"Phidias" Quotes from Famous Books
 ... has been cast upon the belief that the small, white, silky Canis Melitaeus is the most ancient of all the lap dogs of the Western world. It was a favourite in the time of Phidias; it was an especial pet of the great ladies of Imperial Rome. It appears to have come originally from the Adriatic island of Melita rather than from the Mediterranean Malta, although this supposition cannot be verified. There is, however, ...
— Dogs and All About Them • Robert Leighton
... deceased; and by endeavouring to raise for her the most durable monument, which is that of verse. And so it would have proved, if the workman had been equal to the work, and your choice of the artificer as happy as your design. Yet, as Phidias, when he had made the statue of Minerva, could not forbear to engrave his own name, as author of the piece: so give me leave to hope, that, by subscribing mine to this poem, I may live by the goddess, and transmit my name ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... of his proportions as if to excite my jealousy. He turned his victim round so that I should see her under all aspects, and treated her manfully, while she appeared to respond to his ardour with all her might. Phidias could not have modelled his Venus on a finer body; her form was rounded and voluptuous, and as white as Parian marble. I was affected in a lively manner by the spectacle, and re-entered my lodging so inflamed ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... in a Grecian or Roman sense we may say that [Greek: thaumazomen], admiramur, both of these nations: we marvel, we wonder at them exceedingly. Greece we shall omit, because to talk of the arts, and Phidias, and Pericles, and 'all that,' is the surest way yet discovered by man for tempting a vindictive succession of kicks. Exposed to the world, no author of such twaddle could long evade assassination. But Rome is entitled to some separate notice, even after all ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... scene was charming. Cetoit un vrai delice—that atmosphere of light, of fragrance, and of music—gratifying all the senses at once. Oh! what bosoms, arms, and necks were thronging round me! Phidias, had he attempted to copy them, would have forgotten his work to gaze and admire. Description fails in picturing the tout ensemble,—the dazzling chandeliers blazing like constellations—the richly draperied meubles—the magnificent dresses—and then so many eyes, like stars glittering ...
— Real Life In London, Volumes I. and II. • Pierce Egan
... vain or shallow thought His awful Jove young Phidias brought; Never from lips of cunning fell The thrilling Delphic oracle; Out from the heart of nature rolled The burdens of the Bible old; The litanies of nations came, Like the volcano's tongue of flame, Up from ...
— Poems - Household Edition • Ralph Waldo Emerson
... example, are often as good as anything that can be imagined. We know of nothing like them in any past age or country. This is the one kind of art—and it is a very good one—in which we excel as distinctly as the age of Phidias excelled in sculpture. Leonardo da Vinci would never have succeeded in getting his drawings accepted at 85 Fleet Street, any more than one of the artists on the staff of "Punch" could paint a fresco which should hold its own against Da Vinci's Last Supper. Michael Angelo ...
— Alps and Sanctuaries of Piedmont and the Canton Ticino • Samuel Butler
... unapproached and unapproachable in their excellence, so out of the mystery plays arose the English drama, represented in its final completeness by the creations of a poet who, it now begins to be supposed, stands alone among mankind. We allow ourselves to think of Shakspeare or of Raphael or of Phidias, as having accomplished their work by the power of their own individual genius; but greatness like theirs is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which ...
