"Rubens" Quotes from Famous Books
 ... the marbles brought two centuries ago from Italy, now stopping before this to tell you that "it is considered a very improportionable Virgin by Parmigianino," and calling you to observe this old statue "of a couching Silenius wrapped in the skin of a Pantheon,"—and then, when the Rubens, and the Claude, and all the other pictures have been seen, her letting you pass, as a great favor, through the library with its well-filled oaken shelves, the gilding worn off the backs of many of its books by ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... silver these pretty monograms and the lover's knot are very common. This was probably put upon the original wedding silver, and we know that the art was studied by such men as Albrecht Drer, Benvenuto Cellini, and Rubens, for we find among their drawings many monograms and such devices. It adds very much to the beauty of a piece of silver to bear such engraving, and it is always well to add a motto, or a "posy," as the bid phrase has it, thus investing ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood
... This man had all the ready veneer of the art connoisseur. He used to talk by the hour about the great pictures he had seen, and gave each artist a descriptive niche for what he thought him famous: such as, the expression of Rubens; the grace of Raphael; the purity of Domenichino; the correggiosity of Correggio; the learning of Poussin; the air of Guido; the taste of Coraceis, and the drawing of Michelangelo. This, of course, was all Greek to most ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... muscular and grave as a statue, stands on the further side. Is this really a bacchanal? Yes, for there is the paunchy Silenus, there are the fauns, there the vat and vine-wreaths and drinking-horns. And yet it cannot be a bacchanal. Compare with it one of Rubens's orgies, where the overgrown, rubicund men and women and fauns tumble about in tumultuous, riotous intoxication: that is a bacchanal; they have been drinking, those magnificent brutes, there is wine firing ...
— The Contemporary Review, Volume 36, September 1879 • Various
... Raffaelle and Michel Angelo, and said, "You should not study these old, hard, stiff, and dry, unfinished works of Art: stay a little, and I will show you what you should study." He brought down Le Brun and Rubens. "How did I secretly rage!" says Blake. "I also spake my mind! I said to Moser, 'These things that you call finished are not even begun; how, then, can they be finished?'" The reply of the startled teacher is not recorded. In other respects, also, he swerved from Academical usage. ...
— The Atlantic Monthly, Vol. 13, No. 78, April, 1864 • Various
... color of a head or a hand, or even of any object of still life, that entered into any of his compositions. Any eye that looks can see that it was a most laborious and difficult process by which he secured his results,—by no superficial wash of glaring pigments, as in the color of Rubens, whose carnations look as if he had finished the forms at once, the lights and the darks in solid opaque colors, and then with a free, broad brush or sponge washed in the carmine, lake, and vermilion, to ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... enrolled himself in the Catholic and Apostolic Society of 'bonnes lettres,' collaborated with the writers in the Quotidienne, and, thanks to Royalist patronage, was named physician-in-chief of the Royal Museums. Whether any of the groups in the pictures of Rubens, Salvator Rosa, Teniers, Claude, or Poussin—whether any of the Torsos of Praxiteles, or even of a more modern school, required the assiduous care or attention of a skilful physician, we do not pretend ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... chimney. The shaded Welsbach lights of the chandelier cast a dazzling luminance on the tea-table of snow and silver, while leaving the pictures in a gloom so discreet that not Ruskin himself could have decided whether these were by Whistler or Peter Paul Rubens. On either side of the marble mantelpiece were two easy-chairs of an immense, incredible capacity, chairs of crimson plush for Titans, chairs softer than moss, more pliant than a loving heart, more enveloping than a caress. In one of these chairs, ...
— Tales of the Five Towns • Arnold Bennett
... the Order of Bonhommes, an Order which he himself brought to this country from France. The earl died here, but his bones were subsequently removed to Hailes Abbey in Gloucestershire. The house contains some fine pictures, including, in addition to works by modern masters, Rubens' "Death of Hippolytus," Luini's "Holy Family" and Titian's "Three Caesars". In the chapel is a fine brass to John Swynstede, Prebendary of Lincoln, 1395. It was ...
— Hertfordshire • Herbert W Tompkins
... pinches," and she says in the end: "The stroke of death is as a lover's pinch, which hurts and is desired." "I think the Sabine woman enjoyed being carried off like that," a woman remarked in front of Rubens's "Rape of the Sabines," confessing that such a method of love-making appealed strongly to herself, and it is probable that the majority of women would be prepared to echo ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis
... sculpture, called the Dog of Alcibiades, said to be the work of Myron, and ranked among the five dogs of antiquity. Here is also the famous Discobolus, which is esteemed the first statue in England. Among the splendid collection of paintings is a candle-light scene (woman and child) by Rubens, which cost 1,500 guineas. The mansion was designed by Sir J. Vanbrugh. Leaving this bewitching retreat, we proceeded down the sides of the woody mount; and after some tedious inquiries respecting our road through this wild region, we were directed to take ...
— The Mirror of Literature, Amusement, and Instruction, - Vol. 12, Issue 328, August 23, 1828 • Various
... free hour in music lessons. Ludo was learning to play on the piano, but I had chosen another instrument. Among our best friends, the three fine sons of Privy-Councillor Oesterreich and others, there was a pleasant boy named Victor Rubens, whose parents were likewise friends of my mother. In the hospitable house of this agreeable family I had heard the composer Vieuxtemps play the violin when I was nine years old. I went home fairly enraptured, and begged my mother to let me take ...
