"Raphael" Quotes from Famous Books
 ... of state had recommended us very particularly to brigadier Don Raphael Clavijo, who was employed in forming new dock-yards at Corunna. He advised us to embark on board the sloop Pizarro,* (* According to the Spanish nomenclature, the Pizarro was a light frigate (fragata lijera).) ...
— Equinoctial Regions of America • Alexander von Humboldt
... mixed with Miss Inches' disappointment at hearing of Johnnie's decision. The child of theory was a delightful thing to have in the house, but this real child, with moods and tempers and a will of her own, who preferred chromos to Raphael, and pined after "tag," tried her considerably. They parted, however, ...
— Nine Little Goslings • Susan Coolidge
... so tenderly." This glowing picture presents to the mind a being whose contending passions may be felt, but were not delineated even by Corregio. Had his tints been aided by the grace and greatness of Raphael, they must have failed. ...
— The Works of William Hogarth: In a Series of Engravings - With Descriptions, and a Comment on Their Moral Tendency • John Trusler
... very sure, in the Preraphaelite Brotherhood there was no lack of appreciation for Raphael. In fact, there is proof positive that Burne-Jones and Madox Brown studied him with profit, and loved him so wisely and well that they laid impression-paper on his poses. This would have been good and sufficient ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... magazine, edited by Don Ricardo Severe, appeared an article by the Rev. Father Jose Brenha on the dolmens of Pouco d'Aguiar. Father Raphael Rodrigues, of that place, asked Father Brenha to excavate with him in the Christmas holidays of 1894. They published some of their discoveries in magazines, and some of the finds were welcomed by Dr. Leite de Vasconcellos, in his Religioes da Lusitania ...
— The Clyde Mystery - a Study in Forgeries and Folklore • Andrew Lang
... had made an unsuccessful attempt were Antonio de Nolle with Bartholomeo his brother, and Raphael de Nolle his nephew. Antonio was of a noble family, and, for some disgust, left his country and went to Lisbon with his before-mentioned relatives in two caravels; sailing whence in the employ of Portugal, they discovered the island of ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... well as a perfect follower of Nature, Sir Joshua Reynolds, has somewhere applied it, or something like it, in his own profession. It is this: that, if ever we should find ourselves disposed not to admire those writers or artists (Livy and Virgil, for instance, Raphael or Michael Angelo) whom all the learned had admired, not to follow our own fancies, but to study them, until we know how and what we ought to admire; and if we cannot arrive at this combination of admiration with knowledge, ...
— The Works of the Right Honourable Edmund Burke, Vol. IV. (of 12) • Edmund Burke
... Full name: Michael Raphael Gabriel. (His mother had tagged that on him at the time of his baptism, which had made his father wince in anticipated compassion, but there had been nothing for him to say—not in ...
— Unwise Child • Gordon Randall Garrett
... a subject fit for a Raphael's pencil, as she, of form and feature more angelic than human, sat beside that cottage door, and her mild blue eye gazed steadfastly up to heaven, and the light of the moon disclosed to mortal view ...
— Town and Country, or, Life at Home and Abroad • John S. Adams
... madonna painted by Piola, the great Genoese painter, who bade fair to bring out a second edition of Raphael till his career was cut short by jealousy and murder; his madonna, however, you may dimly discern through a pane of glass in a little street ...
— The Collection of Antiquities • Honore de Balzac
... medallions on the sides of the window contain, one the Archangel Gabriel with the lily of the Annunciation, the other a very beautiful group of Raphael and Tobias, both by Signorelli himself. Below, the decorations correspond to those on the opposite side, the grisaille pictures, representing, according to Luzi, scenes from the "Metamorphoses" of Ovid, all, with the exception, perhaps, of the medallion just below the window, ...
— Luca Signorelli • Maud Cruttwell
... short, the flower of her family for beauty and amiability. But milk and mildness are not the best things for keeping, and when they turn only a little sour, they may disagree with young stomachs seriously. I have often wondered whether those early Madonnas of Raphael, with the blond faces and somewhat stupid expression, kept their placidity undisturbed when their strong-limbed, strong-willed boys got a little too old to do without clothing. I think they must have been given to feeble remonstrance, getting more and more peevish ...
— The Mill on the Floss • George Eliot
... sustains one's own aesthetical creation. In the mind of one who "learns the things of others" we may find, as in a sack of old clothes hanging over the shoulders of a hawker, solutions of the problems of Euclid, together with the images of Raphael's works, ideas of history and geography, and rules of style, huddled together with a like indifference and a like sensation of "weight." While, on the other hand, he who uses all these things for his own life, is like the person who is assisted in attaining his own welfare, his own ...
— Spontaneous Activity in Education • Maria Montessori
... is ensured. The writing and drawing automaton performs its advertised wonders to the satisfaction of the spectators; but the machine is not "instinct with spirit;" you cannot expect from its pencil the sketch of a Raphael, or from its pen the thoughts of a Shakespeare. It is easy to guide the hand, but who can transfuse ...
— Practical Education, Volume II • Maria Edgeworth
... prematurely, as precocious people generally do,—like Raphael, Pascal, Schiller, I may add Macaulay and Mill; but she accomplished much, and might have done more had her life been spared, for no one doubts her genius,—perhaps the most remarkable female writer who has lived, on the whole. George ...
— Beacon Lights of History, Volume VII • John Lord
... fine history-piece has over cutting flowers in paper. In the last there is little more required than mechanical nicety, and, at the best, it affords no great pretention to merit. But it is only for genius to order, distribute and compose, in the other. A Raphael is allowed to take place in the Temple of Fame, by a Virgil; and the art of dancing is capable of having its Raphaels too. Pilades, and Bathillus were painters, and great ones, in their way. Picturesque composition ...
— A Treatise on the Art of Dancing • Giovanni-Andrea Gallini
... are looking at my paintings; let me show you my late purchases. Observe this sweet Madonna, by Murillo! I prefer it to the one in the Munich Gallery. It may not boast Titian's glow of colour, or Raphael's grandeur of design,—in delicate angelic beauty, it may yield to the delightful efforts of Guido's or Correggio's pencil,—but surely no human conception can ever have more touchingly portrayed the beauteous resigned mother. The infant, too! how inimitably ...
— A Love Story • A Bushman
... virtues; for if youth that has not yet gone astray is pitiless for the sins of others, it is ready, on the other hand, to put a magnificent faith in them. It is only, in fact, after a good deal of experience of life that we recognize the truth of Raphael's great saying—"To ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... Almighty God selected them. He looked all over the world and said: "Now, there's a man I want!" And what selections! Shakespeare was not called. Yet he has done more for this world than all the ministers who have ever lived in it. Beethoven! He was not called. Raphael was not called. He was all an accident. All the inventors, discoverers, poets—God never called one of them; he turned his attention to popes, cardinals, priests, exhorters; and what selections ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... declamation, no passionate appeal, no superficial and feigned emotion. It was simple colloquy—a gentleman conversing. Unconsciously and surely, the ear and heart were charmed. How was it done? Ah! how did Mozart do it, how Raphael? The secret of the rose's sweetness, of the bird's ecstacy, of the sunset's glory—that is the secret of genius and ...
