eve is absent! The treatment is rather classical, and was probably adapted to its later name. Some diptychs which were used afterwards for ecclesiastical purposes, show signs of having had the Consular inscription ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... Then pomp of gloom breaks into bloom, The Temple's arch cracks as we sigh, A clashing sound above that spoke Blind wrath unto each Wizard's rage, Revealed the chasm of stark Doom. Unto the peaks and gables black, Syrian airs like Orpheus Lull sequestered afrites to sleep, A witch smites her high biforous— A symbol of king Typhon's wrack! Where crystal lamps shine most glorious, Twin legions lie in cajons bleak,— Tokens of Hell invidious! Then fades the burnished light ...
— Betelguese - A Trip Through Hell • Jean Louis de Esque
... march the Arts - Literature, holding aloft her symbol, the lamp; Sculpture extending in front of her the statuette, a devotee admiring, and Music leading the procession, stilling ever the beasts - a veritable Orpheus. Mr. Zimm has been most successful in the fine working out of his subject in a classical way, for the style of relief work accords well in feeling with the superb classic architecture ...
— Sculpture of the Exposition Palaces and Courts • Juliet James
... stimulation in the society of the hetaerae, and gratification of the senses in the company of his slaves. Love in our sense was unknown to the ancients, and although there is a modern note in the legends of the faithful Penelope, and the love which united Orpheus and Eurydice, yet, so Lucka tells us, these instances should be regarded rather as poetic divinations of a future stage of feeling than actual facts then within the scope of probability. Even Plato, in whom all wisdom and ante-Christian culture culminated, was ...
— The Evolution of Love • Emil Lucka
... cannot say is absolutely on words—for the thought turns with them—is in the fourth Georgic of Virgil, where Orpheus is to receive his wife from hell on express condition not to look on her till she ...
— Discourses on Satire and Epic Poetry • John Dryden
... Greece in any of her manifold sciences, be able to show me one book, before Musaeus, Homer, and Hesiodus, all three nothing else but poets. Nay, let any history be brought, that can say any writers were there before them, if they were not men of the same skill, as Orpheus, Linus, and some other are named: who having been the first of that country, that made pens deliverers of their knowledge to their posterity, may justly challenge to be called their fathers in learning: for not only in time they had this priority (although in itself antiquity be venerable) but went ...
— English literary criticism • Various
... classicism of the earlier Renaissance. Scenes from Dante's "Purgatorio" and subjects from the "Metamorphoses" of Ovid are treated here in the same key; but the latter, since they engaged Signorelli's fancy upon Greek mythology, are the more important for our purpose. Two from the legend of "Orpheus" and two from that of "Proserpine" might be chosen as typical of the whole series. Mediaeval intensity, curiously at variance with antique feeling, is discernible throughout. The satellites of Hades are gaunt and sinewy devils, eager to do violence to Eurydice. Pluto himself drives ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... must always be the case in poetically suggestive music, the composer trusts to the general intelligence and insight of the listener. For a mere mention of the name Orpheus may well call up the vision of a majestic, godlike youth proclaiming his message of joy and peace to soften the unruly passions of ...
— Music: An Art and a Language • Walter Raymond Spalding
... Egypt as the origin of the Mysteries. The oldest were those celebrated in the island of Samothrace, near the coast of Asia Minor. Here Orpheus is reputed to have come and founded the Bacchic Mysteries; while another legend reports him to have been killed by the Bacchantes for wishing to substitute the worship of Apollo for that of Dionysos. This latter story, taken in ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke
... She saved him the trouble of long cogitation, an exercise of intellect to which he was never too ardently inclined. There was a gentleman of the court, celebrated for his sedateness and solemnity; my aunt was piqued into emulating Orpheus, and, six weeks after her confinement, she put this rock into motion,—they eloped. Poor gentleman! it must have been a severe trial of patience to a man never known before to transgress the very slowest of all possible ...