— Uarda • Georg Ebers
... with the realist it has a ghoulish delight in horror, or because with the refined sensualist it cunningly aims to give poignancy to pleasure by the memory of pain; but because it divines the secret of our mighty misfortune, and brings with it the sovereign antidote. The critics declare that Rubens had an absolute delight in representing pain, and they refer us to that artist's picture of the "Brazen Serpent" in the National Gallery. The canvas is full of the pain, the fever, the contortions of the wounded ...
— The world's great sermons, Volume 8 - Talmage to Knox Little • Grenville Kleiser
... or probably shall ever know, about Constance. She is sole heiress to her father's fortune, which, on his repeated word, I believe, amounts to hundreds of thousands. She is accomplished and amiable, and, as I told you before, beautiful: but luckily her style of beauty, which is that of one of Rubens' wives, does not particularly strike my fancy. Besides, I would really and truly rather have a profession than be an idle gentleman: I love my profession, and feel ambitious to distinguish myself in it, and to make you all proud of your brother, Dr. Percy. These general ...
— Tales and Novels, Vol. VII - Patronage • Maria Edgeworth
... Rubens, if he had painted it, would not have improved upon this simile. The conversation between the Archbishop of Canterbury and the Bishop of Ely relating to the sudden change in the manners of Henry V is among the ...
— Characters of Shakespeare's Plays • William Hazlitt
... with the young ladies through several galleries, now consulting the guidebook, which I carried in my right hand, now pointing with my left to this or that conspicuous example of the genius of a Rubens, a Rembrandt or a Titian, and, I presume, had been thus engaged for the better part of two hours, when a sudden subconscious instinct subtly warned me that I was alone. Astonished, I spun on my heel. My youthful companions were no longer with me. Five minutes ...
— Fibble, D. D. • Irvin Shrewsbury Cobb
... sculptures, but the effect of the weathered sandstone figures against the red brick is very pleasing." Here the Emperor's father, Frederick III, was born, lived as Crown Prince, reigned for ninety-nine days, and died. Here, too, are more "apartments of Frederick the Great," with pictures by Rubens, including an "Adoration of the Magi," a good example of Watteau and a portrait of Voltaire drawn by Frederick's own hand. In the north wing are situated the present Emperor's suite of chambers, where distinguished men ...
— William of Germany • Stanley Shaw
... value. In the spacious halls of the mansions were hung the portraits of ancestors that were regarded with reverential pride. The Westover collection was perhaps the most valuable in the colony, containing several dozen pictures, among them one by Titian, one by Rubens, and portraits of several lords of England.[117] Mount Airy, the beautiful home of the Tayloe family, contained many paintings, which were well executed and set in elegant frames.[118] Although most of the pictures in the homes of ...
— Patrician and Plebeian - Or The Origin and Development of the Social Classes of the Old Dominion • Thomas J. Wertenbaker
... above portrait of my brother, painted in the very best style of Rubens, the reader will conceive himself justified in expecting a full-length one of myself, as a child, for as to my present appearance, I suppose he will be tolerably content with that flitting glimpse in the mirror. But he must excuse me; I have no intention of drawing a portrait of myself in ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... to have, like that fat Madame Deschars, cascades of flesh a la Rubens! That Adolphe is an awful scoundrel. Oh, I see, he wants to make me an old mother Gigogne, and destroy my ...
— Petty Troubles of Married Life, Part First • Honore de Balzac
... in his turn behind his master, with the musketoon on his shoulder, and his head shaking. Like one of those drunken satyrs in the pictures of Rubens. He was moistened before and behind with a greasy liquid which the host recognized as his ...
— The Three Musketeers • Alexandre Dumas, Pere
... primus equis Oriens afflavit anhelis, Illic sera rubens accendit lumina Vesper."] I mention the Debate, however, for the mere purpose of remarking, as a singularity, that, often as this great question was discussed in Parliament, and ample as was the scope which it afforded for the grander appeals of oratory, Mr. Sheridan was upon no occasion ...
— Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2 • Thomas Moore
... Chytreus de lit. Europae. Laetus nunc, mox tristis; nunc sperans, paulo post diffidens; patiens hodie, cras ejuians; nunc pallens, rubens, currens, sedens, claudicans; ...
— The Anatomy of Melancholy • Democritus Junior
... This fact is due partly to the German theological tendency to subordinate the mother to her divine Son, but more especially to the characteristic domesticity of Teutonic peoples. From Van Eyck and Schongauer, through Duerer and Holbein, down to Rembrandt and Rubens, we trace this strongly marked predilection in every style of composition, regardless of proprieties. Van Eyck does not hesitate to occupy his richly dressed enthroned Madonna at Frankfort with giving her breast to her babe, and Duerer portrays the same maternal duties in the Virgin ...
— The Madonna in Art • Estelle M. Hurll
... ascended out of the water. Leonardo chose an incident from the battle of Anghiari, in which two parties of soldiers fight for a standard. Like Michelangelo's, his cartoon is lost, and has come to us only in sketches, and in a fragment of Rubens. Through the accounts given we may discern some lust of terrible things in it, so that even the horses tore each other with their teeth. And yet one fragment of it, in a drawing of his at Florence, is far different—a waving field of lovely armour, ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... with that dress, she wore an immensely broad Leghorn hat—like the Chapeau de Paille of Rubens, only very white. The hat would be tied with a lightly knotted scarf of the same stuff as her dress. She knew how to give value to her blue eyes. And round her neck would be some simple pink, coral beads. And her complexion had a perfect ...