— The Evolution of Expression Vol. I • Charles Wesley Emerson
... up," has found with horror that his limbs are benumbed and his spirits are now too heavy! "It is too late," he has said to himself—and has become self-distrustful and henceforth for ever useless.—In the domain of genius, may not the "Raphael without hands" (taking the expression in its widest sense) perhaps not be the exception, but the rule?—Perhaps genius is by no means so rare: but rather the five hundred HANDS which it requires in order to tyrannize over the [GREEK INSERTED HERE], "the right time"—in order ...
— Beyond Good and Evil • Friedrich Nietzsche
... "Michael Angelo, Raphael, Pergolese, Galileo, and you, intrepid travellers, greedy of new countries, though nature could offer nothing finer than your own, join your glory also to that of the poets. Artists, scholars, philosophers! you are, like them, the children of that sun which by turns ...
— Corinne, Volume 1 (of 2) - Or Italy • Mme de Stael
... and the last of David's disciples, Ingres pursued throughout his life the even tenor of a man convinced that the source of all inspiration in art was Greek sculpture as amplified, transmuted, and translated to the realm of painting by Raphael. Painting in his hands became almost purely a matter of form. The element of color was virtually ignored, and form, chastened in contour and modelling, became through the magic of his genius the almost sufficient ...
— McClure's Magazine, March, 1896, Vol. VI., No. 4. • Various
... city if he would settle there, but he preferred to return to Nuremberg, where he was pensioned $600 a year by the emperor. Leonardo da Vinci and Michelangelo both received $129 a month for work done for a prince, and the latter was given a pension of $5200 a year by Paul III. Raphael in 1520 left ...
— The Age of the Reformation • Preserved Smith
... with colour, and now we admire the columns and their capitals, pictures in mosaic or monuments in marble. Rome was not built in a day, says the proverb, and St. Peter's Church alone was the work of 120 years and twenty Popes. Italy's foremost artists, including Raphael and Michael Angelo, put the best of their energies into the building of this temple, where is the tomb of the Apostle Peter. The great church contains a bronze statue of the Apostle Peter in a sitting position, and the right foot is worn and polished by the kisses ...
— From Pole to Pole - A Book for Young People • Sven Anders Hedin
... faithful portrait, and a pleasing picture to those who enjoy his style of colouring, which I am apprehensive is not so generally acceptable as the other master's. Pope possesses the gentle and amiable graces of a Guido: Cowper is endowed with the bold sublime genius of a Raphael. After having said so much upon their comparative merits, enough, I hope, to refute your second assertion which was, that women, in the opinion of men, have little to do with literature. I may inform you, that the Iliad is ...
— Notes and Queries, Number 208, October 22, 1853 • Various
... hands devoutly joined He breathed his last. God sent his Cherubim, Saint Raphael, Saint Michel del Peril. Together with them Gabriel came.—All bring The soul of Count Rolland ...
— A Book of Myths • Jean Lang
... naked, when an alarm calls them to another. The learned, however, might generally support their dignity with more success, if they suffered not themselves to be misled by the desire of superfluous attainments. Raphael, in return to Adam's inquiries into the courses of the stars, and the revolutions of heaven, counsels him to withdraw his mind from idle speculations, and employ his faculties upon nearer and more interesting objects, the survey of his own life, the subjection of his passions, the ...
— The Works of Samuel Johnson - Volume IV [The Rambler and The Adventurer] • Samuel Johnson
... the Chamberlain-ness decided Lady Turnour, behind Sir Samuel's shoulder (so the chauffeur told me); consequently, here we were—and not at St. Raphael, which would have seemed the more ...
— The Motor Maid • Alice Muriel Williamson and Charles Norris Williamson
... a physician and philosopher of the Papal Court, wrote in his De Pulchro, sometimes considered the first modern treatise on aesthetics, a minute description of Joan of Aragon, whose portrait, traditionally ascribed to Raphael, is in the Louvre. The famous work of Firenzuola (born 1493) entitled Dialogo delle Bellezze delle Donne, was published in 1548. It has been translated into English by Clara Bell under the title On ...
— The Task of Social Hygiene • Havelock Ellis
... upon the grass, barefoot, and fearless of the dew. Then Polly appeared with her gridiron and bear-steak, or with her griddle and eggs, and, in fewer minutes than this page has cost me, the breakfast was ready for Alice to carry, dish by dish, to the white-clad table on the piazza. Not Raphael and Adam more enjoyed their watermelons, fox-grapes, and late blueberries! And, in the long croon of the breakfast, we revenged ourselves for the haste with which ...
— The Brick Moon, et. al. • Edward Everett Hale
... enjoy the "St. John" and "Madonna and Child" by Raphael, many works by Leonardo Da Vinci, Corregio, Rubens, ...
— See America First • Orville O. Hiestand
... assistant dives into the Christmas Card Basket, and produces RAPHAEL TUCK AND SONS,—"Tuck," a schoolword dear to "our boys,"—who lead off the Christmas dance. Daintily and picturesquely got up, their Cards are quite full. Their Watteau Screens will serve as small ornaments afterwards. These "Correct Cards," with few exceptions, ...
— Punch, or the London Charivari, Volume 103, December 10, 1892 • Various
... were everywhere. Of bards full many a stroke divine 20 In Dante's, deg. Petrarch's, deg. Tasso's deg. line, deg.21 The land of Ariosto deg. show'd; deg.22 And yet, e'en there, the canvas glow'd With triumphs, a yet ampler brood, Of Raphael deg. and his brotherhood. deg.25 And nobly perfect, in our day Of haste, half-work, and disarray, Profound yet touching, sweet yet strong, Hath risen Goethe's, deg. Wordsworth's deg. song; deg.29 Yet even I (and none will bow 30 Deeper to these) must needs allow, ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold
... dumb people. They can do great acts, but not describe them. Like the old Romans, and some few others, their Epic Poem is written on the Earth's surface: England her Mark! It is complained that they have no artists: one Shakspeare indeed; but for Raphael only a Reynolds; for Mozart nothing but a Mr. Bishop: not a picture, not a song. And yet they did produce one Shakspeare: consider how the element of Shakspearean melody does lie imprisoned in their nature; reduced to unfold itself ...
— Past and Present - Thomas Carlyle's Collected Works, Vol. XIII. • Thomas Carlyle
... the city. 1. Temple of Antonius; column to his honour, and his victories inscribed. 2. Church of St. Ignazia; tomb of Gregory XV. 3. Pantheon of Agrippa—built 22 B.C., of Oriental granite brought from Egypt. The obelisk is from the Temple of Isis. 4. In the second chapel to the left, Raphael was buried in 1520. He gave orders to his scholar Lorenzetto to make the statue of the Virgin, behind which he is buried. It is ornamented by gold and silver offerings of trinkets, rings, and bracelets. 5th. Piazza della Minerva—formerly Temple ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... Monte Cristo to him, "I do not recommend my pictures to you, who possess such splendid paintings; but, nevertheless, here are two by Hobbema, a Paul Potter, a Mieris, two by Gerard Douw, a Raphael, a Vandyke, a Zurbaran, and two or three by Murillo, worth ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... Cecilia playing upon the organ, often a small, portable instrument, such as she bears in the celebrated picture by Raphael, which we reproduce. For over six hundred years, from the time of Cimabue to our own day, artists of all countries have vied with each other in representations of St. Cecilia, but none have risen to the height of Raphael's ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... time on neither our houses nor our gardens nor anything that is ours. On the street may be seen men who have their beards cut as in the time of Henry III, others who are clean shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the Gothic, the taste of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which ...