— The Reign of Henry the Eighth, Volume 1 (of 3) • James Anthony Froude
... of the sage, the sword of the general, the flag stained with heroes' blood. Memorable forever the little room where Milton wrote, the cottage where Shakespeare dwelt, the spot where Dante dreamed, the ruin where Phidias wrought. But no building ever showed such comely handiwork as the temple built by divine skill. God hath made the soul's house fair to look upon. Death may close its doors, darken its windows, and pull down its pillars; ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... Phidias, was the friend and adviser of Pericles and to him was given the general charge of all matters relating to art. Under him were grouped architects, sculptors, and artisans of all schools and trades—Ictinus ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 08, August 1895 - Fragments of Greek Detail • Various
... met, at first, but took A second awed and wondering look (As turned, perchance, the eyes of Greece On Phidias' unveiled masterpiece); Whose words in simplest homespun clad, The Saxon strength of Caedmon's had, With power reserved at need to reach The Roman forum's loftiest speech, Sweet with persuasion, eloquent In passion, cool in argument, ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... possible for the brush of a human being to give a countenance to divinity, certainly Titian has succeeded. Unlimited power and imperishable youth radiate from that white-bearded face that need only nod for the snows of eternity to fall: not since the Olympian Jove of Phidias has the lord of heaven and earth been ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... pots and pans of Teniers and Van Mieris are natural; the passions and humours of Shakspeare and Moliere are natural; the angels of Fra Angelico and Luini are natural; the Sleeping Fawn and Fates of Phidias are natural; the cows and misty marshes of Cuyp and the vacillations of Hamlet are equally natural. In fact the natural means TRUTH OF KIND. Each kind of character, each kind of representation, must be judged by itself. Whereas ...
— The Principles of Success in Literature • George Henry Lewes
... of old. But marking our approach, all changed. A pair of potentates, who had been playfully trifling, hurriedly adjusted their diadems, threw themselves into attitudes, looking stately as statues. Phidias turned not ...
— Mardi: and A Voyage Thither, Vol. I (of 2) • Herman Melville
... we not have possessed, had this inestimable secret been known to the ancients! We should not be left to conjecture the merits of Apollodorus, Zeuxis, Parrhasius, Timanthes, Apelles. We might have had outlines—first thoughts—"etched thoughts," by Phidias himself. And, as the art of design was earlier than any of those names—even coeval with, or prior to, Homer himself—those who engraved and worked in metal their shields, might have handed down to us etchings of Troy itself, and particulars of the siege. Do we lose or gain by not ...
— Blackwood's Edinburgh Magazine — Vol. 56, No. 346, August, 1844 • Various
... between certain great political and intellectual periods and the appearance of illustrious medical reformers and teachers. It was in the age of Pericles, of Socrates, of Plato, of Phidias, that Hippocrates gave to medical knowledge the form which it retained for twenty centuries. With the world-conquering Alexander, the world-embracing Aristotle, appropriating anatomy and physiology, among his manifold ...
— Medical Essays • Oliver Wendell Holmes, Sr.
... Antony, when he wrote a sonnet to my eyebrow, wouldn't let me have it until he had heard whether or not Boswell wanted it for publication in the Gossip. With Rubens giving chalk-talks for pay, Phidias doing 'Five-minute Masterpieces in Putty' for suburban lyceums, and all the illustrious in other lines turning their genius to account through the entertainment bureaus, it's impossible to ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... religious art, for art that appeals to the sum and total of a man's experience of beauty in life, a public cultivated in this sense is a necessity. Giotto and Fra Angelico enjoyed this almost to the same degree as AEschylus or Phidias; Michael Angelo and the great artists of the Renascence generally enjoyed it in a very great degree, and reaped an advantage comparable to that which Euripides and his contemporaries and immediate ...
— Albert Durer • T. Sturge Moore
... dress, embroidered with gold, surrounded her tall and beautiful form, and fell behind her in a flowing train. A broad necklace of pearls and diamonds set off her superb neck; bracelets of the same kind encircled her arms, that might have served as a model for Phidias. A diadem of costly gems was glittering on her expansive forehead. It was a truly royal toilet, and in former days the queen herself would have rejoiced in it; but to-day no gladness was in her face—her cheeks were pallid, her lips ...
— Napoleon and the Queen of Prussia • L. Muhlbach
... touches of characterization and of contrast are omitted as superfluous. Whereas in Sophocles, it is at once the finish of the chief figure and the studied harmony of the whole, which have led his work to be compared with that of his contemporary Phidias. Such comparison, however, is useful by way of illustration merely. It must never be forgotten that, as Lessing pointed out to some who thought the Philoctetes too sensational, analogies between the arts are limited by essential differences of material and of scope. All poetry represents ...