— The Good Soldier • Ford Madox Ford
... of the means is shown, we receive ideas of weakness. "Ars est celare artem"—so is it to conceal the means. Strangeness in execution, not a legitimate source of pleasure, is illustrated by the execution of a bull's head by Rubens, and of the same by Berghem. Of the six qualities of execution, the three first are the greatest, the three last the most attractive. He considers Berghem and Salvator to have carried their fondness for these lowest qualities to a vice. ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
... these Personages, and that they would have been offended, if he had presumed to differ in any material point from the opinions handed down by traditionary evidence. It was therefore necessary, that the Poet should manage a subject of this kind in the same manner as Rubens and Caypel have painted the Crucifixion, by either varying the attitude of the principal object to make it more sublime and admirable, or by rendering some inferior figure picturesque and animated which had escaped the notice of his ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... life," responded Mrs. B., disposing at the same time a pair of her husband's corduroys tippet fashion across her ample shoulders, which before were displayed in the plenitude and breadth of coloring we find in a Rubens. "Sit down, Charley, and ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... and adorned with pictures and bustos, until they came to the King's great drawing-room, where that famous "Venus" by Titian is, and, amongst other masterpieces, the picture of "St. Francis adoring the infant Saviour," performed by Sir Peter Paul Rubens; and here, with the rest of the visitors to the court, the gentlemen waited until his Majesty issued from his private apartments, where he was in conference with certain personages who were called in the newspaper language of that day ...
— The Virginians • William Makepeace Thackeray
... the pater's not going to ask too much about the Louvre, because we scamped it. The fact is, there was a little unpleasantness with one of the fellows, owing to Jim's cane happening to scratch one of the pictures by a chap named Rubens. It was quite an accident, as we were only trying to spike a wasp on the frame, and Jim missed his shot. The fellow there made a mule of himself, and lost his temper. So we didn't see the fun of ...
— Parkhurst Boys - And Other Stories of School Life • Talbot Baines Reed
... confused. The only one who remained undisturbed was Mr. Mardale. His mind was never for very long off his wheels, or his works of art. It was the turn of his pictures now. He had picked up a genuine Rubens in Ghent, he declared. It was standing somewhere in the great drawing-room on the carpet against the back of a chair, and Sir Charles must look at it in the morning, if only it could be found. He had clean forgotten all about his daughter it appeared. She, ...
— Ensign Knightley and Other Stories • A. E. W. Mason
... In other words, the artist who divorces aesthetics from ethics does gain creative license, but he gains it at the expense of a balanced and harmonious expression. If you do not believe it, compare the Venus de Milo with the Venus de Medici or a Rubens fleshy, spilling-out-of-her-clothes Magdalen with a Donatello Madonna. When ethical restraint disappears, art tends to caricature, it becomes depersonalized. The Venus de Milo is a living being, a great personage; indeed, a genuine and gracious ...
— Preaching and Paganism • Albert Parker Fitch
... device, "Chi boit et ne reboit, ne sceais que boir soit." The purple fruit hangs ripened from the vines, its crimson juice shines like a jewel in crystal goblets and drips in streams over rosy limbs. The influence of such pictures as these was absorbed by Rubens, but though they hardly surpass him in colour, they are more idyllic and less coarse. The perfect taste of the Renaissance is never shown more victoriously than here, where indulgence ceases to be repulsive, ...
— The Venetian School of Painting • Evelyn March Phillipps
... was reputed to have had six toes, six fingers, and three breasts. Lynceus says that in his time there existed a Roman woman with four mammae, very beautiful in contour, arranged in two lines, regularly, one above the other, and all giving milk in abundance. Rubens has pictured a woman with four breasts; the painting may be seen in ...
— Anomalies and Curiosities of Medicine • George M. Gould
... the dog do when the lion attacks him; or what can be done when the cat and the mouse come together!' Collection seventy-three dollars. The Mendians were invited by Mr. Burleigh to see a large picture exhibiting here—'The Descent of Christ from the Cross,' copied from Rubens—and were highly gratified. ...
— A Visit To The United States In 1841 • Joseph Sturge
... characterizing the turn for poetry in French painting as comparatively inferior, it will be understood at once, I hope, that I am comparing it with the imaginativeness of the great Italians and Dutchmen, and with Rubens and Holbein and Turner, and not asserting the supremacy in elevated sentiment over Claude and Corot, Chardin, and Cazin, of the Royal Academy, or the New York Society of American Artists. And so far as an absolute rather than a comparative ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... and Andrea del Sarto. The clear ethereal beauty and tenderness of the one, the solemn thoughtfulness of the other: these were things that filled her mind with a mysterious gladness, as if something had been added to her own life. Rubens she cordially hated. Of Titian she had as ...