— The Confession of a Child of The Century • Alfred de Musset
... of Raphael's finest pictures, fresh from the master's hand, ever bestowed a thought upon the wretched little worm which works its destruction? Who that beholds the gilded vessel gliding in gallant trim—"youth at the prow, and pleasure at the helm;" ever ...
— Tales and Novels, Vol. 6 • Maria Edgeworth
... Paris all the masterpieces of Michel Angelo, Guercino, Titian, Paul Veronese, Correggio, Albarro, the two Carracci, Raphael, and Leonardo da Vinci." [Footnote: This wonderful banner was hung up in the hall of the Directory while the members of the latter were occupying the Luxemburg. It afterward accompanied the three consuls to the Tuileries, and was ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... expression of itself. There is a genuinely individual impulse in it, and it is not derivative merely, although almost every phase of it can be related to earlier art. It has nothing in common with the so-called grand school of painting which produced worthless imitations of Michael Angelo and Raphael. It is feeling out for a new world, and it is trying to use the older tradition as a bridge. The older art held up a mirror to natural forms and brought them nearer to man. In the perfect culmination of this new art one feels how a complete change might take place and natural forms ...
— Imaginations and Reveries • (A.E.) George William Russell
... long silky hair falling softly upon his shoulders; the pure and delicate contour of his handsome face; his sensitive mouth, the corners curving slightly upwards, all reminded Gilbert of the portrait of Raphael painted by himself, all, except the expression, ...
— Stories of Modern French Novels • Julian Hawthorne
... by President Poincare with a gift of one thousand francs; the American War Relief Clearing House gave her four thousand three hundred francs, Madame Viviani contributed four thousand francs; the Comedie Francaise one thousand, and Raphael Weill of San Francisco seven thousand seven hundred and fifty; Alexander Phillips of New York three thousand; and capitalists, banks, bank clerks, civil servants, colonials, school children, ...
— The Living Present • Gertrude Franklin Horn Atherton
... befel on a night whenas Amis and Amile lay in one chamber without other company, that God sent to Amis Raphael his angel, who said to him: "Sleepest thou, Amis?" And he, who deemed that Amile had called to him, answered: "I sleep not, fair sweet fellow." Then the angel said to him: "Thou hast answered well, whereas thou art the fellow of the citizens of Heaven, ...
— Old French Romances • William Morris
... world in the ways of Providence, and habituated their eye (if we may use a very inadequate expression) to the style of the divine artist. Should the most skilful painter of modern Italy presume to decorate his feeble imitations with the name of Raphael or of Correggio, the insolent fraud would be soon discovered, and ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon
... but what they "received." Their teachers received from the prophets—the prophets received from angels—David from the Angel Michael, Moses from Metatron, Isaac from Raphael, Shem from Yophiel—and the angels themselves from God. The Metatron is the connecting link between the Divine Spirit and the world of matter. It resembles the Demiurgos of the Gnostics. It is the mystical expression for the Being that forms a union between God and ...
— Hebrew Literature
... that the more ornate work of the Renaissance fails to give us. It is an illustration in architecture, of what we have ventured to call the 'simple right' and the 'elaborate wrong;' like the composition of Raphael's Holy Family (drawn on the head of a tub), it was right, whilst its ...
— Normandy Picturesque • Henry Blackburn
... up to Heaven his glove, and St. Gabriel received it; then, with head bowed and hands clasped, the hero died, and the waiting cherubim, St. Raphael, St. Michael, and St. Gabriel, bore his soul ...
— Hero-Myths & Legends of the British Race • Maud Isabel Ebbutt
... listen to the slow, full, rich, deep, and melodious tones that fell trembling from her lips upon the ear, and not feel, aye shudder, under all their fascination on the soul. In such a voice might the Madonna of Raphael have been supposed to offer up her supplications from the gloomy precincts of the cloister. No wonder that Frederick de Haldimar loved her, and loved her with all the intense devotedness of his own glowing heart. His cousin was to him a divinity whom he worshipped in the innermost ...
— Wacousta: A Tale of the Pontiac Conspiracy (Complete) • John Richardson
... preserved there for the delectation of the eye. The tendency is to think little of the architect who made the buildings where they are treasured. Asked to name the greatest makers of this beautiful Florence, the ordinary visitor would say Michelangelo, Giotto, Raphael, Donatello, the della Robbias, Ghirlandaio, and Andrea del Sarto: all before Brunelleschi, even if he named him at all. But this is wrong. Not even Michelangelo did so much for Florence as he. Michelangelo ...
— A Wanderer in Florence • E. V. Lucas
... have seen too little of. We start away for Venice about the end of the week. At the Uffizi I seem to have found out all my future favorites the first day, and very little new has come to me; but most of them go on growing. The Raphael lady is quite wonderful; I think she was in love with him, and her soul went into the painting though he himself did not care for her; and she looks at you and says, "See a miracle: he was able to paint this, and never knew that I loved him!" It is wonderful that; but I suppose it can be done,—a ...
— An Englishwoman's Love-Letters • Anonymous
... synthesis of the old arts dreamed by Wagner, but an art consisting of music alone: an art for the twentieth century, a democratic art in which poet and tramp alike could revel. To the profoundest science must be united a clearness of exposition that only Raphael has. Even a peasant enjoys Velasquez. The Greeks fathomed this mystery: all Athens worshipped its marbles, and Phidias was crowned King of Emotions. Music alone lagged in the race, music, part speech, part painting, with a surging undertow of passion, music had been too long in ...
— Melomaniacs • James Huneker
... manner they conversed some time longer of the Italian painters of the epoch preceding Raphael, and of their modern followers. At times disputing slightly; at times growing enthusiastic in company, till they agreed in one opinion; namely, that the greatest master of painting, whom it was impossible to compare with anyone among contemporaries, ...
— The Argonauts • Eliza Orzeszko (AKA Orzeszkowa)
... Psalms for the day, which are generally chalked on a common black tablet, and have a very sobering effect on an esthetic mind, but which, in the form above described, even ornament the church and fully make up for the want of pictures by Raphael. Such progress delights me infinitely, since I, as a Protestant and a Lutheran, am ever deeply chagrined when Catholic opponents ridicule the empty, God-forsaken appearance ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... slumbering thoughts and feelings of the soul, which in every breast find a response, even among the most opposite nations, had found a voice and language. The fantasies died away in a soft, spiritual piano. Thus lightly has Raphael breathed the Madonna di Foligno upon the clouds; she rests there as a soap-bubble rests upon velvet. That dying away of the tomes resembled the thoughts of the lover when his eye closes, and the living dream of his heart imperceptibly ...
— O. T. - A Danish Romance • Hans Christian Andersen
... expresses in the "Peau de Chagrin." That wonderful book, side by side with its philosophical teaching, gives a graphic picture of one side of Balzac's restless, feverish youth, as "Louis Lambert" does of his repressed childhood. Neither Louis Lambert nor the morbid and selfish Raphael give, however, the slightest indication of Balzac's most salient characteristic both as boy and youth—the healthy joie de vivre, the gaiety and exuberant merriment, of which his contemporaries speak ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... it was the angel Michael. He who showed himself to the wife of Manoah,[15] the father of Samson, and afterwards to Manoah himself. He who announced to Gideon that he should deliver Israel from the power of the Midianites.[16] The angel Gabriel, who appeared to Daniel, at Babylon;[17] and Raphael who conducted the young Tobias ...
— The Phantom World - or, The philosophy of spirits, apparitions, &c, &c. • Augustin Calmet
... "They are by Raphael," said the Senator. "I bought them at a great price, out of vanity, some years ago. They are said to be the finest things in Italy, but they do not please me at all. The colours are too dark, the figures are not sufficiently rounded, nor in good relief; the draperies in no way resemble stuffs. ...
— Candide • Voltaire
... evening, in the story of the forfeited Paradise. There is strife between the Blessed and the Damned; the obedient and the disobedient. There are thick clouds in the heavens—smoke, fire, and sulphur—a clashing of swords in the serried ranks of the angels: can not you see Michael, Gabriel, Raphael, leading the heavenly host? Can not some of you sympathize a little with Satan ...
— The First Violin - A Novel • Jessie Fothergill
... I were to choose one room it would be the Tribune of this gallery. It contains the Venus de' Medici, the Explorator, the Pancratist, the Dancing Faun and a fine Apollo. These more than outweigh the Laocoon and the Belvedere Apollo at Rome. It contains, besides, the St John of Raphael and many other chefs-d'oeuvre of the greatest masters in the world." It is interesting to compare Mr Pontifex's effusions with the rhapsodies of critics in our own times. Not long ago a much esteemed writer informed the world that he ...
— The Way of All Flesh • Samuel Butler
... Painting, and died at the age of 48, in 1665. His son and Vouet's grandson, Nicolo Dorigny, in aid of whose undertaking Steele wrote this paper in the Spectator, had been invited from Rome by several of the nobility, to produce, with licence from the Queen, engravings from Raphael's Cartoons, at Hampton Court. He offered eight plates 19 inches high, and from 25 to 30 inches long, for four guineas subscription, although, he said in his Prospectus, the five prints of Alexanders Battles after Lebrun were often sold ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... easily imagined, that the collection of prints is numerous in an uncommon degree; but, surely, the expectation of every man will be exceeded, when he is informed that there are more than forty thousand engraven from Raphael, Titian, Guido, the Carraccis, and a thousand others, by Nanteuil, Hollar, Callet, Edelinck, and Dorigny, and other ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... purpose: that is, 'in addition' to those which he studies for specific and professional purposes. It is saying less than the truth to affirm, that an excellent book (and the remark holds almost equally good of a Raphael as of a Milton) is like a well-chosen and well-tended fruit-tree. Its fruits are not of one season only. With the due and natural intervals, we may recur to it year after year, and it will supply the same nourishment ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... him!) in the last scene of Macbeth. In an indistinct place, which was quite sublime in its indistinctness, I was visited by a Spirit. I could not make out the face, nor do I recollect that I desired to do so. It wore a blue drapery, as the Madonna might in a picture by Raphael; and bore no resemblance to any one I have known except in stature. I think (but I am not sure) that I recognized the voice. Anyway, I knew it was poor Mary's spirit. I was not at all afraid, but in a great delight, so that I wept very much, and stretching out my arms to it ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... of virtu was one of the sources of his profusion; but it always had a reference to himself. He evidently preferred a snuff-box which he could display in his hand, to a Raphael which he could exhibit only on his wall. His snuff-boxes were numerous and costly. But even in taking snuff he had his style: he always opened the box with one hand, the left. The Prince imitated him in ...
— Blackwood's Edinburgh Magazine - Volume 55, No. 344, June, 1844 • Various
... the Pope laughed. They understood each other. A fool would have gone next day to amuse himself with Julius II at Raphael's house or in the delightful Villa Madama; but Belvidero went to see him officiate in his pontifical capacity, in order to convince himself of his suspicions. Under the influence of wine della Rovere would have been capable of forgetting himself ...
— International Short Stories: French • Various
... brought away but backache, headache, weary feet and an agonizing confusion of ideas. Some of them avenge themselves by making fun of the whole matter: they tell you that there is a great deal of humbug about your great pictures and statues; that Raphael is nearly as much overrated as Shakespeare; that it is all nonsense for people to pretend to admire headless trunks and dingy canvases. To them I have nothing to say: they find consolation in their ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... She knew me and I recognised her, having known her before her marriage. She still possessed the beauty of her girlhood, and marriage had perfected her loveliness by adorning her with that fascinating grace that is wanting even in Raphael's madonnas. ...
— The Cross of Berny • Emile de Girardin
... street which steep descends, Whose building to the slimy shore extends; {325} Here Arundel's fam'd structure rear'd its frame, The street alone retains the empty name; Where Titian's glowing paint the canvass warm'd, And Raphael's fair design, with judgment, charm'd, Now hangs the bellman's song, and pasted here The colour'd prints of Overton appear."—Trivia, book ...
— Notes and Queries, Number 78, April 26, 1851 • Various
... 9321 HOLINSHEAD: Raphael Holinshed died about 1580. His great work, Chronicles of England, Scotland, and Ireland, was used by Shakespeare as the source of several plays. He writes of Joan: "Of favor [appearance] was she counted likesome; ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... painting have been employed on most ignoble objects—on scourgers and hangmen, on beggarly enthusiasts and base impostors. Look at the two masterpieces of the pencil; the Transfiguration of Raphael, and the St. Jerome of Correggio; [102] can any thing be more incongruous, any thing more contrary ...
— Blackwood's Edinburgh Magazine - April 1843 • Various
... been called the "Raphael of antiquity," was the court painter of Alexander the Great. He was such a consummate master of the art of painting, and carried it to such a state of perfection, that the ancient writers spoke of it ...
— A General History for Colleges and High Schools • P. V. N. Myers
... admit there's no blooming reason except the public's blooming hignorance why a man shouldn't do as good a picture on the pavement as on a piece of canvas, provided he 'ave the blooming genius. There is no doubt that with them 'ere chalks and a nice smooth stone that Raphael—I 'ave been to the National Gallery and 'ave studied 'is work, and werry fine some of it is, although I don't altogether hold—but that's another matter. What was I a-saying of? I remember,—that with them 'ere chalks, and a nice smooth stone, there's ...
— Vain Fortune • George Moore
... is infinite, and Art is indefinitely powerful. The Apollo is more than noble, and the Hercules mightier than man. The Moses of Michael Angelo is no likeness of the inspired law-giver, nor of any other that ever lived, and Raphael's Madonnas are not the faces of women. As Reynolds says, "the effect of the capital works of Michael Angelo is that the observer feels his whole frame enlarged." It is creation, it is representing beings and things different from our nature, but true to their own. In this self-consistency ...
— Thomas Davis, Selections from his Prose and Poetry • Thomas Davis
... think how soon the paintings of Raphael, and Titian, and Correggio, and other illustrious men will perish and pass away. "How long," said Napoleon to David, "will a picture last?" "About four or five hundred years!—a fine immortality!" The poet multiplies his works by means of a cheap material—and Homer, and Virgil, and ...
— The Mirror of Literature, Amusement, and Instruction - Volume XII., No. 324, July 26, 1828 • Various
... painted! for even five modern restorations, under which the original work has been buried, have not succeeded in destroying the hallowing charm. To enjoy similar effects we must turn to the central Italian painters, to Perugino and Raphael; certainly in Venetian art of pre-Giorgionesque times the like cannot be found, and herein Giorgione is an innovator. Bellini, indeed, before him had studied nature and introduced landscape backgrounds ...
— Giorgione • Herbert Cook
... in front of the fire, his eyes travelled slowly over the walls; over the stipple engravings of Bartolozzi, over the rich mezzotints of Valentine Green and John Raphael Smith, over the bewitching face of Lady Hamilton as it shone back at him from the prints of John Jones, of Cheesman, of Henry Meyer. Was not Corinna's place among those vanished beauties of a richer age, rather than among ...
— One Man in His Time • Ellen Glasgow
... requested and sighed for such a foundation was a pious citizen and a good Christian, named Raphael Blanco, chief of the shore or arsenal, and master of the calkers. He offered to help in the establishment with a large ground-plot and property on which he had built some houses, with the necessary condition that it was ...
— The Philippine Islands, 1493-1898, Volume XXI, 1624 • Various
... glimpses, in reopened fields of history, of quarries long grown over where the ore of positive politics lay hid. The men who came to-day to the Orti Oricellarii were men versed in public affairs, men of letters, historians, poets, living greatly in a great age, with Raphael, Michael Angelo, Ariosto, Leonardo going up and down amongst them. Machiavelli was now in fair favour with the Medici, and is described by Strozzi as una persona per sorgere (a rising man). He was welcomed into the group with enthusiasm, and ...
— Machiavelli, Volume I - The Art of War; and The Prince • Niccolo Machiavelli
... kindness to premonish stewards and surveyors, that they do not negligently wast those materials: Nor may we here omit to mention tables for painters, which heretofore were us'd by the most famous artists, especially the curious pieces of Raphael, Durer, and Holbin, and before that of canvass, and much more lasting: To these add the galls, misletoe, polypod, agaric (us'd in antidotes) uvae, fungus's to make tinder, and many other useful excrescencies, to the number of above twenty, which doubtless discover ...
— Sylva, Vol. 1 (of 2) - Or A Discourse of Forest Trees • John Evelyn
... of me what you please, and what you can. For your sake, Iris, I wish I were another Raphael. You are my mistress and my queen. Bid me to die, and I will dare—Iris, I swear that the words of the extravagant old song are ...
— In Luck at Last • Walter Besant
... to Rome. In this ancient capital of the world he studied the works of Raphael, of Titian, and of Michael Angelo. Accustomed to study nature, he knew her when she was translated, as a faithful portrait appeals to all who are familiar with ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... Hampton Court.[14]—I mentioned in my last, that I had formed an acquaintance with Holloway, who has been sometime occupied in copying in black chalks the Cartoons of Raphael in this palace. It will be a magnificent work, and admirably executed, for he finishes them as highly as a miniature; his chalk-pencils are of a superior quality, and he cuts them to the finest point: but he says they will only serve to work with on vellum, or on ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 573, October 27, 1832 • Various
... occurrence. James was entranced by the spirit of Michael Angelo, and a lady medium present was controlled by Raphael, and these two, partly in Italian and partly in English, discoursed upon art, painting, architecture, and sculpture in a manner calculated to produce a lasting impression upon the minds of those who were so fortunate as to be witnesses of the scene. The spirits were evidently ...
— Buchanan's Journal of Man, March 1887 - Volume 1, Number 2 • Various
... life and beauty to a marble block, and painting was carried to greater perfection than by the ancient Greeks and Romans. Florence, Venice, Milan, and Rome became seats of various schools of this beautiful art, of which Michael Angelo, Correggio, the Carracci, and Raphael were the most celebrated masters, all of whom were distinguished for peculiar excellences, never since surpassed, or even equalled. The Flemish artists were scarcely behind the Italian; and Rubens, of Antwerp, may well rank with Correggio and Titian. To ...
— A Modern History, From the Time of Luther to the Fall of Napoleon - For the Use of Schools and Colleges • John Lord
... printed by J. J. Scaliger in Thes. temp. Euseb. in 1606. In the prophecy of the Deluge to which he alludes (vide post, p. 302, note 1), the names of the delinquent seraphs (Semjaza and Azazel), and of the archangelic monitor Raphael, are to be found in the fragment. The germ of Heaven and Earth is not in the Book of Genesis, but in the Book ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... be believed? is it probable? is it possible?" exclaimed Michel; "and yet it is so. Ah! if Raphael had seen us thus, what an 'Assumption' he would have thrown ...
— Jules Verne's Classic Books • Jules Verne
... "Mary, Raphael and his brother have taken the big boat, and gone off with fish to Tiberias; and have told me that I can take the small boat, if I will. Ask my mother to let you off your task, and come out with me. It is a fortnight since we had a row ...
— For the Temple - A Tale of the Fall of Jerusalem • G. A. Henty
... clasped hands in passionate appeal. There was a picture opposite—a gem of Raphael's—the Man of Sorrows fainting under the weight of the cross, and the fire's shine playing upon it seemed to light the pallid features ...
— The Baronet's Bride • May Agnes Fleming
... Michael Angelo Buonarotti" was published at about the same time as Grimm's work, that is, in 1857. It was in two volumes, and contained translations of many of Michelangelo's poems, as well as material about Savonarola, Vittoria Colonna, and Raphael. The work is found in the older libraries, and is well worth studying, as the latter portion is still valuable for all that refers to the architecture of ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... and St. Raphael, the train passed through a veritable garden, a paradise of roses, and groves of oranges and lemons covered with fruit and flowers at the same time. That delightful coast from Marseilles to Genoa is a kingdom of perfumes in ...
— The Works of Guy de Maupassant, Vol. 1 (of 8) - Boule de Suif and Other Stories • Guy de Maupassant
... tender arts [Endnote Q] 30 Of mimic fancy and harmonious joy, To priestly domination and the lust Of lawless courts, their amiable toil For three inglorious ages have resign'd, In vain reluctant: and Torquato's tongue Was tuned for slavish pasans at the throne Of tinsel pomp: and Raphael's magic hand Effused its fair creation to enchant The fond adoring herd in Latian fanes To blind belief; while on their prostrate necks 40 The sable tyrant plants his heel secure. But now, behold! the radiant era dawns, When freedom's ample fabric, fix'd at length ...
— Poetical Works of Akenside - [Edited by George Gilfillan] • Mark Akenside
... National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci's "Virgin of the Rocks," Raphael's "Ansidei Madonna," Holbein's "Ambassadors," Van Dyck's equestrian portrait of Charles I., and the "Admiral Pulido Pareja," by Velasquez; and he added largely to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection during his period ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... know of a more wondrous scene, the King of heaven and earth offering to put on you, His child, the crown of life, and in the form of a servant waiting on you with blessing. Extol that love, all painting, all sculpture, all music, all architecture, all worship! In Dresdenian gallery let Raphael hold Him up as a child, and in Antwerp Cathedral let Rubens hand Him down from the cross as a martyr, and Handel make all his oratorio vibrate around that one chord—"He was wounded for our transgressions, bruised for our iniquity." ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... evening, as he was wont to tell, in pleasant gospel conversation with several acquaintances in the house of one Raphael Doquet, a pious lawyer in the Canongate; for even many writers in those days were smitten with the love of godliness; and as he was returning to his dry lodgings in an entry now called Baron Grant's Close, he encountered Winterton, who, after an end ...