— The Seven Plays in English Verse • Sophocles
... audience heated to attentive enthusiasm. So in preparing your speech you must not err on the side of mild statement—your audience will inevitably tone down your words in the cold grey of afterthought. When Phidias was criticised for the rough, bold outlines of a figure he had submitted in competition, he smiled and asked that his statue and the one wrought by his rival should be set upon the column for which the sculpture was destined. When this was done ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... at the last of its terms? Is the series capable of no further application, extension, or variation? Have we conceived the utmost limits of its abstractions? Have we examined the powers of all its terms with equal care? In one sense, we may never get beyond a Phidias or a Canova—in another, beyond a Woollet or a Bartolozzi—or, in a third, beyond a Corregio or a David;—but have we sufficiently examined and husbanded the abstractions of Thoth or Cadmus?—Ought not the signs of ideas, ere this, to have become abstract representations; as universal ...
— A Morning's Walk from London to Kew • Richard Phillips
... stood and yet stands, though shattered and mutilated, The Parthenon, justly celebrated throughout the world, erected of white Pentelican marble, under the direction of Callicrates, Ictinus and Carpion and adorned with the finest sculptures from the hand of Phidias. ...
— Conversion of a High Priest into a Christian Worker • Meletios Golden
... in general. There is in the work of every great sculptor, painter, writer, composer, architect, a distinctive and individual manner so marked and unmistakable as to identify the man whenever and wherever a bit of his work appears. If a statue of Phidias were to be found without any mark of the sculptor upon it, there would be no delay in determining whose work it was; no educated musician would be uncertain for a moment about a composition of Wagner's if he heard it for the first time without knowledge of its ...
— Essays On Work And Culture • Hamilton Wright Mabie
... representing the combat of the Athenians with the Amazons; besides six columns, white as snow, and of the finest architecture. Near the Propylaea stood the celebrated colossal statue of Minerva, executed by Phidias after the battle of Marathon, the height of which, including the ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... mute? Forth with thy praising voice! Forth with thy flute! Loiterer! why sittest thou Sunk in thy dream? Tempts not the bright new age? Shines not its stream? Look, ah, what genius, Art, science, wit! Soldiers like Caesar, Statesmen like Pitt! Sculptors like Phidias, Raphaels in shoals, Poets like Shakespeare— Beautiful souls! See, on their glowing cheeks Heavenly the flush! —Ah, so the silence was! So was ...
— Poetical Works of Matthew Arnold • Matthew Arnold
... think that a part of me will remain long after I have returned to dust. In any event, I feel that one is not truly dead if a part of his personality remains. Many of the ancients such as Homer, Phidias, Confucius, Christ, da Vinci, Lincoln, Einstein, Churchill—and many others—live on through their works when otherwise they would long since have been forgotten and thus be truly dead. Earth's history is full of such examples. And while I have no expectation of an immortality ...
— The Issahar Artifacts • Jesse Franklin Bone
... before the beholder's eyes, but painted as it were in his mind. Henceforth, suggestion only is aimed at, not representation; the cooeperation of the spectator is relied upon as the indispensable complement of the design. The Zeus of Phidias seemed to the Greeks, Plotinus says, Zeus himself, as he would be, if he chose to appear to human eyes. But a Crucifixion is of itself not at all what the artist meant. It is not the agony of the flesh, but the ...
— The Atlantic Monthly, Vol. 13, No. 76, February, 1864 • Various
... to maintain the notion of a general and intended progress, it is not necessary to show that no preceding age has excelled ours in some special, development. Phidias has had no rival in sculpture, we may admit. It is possible that glass was once made as flexible as leather, and that copper could be hardened like steel. But I do not take much stock in the "lost arts," the wondering theme of the lyceums. The ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... his office. My childish faith was all he could wish it; I reverenced a religion which had nurtured virtues like his. In process of time, I became myself a father. Four children, more beautiful than ever visited the dreams of Phidias, made my dwelling a portion of Elysium, as I then thought. Their mother—but why should I speak of her? It is enough to say, she was a Roman mother. At home, it was my supreme happiness to sport with my little ones, or initiate them into the elements of useful knowledge. And often, ...