— The Beautiful Wretch; The Pupil of Aurelius; and The Four Macnicols • William Black
... drawn up by Charlotte Bronte when she was scarcely thirteen: "Guido Reni, Julio Romano Titian, Raphael, Michael Angelo, Coreggio, Annibal Carracci, Leonardo da Vinci, Fra Bartolomeo, Carlo Cignani, Vandyke, Rubens, ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... Italian masters learn to love ugliness with the devotion that reveals innate grossness. It remained for Duerer, Rembrandt, and Hogarth to elevate the grotesque into the region of high art, for Rubens to achieve the apotheosis of pure animalism, for Teniers to devote distinguished genius to ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... viewing the Great Gallery of the Louvre, & yet you will, I am sure, think my taste very deficient when I tell you that I do not admire the finest pictures of Raphael, Titian, Guido, and Paul Veronese, so much as I do those of Rubens, Vandyck, & le Brun, nor the landscapes of Claude and Poussin so much as Vernet's. Rembrandt, Gerard Dow & his pupils Mieris and Metsu please me more than any other artists. In the whole Collection they have but one of Salvator's, but that one, I think, is preferable to all Raphael's. ...
— Before and after Waterloo - Letters from Edward Stanley, sometime Bishop of Norwich (1802;1814;1814) • Edward Stanley
... had an extraordinary influence on modern painting. It would be easy, too, although it is not my purpose, to show how much other schools of the seventeenth and eighteenth centuries, such as the Flemish, led by Rubens, and the English led by Reynolds, owed to the Venetians. My endeavour has been to explain some of the attractions of the school, and particularly to show its close dependence upon the thought and feeling ...
— The Venetian Painters of the Renaissance - Third Edition • Bernhard Berenson
... old Greece and Rome, masterpieces that had been torn from the ruins of antiquity by the hand of the untiring and enterprising excavator. Among the paintings were fine specimens of the skill of Albert Duerer, Murillo, Rubens, Van Dyck, Rembrandt, Sir Joshua Reynolds and other votaries of the brush whose names are immortal. These paintings did not hang on the walls, for they were covered with rich tapestry from the looms of Benares and the Gobelins, but ...
— Edmond Dantes • Edmund Flagg
... elaborate works. Even in the painter's own special field—the symbolised illustration of Holy Writ—he is overwhelmed by Millais with the superb 'Carpenter's Shop.' In Millais, it was well said by Mr. Charles Whibley, 'we were cheated out of a Rubens.' Millais was the strong man, the great oil-painter of the group, as Rossetti was the supreme artist. In Mr. Holman Hunt we lost another Archdeacon Farrar. Then, in the sublimation of uglitude, Madox- Brown, step-father of the Pre-Raphaelites (my information is derived from a P.R.B. aunt), was ...
— Masques & Phases • Robert Ross
... he lives as he likes, he reigns in the world of fancy. Your son has a glorious future before him. Faculties like his are rare; they are only disclosed at his age in such beings as the Giottos, Raphaels, Titians, Rubens, Murillos,—for, in my opinion, he will make a better painter than sculptor. God of heaven! if I had such a son, I should be as happy as the Emperor is to have given himself the King of Rome. Well, you are mistress of your child's fate. Go your own way, madame; make him a fool, a miserable quill-driver, ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... Vasari. It has even been suggested that Vasari knew more about the disappearance of his predecessor's masterpiece than he has chosen to relate. Lionardo's Cartoon has also disappeared, and we know the Battle of Anghiari only by Edelinck's engraving from a drawing of Rubens, and ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... in Rome who could paint as well as Mr. Thompson. That portrait of my father, to which reference has been made, which now hangs in my house, looks even better, as a painting, to-day than it did when it was fresh from his easel. Rubens could not have laid on the colors with more solidity and with truer feeling for the hues of life. But the trouble with Thompson was that he had never learned how to draw correctly; and this defect appeared to some extent in his portraits as well as in his figures. The latter were ...
— Hawthorne and His Circle • Julian Hawthorne
... picture; but how in the name of mystery had Peggy managed to produce them? Eunice discussed the question with Mellicent in the pause during which they were requested to "look the other way," and had reached the solution of goloshes and ribbon, when "Gloriana, by Rubens!" ...
— More About Peggy • Mrs G. de Horne Vaizey
... bright, ringing quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, or Delacroix. ...
— Style in Singing • W. E. Haslam
... little gossip, quite unconscious of the fact that it would serve to stimulate generations yet unborn, but, for the most part, artists who did great work in a retiring fashion and were not honoured by courts and princes as Rubens was, passed from the scene of their labours with all the details ...
— Rembrandt • Josef Israels
... statues, introduces me to "Moise," "Dahvit mit de 'arp," and others. Kind of him—but I wish he would go. Offer him twopence. Boy declines with indignation. Young Belgium evidently high-minded and sensitive. He informs me that, in a certain church he refers to as "Sin Yack," there are "RUBENS' peecture—moch fine," and plainly proposes to conduct me thither. Mustn't hurt his feelings again—so accept. Boy clumps on ahead, down alleys, and through back-streets, and round corners, looking round severely at intervals to see that I am not giving him the slip. Nice ...