— Ringan Gilhaize - or The Covenanters • John Galt
... discipleship under some older power. When the rudiments and the essentials are once thoroughly mastered, the shackles of discipleship are thrown off, and personal expression in an original way begins. This is the story of every master in every art: The younger Raphael was only Perugino junior. Beethoven's first sonatas were more completely Haydn's than the word "gewidmet" would declare. The youthful Canova was swept off his feet by the unearthing of old Greek masterpieces. Stevenson confesses frankly his early efforts ...
— Contemporary American Composers • Rupert Hughes
... water that flows from under the Tree of Life, and give it to Adam. Likewise He commanded Gabriel to speak to the cherub that kept the gate of the garden, and go in and fetch some frankincense; and Raphael to bring myrrh also from the garden. And they did so. And Michael brought seventy rods of gold, and Gabriel twelve pounds weight of frankincense, and Raphael three pounds of myrrh; and these were all laid up in the cave where Adam and ...
— Old Testament Legends - being stories out of some of the less-known apochryphal - books of the old testament • M. R. James
... classical lines of her face. Sanin was especially struck that day by the exquisite beauty of her hands; when she smoothed and put back her dark, glossy tresses he could not take his eyes off her long supple fingers, held slightly apart from one another like the hand of Raphael's Fornarina. ...
— The Torrents of Spring • Ivan Turgenev
... great artist William Hogarth Teniers Raphael Bunks, Esq., with a sitting for a likeness. The portrait, which will doubtless be an admirable one, is stated to be destined to adorn one of Mr. Catnach's ballads, namely, "The Monks of Old!" which Mr. P. Green, in most obliging manner, has allowed ...
— Punch, or the London Charivari, Vol. 1, November 20, 1841 • Various
... means of their long purses, they will have undone the education of the innkeeper; prices will rise and credit shorten; and the poor painter must fare farther on and find another hamlet. "Not here, O Apollo!" will become his song. Thus Trouville and, the other day, St. Raphael were lost to the arts. Curious and not always edifying are the shifts that the French student uses to defend his lair; like the cuttlefish, he must sometimes blacken the waters of his chosen pool; ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... wonderful Rembrandt, Velasquez, Turner, Hobbema, Van Dyck, Raphael, Frans Hals, Romney, Gainsborough, Whistler, Corot, Mauve, Vermeer, Fragonard, Botticelli, and Titian reproductions followed in such rapid succession as fairly to daze the magazine readers. Four pictures were given in each number, and the faithfulness ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... compels me to confess that one cheek is plumper than the other; and the curls upon its infant brow are rather too much like horns for perfect grace; otherwise it rivals Raphael's Chanting Cherubs, and ...
— Jo's Boys • Louisa May Alcott
... nor the next, till at length a fortnight had passed without a sign of him. At last came the news that the monks of a distant convent had received and kept with them a boy of fourteen, who had come to ask permission to copy a painting of Raphael in the chapel of the convent. This boy was Peter. Finally, the Cardinal sent him as a pupil to one of the first artists ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... morning. I had got Rose to come with me to the National Gallery on our way to her dressmaker. We were standing before Raphael's "Vigil of the Knight," when suddenly I saw Rose, who was looking away towards the door into the long gallery, turn perfectly white. I followed her eyes, and there, in the doorway, disappearing,—I am almost certain,—was Mr. Langham! One cannot mistake his walk or his profile. Before ...
— Robert Elsmere • Mrs. Humphry Ward
... lately moved there from here,—and came into the early school, which greatly delighted her. She is Rose's grandmother, and heard her great-grandchild reading to me, yet she is a smart old body and carries on her own cotton this year. Her delight over Raphael's angels—we have Mr. Philbrick's photographs of them here—was really touching. "If a body have any consider, 'twould melt their hairt,"—and she tried to impress it upon Rose that she was a greatly privileged person to be able to ...
— Letters from Port Royal - Written at the Time of the Civil War (1862-1868) • Various
... nature to copy anything. I should respect artists more if they did not copy so much. I reverence the past; I honor and admire the pure lives and noble works of those who are gone; but where are the new saints and the new masters? Was genius buried with Michael Angelo and Raphael? The same God who inspired their lives, inspires ours. We can make ourselves illustrious in our own way. We may not all paint, but whatever our work is, that should we do as individuals. If we copy, we shall have no genius to transmit ...
— Dawn • Mrs. Harriet A. Adams
... noble when they expend large sums in decorating their houses with the rare and costly efforts of genius, with busts, and with cartoons from the pencil of a Raphael, are to be commended, if they do not stand still here, but go on to bestow some pains and cost, that the master himself be not inferior to the mansion, and that the owner be not the only thing that is little, amidst everything else that is ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson
... head in wax, of unknown date, but supposed to be either of the best Greek age, or a work of Raphael or Leonardo. It is now in ...
— Ballads in Blue China and Verses and Translations • Andrew Lang
... making an actor's chosen and successful studies a means of measuring his genius, we find in the self-poise which wins without effort, and must throughout sustain the princely Hamlet, or Othello tender and strong, that grand manner which, in painting, places the art of Raphael and Angelo above that of Hogarth or Teniers. Each may be perfect in its kind, but one kind exceeds another ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... young victims of this malady met daily in one of the cells of a great art beehive called "Raphael's Rooms," and devoted their shining hours to modelling fancy heads, gossiping the while; for the poor things found the road to fame rather dull and dusty without ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott
... women invariably clothed in the black of widowhood—France had then been bleeding and dying three years—fair-cheeked, dark-eyed modest maidens—type of Evangeline of Grand-Pre—handsome little boys and girls, the kind with which Raphael frames his Madonnas. Kneeling for a little prayer at the grave sides in the church yard—pleasantly exchanging with neighbors the "bon jour" and the "bonheur"—they make their way into the church, up the aisles chiseled by Time itself, to the pew generations of their ...
— The Greater Love • George T. McCarthy
... his own character, was ever seeking in nature for whatsoever things are lovely, whatsoever things are pure, and now was about to add whatsoever things are grand. He was a Christian artist, in sympathy with such men as Raphael and Leonardo de Vinci. "The habitual choice of sacred subjects (says Ruskin) implies that the painter has a natural disposition to dwell on the highest thoughts of which humanity is capable." No ...
— The Andes and the Amazon - Across the Continent of South America • James Orton
... and bred, as I have told you twenty times, among books and those who knew what was in books. I was carefully instructed in things temporal and spiritual. But up to a considerable maturity of childhood I believed Raphael and Michel Angelo to have been super-human beings. The central doctrine of the prevalent religious faith of Christendom was utterly confused and neutralized in my mind for years by one of those too common stories of actual life, which I overheard repeated in a whisper.— Why did I not ask? ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... statement of fact. It is the fact itself that is extravagant and grotesque. And what is the result? This—and it is sufficiently curious: the critic has actually imposed upon the world the superstition that a painting by Raphael is more valuable to the civilizations of the earth than is a chromo; and the august opera than the hurdy-gurdy and the villagers' singing society; and Homer than the little everybody's-poet whose rhymes are in all mouths today and will be in nobody's mouth ...