— Zenobia - or, The Fall of Palmyra • William Ware
... a professorship in the Museum, and had chosen to remain at Megara where he was the ornament of his birthplace. He had been banished from Athens for speaking against their gods, and for saying that the colossal Minerva was not the daughter of Jupiter, but of Phidias, the sculptor. His name as a philosopher stood so high that when Demetrius, in his late wars with Ptolemy, took the city of Megara by storm, the conqueror bid spare the house of Stilpo, when temple and tower went to the ground; and when Demetrius gave orders that Stilpo ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 10 (of 12) • S. Rappoport
... genuine Arab, though never from the very top, thus showing an approach to the true horsey habit without actually attaining that final pinnacle of equine glory. So far as one can make out from the somewhat rude handicraft of my prehistoric Phidias the horse of the quaternary epoch had much the same caudal peculiarity; his tail was bushy, but only in the lower half. He was still in the intermediate stage between horse and donkey, a natural mule still struggling up aspiringly ...
— Falling in Love - With Other Essays on More Exact Branches of Science • Grant Allen
... use principally in two meanings: in the first place, in the Arts we ascribe it to those who carry their arts to the highest accuracy; Phidias, for instance, we call a Scientific or cunning sculptor; Polycleitus a Scientific or cunning statuary; meaning, in this instance, nothing else by Science than an excellence of art: in the other sense, we think some to be Scientific in a general way, not in any particular line or in any particular ...
— Ethics • Aristotle
... itselfe. Therefore neither pouerty nor doulour, nor any other thing which turneth back the unskilfull, and driuest them headlong, hindereth them. Hast thou rather he should be pressed? He maketh use of it. Not only of iuorie did Phidias know how to make images: he made them of brasse. If marble were unto him, if thou hadst offered baser matter, he would haue made such a one thereof, as could be made of that ...
— The Best of the World's Classics, Restricted to prose. Volume II (of X) - Rome • Various
... sympathy, might surely have been provoked by the sight of the blue sea where Themistocles repulsed the navies of Persia, and the glorious hill on whose crest St. Paul spake to the wondering Athenians, and the monuments of the genius of Praxiteles and Phidias. Lady Brassey, however, is not at her best when treating of the places and things which antiquity has hallowed: it is the aspects of the life of to-day and the picturesque scenes of savage lands that arrest her attention most firmly, and are ...
— Celebrated Women Travellers of the Nineteenth Century • W. H. Davenport Adams
... there can be no doubt that Pope himself depreciated the work, by his undignified arrangements for working by subordinate hands. Such a process may answer in sculpture, because there a quantity of rough-hewing occurs, which can no more be improved by committing it to a Phidias, than a common shop-bill could be improved in its arithmetic by Sir Isaac Newton. But in literature such arrangements are degrading; and, above all, in a work which was but too much exposed already to the ...
— Biographical Essays • Thomas de Quincey
... provinces. The staff of Peter the Hermit stood in a corner with that of good old Bishop Jewel, and one of ivory, which had belonged to Papirius, the Roman senator. The ponderous club of Hercules was close at hand. The virtuoso showed me the chisel of Phidias, Claude's palette, and the brush of Apelles, observing that he intended to bestow the former either on Greenough, Crawford, or Powers, and the two latter upon Washington Allston. There was a small vase ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... indefinite and almost unlimited power over the property of all wealthy citizens. The public surroundings of an influential Athenian were therefore in direct contrast to the simplicity of his home, which contained the most meagre supply of chairs and tables, while the chef d'oeuvres of Phidias adorned the Senate House, the Theatre, and ...