— Punch, or the London Charivari, Vol. 102, June 11, 1892 • Various
... unwarped energies, and ardent and sincere devotion. As to poverty, that is a fault that must daily mend, if he is only true to himself. In a few years, the foot-sore wanderer of the Alps, with little more worldly goods than the wallet and sketch-book he carries, will be the royal academician, the Rubens or the Reynolds of his day, with the most recherche studio in London, and more orders upon his list than he has either time or inclination to execute. Goethe has let us into the secret of the young German artist's life. Let us look upon him in the dawnings of his fame, before ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... there, some antique casts from Trajan's Column, and reliefs from Canova and Thorwaldsen. The galleries above hold only a small and a comparatively unimportant collection of pictures. There are marines from Vernet and Claude Lorraine; a "Venus Crowned by the Graces" from Rubens; Giulio Romano's copy of Raphael's "Galatea,"—the original of which (in the Villa Farnesina) represents Galatea surrounded by Nymphs, Cupids, and Tritons, being carried in a shell across the sea. There is a Cupid, and also the "Fortuna" of Guido Reni,—the ...
— Italy, the Magic Land • Lilian Whiting
... nearest to Kenelm, one man. In that man, now slightly turning his profile, as if to look towards the river, Kenelm recognized the minstrel. He was still in his picturesque knickerbocker dress, and his clear-cut features, with the clustering curls of hair, and Rubens-like hue and shape of beard, had more than their usual beauty, softened in the light of skies, to which the moon, just risen, added deeper and fuller radiance. The ladies were in evening dress, but Kenelm could not distinguish their faces hidden behind the minstrel. ...
— Kenelm Chillingly, Complete • Edward Bulwer-Lytton
... Marie Antoinette,' continued the Emperor, not heeding her, 'I see you have made great progress in the art of painting. You have lavished more colour on one cheek than Rubens would have required for all the figures in his cartoons.' Observing one of the Ladies of Honour still more highly rouged than the Queen, he said, 'I suppose I look like a death's head upon a tombstone, among ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... the old story. No, sir, you shall never be an artist—at least not with my consent. Why, do you suppose that because you can scribble caricatures on the fly-leaves of your books you have necessarily the genius of Rubens or Titian?" ...
— Digging for Gold - Adventures in California • R.M. Ballantyne
... falling away! Theatrical Crucifixions, the fleshy coarseness of Rubens which Vandyck tried to mitigate by making it leaner. We must leap into Holland to find the mystic accent once more, and it reveals itself in the soul of a Judaizing Protestant, under an aspect so mysterious and eccentric that at first sight we hesitate, feeling ourselves, ...
— The Cathedral • Joris-Karl Huysmans
... of the use of monograms; and certainly that those who did employ them, selected the very simplest and least fantastic forms. The greatest masters of the art—Michael Angelo, Raphael, Titian, Guido, Domenichino, Paul Veronese, Rubens, Guercino, Agostino Caracci, and many hardly less distinguished artists—either omitted to sign their pictures at all, or signed their name at full length, sometimes with the addition of their local surname, or employed the ...
— Chambers's Edinburgh Journal, No. 434 - Volume 17, New Series, April 24, 1852 • Various
... offering to put on you, His child, the crown of life, and in the form of a servant waiting on you with blessing. Extol that love, all painting, all sculpture, all music, all architecture, all worship! In Dresdenian gallery let Raphael hold Him up as a child, and in Antwerp Cathedral let Rubens hand Him down from the cross as a martyr, and Handel make all his oratorio vibrate around that one chord—"He was wounded for our transgressions, bruised for our iniquity." But not until all the redeemed get home, and from the countenances of all the piled-up galleries ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... Baroni, to the people, 'you are going to see the crucifixion of Jesus Christ: all the tableaux are taken from pictures by the most famous artists that ever lived, Raphael, Rubens, and others. Probably you never heard of them. I can't help that; it is not my fault; all I can say is, that if you go to the Vatican and other galleries, you may see them. There will be a pause of ten minutes, ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... tremble upon the pipe-stem, as if manipulating the stops of a flute. It danced over Dorothy's gown in a dazzling sheen of white, and flashed upon her jeweled hands in colored sparks of green and gold and purple and red, and lit up her face and hair with the soft warm tints of a Rubens. Such a picture did the twain combine to make; they looked indeed as if they might have stepped from the canvas of some old master and come for a brief season to taste the joys of ...
— The Ghost of Guir House • Charles Willing Beale
... town in the west of England, was held a club of twenty-four persons, which assembled once a week, to drink punch, smoke tobacco, and talk politics. Like Rubens's Academy at Antwerp, each member had his peculiar chair, and the president's was more exalted than the rest. One of the members had been in a dying state for some time; of course, his chair, while he ...
— Apparitions; or, The Mystery of Ghosts, Hobgoblins, and Haunted Houses Developed • Joseph Taylor
... papal palace in disdain when he found his labors unappreciated. Julius II. was forced to bend to the stern artist, not the artist to the Pope. Yet when Leo X. sent him to quarry marbles for nine years, he submitted without complaint. He had no craving for riches like Rubens, no love of luxury like Raphael, no envy like Da Vinci. He never over-tasked his brain, or suffered himself, like Raphael,—who died exhausted at thirty-seven,—to crowd three days into one, knowing that over-work ...
— Beacon Lights of History, Volume VI • John Lord
... Amazons of Rubens Lift the failing arm to strike, And the pale light falls in masses ...
— Verses and Translations • C. S. C.
... the new and true—Rubens, Rembrandt, Claude Lorraine—Velasquez was the newest and certainly the truest from our point of view. He showed us the mystery of light as God made ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... them left off their occupations and clustered round the painter, staring, chattering, pushing, pointing, as though a brush had never been seen in all the land of Rubens. ...
