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Lear   Listen
verb
Lear  v. t.  To learn. See Lere, to learn. (Obs.)






Collaborative International Dictionary of English 0.48








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"Lear" Quotes from Famous Books



... smell of the forest as it is borne down from the mountains and carried seaward, to gladden, it may be, the heart of some hard-worked, broken-spirited sailor, who, in a passing ship, sees from aloft this fair, fair island with its smiling green of lear, and soft, heaving valleys, above the long lines of curving beach, showing white and bright in the morning sun! And, as you walk, the surf upon the reef for ever calls and calk; sometimes loudly with a deep, resonant boom, ...
— "Martin Of Nitendi"; and The River Of Dreams - 1901 • Louis Becke

... worse rapidly, and early in the morning Dr. Craik was sent for. Washington said to Mr. Lear, his private secretary: ...
— From Farm House to the White House • William M. Thayer

... a Jehu, and there's no your equal in these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on ...
— The Half-Hearted • John Buchan

... revising my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall gladly ...
— Life Of Johnson, Vol. 2 • Boswell, Edited by Birkbeck Hill

... said the Colonel, "in which you tried to prove that Shakespeare never wrote 'Hamlet' and 'Macbeth' and 'Lear' ...
— Something of Men I Have Known - With Some Papers of a General Nature, Political, Historical, and Retrospective • Adlai E. Stevenson

... mother tongue. "The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language." I remember being similarly affected years ago when I heard "King Lear" read aloud in Russian. Baron von der Bruggen says,* "there is the wonderful wealth of the language, which, as a popular tongue, is more flexible, more expressive of thought than any other living tongue I know of." No one has paid a better ...
— Essays on Russian Novelists • William Lyon Phelps

... declamation of English poetry by Akshay Chowdhury, our initiator into English literature, there was the wildness of intoxication. The frenzy of Romeo's and Juliet's love, the fury of King Lear's impotent lamentation, the all-consuming fire of Othello's jealousy, these were the things that roused us to enthusiastic admiration. Our restricted social life, our narrower field of activity, was hedged in with such monotonous uniformity that tempestuous ...
— My Reminiscences • Rabindranath Tagore

... I tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, laughs the ...
— Poems 1817 • John Keats

... run very well in a tale, that "God will temper the winds to the shorn lamb!" but how can I expect that she will be shielded, when my naked bosom has had to brave continually the pitiless storm? Yes; I could add, with poor Lear—What is the war of elements to the pangs of disappointed affection, and the horror arising from a discovery of a breach of confidence, ...
— Posthumous Works - of the Author of A Vindication of the Rights of Woman • Mary Wollstonecraft

... the back of a ladle, and give them two or three walms on the fire in the broth; then dish the chines in thin slices of fine French bread, broth them, and lay on them some boiled beef-marrow, boil'd in strong broth, some slic't lemon, and run all over with a lear made of beaten butter, the yolk of an egg or two, the juyce of two or three oranges, ...
— The accomplisht cook - or, The art & mystery of cookery • Robert May

... been urged by the elbowing on of not a few judicious friends; among whom I would particularly remark James Batter, who has been most earnest in his request, and than whom a truer judge on any thing connected with book-lear, or a better neighbour, does not breathe the breath of life: both of which positions will, I doubt not, appear as clear as daylight to the reader, in the course of the work: to say nothing of the approval the scheme met with from the ...
— The Life of Mansie Wauch - Tailor in Dalkeith, written by himself • David Macbeth Moir

... to Latin and Wordsworth's Excursion (all this was Greek to Kim). French, too was vital, and the best was to be picked up in Chandernagore a few miles from Calcutta. Also a man might go far, as he himself had done, by strict attention to plays called Lear and Julius Caesar, both much in demand by examiners. Lear was not so full of historical allusions as Julius Caesar; the book cost four annas, but could be bought second-hand in Bow Bazar for two. Still more important than Wordsworth, ...
— Kim • Rudyard Kipling

... deepest abyss of misery, where humanity is stripped of all external and internal advantages, and given up a prey to naked helplessness. The threefold dignity of a king, an old man, and a father, is dishonoured by the cruel ingratitude of his unnatural daughters; the old Lear, who out of a foolish tenderness has given away every thing, is driven out to the world a wandering beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when he ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel

... "attributing sufficient importance to composition." Alas! I attribute far more importance to it than they do;—so much importance, that I should just as soon think of sitting down to teach a man how to write a Divina Commedia, or King Lear, as how to "compose," in the true sense, a single building or picture. The marvelous stupidity of this age of lecturers is, that they do not see that what they call, "principles of composition," are mere principles of common sense in everything, as well as in pictures ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin

... poet myself, you see! Well,—there's your property. And with what your Mother left you will buy books and writing paper! As for my property—that's going to Jack. I've got the papers for that too. Not being an idiot I've saved out enough for myself—no Lear business for mine! Well, boy—I'm sorry you're a fool. But you've got what you ...
— The Forerunner, Volume 1 (1909-1910) • Charlotte Perkins Gilman

... it: 'The tower is so deep that no pioneer can undermine it, so thick that no cannon can breach it, so high that no ladder can scale it.' 'The righteous runneth into it,' and is perched up there; and can look down like Lear from his cliff, and all the troubles that afflict the lower levels shall 'show scarce so gross as beetles' from the height where he stands, safe and high, hidden in the name ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren

... could not have died unknown to them, for place and time were recorded in the newspapers. His letter to his son-in-law, expressing the warmest affection for all his family except his son, is sufficient to prevent the horrible notion that he might have been driven forth like Lear by his undutiful children after he had parted his goods among them. If they had been capable of such unnatural conduct, they would not have failed to secure his remaining property. Why, then, were his goods and chattels left to a creditrix? ...
— Daniel Defoe • William Minto

... come, by Jove, announcing that Dick Devereux's benefit is actually fixed for the Christmas holidays, when his cousin undertakes to die for positively the last time, and his uncle will play in the most natural manner conceivable, the last act of "King Lear."' In fact, this family calamity was rather a cheerful subject among Devereux's friends; and certainly Devereux had no reason to love that vicious, selfish old lunatic, Lord Athenry, who in his prodigal and heartless reign, before straw ...
— The House by the Church-Yard • J. Sheridan Le Fanu

... to some appear extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or these tragedies ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various

... of a beech, and what a fine doublet of white satin is worn by the birch." The fault is not in any inaptness of the images, nor in the mere vulgarity of the things themselves, but in that of the associations they awaken. The "prithee, undo this button" of Lear, coming where it does and expressing what it does, is one of those touches of the pathetically sublime, of which only Shakespeare ever knew the secret. Herrick, too, has a charming poem on "Julia's petticoat," the charm being that he lifts the familiar and the low to the region of ...
— Among My Books - First Series • James Russell Lowell

... not true that execution is everything, and the class or subject nothing. The highest subjects, equally well-executed (which, however, rarely happens), are the best."[75] Though each is perfect in its kind, there can be no difficulty in deciding the question of greatness between "King Lear" and "The Comedy of Errors." "The greatest strength of genius is shewn in describing the strongest passions: for the power of imagination, in works of invention, must be in proportion to the force of the natural impressions, which are the subject of them."[76] One also finds a test of relative ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin

... childhood, in a fragmentary way. "The Tempest," and "Midsummer Night's Dream," and "King Lear," I had swallowed among my fairy tales. Now I discovered that the historical plays, notably, "Julius Caesar" and "Coriolanus," had no less attraction for me, though of a different kind. But it was easy for me to ...
— A New England Girlhood • Lucy Larcom

... are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were sneaks, ...
— Shakspere, Personal Recollections • John A. Joyce

... expedition to the Northwest headed by George Rogers Clark, as he was called, the Hannibal of the New World, who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various

... giving us, as they do, and as perhaps nothing else could do, such proof of a power of loving, of an amount of attendrissement, which is not less wonderful than the bodying forth of that myriad-mind which gave us Hamlet, and Lear, Cordelia, and Puck, and all the rest, and indeed explaining to us how he could give us all these;—while we hardly go so far, we agree with his other wise words:—"There is a weakness and folly in all misplaced and excessive affection;" ...
— Spare Hours • John Brown

... very handsome Face, inclining to round; fine wanton Eyes, with a plaguy Roguish Lear; plump, round, red Lips; not tall, nor low, and extremely well fashion'd. [Reads all this in her Tablets. —Ay, ay, you ...
— The Works of Aphra Behn - Volume IV. • Aphra Behn

... the chill blast of man's ingratitude, more keenly toothed (as our divine Shakespeare observed) than winter's actual storm—but this by the way; it is not mine to anticipate more stable fortune, but rather to say with Lear—" ...
— True Tilda • Arthur Thomas Quiller-Couch

... doctrines; with its spirit of caste; with its spirit of hatred, and tell me whether it was written by a good God. Why, if you will read the maledictions and curses of that book, you would think that God, like Lear, had divided heaven among his daughters, and then, in the insanity of despair, had launched his ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll

... the loss of her son—then look at Lear, maddened by the ingratitude of his daughters: why it is the west wind bowing those aspen tops that wave before our window, compared to the tropic hurricane, when forests crash and burn, and ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson

... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to melt or flow back into ...
— A Study of Shakespeare • Algernon Charles Swinburne