— Devereux, Complete • Edward Bulwer-Lytton
... great Chinese philosopher, happened to hear, on a certain occasion, some divine music, he became so greatly enraptured that he could not take any food for three months. The music which produced the miraculous effect was that of Kouei, the Orpheus of the Chinese, whose performance on the king, a kind of harmonicon constructed of slabs of sonorous stone, would draw wild animals around him and make them subservient ...
— Brave Men and Women - Their Struggles, Failures, And Triumphs • O.E. Fuller
... composer of many graceful songs is Charles Fonteyn Manney, who was born in Brooklyn in 1872, and studied theory with William Arms Fisher in New York, and later with J. Wallace Goodrich at Boston. His most original song is "Orpheus with His Lute," which reproduces the quaint and fascinating gaucheries of the text with singular charm. He has also set various songs of Heine's to music, and a short cantata for Easter, ...
— Contemporary American Composers • Rupert Hughes
... had been unhorsed by the archdeacon's impetuous replies, regained his saddle, and interrupted him with the triumphant tone of one learned man correcting another,—"Erras amice Claudi. The symbol is not the number. You take Orpheus for Hermes." ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... the mind calling upon the spirit, he found himself questing a likeness, a memory, a furtive thought; and partly it took shape, so that it seemed to him that Apis, Isis, Orpheus and the Buddha had a common resemblance to some person living and human, known to him; whose voice he had heard, and heard again leading the Orphic hymn, chanting the Buddhist prayers and bewailing the passing of Adonis. A man it was his memory sought, and alike in granite ...
— The Orchard of Tears • Sax Rohmer
... religion, and philosophy were completely combined into one; and I only maintained that first opinion of mine with the more animation, when the Book of Job and the Song and Proverbs of Solomon, as well as the lays of Orpheus and Hesiod, seemed to bear valid witness in its favor. My friend had taken the smaller work of Brucker as the foundation of his discourse; and, the farther we went on, the less I could make of it. I could not clearly see what the first Greek philosophers would ...
— Autobiography • Johann Wolfgang von Goethe
... among the wits, he paid his contributions to literary undertakings, and assisted both the Tatler, Spectator, and Guardian. In 1712, he translated Vertot's History of the Revolution of Portugal; produced an Ode to the Creator of the World, from the Fragments of Orpheus; and brought upon the stage an opera, called Calypso and Telemachus, intended to show that the English language might be very happily adapted to musick. This was impudently opposed by those who were employed in the Italian opera; and, what cannot be told without indignation, the ...
— Lives of the Poets, Vol. 1 • Samuel Johnson
... Socrates was very serious when he mentioned swans as his fellow-servants. When, therefore, Aristophanes speaks of the [185]Delian and Pythian swans, they are the priests of those places, to whom he alludes. And when it is said by Plato, that the soul of Orpheus, out of disgust to womankind, led the life of a [186]swan, the meaning certainly is, that he retired from the world to some cloister, and lived a life of celibacy, like a priest. For the priests of many countries, but particularly of Egypt, were ...
— A New System; or, an Analysis of Antient Mythology. Volume II. (of VI.) • Jacob Bryant
... her glance, Was death permitted? Fate delayed no more. But ere the victim feared had struck him down: Perished the limbs while living, and the soul Grew stiff and stark ere yet it fled the frame. Men have been frenzied by the Furies' locks, Not killed; and Cerberus at Orpheus' song Ceased from his hissing, and Alcides saw The Hydra ere he slew. This monster born Brought horror with her birth upon her sire Phorcus, in second order God of Waves, And upon Ceto and the Gorgon brood, (20) ...
— Pharsalia; Dramatic Episodes of the Civil Wars • Lucan
... there was nobody to resist. Mr. Akerman, the keeper, acted with great courage, and did his duty loyally, but he could not hold the place alone. Crowbars, pickaxes, and fire forced an entrance into the prison. "Not Orpheus himself," wrote Crabbe, "had more courage or better luck" than the desperate assailants of the prison. They broke into the blazing prison, they rescued their comrades, they set all the other prisoners free. ...