— Bebee • Ouida
... figure, but violent and extravagant in his mode of acting. He had quitted the stage, and commenced picture-dealer; and when we met him in the Park, was running after a man, who, he said, had bought a picture of Rubens for three shillings and sixpence at a broker's stall in Drury-lane, and which was to make his (Wilder's) fortune. Our loud laughing at O'Leary's jokes, and his Irish brogue, and our stopping up the pathway, which is here very narrow, brought a crowd ...
— Irish Wit and Humor - Anecdote Biography of Swift, Curran, O'Leary and O'Connell • Anonymous
... man, with strongly marked features, and a smile on his countenance that no modest woman could endure. In his person he gave me the idea of a discharged life-guardsman; but from his face you might have supposed that he had sat for one of Rubens' Satyrs. He was one of those people with whom you become immediately acquainted; and before I had been an hour in his company, I laughed very heartily at his jokes—not very delicate, I own, and for which he lost a considerable portion of my respect; ...
— Frank Mildmay • Captain Frederick Marryat
... freedom; the audience lasted an hour. At length the Emperor retired into the next apartment. I saw the tears drop from his eyes. I fell at his feet, and wished for the presence of a Rubens or Apelles, to preserve a scene so honourable to the memory of the monarch, and paint the sensations of an innocent man, imploring the protection of a compassionate prince. The Emperor tore himself from me, and I departed with sensations such as only those can know who, themselves ...
— The Life and Adventures of Baron Trenck - Vol. 2 (of 2) • Baron Trenck
... is pregnant with libidinous nature without one spark of the grace of Heaven. The animal is triumphing—not over, but—in the absence, in the non-existence, of the spiritual part of man. I could fancy that Rubens had seen ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge
... that even such activities as have here been indicated would be enough to occupy anyone so busily that he would positively not have time for more, but such was far from being the case with Mrs Lucas. Just as the painter Rubens amused himself with being the ambassador to the Court of St. James—a sufficient career in itself for most busy men—so Mrs Lucas amused herself, in the intervals of her pursuit of Art for Art's sake, with being not only ...
— Queen Lucia • E. F. Benson
... in the history of painting. The great Italian painting had ended with the gorgeous magnificence of the Venetian school, with Giorgione and Titian and Tintoretto, and its mastery passed for a few years to Flanders, to Rubens and Vandyck; but in the painting of Spain and of the Low Countries in the later seventeenth century we find ourselves in another world. The little beggar boys of Murillo may perhaps show a somewhat mannered realism, but the Spanish painting, as a whole, while it would be absurd to try ...
— The Unity of Civilization • Various
... Rufus or Rubens, i.e. Red, is another well-known figure. Like his father, he at first supported the barons, but soon after the battle of Lewes he took the King's side, and fought for him at Evesham. Again from pique he deserted him, returning to his allegiance once more in ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... something to appropriate and make his own. From Rembrandt he took suggestions of lighting, and such sombre color harmonies as are seen in the portrait of Mrs. Siddons. Something of bloom and splendor he caught from the florid Rubens; something of the decorative effectiveness of such pictures as Lady Cockburn may be traced to the influence of Titian and the Venetians. Yet to all that he borrowed, Reynolds added his own individual touch. As a critic has said, he was always ...
— Sir Joshua Reynolds - A Collection of Fifteen Pictures and a Portrait of the - Painter with Introduction and Interpretation • Estelle M. Hurll
... she seemed to him, brought his lunch into the room where he was writing, and he beheld her uncover it. She went to the window to adjust a blind which had slipped, and he had a good view of her profile. It was not unlike that of one of the three goddesses in Rubens's 'Judgment of Paris,' and in contour was nigh perfection. But it was in her full face that the vision of her mother was ...
— The Well-Beloved • Thomas Hardy
... is a bed of Madame Lambard, Madame de Watteville, and Comtesse Riza du Parc; while farther down the garden, sheltered on the north and west by a group of beeches and lilacs, is another large bed, containing Rubens, Madame Joseph Schwartz, and the Hen. Edith Gifford. All these roses are dwarf; I have only two standards in the whole garden, two Madame George Bruants, and they look like broomsticks. How I long for the day when the tea-roses open their buds! Never did I look forward ...
— Elizabeth and her German Garden • "Elizabeth", AKA Marie Annette Beauchamp
... modern pillar, with the old inscription, which is so defaced as not to be legible. Among the pictures in the gallery and saloon above, what pleased me most was the Bacchus and Ariadne of Guido Rheni; and the wolf suckling Romulus and Remus, by Rubens. The court of the Palazzo Farnese is surrounded with antique statues, among which the most celebrated are, the Flora, with a most delicate drapery; the gladiator, with a dead boy over his shoulder; the Hercules, with the spoils ...
— Travels Through France and Italy • Tobias Smollett
... down to the lime-kiln, by Rubens' wharf, and seen the lime brought over the bay? What's the ...
