"Rossini" Quotes from Famous Books
 ... Regardless of expense, indeed! The purse of Fortunatus seemed to have opened itself, and the divine art of Musical Sound and Rhythmic Motion was welcomed with an explosion of all the magnificences which the other arts, fine and coarse, could achieve. For you are to think of some Rossini or Bellini in the rear of it, too; to say nothing of the Stanfields, and hosts of scene-painters, machinists, engineers, enterprisers—fit to have taken Gibraltar, written the History of England, or reduced Ireland ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... M. Bellochi, has conceived the praiseworthy idea of introducing personages of all the nations of Europe, joining with the French in their prayers for the happiness of our country and of the august family that governs us. The composer is M. Rossini. The Morceaux are worthy of the reputation of this celebrated master. Madame Pasta displayed all the resources of her admirable talent. Bouquets of roses and lilies were distributed ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... words that touch the heart and in speeches that are flattering and pleasing to the ear. His voice was musical and his style flowery. He called the devil "the Prince of evil," and the eucharist "the Divine aliment"! He abounded in periphrases as highly coloured as sacred pictures. He talked of Rossini, quoted Racine, and spoke of "the Bois" for the Bois de Boulogne. He talked of divine love in words which were somewhat disconcerting, of present-day vices with piquant details, and of society in society language. Occasionally, expressions which were in vogue and which had only ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... to Pesaro, since known as the birthplace of Rossini, hence called the "Swan of Pesaro." His father had found a home with the Duke of Urbino, who treated him with the utmost kindness. In the Villa Barachetto, on the shores of the Adriatic, surrounded by the most beautiful scenery and by the finest treasures of ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... the ordinary metres, but also to all the irregular metres which are to be found in any collection of hymns which is known to be used in the country. Next come the chants and anthems: among these are arrangements from Mozart, Beethoven, Chapple, Rossini, (the "Inflammatus" from the "Stabat Mater"), Curschmann, (the celebrated trio, "Ti prego,") Lambillote, and other standard authors. Indices, remarkably full, and prepared upon an ingenious system, by which the ...
— The Atlantic Monthly, Volume 10, Number 60, October 1862 • Various
... there stretched a long street, filled with a diminishing array of lamps, some single, some in clusters, among them an occasional blue or red one. From a corner came the notes of a piano-organ strumming out a stirring march of Rossini's. The shadowy black figures of pedestrians moved up, down, and across the embrowned roadway. Above the roofs was a bank of livid mist, and higher a greenish-blue sky, in which stars were visible, though its lower part was still pale ...
— The Well-Beloved • Thomas Hardy
... was composed "at Chopin's departure from [should be 'for'] Reinerz"; and the second, in connection with the trio, that "some days before Chopin's departure the two friends had been present at a performance of Rossini's opera." There is one other early posthumously-published work of Chopin's, whose status, however, differs from the above-mentioned ones in this, that the composer seems to have intended to publish it. The composition in question is the Variations ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... present time. It has been the means of introducing to our countrymen the works of an almost innumerable host of foreign composers. Bach, the first composer who observed the laws of contrast as a principle, Pergolisi, Gluck, Piccini, Paesiello, Cimarosa, Mozart, Rossini, and Bellini, are the principal names, among a long list of masters, of whom we might otherwise have remained in utter ignorance. Performers of every kind, singers of the highest excellence, have come among us; the powers and performances ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... vigorous blow with his little shrivelled fist at his own shirt-front! 'And what an actor! A volcano, signori miei, a volcano, un Vesuvio! I had the honour and the happiness of singing with him in the opera dell' illustrissimo maestro Rossini—in Otello! Garcia was Otello,—I was Iago—and when he rendered the phrase':—here Pantaleone threw himself into an attitude and began singing in a hoarse and ...
— The Torrents of Spring • Ivan Turgenev
... from the Italian style, which Cherubini still cultivated in the pieces he introduced into the works of Anfossi, Paisiello and Cimarosa, produced by him as director of the Italian opera in Paris (established in 1789). As in Paris Gluck realized his highest ambitions, and even Rossini awoke to a final effort of something like dramatic life in Guillaume Tell, so in Paris Cherubini became a great composer. If his melodic invention had been as warm as Gluck's, his immensely superior technique in every branch of the art would have made him one of the greatest composers that ever ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various
... believes in the principles of the grand air composed by the sublime Rossini for Basilio,—which goes to show, by the bye, that the great composer was also a great politician. I shall leave my card on Monsieur Rabourdin to-morrow morning, inscribed thus: 'Bixiou; no self-respect, ...
— Bureaucracy • Honore de Balzac
... short-lived follies of Paris, produces its Pons. No place in the world is so inexorable in great things; no city of the globe so disdainfully indulgent in small. Pons' notes were drowned before long in floods of German harmony and the music of Rossini; and if in 1824 he was known as an agreeable musician, a composer of various drawing-room melodies, judge if he was likely to be famous in 183l! In 1844, the year in which the single drama of this obscure life began, Sylvain ...
— Cousin Pons • Honore de Balzac
... given at Munich in the Grand Opera House in the same year, 1811. Both works were anonymous. The opera made considerable reputation, and was played in several other cities. Upon Salieri's direction he went to Venice, where he arrived in 1815, to find Rossini's star in the ascendant, and all Venice, and Italy as well, wild over the bewitching melodies of "Tancredi." Meyerbeer, having that vein of cleverness and adaptability so characteristic of his race, immediately ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... is most sweet to hear; Jews were Rossini and Mozart, Mendelssohn, too, and Meyerbeer; Grisi in song ...