— Innocents abroad • Mark Twain
... peril, from my whole life's sins!" His right hand glove he offered up to God; Saint Gabriel took the glove.—With head reclined Upon his arm, with hands devoutly joined He breathed his last. God sent his cherubim, Saint-Raphael, Saint Michiel del Peril. Together with them Gabriel came. All bring The soul of Count Rolland ...
— National Epics • Kate Milner Rabb
... always been in use since the invention of the oil medium. All the Italian painters used it; it is an essential part of their system of coloring. The rich, deep color of Titian, the warm flesh of Raphael, and the jewel-like quality of the early German painters are impossible without some form of glaze. The Germans perhaps made glazes with white of egg before oil was used as a vehicle. But to glaze is the only way to ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... there was not the slightest hope. He thought that the darkness would certainly, though gradually, shut down upon him. He received this sentence with composure. But he said that he had long wished to see Raphael's famous Virgin at Dresden, and that he would go to Dresden to see it before the night set in. This he did. So the faces of the beautiful Virgin and the awful children were, I have no doubt, a great consolation to him in his ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... expression, each the earliest satisfactory one in its own line, of the long unexpressed, long integrated, organic wants and wishes of great races of men: the arts, for instance, which have given us that Hermes, Titian's pictures, and Michael Angelo's and Raphael's frescoes; given us Bach, Gluck, Mozart, the serener parts of Beethoven, music of yet reserved pathos, braced, spring-like strength, learned, select: arts which never go beyond the universal, averaged expression ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... sorrow, filled her with much emotion. Her failing health made her feel the advantage that travelling and change of country would be to her. After spending an enjoyable two months of the spring at Richmond, visiting Raphael's cartoons at Hampton Court, she went by way of Brighton and Hastings. On her way to Dover she noticed how Hastings, a few years ago a mere fishing village, had then become a new town. They were delayed at Dover by a tempest, but left the next morning, the wind still blowing a ...
— Mrs. Shelley • Lucy M. Rossetti
... Raphael Holinshed, who was a contemporary of Stow and used many of his sources of information, gives the following ...
— The Evolution Of An English Town • Gordon Home
... They frequently withdraw them from the delineation of the soul to fix them exclusively on that of the body: and they substitute the representation of motion and sensation for that of sentiment and thought: in a word, they put the real in the place of the ideal. I doubt whether Raphael studied the minutest intricacies of the mechanism of the human body as thoroughly as the draughtsmen of our own time. He did not attach the same importance to rigorous accuracy on this point as they do, ...
— Democracy In America, Volume 2 (of 2) • Alexis de Tocqueville
... Pericles, Demosthenes, Cicero, Mirabeau, Burke, Webster and Clay; among poets, Homer, Virgil, Dante, Milton, and Shakespeare; among painters and sculptors, Phidias, Parrhasius, Zenxis, Praxiteles, Scopas, Michael Angelo, Raphael and Rubens; among philanthropists, John Howard; among inventors, Archimedes, Watt, Fulton, Arkwright, Whitney and Morse; among astronomers, Copernicus, Galileo, Tycho Brahe, Newton, La Place and the elder Herschel. Here are sixty names of distinguished ...
— Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889 • Barkham Burroughs
... her countrymen, she despaired of making any fresh discoveries, and went over to the party of the opposition. It is really very tiresome not to be able to talk abut the wonders of Italy without hearing somebody say "Of course you know the Raphael in the Palazzo—— at ——? It is the finest thing in Italy!" and just the thing you happen to have overlooked! As it would take too long to see everything, the simplest course is to resort ...
— Columba • Prosper Merimee
... very handsome sum of money. We have said our friend Pen had not a calculating turn. No one propensity of his was outrageously extravagant; and it is certain that Paddington's tailor's account; Guttlebury's cook's bill for dinners; Dillon Tandy's bill with Finn, the print seller, for Raphael-Morgheus and Landseer proofs, and Wormall's dealings with Parkton, the great bookseller, for Aldine editions, black-letter folios, and richly illuminated Missals of the XVI. Century; and Snaffle's or Foker's score with Nile the horsedealer, were, each and ...
— The History of Pendennis • William Makepeace Thackeray
... of Raphael, Hannibal Caracci, Pierrin del Vaga, Zuccari, and others ... are ill assorted with the many modern contemporary heads of ancient worthies which now glare in all the niches of the Rotunda."—Historical ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron
... our own country and on the Continent, What was the form and nature of the revelation by which the pre-Adamic history of the earth and heavens was originally conveyed to man? Was it conveyed, like the sublime story of Raphael, as a piece of narrative, dictated, mayhap, to the inspired penman, or miraculously borne in upon his mind? Or was it conveyed by a succession of sublime visions like that which Michael is represented as calling ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... his palette and pencils were, nevertheless, burned in solemn holocaust that very night, and the lady carried her point, as ladies must. And, to the importation of silks from Lyons, was devoted, thenceforth, the genius of a Raphael—perhaps! Who knows? ...
— Stories by American Authors (Volume 4) • Constance Fenimore Woolson
... sparingly we began our game. I was provided with a caddie that looked like one of Raphael's angels, and Jupiter himself handed me a driver ...
— Olympian Nights • John Kendrick Bangs
... Heliodorus was a plunderer of the Temple, thus supernaturally punished. The subject has been nobly treated by Raphael.] ...
— Stories from the Italian Poets: With Lives of the Writers, Volume 1 • Leigh Hunt
... fancying there is something about you like me.... But don't be uneasy. I am not intrusive; I used to get on all right with card-sharpers, and I never bored Prince Svirbey, a great personage who is a distant relation of mine, and I could write about Raphael's Madonna in Madam Prilukov's album, and I never left Marfa Petrovna's side for seven years, and I used to stay the night at Viazemsky's house in the Hay Market in the old days, and I may go up in a balloon with ...
— Crime and Punishment • Fyodor Dostoyevsky
... ever-changing forms against that blue background of matchless Italian sky, those gendarmes debated the question of arresting me for disorderly conduct. My conduct was disorderly because they couldn't understand it. But, if Raphael could have risen from his tomb only a few yards away, he would have told those fellows not to disturb me while I was being so liberally educated. Then, that other time, when my friend Reuben and I stood on the very prow of the ship when the sea ...
— Reveries of a Schoolmaster • Francis B. Pearson
... I might ennoble this action by calling to mind that picture of Raphael's at the Vatican which represents Augustus preventing Virgil from burning the AEneid; but I am not Augustus, and Raphael is no more." Wholly indulgent and indifferent as might be the government of the Regent and of Dubois, it was a little scared at the liberties taken ...
— A Popular History of France From The Earliest Times - Volume VI. of VI. • Francois Pierre Guillaume Guizot
... of Assisi, the art of Giotto, and Dante's Divine Comedy, was not allowed to develop on its own lines, but was interrupted and spoiled by the dreary classical Renaissance that gave us Petrarch, and Raphael's frescoes, and Palladian architecture, and formal French tragedy, and St. Paul's Cathedral, and Pope's poetry, and everything that is made from without and by dead rules, and does not spring from within through some spirit informing it. But wherever there is a romantic movement in ...