— The Tale of Timber Town • Alfred Grace
... brilliant fetes, in which noble men and beautifully appareled women performed all sorts of allegorical representations, and the colors, groupings, etc., afforded the painter an endless variety of material and suggestion. When Rubens flourished in the Netherlands, a century later, similar conditions accompanied his appearance and the prolific manifestations of his genius. In the same way, music depends upon peculiar conditions of its own. They are three: The vigor of the mental movement in general, its strength ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gerard Dow, Metsu, and Paul Potter, two specimens of Gericault and Prudhon, and some sea-pieces of Backhuysen and Vernet. Amongst the works of ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... numbers. Among its principal ornaments are four of the finest landscapes by Claude; the Venus and Adonis, and the Ganymede, by Titian, from the Colonna palace at Rome; a very fine landscape by Poussin, and other works by Velasquez, Rubens, Murillo, and Vandyck: to all which is added the invaluable series ...
— Real Life In London, Volumes I. and II. • Pierce Egan
... with what was artistically dissolute, luscious, or decorated more than in proportion to its animating idea—wishy-washy or sentimental. The ornamental parts of his own rooms (in which I lived in his absence) were a slab of marble to wash upon, a print of Rubens's "Deposition," and a head (life-size) of the Apollo Belvidere. And I remember still the tall scorn, with something of surprise, with which, on entering my undergraduate room, he looked down on some Venuses, Cupids, and Hebes, which, ...
— The Oxford Movement - Twelve Years, 1833-1845 • R.W. Church
... the age of twenty, he won the Newdigate prize for verse, and graduated in 1842. His taste for art was manifested at an early age, and after passing from the university he studied painting under J.D. Harding and Copley Fielding; but his masters, as he tells us in "Praeterita," were Rubens and Rembrandt. ...
— Beacon Lights of History, Volume XIV • John Lord
... the drawing-room, ostensibly led by Philip Wayne, but really leading him. As she paused near the door, half timid, half bewildered, looking for her hostess, it did not help her to feel at ease to see Mrs. Endsleigh Jarrott—a Rubens Maria de Medici in white satin and pearls—raise her lorgnette and call on a tall young man who stood beside her to take a look. There was no time to distinguish anything further before Miss Jarrott glided up, with mincing graciousness, to ...
— The Wild Olive • Basil King
... Rubens was twenty-three years old in 1600, just ready to begin his work which raised the school of Belgium to its highest attainments. When we remember how essentially his art dominated his own country and was admired elsewhere, ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... a voice. The garden was crossed by a path of red gravel, edged by a border of thick box, of many years' growth, and of a tone and color that would have delighted the heart of Delacroix, our modern Rubens. This path was formed in the shape of the figure of 8, thus, in its windings, making a walk of sixty feet in ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... breakfast walked to the Duke of Hamilton's house to view the picture-gallery, chiefly the famous picture of Daniel in the Lions' Den, by Rubens. It is a large building, without grandeur, a heavy, lumpish mass, after the fashion of the Hopetoun H, {45} only five times the size, and with longer legs, which makes it gloomy. We entered the gate, passed the porter's lodge, where we saw nobody, ...
— Recollections of a Tour Made in Scotland A.D. 1803 • Dorothy Wordsworth
... way along till he stood in front of a bookmaker with a face cast very much on the lines of a Rubens' cherub; but the cherub-type ended abruptly with the plump frontispiece of "Jakey" Faust, the bookmaker. Lewis knew that. "If there's anythin' doin', I'm up against it here," he muttered to himself. "What's Lauzanne's price?" he asked, ...
— Thoroughbreds • W. A. Fraser
... name 'tis thine to give, To graceless forms, and bid the lumber live. Should'st thou coarse boors or gloomy martyrs see, These shall thy Guidos, these thy Teniers be; There shalt thou Raphael's saints and angels trace, There make for Rubens and for Reynolds place, And all the pride of art shall find, in her disgrace. "Delight of either sex? thy reign commence; With balmy sweetness soothe the weary sense, And to the sickening soul thy cheering aid dispense. Queen of the mind! thy golden age ...
— Miscellaneous Poems • George Crabbe
... the kneeling donors. But still more salient is the diamond form given by the descending rows of these worshiping figures, especially against the dark background of the Madonna's dress. A second example, without the pyramid backing, is found in Rubens's "Rape of the Daughters of Leucippus," in the Alte Pinakothek at Munich. Here the diamond shape formed by the horses and struggling figures is most remarkable,—an effect of lightness which will be discussed later in interpreting ...
— The Psychology of Beauty • Ethel D. Puffer
... and the brilliance of the colours, which are such as can never be surpassed, but if they were ever allowed to be sold, the price would be so enormous that some would amount to 150,000 francs (6000l.) The accuracy with which the pictures of Rubens have been copied is most extraordinary, as it may be said that the operative works in the dark. One carpet has been produced for the Gallery of the Louvre, consisting of seventy-two pieces, forming a total exceeding 1,300 feet ...
— How to Enjoy Paris in 1842 • F. Herve
... beginning of the seventeenth to the middle of the nineteenth century. The seventeenth century is rich in individual geniuses; but they are individual. The level of art is very low. The big names of El Greco, Rembrandt, Velasquez, Vermeer, Rubens, Jordaens, Poussin, and Claude, Wren and Bernini (as architects) stand out; had they lived in the eleventh century they might all have been lost in a crowd of anonymous equals. Rembrandt, indeed, perhaps the greatest genius of them ...
