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Wagnerian   /wˌægnˈɛriən/  /vˌɑgnˈɛriən/   Listen
Wagnerian

noun
1.
A follower of the theories or an admirer of the music of Richard Wagner.






WordNet 3.0 © 2010 Princeton University








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"Wagnerian" Quotes from Famous Books



... born in Zwickau, Saxony, June 8, 1810. He was a music director and conservatory teacher, and the master-mind of the pre-Wagnerian period. His compositions became popular, having a character of their own, combining the intellectual and beautiful in art. He published in Leipsic a journal promotive of his school of music, and founded ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth

... unsubstantial, was a temple lit by bale-fires that shone wanly at its base. It was merely a building superimposed upon a skyscraper, but in the dark there was no skyscraper, and the amazing structure hung there lambent, silent, enigmatic, a Wagnerian temple in ...
— Westward with the Prince of Wales • W. Douglas Newton

... singer, was born at Dusseldorf. Gifted with a fine tenor voice and handsome presence he speedily made a reputation in Germany in the leading roles in Wagnerian opera, and from 1885 onwards appeared also in America and England. He was at his best in 1892, when his performances as Tristan and Siegfried at Covent Garden aroused great ...
— Project Gutenberg Encyclopedia

... are superseded by new ones. The old Italian opera form is laughed at to-day as an absurdity by Wagnerians, who see nothing absurd in a many-legged monster with a donkey's head uttering deep bass curses through a speaking-trumpet; and perhaps to-morrow the Wagnerian music-drama and the many-legged monsters will be laughed at by the apostles of a new and equally absurd convention. It is absolutely the first condition of the existence of an art that one shall be prepared to tolerate things ludicrously ...
— Old Scores and New Readings • John F. Runciman

... strongly the influence of Weber's other masterwork, "Euryanthe." This opera, indeed, may also be called the direct precursor of Wagner's music-dramas. It contains eight "leading motives," which recur thirty times in course of the opera; and the dramatic recitatives are sometimes quite in the "Wagnerian" manner. But the most remarkable thing is that Weber uses language which practically sums up Wagner's idea of the music-drama. "'Euryanthe,'" he says, "is a purely dramatic work, which depends for its success solely on the co-operation of the united sister-arts, ...
— Beacon Lights of History, Volume XIV • John Lord



Words linked to "Wagnerian" :   Wagner, follower



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