— Masques & Phases • Robert Ross
... vanities, encircled with saints, angels, and clouds; the whole got up very like a scene in a pantomime, and accompanied by music from a concealed orchestra, which was intended, I believe, to be sacred music, but sounded to me like some of Rossini's airs. In front of the stage there was a narrow passage divided off, admitting one person at a time, through which a continued file of persons moved along, who threw down their contributions as ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... ROSSINI, GIOACCHINO, celebrated Italian composer of operatic music, born at Pesaro; his operas were numerous, of a high order, and received with unbounded applause, beginning with "Tancred," followed by "Barber of Seville," "La Gazza Ladra," "Semiramis," "William Tell," &c.; he composed ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... that you have not accepted any engagement in England. If you choose to reside there, you must previously take measures to ensure your finding your account in it. From the Theatre alone Rossini got L2500. If the English wish to do anything at all remarkable for you, they must combine, so that it may be well worth your while to go there. You are sure to receive enough of applause, and marks of homage, but you have had plenty of these during your whole life. May all ...
— Beethoven's Letters 1790-1826 Vol. 2 • Lady Wallace
... pianist at six, and gave concerts at nine. Verdi was appointed musical director at Milan in youth. Rossini composed an opera at the age of sixteen, and ceased to ...
— ZigZag Journeys in Northern Lands; - The Rhine to the Arctic • Hezekiah Butterworth
... 22. President, Earl Craven. The performances at the Town Hall included Handel's oratorio, "Deborah," Dr. Crotch's "Palestine," and Rossini's "Stabat Mater," the introduction of the latter causing a considerable flutter among some of the local clergy, one of whom described it as the most idolatrous and anti-Christian composition that could be met with. The Theatre this year was used for three evening concerts, &c. Among the ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... its muffled way from the front room to the back. Piles of old music lumbered the dusty floor. Stage masks and weapons, and portraits of singers and dancers, hung round the walls. An empty violin case in one corner faced a broken bust of Rossini in another. A frameless print, representing the Trial of Queen Caroline, was pasted over the fireplace. The chairs were genuine specimens of ancient carving in oak. The table was an equally excellent example of dirty modern ...
— Man and Wife • Wilkie Collins
... know nothing of Beethoven's symphony in C, they are not familiar with the melodies of Rossini, Madame Grisi has never in her terrible finale "Qual cor tradisti" made them weep, nor has the orchestra of Monsieur Jullien made them deaf. But what are these splendid wonders of the town to them? Have they not a melodious choir of birds to arouse them ...
— Le Morvan, [A District of France,] Its Wild Sports, Vineyards and Forests; with Legends, Antiquities, Rural and Local Sketches • Henri de Crignelle
... arts and letters flourished. New creations appeared from the pens of Lamartine, Victor Hugo, Balzac, De Vigny and Alfred De Musset. Theophile Gautier brought out his masterpiece "Mademoiselle de Maupin." Among the musicians at Paris, Meyerbeer, Auber, Berlioz, Rossini, Bellini, Donizetti, Spontini, and Schapa were at the height of their activity. Politically it was a year of disturbances for France. The opening of the State trial of last year's conspirators before ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... divided his time between the living and the dead. All day Saturday the church was a scene of bustling activity, a little hushed by the thought of Amedee. The choir were busy rehearsing a mass of Rossini, which they had studied and practised for this occasion. The women were trimming the altar, the boys and girls ...
— O Pioneers! • Willa Cather
... rose-garlands and thyrsi in their hands instead of the distaff and the thread of human destinies, and they might figure appropriately upon the panels of a banquet-chamber in Pompeii. In this respect Correggio might be termed the Rossini of painting. The melodies of the 'Stabat Mater'—Fac ut portem or Quis est homo—are the exact analogues in music of Correggio's voluptuous renderings of grave or mysterious motives. Nor, again, did he possess that severe and lofty art of composition ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... Lord Chamberlain's censorship, et Gounod's "Reine de Saba," The transmigrations of "Un Ballo in Maschera," How composers revamp their music, et seq,—Handel and Keiser, Mozart and Bertati, Beethoven's readaptations of his own works, Rossini and his "Barber of Seville," Verdi's "Nebuchadnezzar," Rossini's "Moses," "Samson et Dalila," Goldmark's "Konigin von Saba," The Biblical operas of Rubinstein, Mehul's "Joseph," Mendelssohn's "Elijah" in dramatic form, Oratorios and Lenten ...
— A Second Book of Operas • Henry Edward Krehbiel
... with sacrificial fire, and now drenched it with cool beryl tints that extinguished the flames, a low murmur became audible, swelling and rising upon the air, until the thunder-throated organ filled all the cloistered recesses with responsive echoes of Rossini. Some masterly hand played the "Recitative" of Eia Mater, bringing out the bass with powerful emphasis, and concluding with the full strains of the chorus; then the organ-tones sank into solemn minor chords indescribably plaintive, and after a while ...
— Infelice • Augusta Jane Evans Wilson
... went to her piano, and sang two or three songs of Rossini, whose flourishes of music her flexible little voice could execute to perfection, and Laura sate by, vaguely listening as she performed these pieces. What was Miss Bell thinking about the while? She hardly knew; but sate there silent as the songs rolled by. After this concert ...
— The History of Pendennis • William Makepeace Thackeray
... Beethoven said of Rossini, that he had in him the stuff to have made a good musician if he had only, when a boy, been well flogged; but that he had been spoilt by the facility with which he produced. Men who feel their strength within them need not fear to encounter adverse opinions; they have far greater ...
— Self Help • Samuel Smiles |