— De Profundis • Oscar Wilde
... on a blackened, time-charred cask. It was evident he was as proud of that possession as others might be of an authenticated Raphael. ...
— John Henry Smith - A Humorous Romance of Outdoor Life • Frederick Upham Adams
... sermonising. His critical Essays are not so good. I prefer Steele's occasional selection of beautiful poetical passages, without any affectation of analysing their beauties, to Addison's finer-spun theories. The best criticism in the Spectator, that on the Cartoons of Raphael, of which Mr. Fuseli has availed himself with great spirit in his Lectures, is by Steele.[131] I owed this acknowledgment to a writer who has so often put me in good humour with myself, and every thing about me, when few things else could, and when the tomes of casuistry and ecclesiastical history, ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... how the great artists worked, and under what circumstances they threw aside the implements of their craft, impatient of all but the throb of life itself? Could Raphael paint Madonnas the week of his betrothal? Did Thackeray write a chapter the day his daughter was born? Did Plato philosophise freely when he was in love? Were there interruptions in the world's ...
— Penelope's English Experiences • Kate Douglas Wiggin
... to the high-born girl, who was, indeed, a lovely picture, reclining on a cushion at the feet of Lady Douglas. A shade of sadness rested upon her face, giving her the expression of a Madonna—a study for Raphael. ...
— Lady Rosamond's Secret - A Romance of Fredericton • Rebecca Agatha Armour
... life he painted most roughly; and "The Syndics" was so heavily and roughly loaded that even now, after two hundred years, the paint stands out in lumps—and this is one of his masterpieces. So again, if you will compare the manipulation in the work of Raphael with that of Tintoretto, that of Rubens with that of Velasquez, or most markedly, the work of Frans Hals with that of Gerard Dou, you will see that the greatest extremes of handling are consistent with ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... whom a great number revolted in heaven, "Les Parsis ignicoles, qui subsistent encore ont communique a l'auteur de la religion des anciens Perses les noms des anges que les premiers Perses reconnaissaient. On en trouve cent-dix- neuf, parmi desquels ne sont ni Raphael ni Gabriel que les Perses n'adopterent que long-tems apres. Ces mots sont Chaldeens; ils ne furent connus des Juifs que ...
— Zophiel - A Poem • Maria Gowen Brooks
... through simple creatures like Bruder Wernher, through the simplicity of scores of obscurer singers and craftsmen than he, of hundreds of nameless good men and women, comes one large half of the art of Dante and Giotto, nay, of Raphael and Shakespeare: the tenderness of the modern world, ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... trims her withered bays, Rome's ancient genius o'er its ruins spread Shakes off the dust, and rears his reverent head Then sculpture and her sister arts revive, Stones leaped to form, and rocks began to live; With sweeter notes each rising temple rung, A Raphael painted, and a Vida sung [704] Immortal Vida! on whose honored brow The poets bays and critic's ivy grow Cremona now shall ever boast thy name As next in place to Mantua, next ...
— An Essay on Criticism • Alexander Pope
... square between his monastery buttresses, as I do the grounds of Chatsworth or Kew; and I mean by the term 'art' as much the old sailor's print of the Arethusa bearing up to engage the Belle Poule, as I do Raphael's "Disputa," and even rather more; for when abundant, beautiful possessions of this kind are almost always associated with vulgar luxury, and become then anything but indicative of noble character in their possessors. The ideal of human life is a union of Spartan simplicity ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... to this lonely picture gallery, surrounded by the ocean-wave, to admire and add to the productions of their forefathers. No doubt they expended on their works of art as much patience and labour and enthusiasm as ever was exhibited by a Raphael or a Michael Angelo in adorning the walls of St. Peter or the Vatican; and perhaps the admiration and applause of their fellow countrymen imparted as much pleasure to their minds as the patronage of popes and princes, and the laudation of the civilized world, to ...
— Discoveries in Australia, Volume 2 • John Lort Stokes
... to stand up, and stood face to face with one another like the divine spouses in the picture of Raphael. We exchanged the golden ring, and his Reverence, in a slow, grave voice, uttered some Latin words, the sense of which I did not understand, but which greatly moved me, for the prelate's hand, white, delicate, and transparent, seemed to be blessing me. The ...
— Monsieur, Madame and Bebe, Complete • Gustave Droz
... the novelist; we only contend that it should not be polluted. We would have every novel a work of art, but the art should be employed on noble subjects, not on indifferent or disgraceful ones. If authors plead a mission to write, it must be to write that which will do good. A Raphael may boast of inspiration when he paints a Madonna, but not when his brush stoops to a Cyprian or a Satyr. The Pharisees of old prayed unctuously in the market-places: so the George Sands of our day boast of their superior ...
— Graham's Magazine Vol XXXII. No. 5. May 1848 • Various
... Paradise Lost—indeed in every one of his poems—it is Milton himself whom you see; his Satan, his Adam, his Raphael, almost his Eve—are all John Milton; and it is a sense of this intense egotism that gives me the greatest pleasure in reading Milton's works. The egotism of such a man ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge
... steps of Anzy, a lady dressed in thin black cashmere with a deep tucker, in effect like a riding-habit cut short, for they quite understood the pretentiousness of such extreme simplicity. Dinah also wore a black velvet cap, like that in the portrait of Raphael, and below it her hair fell in thick curls. This attire showed off a rather pretty figure, fine eyes, and handsome eyelids somewhat faded by the weariful life that has been described. In Le Berry the singularity of this artistic costume was a cloak for the romantic ...
— The Muse of the Department • Honore de Balzac
... at full length by Dr. Johnson at the end of his Life of Rochester. The Jeffreidos were written to commemorate the perils to which Sir Jeoffrey Hudson was exposed; Sir William Jones thought Chess worthy of the epopee; and at the foot of this list of egregious triflers, we place Dr. Raphael Thorius, who wrote a much and often praised Latin poem on the Virtues ...
— The American Quarterly Review, No. 17, March 1831 • Various
... ways are seasoned with wit, her love comes with an ever-fresh grace and charm; her mind is well informed and quick to understand; in person, she is fair and lovely, with a rounded slimness, as though Raphael and Rubens had conspired to create a woman! I do not know whether I could have worshiped with such fervor at the shrine of a dark beauty; a brunette always strikes me as an unfinished boy. She is a widow, childless, ...
— Letters of Two Brides • Honore de Balzac
... Mention some Archangels and tell what they did. A. The Archangel Michael drove Satan out of heaven; the Archangel Gabriel announced to the Blessed Virgin that she was to become the Mother of God. The Archangel Raphael ...
— Baltimore Catechism No. 3 (of 4) • Anonymous
... the little compartment I observed some pictures on the walls, but I perceived that the artist was not a Rubens or a Raphael, and they belonged to that class of pictures that one would not see on the walls ...
— A California Girl • Edward Eldridge
... p. 153.).—In addition to the painters already enumerated as having treated this subject, the artist Le Sueur, commonly called the Raphael of France, may be mentioned. In his picture, the figures ...
— Notes and Queries, Number 64, January 18, 1851 • Various |