— Illustrated History of Furniture - From the Earliest to the Present Time • Frederick Litchfield
... trammels culminated in the great age of Italian painting. Gazing at Michelangelo's prophets in the Sistine Chapel, we are indeed in contact with ideas originally religious. But the treatment of these ideas is purely, broadly human, on a level with that of the sculpture of Phidias. Titian's "Virgin Received into Heaven," soaring midway between the archangel who descends to crown her and the apostles who yearn to follow her, is far less a Madonna Assunta than the apotheosis of ...
— The Great Events by Famous Historians, Volume 07 • Various
... interrupted by his friend, whose indignation being kindled by the irreverence with which he mentioned the Greeks, he called him blasphemer, Goth, Boeotian, and, in his turn, asked with great vehemence, which of those puny moderns could match with Panaenus of Athens, and his brother Phidias; Polycletus of Sicyon; Polygnotus, the Thracian; Parrhasius of Ephesus, surnamed Abrodiaitos, or the Beau; and Apelles, the prince of painters? He challenged him to show any portrait of these days that could vie with the Helen of Zeuxis, the Heraclean; or any composition equal to the Sacrifice of ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... self-inspection and consulting of previous models, native and foreign. Architectural motives were gathered from Egypt and the East, from Phoenicia and Anatolia, but they were worked in as material, not copied as patterns; and the architecture is as original as if no one had ever built before. Phidias and Praxiteles and the rest shaped and chiselled, aiming at perfection no doubt, trying to do their best, but without troubling themselves as to what that best "ought" to be. Criticism was rife in Athens of all places, but it was a criticism of things existing, not of ...
— Lippincott's Magazine, December 1878 • Various
... the new city, the cities of Greece and Asia were despoiled of their choicest treasures of art. In the Forum was placed a lofty column of porphyry, one hundred and twenty feet in height, on whose summit stood a colossal statue of Apollo, supposed to be the work of Phidias. In the stately circus or hippodrome, the space between the goals, round which the chariots turned in their swift flight, was filled with ancient statues and obelisks. Here was also a trophy of striking historical ...
— Historic Tales, Volume 11 (of 15) - The Romance of Reality • Charles Morris
... not by Phidias. This is the balance sheet of an attempt I made some years ago to carry out the idea of an International Association of Laborers—commonly known as THE International—or union of all workmen throughout the world in defence of the interests ...
— An Unsocial Socialist • George Bernard Shaw
... in proportion as the positive religions connected with it lose their power. Great religions outlive their altars and their priests. Hellenism, abolished, counts less skeptics to-day than in the days of Socrates and Anaxagoras. The gods of Homer died when Phidias carved them in marble, and now they are immortally enthroned in the thought and heart of Europe. The Cross may crumble into dust, but there were words spoken under its shadow in Galilee, the echo of which will forever vibrate in the human conscience. And when the nation who made the Bible ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... in its upward way to the reservoir, is permitted to spring forth in a perpetual jet d'eau, that returns in a silver shower upon the head of a marble naiad of snowy whiteness. The statue is not the work of Phidias, but its dark, rocky background, the flowery catalpas which shadow it, and the bright shower through which it shows itself, altogether make the scene one of singular beauty; add to which, the evening on which ...
— Domestic Manners of the Americans • Fanny Trollope
... may the doctor honored be Who let this saying fall! He ought to have his effigy By Phidias sculptured, so that he May be discerned by all; A monument forever thriving, ...
— The Works of Frederich Schiller in English • Frederich Schiller
... storms that marked the arrival of Medicis in France did not check the soaring flight of art. At the moment when a ball struck on the scaffold of the Fontaine des Innocents Jean Goujon who had found the Pagan chisel of Phidias, Ronsard discovered the lyre of Pindar and founded, aided by his pleiad, the great French lyric school. To this school succeeded the reaction of Malherbe and his fellows, who sought to drive from the French tongue all the exotic graces that their predecessors ...
— Bohemians of the Latin Quarter • Henry Murger
... daily revelation of absolute beauty. He was the key to the secret of Phidias and ...