— Art • Clive Bell
... of Titian, I am returning to the old eclectic theories of Bologna; for all those eclectic theories, observe, were based, not upon an endeavour to unite the various characters of nature (which it is possible to do), but the various narrownesses of taste, which it is impossible to do. Rubens is not more vigorous than Titian, but less vigorous; but because he is so narrow-minded as to enjoy vigour only, he refuses to give the other qualities of nature, which would interfere with that vigour ...
— The Two Paths • John Ruskin
... the Rubens "Descent from the Cross" still hanging in the cathedral, I suggested that such a place was safe from bombardment. He looked up at the lace-like old tower, whose chimes, jangling down through leaping shafts and jets of Gothic stone, have so long been Antwerp's ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... and their carpets, in which you can reckon every thread) do not interest me; their landscapes too, however natural, are mere Dutch nature (with some brilliant exceptions), fat cattle, clipped trees, boors, and windmills. Of course I am not speaking of Vandyke, nor of Rubens, he that "in the colours of the rainbow lived," nor of Rembrandt, that king of clouds and shadows; but for mine own part, I would give up all that Mieris, Netscher, Teniers, and Gerard Douw ever produced, for one of Claude's Eden-like ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... from that date absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's cartoons. Shortly afterwards, Antwerp, Oudenarde, Lille, Tournai, Valenciennes, Beauvais, Aubusson, and Bruges all ...
— Needlework As Art • Marian Alford
... into the very jaws of hell or die for the faith in the auto da fe. Heroes? Why unurn the ashes of the half-forgotten dead and pore o'er the musty pages of the past for names to glorify? If you would find heroes grander, martyrs more noble and saints of more sanctity than Rubens ever painted or immortal Homer sang; who, without Achilles' armor, have slain an hundred Hectors; without Samsonian locks have torn the lion; without the sword of Michael have thrown down the gage to all the embattled hosts of hell, seek not in the musty tomes of history, but in the ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann
... Barry Lyndon might be pronounced to have been called for by the iniquities of an outside world; but this seemed to the readers to have been addressed almost to themselves. Now men and women like to be painted as Titian would paint them, or Raffaelle,—not as Rembrandt, or even Rubens. ...
— Thackeray • Anthony Trollope
... aquarium, containing goldfishes, stood on a marble centre-table at one end of the apartment, while a magnificent grand piano occupied the other. The floor was covered with a yielding tapestry carpet, and the walls were adorned with paintings from the pencils of Van Dyke, Rubens, Tintoretto, Michael Angelo, and the productions of the more modern Turner, Kensett, Church, and Bierstadt. Although Judge Tompkins had chosen the frontiers of civilization as his home, it was impossible for him to entirely forego the habits and tastes of his former ...
— The Luck of Roaring Camp and Other Tales • Bret Harte
... which feed, clothe, house, and comfort a people. I would rather be a great man like Franklin than a Michael Angelo—nay, if I had a son, I should rather see him a mechanic, like the late George Stephenson, in England, than a great painter like Rubens, who ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... cathedral is the well, and the fine canopy of iron-work, by Quentin Matsys, the blacksmith of Antwerp, some of whose pictures we saw in the Museum, where one sees, also some of the finest pictures of the Dutch school,—the "Crucifixion" of Rubens, the "Christ on the Cross" of Vandyke; paintings also by Teniers, Otto Vennius, Albert Cuyp, and others, and Rembrandt's portrait of his wife,—a picture whose sweet strength and wealth of color draws one to it with almost a passion of admiration. We had already ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... to laugh. "Why, that's enormous, five or six things of the first importance! But I think I ought to mention to you," he added, "a most barefaced 'Rubens' there in the library." ...
— The Outcry • Henry James
... allowed any inferiority in Turner whatsoever;[18] but I allow it, not so much with reference to the deceptive imitations of sunlight, wrought out with desperate exaggerations of shade, of the professed landscape painters, as with reference to the glory of Rubens, the glow of Titian, the silver tenderness of Cagliari, and perhaps more than all to the precious and pure passages of intense feeling and heavenly light, holy and undefiled, and glorious with the changeless passion of eternity, which sanctify with their shadeless peace the deep and ...
— Modern Painters Volume I (of V) • John Ruskin
... him, too, with his pleasant face, round, rosy, and beardless as a child-cherub of Rubens, tempting pale men with splitting heads to throw boots at him in the bitterness of their envy as he entered their rooms on the morning after a heavy drink, his eyes so clear and guileless that you would never guess how sharp they could be at times when a dangerous horse was coming ...
— Guy Livingstone; - or, 'Thorough' • George A. Lawrence
... he, "you conceive beauty to consist in a long, slim, attenuated, almost angular figure; but at the time of the Renaissance the type of the beautiful was very different. Take Rubens, take Titian, take even Raffaelle, and you will see that their women were of robust build. Even their Virgin Marys have a motherly air. To my thinking, moreover, if we reverted to some such natural type of beauty, if women were not encouraged ...
— Fruitfulness - Fecondite • Emile Zola
... unchecked through all the churches of Antwerp and the neighboring villages. Hardly a statue or picture escaped destruction. Fortunately, the illustrious artist, whose labors were destined in the next generation to enrich and ennoble the city, Rubens, most profound of colorists, most dramatic—of artists; whose profuse tropical genius seemed to flower the more luxuriantly, as if the destruction wrought by brutal hands were to be compensated by the creative energy of one, divine spirit, had not yet been born. ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... the galleries at Florence. To artists, it is the one attraction of Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou |
