"Clarinet" Quotes from Famous Books
 ... "Aida" (in Milan), and always the musical accompaniment to the social vagaries of these ladies who are no better than they should be, was music from old heads and old hearts. The "other lips and other hearts whose tales of love" should have been told ardently through fiddle and clarinet are toying with the great harp of a thousand strings that plays the dance of death. That is the music the young men are playing in Europe today. But in Paris, busy, drab, absent-minded Paris, the ...
— The Martial Adventures of Henry and Me • William Allen White
... the Hungarian songs. The people have got so used to their "blackies," as they call them, that no lesser or greater fete day can pass without the gipsy band having ample work to do in the form of playing for the people. Their instruments are the fiddle, 'cello, viola, clarinet, tarogato (a Hungarian specialty), and, above all, the cymbal. The tarogato looks like a grand piano with the top off. It stands on four legs like a table and has wires drawn across it; on these wires the player ...
— Seeing Europe with Famous Authors, Volume VI • Various
... scored for three flutes, one piccolo, one bass piccolo, seven oboes, one English horn, three clarinets in D flat, one clarinet in G flat, one corno de bassetto, three bassoons, one contra-bassoon, eleven horns, three trumpets, eight cornets in B, four trombones, two alto trombones, one viol da gamba, one mandolin, two guitars, one banjo, ...
— A Book of Burlesques • H. L. Mencken
... gemshorn, flute harmonique, flageolet, cornet—3 ranks, 183,—cornopean, oboe, vox humana—61 pipes each. The choir organ, enclosed in separate swell-box, has geigen principal, dolce, concert flute, quintadena, fugara, flute d'amour, piccolo harmonique, clarinet,—61 pipes each. The pedal organ has open diapason, bourdon, lieblich gedeckt (from stop 10), violoncello-wood,—30 pipes each. Couplers: swell to great; choir to great; swell to choir; swell to great octaves, swell to ...
— Pulpit and Press • Mary Baker Eddy
... clavier, spinet, virginals, dulcimer, hurdy-gurdy, vielle^, pianino^, Eolian harp. [Wind instruments]; organ, harmonium, harmoniphon^; American organ^, barrel organ, hand organ; accordion, seraphina^, concertina; humming top. flute, fife, piccolo, flageolet; clarinet, claronet^; basset horn, corno di bassetto [It], oboe, hautboy, cor Anglais [Fr.], corno Inglese^, bassoon, double bassoon, contrafagotto^, serpent, bass clarinet; bagpipes, union pipes; musette, ocarina, Pandean pipes; reed instrument; sirene^, pipe, pitch-pipe; ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... mirror on the moon, But trembling on the mirror dark The sad moon only could remark. List! the snow crunches—he draws nigh! The girl on tiptoe forward bounds And her voice sweeter than the sounds Of clarinet or flute doth cry: "What is your name?" The boor looked dazed, And ...
— Eugene Oneguine [Onegin] - A Romance of Russian Life in Verse • Aleksandr Sergeevich Pushkin
... until, on the 1st of July 1784, he died in great poverty at Berlin. His compositions, very few of which were printed, include many church cantatas and instrumental works, of which the most notable are the fugues, polonaises and fantasias for clavier, and an interesting sestet for strings, clarinet and horns. Several of his manuscripts are preserved in the Royal library at Berlin; and a complete list of his works, so far as they are known, may be found in ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... down from the sanctuary one afternoon I heard the landlord's comic song, of which I have spoken above. It was about the musical instruments in a band: the trumpet did this, the clarinet did that, the flute went tootle, tootle, tootle, and there was an appropriate motion of the hand for every instrument. I was a little disappointed with it, but the landlord said I was too serious and the only thing ...
— Alps and Sanctuaries of Piedmont and the Canton Ticino • Samuel Butler
... Oh, the clarinet is the finest yet, and the uniforms are gay. Tah, rah! We don't go home— Oom, pah! We won't go home— Oh, we shan't go home, and we can't go home when the band begins ...
— A Book for Kids • C. J. (Clarence Michael James) Dennis
... to recollect that it was a hot day, and that, tucked away where not a breath of air could get to them, were three fellows in their shirtsleeves, one playing on an organ, one on a yellow clarinet, and one on a fiddle. Every chance he could get, the fiddler would say to the organist: "Gimme A, please," and saw away trying to get into some sort of tune, but the catgut was never twisted that would hold to ...
— Back Home • Eugene Wood
... watched the Marching Men in the field by the factory wall John Van Moore was a dapper young man with a moustache. In his leisure hours he played a clarinet. "It gives a man something to cling to," he explained to his friends. "One sees life going past and feels that he is not a mere drifting log in the stream of things. Although as a musician I amount to nothing, it at ...
— Marching Men • Sherwood Anderson
... restaurant and show had its band, brass or string,—a full array of red-faced fellows tooting through horns, or a sorry quartette, the fat woman with the harp, the lean man blowing himself out through the clarinet, the long-haired fellow with the flute, and the robust and thick-necked fiddler. Everywhere there was music; the air was full of the odor of cheese and cooking sausage; so that there was nothing wanting to the most ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... the horses belonging to travelers devolves on the villagers; for, in case a horse is stolen, a fine is imposed on the population in general. To prevent this misfortune, our hosts kept playing, as long as we could bear it, on an instrument like a clarinet; but at twelve o'clock, after trying in vain to sleep, we were obliged to stop the ...
— The Expedition to Borneo of H.M.S. Dido - For the Suppression of Piracy • Henry Keppel
... Longfellow, or if he would join the band—I get so much pleasure out of playing the cornet, and our band-leader, Del Snafflin, is such a good musician, I often say he ought to give up his barbering and become a professional musician, he could play the clarinet in Minneapolis or New York or anywhere, but—but I couldn't get Harry to see it at all and—I hear you and the doctor went out hunting yesterday. Lovely country, isn't it. And did you make some calls? The mercantile life isn't inspiring like medicine. It must ...
— Main Street • Sinclair Lewis
... a circle of auditors. Nobody, however, seemed to take any notice. Very often a whole band of musicians will strike up,— passing a hat round after playing a tune or two. On board the ferry, until the coldest weather began, there were always some wretched musicians, with an old fiddle, an old clarinet, and an old verdigrised brass bugle, performing during the passage, and, as the boat neared the shore, sending round one of their number to gather contributions in the hollow of the brass bugle. They were a very shabby set, and must have made a very scanty living at best. Sometimes it was ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... Partitur?) I wish to indicate my intention of associating the spirit of the performer with the orchestral effects, and to render apparent, in the narrow limits of the piano, sonorous sounds and different nuances. With this in view I have frequently noted down the names of the instruments: oboe, clarinet, kettle- drums, etc., as well as the contrasts of strings and wind instruments. It would certainly be highly ridiculous to pretend that these designations suffice to transplant the magic of the orchestra to ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... alike in quantity and pitch, yet differ in quality. The sounds produced on the clarinet and flute may agree in pitch and quantity, yet be unlike in quality. The same is true in regard to the tones of the voice of two individuals. This difference is occasioned mainly by the different positions ...
— Sanders' Union Fourth Reader • Charles W. Sanders
... executed upon certain instruments. The great composers strove to make instruments speak in the accent of the human voice, while Verdi has always tried to make the voice sound like an instrument. His roulades and cadenzas, for example, sound prettier on the clarinet than on the voice, as one hears when he sets the one chasing the other in "Traviata"; and if only our orchestral players would take the trouble to play with the same expression as the stage artists sing, we might soon be content to ...
— Old Scores and New Readings • John F. Runciman
... invisible third, whom she seemed to call to witness that she had never authorised Mme. de Gallardon to use her Christian name) "I should be so pleased if you would look in, just for a minute, to-morrow evening, to hear a quintet, with the clarinet, by Mozart. I should like to have your ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... and dramatic expression. The eunuch sings as if he had an oboe in his throat; it is much too harsh and lacking in brilliancy for our ear, which values incomparably higher the more brilliant, clearer timbre, corresponding to the tone of the flute, clarinet, or horn. The favorite timbre of the eighteenth century compares with that of the nineteenth as dull oxidized gold does with that brightly polished. The period of the Romanticists marks here too the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various |