— Balloons • Elizabeth Bibesco
... and out of place and puzzled and very lonely in a sordid, bustling world; and he assured Patricia—she did not object if he called her Patricia?—that her own soul possessed all the beauty and purity and calm of an Aphrodite sculptured by Phidias. It was such a soul as Horace might have loved, as Theocritus might have hymned in glad Greek song. ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... called of Neptune, is the more remarkable because there are scarcely any vestiges of other buildings. Morier thought them inferior to the temples at Athens, but so they may well be; the Athenian temples are built of white marble from the Pentelic quarries, and highly ornamented by Phidias. ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... were hung with beautiful pictures created by artists long since dead, Parrhasius and Apelles, Evenor and Zeuxis; each painting was framed with a panel of exquisite mosaic. Statuary of rarest loveliness by Phidias, Praxiteles and Scopas, Thrason, Myron, Pharax and Phradmon, stood between the pillars. Within the court were fragrant flowers of every shade, and in the centre towered one grand design in fountain form, from which ...
— Saronia - A Romance of Ancient Ephesus • Richard Short
... came in what is known as the Age of Pericles, who was the master mind at Athens from 459 to 431 B.C. During the fifth century B.C. such names as Themistocles and Pericles in government, Phidias and Myron in art, Herodotus and Thucydides in historical narrative, Aeschylus, Sophocles, and Euripides in tragic drama, and ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY
... old Greek bathers, into whose hands were delivered Pericles, and Alcibiades, and the perfect models of Phidias. They had daily before their eyes the highest types of Beauty which the world has ever produced; for of all things that are beautiful, the human body is the crown. Now, since the delusion of artists has been overthrown, and we know that Grecian Art is but ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... spoke, &c. "When a friend inquired of Phidias what pattern he had formed his Olympian Jupiter, he is said to have answered by repeating the lines of the first Iliad in which the poet represents the majesty of the god in the most sublime terms; thereby signifying that the genius of Homer ...
— The Iliad of Homer • Homer
... hand that carved this face, And set this vine-work round it running, Perhaps ere mighty Phidias wrought, Had lost its subtle ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... invader, and the glory and wealth which accrued to Athens as the champion of all Hellas, resulted in a splendid reconstruction of the Attic monuments as well as a revival of building activity in Asia Minor. By the wise administration of Pericles and by the genius of Ictinus, Phidias, and other artists of surpassing skill, the Acropolis at Athens was crowned with a group of buildings and statues absolutely unrivalled. Chief among them was the Parthenon, the shrine of Athena Parthenos, ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... whatsoever part, And scan each best known masterpiece of art, In Phidias or Praxiteles or Apelles, You will find nothing that ...
— Ex Voto • Samuel Butler
... statue of Minerva, in the Villa Albani, was characterized as the Goddess of Wisdom by an aged countenance. Phidias reformed this idea, and gave to her beauty and youth. Previous artists had imitated Nature too carelessly,—not deeply perceiving that wisdom and virtue, striving in man to resist senescence and decay, must in a goddess accomplish their purpose, and preserve her in ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... richly dressed, with an exuberant mass of yellow hair falling over her shoulders. Her large, lustrous eyes were of a deep blue, her complexion as rich and pink as the lining of a sea shell, and her features as winsome as any that Phidias himself ever carved ...
— The Telegraph Messenger Boy - The Straight Road to Success • Edward S. Ellis
... safe—and stands in absolute security from any stray Zeppelin bombs. The Winged Victory of Samothrace is also protected by armor plates. Mona Lisa once more smiles in darkness. The Salle Greque, containing masterpieces of Phidias, is protected by sand bags. Many unique treasures of statuary and painting are placed in the cellars. Similar precautions are taken at the Luxembourg and at other museums. The upper stories of the Louvre, which are roofed ...
— Paris War Days - Diary of an American • Charles Inman Barnard
... until you have taught him his grammar. Grammar and refinement are good things, both, only be sure of the better thing first. And thus in art, delicate finish is desirable from the greatest masters, and is always given by them. In some places Michael Angelo, Leonardo, Phidias, Perugino, Turner, all finished with the most exquisite care; and the finish they give always leads to the fuller accomplishment of their noble purpose. But lower men than these cannot finish, for it ...
— Selections From the Works of John Ruskin • John Ruskin
... Athenian citizen. Let us, for a moment, transport ourselves in thought, to that glorious city. Let us imagine that we are entering its gates, in the time of its power and glory. A crowd is assembled round a portico. All are gazing with delight at the entablature; for Phidias is putting up the frieze. We turn into another street; a rhapsodist is reciting there: men, women, children are thronging round him: the tears are running down their cheeks: their eyes are fixed: their very breath is still; for he is telling how Priam ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 1 (of 4) - Contibutions to Knight's Quarterly Magazine] • Thomas Babington Macaulay
... most during the decadence of nations, when it has been hired by wealth as the minister of luxury. Exquisite art and degrading corruption were contemporary in Greece as well as in Rome. Phidias and Iktinos had scarcely completed the Parthenon, when the glory of Athens had departed; Phidias died in prison; and the Spartans set up in the city the memorials of their own triumph and of Athenian defeat. It was the same in ancient Rome, ...
— Character • Samuel Smiles
... that which he does not know, that which flowed out of his constitution, and not from his too active invention; that which in the study of a single artist you might not easily find, but in the study of many, you would abstract as the spirit of them all. Phidias it is not, but the work of man in that early Hellenic[125] world, that I would know. The name and circumstance of Phidias, however convenient for history, embarrass when we come to the highest criticism. We are to see that which man was tending to do in a given period, ...
— Essays • Ralph Waldo Emerson
... is a thing of older ancestry; you cannot, however bursting with emotion, embody your feelings in forms like those of Phidias, of Michelangelo, of Bach, or Mozart, unless such forms have come ready to hand through the long, steady working of generations of men: Phidias and Bach in person, cut off from their precursors, would not, for all their genius, get as far as a schoolboy's ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... invariable 'vanity of vanities,' is alike inscribed upon all the vestiges of human greatness. For the rest, a serene and touching beauty lingers around and hallows every relic which attests the hand of Phidias, or marks the country of Pericles and Epaminondas. No lapse of time, no process of decay, will ever wholly exorcise that spirit of stateliness and command which sits enthroned amid the ruins of the 'Eternal City,' as her own Marius once sate amid the ruins of a rival capital. But ...
— The Knickerbocker, or New-York Monthly Magazine, April 1844 - Volume 23, Number 4 • Various
... nothing more perfect in form, more full of music, more delicate in expression. The same felicity is shown in his epigrams on curiosities of art or nature, a fashionable and, it must be confessed, an easy theme.[680] Fish carved by Phidias' hand, a lizard cast by Mentor, a fly enclosed in amber, are ...
— Post-Augustan Poetry - From Seneca to Juvenal • H.E. Butler
... parted showed two rows of pearl-like teeth. Her chin was pear-shaped, and revealed decision of character. Her whole appearance gave one the impression of intelligence, purity, and benevolence. She was of medium height, and her figure would have served as a model for the skill of a Phidias. Her greatest accomplishment was music. Her voice was a high soprano, and its naturally pure tone was improved by cultivation ...
— The Kentucky Ranger • Edward T. Curnick
... liberality of an old lady, who, in a summer visit to Feltonville, had been attracted by his talent for modelling in clay, he had avoided as far as possible all intercourse with his townspeople. The old lady, who took much innocent pleasure in imagining herself the patroness of a future Phidias, died suddenly one day, leaving the will by which provision was made for young Stanton's future unhappily without signature; a fact which ever after furnished him with definite grounds upon which to found his accusations against society ...
— The Philistines • Arlo Bates
... appeared in one of [Lysippus's [3]] Statues of Alexander, tho' no bigger than the Life, than he might have been with Mount Athos, had it been cut into the Figure of the Hero, according to the Proposal of Phidias, [4] with a River in one Hand, and a City in ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... these facts, does it not appear that if there is any one distinctively feminine characteristic, it is the mother-instinct for government? But now with clearer vision we reread the record of the past. True, we find no Raphael or Beethoven, no Phidias or Michael Angelo among women. No woman has painted the greatest picture, carved the finest statue, composed the noblest oratorio or opera. Not many women's names appear after Joan of Arc's in the long list of warriors; ...
— History of Woman Suffrage, Volume III (of III) • Various
... And monstrous limbs, that might uphold The weight that Atlas bore, of old; Like shapes that our troubled dreams distress, Ghost-like and grim in their ugliness; A huge and hideous human form, Born of the howling wind and storm: And yet those boyish sculptors glow With the pride of a Phidias or Angelo. ...
— The Atlantic Monthly, Vol. 13, No. 79, May, 1864 • Various
... conscious will has nothing to do with it,—"it can only have arisen through inspiration from the Unconscious." He would extend the name of mystic to "eminent art-geniuses who owe their productions to inspirations of genius, and not to the work of their consciousness (e.g. Phidias, AEeschylus, Raphael, Beethoven)", and even to every "truly original" philosopher, for every high thought has been first apprehended by the glance of genius. Moreover, the relation of the individual to the Absolute, an essential theme of philosophy, can only ...
— Christian Mysticism • William Ralph Inge
... As to publishers and managers, they care only for marketable articles, and until an article has got a reputation its marketable value is very small. Nine hundred and ninety-nine out of a thousand judge by names and not by intrinsic worth. Suppose a hitherto unknown statue of Phidias, a painting of Raphael, a symphony of Beethoven, were discovered and introduced to the public as the works of unknown living artists, do you think they would receive the same universal admiration as the known works of the immortal masters? Not at all! By a very ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... wish, at any cost, to sleep in Grecian bedrooms, and to sit by German hearths. On the other hand, though sensible of the honor attached to being bit by a flea lineally descended from an Athenian flea that in one day may possibly have bit three such men as Pericles, Phidias, and Euripides, many quiet unambitious travellers might choose to dispense with 'glory,' and content themselves with the view of Greek external nature. To these persons we would recommend the plan of carrying amongst their baggage a tent, with portable camp-beds; one of those, as ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... and Hermes, in the types attained about the time of Phidias; but, of course, rudely drawn on the vase, and still more rudely in this print from Le Normant and De Witte. For it is impossible (as you will soon find if you try for yourself) to give on a plane surface the grace of figures ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... in regal pride, but her eyes were the wide dark eyes of a fawn, fear-haunted, at the gaze. Her throat and shoulders gleamed white as starlight while her tapering arms would have urged an envious sigh from a Phidias or a David. Her gown of silk was snow white; the light clung to its watered woof waving and trembling in its folds as though upon a frosted glass. Diagonally from right to left across her breast descended a great red ribbon upon whose ...
— Trusia - A Princess of Krovitch • Davis Brinton
... his feet the eagle, and the same form would serve for Jupiter the Thunderer, except only that to the countenance of the Jewish prophet there has been imparted a rapt and inspired look, wholly beyond any that even Phidias could have fixed upon the face of Jove. He who wrought this head must have believed in the sublimities of the religion whose chief minister he has made so to speak them forth, in the countenance and in the form; and yet who has ever heard of ...
— Aurelian - or, Rome in the Third Century • William Ware
... to my words, if you want to know why she was lost to you. The start of our misfortunes was the exile of Phidias;[311] Pericles feared he might share his ill-luck, he mistrusted your peevish nature and, to prevent all danger to himself, he threw out that little spark, the Megarian decree,[312] set the city aflame, and blew ...
— The Eleven Comedies - Vol. I • Aristophanes et al |