— A History of the Four Georges and of William IV, Volume III (of 4) • Justin McCarthy and Justin Huntly McCarthy
... forget him. He is mentioned in a theatrical manifesto of 1708 as being already "beloved and celebrated in Italy"; Barthold Feind, one of the Hamburg librettists, who in 1715 translated Handel's Rinaldo, called him "the incomparable Handel, the Orpheus of our time"; and from 1715 to 1734 almost all of Handel's London operas were represented ...
— Handel • Edward J. Dent
... rencontre as that between Duke Miltiades of Athens and King Darius upon the plains of Attics." The procession entered the Louvain gate, through a splendid triumphal arch, filled with a band of invisible musicians. "I believe that Orpheus had never played so melodiously on his harp," says the same authority, "nor Apollo on his lyre, nor Pan on his lute, as the city waits then performed." On entering the gates, Matthias was at once delivered over to the hands of mythology, the burghers and ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... of NERO approaching amid cries of 'O thou Apollo!' 'Orpheus come again!' Then enter NERO with a group of satellites, TIGELLINUS, OTHO, and professional applauders and spies. His dress is of extreme oriental richness, and profuse in jewels: his hair elaborately curled. ...
— Nero • Stephen Phillips
... so fond—"Cease, rude Boreas," "One night it blew a hurricane," "Come, all ye jolly sailors bold," "Here a sheer hulk lies poor Tom Bowling," and many others; but my voice was evidently not in singing trim, and I failed to do what Orpheus might have accomplished, to charm ...
— Dick Cheveley - His Adventures and Misadventures • W. H. G. Kingston
... wisdom throned: "From lamentation, Thetis, now forbear, And do not, in the frenzy of thy grief For thy lost son, provoke to wrath the Lord Of Gods and men. Lo, even sons of Zeus, The Thunder-king, have perished, overborne By evil fate. Immortal though I be, Mine own son Orpheus died, whose magic song Drew all the forest-trees to follow him, And every craggy rock and river-stream, And blasts of winds shrill-piping stormy-breathed, And birds that dart through air on rushing wings. Yet I endured ...
— The Fall of Troy • Smyrnaeus Quintus
... other's life, I trow, Would cordially delight them! As Orpheus' lyre the beasts, so now ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... palm at fiddle-playing to Castero. That one man was no other than Frederick Katwingen, the son of a rich brewer, whom his admirers—more numerous than those of his rival—had called the Dutch Orpheus. ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 334, August 1843 • Various
... when Frolic was lying at the school house door, where it learned a great deal listening to the recitations, the teacher read aloud the story of Orpheus, who could tame wild animals with his lyre, and then went on to say that she had heard of music by which animals might be changed into persons. Frolic's white ears were pricked up, and every word was treasured, and thought over, day after day. The children wondered ...
— The Magician's Show Box and Other Stories • Lydia Maria Child
... of such mellow richness and such infinite fecundity of modulation, that the old hovel almost burst with intoxicated song, combining gladness, welcome, fear, defiance, superstition, horror, and epithalamium all together, like Orpheus gone mad, and losing the continuity of ...
— The Entailed Hat - Or, Patty Cannon's Times • George Alfred Townsend
... miracle, two millions more of submissive and Christian vassals. They were the legislators of the barbarous hordes who inhabited the islands of this immense archipelago, thus realizing with their persuasive mildness the allegorical prodigies of Amphion and Orpheus. ...
— The Philippine Islands, 1493-1898 (Vol 28 of 55) • Various
... Like Orpheus, he is said to draw storks &c, after him. A picked raisin for a sweet banquet of sounds; but I affect not these exotics. Nos DURUM genus, as mellifluous Ovid ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... imploring; it filled me with a restless pain. That cry of "Eurydice!" "Eurydice!" so beseeching, so passionate, so exhausted by longing, drew me with an irresistible power. Gluck certainly achieved the effect he attempted, and showed us what the fabled power of Orpheus was. ...
— Lippincott's Magazine, September, 1885 • Various
... shut up in mysteries, His mind wrapp'd like his mantle, while her eyes Follow'd his steps, and her neck regal white Turn'd—syllabling thus, "Ah, Lycius bright, And will you leave me on the hills alone? Lycius, look back! and be some pity shown." He did; not with cold wonder fearingly, But Orpheus-like at an Eurydice; For so delicious were the words she sung, It seem'd he had lov'd them a whole summer long: 250 And soon his eyes had drunk her beauty up, Leaving no drop in the bewildering cup, ...
— Keats: Poems Published in 1820 • John Keats
... its distant shores, Proud Jason starts, confounded in his might, Leads back his peers, and dares no more the fight. But the sly Priestess brings her opiate spell, Soft charms that hush the triple hound of hell, Bids Orpheus tune his all-enchanting lyre, And join to calm the guardian's sleepless ire. Soon from the tepid ground blue vapors rise, And sounds melodious move along the skies; A settling tremor thro his folds extends, His crest contracts, his rainbow heck unbends, ...
— The Columbiad • Joel Barlow
... imposition must be done, and must be done at a certain time, without appeal, and causa indicta. Mr Paton was as deaf as Pluto to all excuses, and as inexorable as Rhadamanthus in his retributive dispensations. Neither Orpheus nor Amphion would have moved him. Orpheus might have made all the desks and forms dance round as they listened to his song, but he could never have got Mr Paton to let off fifty lines; and Amphion would have been equally unsuccessful even if the walls of the court had ...
— St. Winifred's - The World of School • Frederic W. Farrar
... Pharisee. Oh, sirs, how excellent it would be to extract from the Scriptures a polity more beautiful and more saintly than that which was extracted therefrom by that rocky and sterile M. Bossuet! What a city, more harmonious than that erected by the sounds of the lyre of Orpheus, could be built on the maxims of Jesus Christ, on the day when His priests, no more sold to emperors and kings, manifest themselves as the ...
— The Queen Pedauque • Anatole France
... given you shall not have done its work, and the memory of this existence which you are leaving endeavours vainly to return; we say in such a moment, when you clutch at the dream but it eludes your grasp, and you watch it, as Orpheus watched Eurydice, gliding back again into the twilight kingdom, fly—fly—if you can remember the advice—to the haven of your present and immediate duty, taking shelter incessantly in the work which you have in hand. ...
— Erewhon • Samuel Butler
... as well as make verses, do you not—you, whose music opened the gates even of Valmy? Indeed, I heard you just now. You are another Orpheus, and Valmy a very similar interior. You don't like me to say so? Very well, my lute is in your hand, and I am waiting. Did they teach you in ...
— The Justice of the King • Hamilton Drummond
... trouble the ashes of the dead; let the grave at least put an end to your unjust hatreds. Reflect that even Kings make peace after long battling; cannot you ever make it? I think you would be capable, like Orpheus, of descending to Hell, not to soften Pluto and bring back your beautiful Emilie, but to pursue into that Abode of Woe an enemy whom your wrath has only too much persecuted in the world: for shame!" [OEuvres de Frederic, xxiii. 61-65 ...
— History of Friedrich II. of Prussia, Vol. XIX. (of XXI.) • Thomas Carlyle
... tobacco-pipes, consisting of Sir Walter Raleigh's, the earliest on record, Dr. Parr's, Charles Lamb's, and the first calumet of peace which was ever smoked between a European and an Indian. Among other musical instruments, I noticed the lyre of Orpheus and those of Homer and Sappho, Dr. Franklin's famous whistle, the trumpet of Anthony Van Corlear, and the flute which Goldsmith played upon in his rambles through the French provinces. The staff of Peter the ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... granted to the inferior creatures—so it is in this individual temperament one and indivisible, and in the intense conviction of it, more than in all the works it may throw off, that the author becomes immortal. Nay, his works may perish like those of Orpheus or Pythagoras; but he himself, in his name, in the footprint of his being, remains, like Orpheus or ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... an evening dish-washing was no longer a task, but rather a delightful prelude to another mythological feast. We wandered with Ulysses and shuddered at Polyphemus; we went in quest of the Golden Fleece, and watched the sack of Troy; we came to know Orpheus and Eurydice and Pyramus and Thisbe; and we sowed dragon's teeth and saw armed men spring up before us. Since those glorious evenings with grandmother the classic myths have been among my keenest delights. I read again and again Lowell's extravaganza upon the story of Daphne, ...
— Reveries of a Schoolmaster • Francis B. Pearson
... Fai. Orpheus, with his lute, made trees, And the mountain tops that freeze, Bow themselves when he did sing, To his musick, plants and flowers Ever spring, as sun and showers There had made a lasting spring. [During this ...
— A Fairy Tale in Two Acts Taken from Shakespeare (1763) • William Shakespeare
... upon the dais. All full of joy and bliss is the palace, And full of instruments, and of vitaille, * *victuals, food The moste dainteous* of all Itale. *delicate Before them stood such instruments of soun', That Orpheus, nor of Thebes Amphioun, Ne made never such a melody. At every course came in loud minstrelsy, That never Joab trumped for to hear, Nor he, Theodomas, yet half so clear At Thebes, when the city was in doubt. Bacchus the wine them skinked* all ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer
... find no source save in his own imagination. He dealt with the myths in a way natural to a man who owed more to Greek art and to his own musings than to the close study of Greek literature. His pictures of the infancy of Jupiter, of the deserted Ariadne, of the tragedy of Orpheus and Eurydice, have no elaborate realism in detail. The Royal Academy walls showed, in those days, plenty of marble halls, theatres, temples, and classic groves, reproduced with soulless pedantry. Watts gave us heroic figures, with strong masses and flowing lines, simply grouped and ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... ventured to exhibit his works to the public, which immediately attracted great attention. His first work was a piece of the Three Graces, represented by as many female figures, with a globe over their heads. He soon after executed one of his masterpieces, a drawing of Orpheus. About this time, to please his father, as it is said, he married the daughter of Hans Fritz, a celebrated mechanic, who proved a fierce Xantippe, and embittered, and some say shortened his life. In 1506, he ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... quiring to the young-ey'd cherubins; Such harmony is in immortal souls; But, whil'st this muddy vesture of decay Doth grossly close it in, we cannot have it! By the sweet power of music; therefore, the poet Did feign that Orpheus drew trees, stones and floods. Since naught so stockish, hard and full of rage But music for the time doth change his nature, The man that hath no music in himself Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his spirit are dull ...
— Shakspere, Personal Recollections • John A. Joyce
... vermilion!" said Sir Patrick; "though I never thought of it before, I dare say she will suit me as well as another; but then you must persuade the ould Orpheus to draw out a few notes of rather a more magical description than those he is so fond of ...
— The World's Greatest Books, Vol VII • Various
... For never has such soothing voice 35 Been to your shadowy world convey'd, Since erst, at morn, some wandering shade Heard the clear song of Orpheus deg. come deg.38 Through Hades, and the mournful gloom. Wordsworth has gone from us—and ye, 40 Ah, may ye feel his voice as we! He too upon a wintry clime Had fallen—on this iron time Of doubts, disputes, ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold
... of the contest between Homer and Hesiod, and looked upon all the poems of the epic cycle as Homeric, did not feel an aesthetic but a material singularity when it pronounced the name "Homer." This period regards Homer as belonging to the ranks of artists like Orpheus, Eumolpus, Daedalus, and Olympus, the mythical discoverers of a new branch of art, to whom, therefore, all the later fruits which grew from the new ...
— Homer and Classical Philology • Friedrich Nietzsche
... the orphick egg, is possibly the earliest of all methods taken to explain the rise, progress, and final conclusion of our earth and atmosphere; and was the original theory brought from Egypt into Greece by Orpheus. Nor has that prodigious genius, Dr. Thomas Burnet, scorned to adopt it seriously in his Telluris Theoria sacra, written less than a century ago, adapting it with wonderful ingenuity to the Christian system and Mosaical account of things; to which it certainly ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... return to what I first proposed, what was it in the infancy of the world that made men, naturally savage, unite into civil societies, but only flattery, one of my chiefest virtues? For there is nothing else meant by the fables of Amphion and Orpheus with their harps; the first making the stones jump into a well-built wall, the other inducing the trees to pull their legs out of the ground, and dance the mor-rice after him. What was it that quieted and appeased the Roman people, when they brake out into a riot for the redress of grievances? ...
— In Praise of Folly - Illustrated with Many Curious Cuts • Desiderius Erasmus
... cheered, death comforted; the house Of sorrow smiles to listen. Once again - O thou, Orpheus and Heracles, the bard And the deliverer, touch the ...
— Underwoods • Robert Louis Stevenson
... look back before," she breathlessly said, as she released Adelaide; "I felt as if your papa were Orpheus, when ...
— Countess Kate • Charlotte M. Yonge
... Orpheus come in there, or are orphans children of Orpheus? We are perplexed. The ...
— The Galaxy - Vol. 23, No. 1 • Various
... as they are, and say it is the will of God. And, above all, there is this difference between resisting this and a purely brute or natural force, that I can resist this with some effect; but I cannot expect, like Orpheus, to change the nature of the rocks and ...
— On the Duty of Civil Disobedience • Henry David Thoreau
... that these torments ceased, and that was when the musician Orpheus, lyre in hand, descended to the lower world to reclaim his beloved wife, the lost Eu-ryd'i-ce. At the music of his "golden shell" Tantalus forgot his thirst, Sisyphus rested from his toil, the wheel of Ixion stood still, and Tityus ceased his moaning. The poet OVID thus describes the wonderful ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson
... enemy whether just or unjust, at a small charge; with magic arts and incantations binding the will of heaven, as they say, to do their work.... And they produce a host of books written by Musaeus and Orpheus, who were children of the Moon and the Muses—that is what they say—according to which they perform their ritual, and persuade not only individuals, but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... necks forward entranced. There, in the old quarry, the young sun "glintin" on his face, and resting on his pack, which had been his pillow, was our Wandering Willie, playing and singing like an angel—"an Orpheus; an Orpheus." What a picture! When reproved for wasting his health and time by the prosaic farmer, the poor fellow said: "Me and this quarry are lang acquant, and I've mair pleasure in pipin to thae daft cowts, than if the best leddies ...
— Spare Hours • John Brown
... dramatic representation of their feelings and affections. In Hesiod and Homer, they are coarsely delineated by some of their actions and adventures, and introduced to us merely as the agents in those particular transactions; while in the Hymns, from those ascribed to Orpheus and Homer, down to those of Callimachus, we have little but pompous epithets and invocations, with a flattering commemoration of their most famous exploits—and are never allowed to enter into their bosoms, or follow out the train of their feelings, with the presumption of our ...
— Famous Reviews • Editor: R. Brimley Johnson
... Woodchester, Bignor, and in a multitude of other places where they have since been found. Beneath the shade of the druidical oaks, the Roman glazier blew his light variegated flasks; the mosaic maker seated Orpheus on his panther, with his fingers on the Thracian lyre. Altars were built to the Roman deities; later to the God of Bethlehem, and one at least of the churches of that period still subsists, St. Martin of Canterbury.[22] Statues were raised for the emperors; coins were cast; ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... oh! what art can teach, What human voice can reach The sacred organ's praise? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above. Orpheus could lead the savage race, And trees uprooted left their place Sequacious of the lyre: But bright Cecilia raised the wonder higher: When to her Organ vocal breath was given An angel heard, and straight ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various |