... earnest, valiant men; and, as for even O'Flynn, and those worse than him, what was really the matter with them was, that they were too honest—they spoke out too much of their whole minds. Bewildered, like Lear, amid the social storm, they had determined, like him, to become "unsophisticated," "to owe the worm no silk, the cat no perfume"—seeing, indeed, that if they had, they could not have paid for them; so they tore off, of their own will, the peacock's feathers ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al

... of little): "I never see one of these here gurt men there's s'much talk about in the p[dot above e][dot above a]pers, only once, and that was up at Smiffle Show adunnamany years agoo. Prime minister, they told me he was, up at Lunnon; a leetle, lear, miserable, skinny-looking chap as ever I see [Disraeli, I imagine]. 'Why,' I says, 'we d[dot above o][dot above a]n't count our minister to be much, but he's a deal primer-looking ...
— Highways & Byways in Sussex • E.V. Lucas

... which he can clinically examine it, he shirks, for the most part, the greatest crisis of the soul. Can the greatest drama be concerned with less than the ultimate issues of nature, the ultimate types of energy? with Lear and with Oedipus? The world of Shakespeare and of the Greeks is the world; it is universal, whether Falstaff blubbers in the tavern or Philoctetes cries in the cave. But the world which Ibsen really knows is that little segment of the world which we call society; its laws are not those of nature, ...
— Figures of Several Centuries • Arthur Symons

... guilelessness, conventionality, mirth, bravery, deceit, purity—these, and all human states and attributes save piety, are upon his pages as real, and as mysterious withal, as they are in the great historical society. For an ordinary reader, these states and attributes are more real in Hamlet or Lear than in his own direct experience, because in Hamlet and Lear he can see them with the eye and intelligence of genius. But Shakespeare is the world all over again, and there is loss as well as gain in such realism. ...
— The Approach to Philosophy • Ralph Barton Perry

... one to the other across the table, with some vile jest tacked to it "like a tin kettle to a dog's tail," he awoke to the full measure of his misery—the cup was full. Fate had done her worst, and he might have exclaimed with Lear, "spit, fire-spout, rain," there was nothing in store for him ...
— The Confessions of Harry Lorrequer, Vol. 1 • Charles James Lever

... life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he ...
— The Ascent of the Soul • Amory H. Bradford

... language was still more materially altered by the change of its sounds, the cutting short of its syllables, and the softening down of its terminations, and inflections of words.' Somewhere between 1180 and 1216, the majestic speech in which Shakspeare was to write 'Macbeth' and 'King Lear,' Lord Bacon his 'Advancement of Learning,' Milton his 'Paradise Lost' and 'Areopagitica,' Burke his 'Reflections,' and Sir Walter Scott the Waverley Novels, and whose rough, but manly accents were to be spoken by at least a hundred million tongues, commenced ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan

... prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a ...
— No Great Magic • Fritz Reuter Leiber

... lass," said Will to himself; "ye little ken that the Laird o' Gilnockie, whom ye tried to deprive of his birthright, sits afore ye; and will a' the lear 'neath that big wig tell ye that that same Laird o' Gilnockie sits here contriving a plan to run awa wi' ye? Faith, an' it's a bauld project; but the baulder the bonnier, as we say in Liddesdale. I only wish ...
— Wilson's Tales of the Borders and of Scotland, Volume 2 - Historical, Traditional, and Imaginative • Alexander Leighton

... desire of open vengeance for an open slight, attended with displeasure at the same, the slight being put upon self, or upon some dear one, unbefittingly. The vengeance that the angry man craves is a vengeance that all shall see. "No, ye unnatural hags," cries Lear in his fury, "I will do such things,—what they shall be yet I know not, but they shall be the terror of the earth." When we are angry, we talk of "making an example" of the offender. The idea is that, as all the world has seen us slighted and set at naught, ...
— Moral Philosophy • Joseph Rickaby, S. J.

... persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but his talent was not mimetic—not ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton

... Nor when the seven vials are unsealed, But when his spirit companions with our thought And in his fellowship our pain is healed; And we are likest God when we are brought Most near to all men. Bring us near to him, The gentle, human soul whose calm might wrought Imperious Lear and made our eyes grow dim For Imogen,—who, though he heard the spheres "Still choiring to the young-eyed cherubim," Could laugh with Falstaff and his loose compeers And love the rascal with the same big heart That o'er Cordelia ...
— More Songs From Vagabondia • Bliss Carman and Richard Hovey

... tempest. And all the while the worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida

... defilement from the fount of Castaly. The Philadelphia school board has declared itself an aggregation of asses. "Les Miserables" is the greatest poem of divine humanity that this world has known since Shakespeare wrote "Lear." But I suppose "Lear," too, is immoral. I suppose everything is immoral, from "Oedipus, the Tyrant," to Hall Caine's "Christian," that teaches that men are born of woman, and that love will have its way, even unto all bitterness. It is eminently fitting that "Les Miserables" should be ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann

... wondrous, inasmuch as the author is still very young, not many years, indeed, in advance of his majority. There is exaggeration, we grant, in passages, but it is exaggeration as essential to the circumstances and the characters as Lear's insane language is to his madness, or Othello's turbid tide of figures to his jealousy. The hero—an enthusiast—speaks always in enthusiastic terms; but of extravagance we find little, and of absurdity ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various

... Compare Young's 'Night Thoughts', where the phrase occurs three times. See also 'Lear', act IV. scene vi. ...
— The Poetical Works of William Wordsworth, Vol. II. • William Wordsworth

... Or as Lear I pour'd for the deep imprecation, By my daughters of kingdom and reason depriv'd: Till fir'd by loud plaudits, and self adulation, I consider'd myself as ...
— Fugitive Pieces • George Gordon Noel Byron

... with great enthusiasm. The projecting peak of an impending crag which rose near it, had acquired the name of St. Swithin's Chair. it was the scene of a peculiar superstition, of which Mr. Rubrick mentioned some curious particulars, which reminded Waverley of a rhyme quoted By Edgar in KING LEAR; and Rose was called upon to sing a little legend, in which they had been interwoven by some ...
— Waverley • Sir Walter Scott

... in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various

... Shakespeare is for the most part hidden behind the persons of his creation. Yet there are certain of his characters in which we feel that there is something of self-portraiture. And it is not so much in his grander, more subtle and ingenious creations that we feel this—in Hamlet and King Lear—as in those slighter and more spontaneously developed figures, who, while far from playing principal parts, are yet distinguished by a peculiar happiness and delicate ease in the drawing of them; figures which ...
— Appreciations, with an Essay on Style • Walter Horatio Pater

... the new wine called heueriger. It is enough that, on All Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, as near home ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie

... in addressing so composite an audience are enormous: cuteness, coyness, archness and condescension are only the most obvious ones. Some great writers of children's verse—Lewis Carroll and Edward Lear—have successfully hedged themselves against these dangers by insistent comedy and parody (Carroll's "serious" children's verse is maudlin and embarrassing). By this means they have contrived what the child will ...
— Songs of Childhood • Walter de la Mare

... Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn ...
— The World I Live In • Helen Keller

... wonder how you made him!" exclaimed Abraham, turning up his nose at his parent, and then looking to the ceiling with emotion—"You unnatural old Lear! you bloodless ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various

... no trace of exaggeration in saying: Many people frequent theaters ostensibly for the purpose of understanding the great dramatists, and, leading thereto, seeing noted tragedians act Lear, Richard III, Julius Caesar, Hamlet, and at the end of years of attendance have no conception of these dramas as a whole. They had heard one voice among the many; but when the many voices blended, what ...
— A Hero and Some Other Folks • William A. Quayle

... Most Christian King, should enter, I must be dethroned, and a succession of bows must ensue before we can either of us be seated. I always fear that I shall some day break out with the speech of King Lear's fool: 'Cry you mercy, I took you for a ...
— Stray Pearls • Charlotte M. Yonge

... eight columns, has been whitewashed. The structure has now rightly been declared a "national monument." It dates from the ninth or tenth century and, according to Bertaux, has the same plan and the same dimensions as the famous "Cattolica" at Stilo, which the artistic Lear, though he stayed some time at that picturesque place, does not so much as mention. They say that this chapel of Saint Mark was built by Euprassius, protos-padarius of Calabria, and that in the days of Nilus it was dedicated to Saint Anastasius. Here, at Rossano, we are ...
— Old Calabria • Norman Douglas

... of "King Lear" is one of the most pitiful of Shakespeare's play. It is about the thanklessness of children to a father. Old King Lear had three daughters—Goneril, Regan, and Cordelia. He loved these daughters dearly ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant

... and seeing their own offspring brought up in evidence against them, through the most detestable acts, and by the basest subornation, would naturally extort from minds even of iron mould. If ever Lear's or Timon's power of malediction could be justifiably called into exercise, it would be against such a tribunal and such witnesses as they had generally ...
— Discovery of Witches - The Wonderfull Discoverie of Witches in the Countie of Lancaster • Thomas Potts

... an accent much broader than the provincial dialect—"na, my faither was owre puir for giein me ony buke lear." This seemed to satisfy the damsel, and she intrusted him with the letter in its unclosed state, only enjoining him to show it to nobody, and give it into the hands ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various

... King Lear had had his last desire, might have sung the merry and strange tune of Bedlam, like the slighter Ophelia ...
— Essays • Alice Meynell

... day, if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking ...
— A Collection of College Words and Customs • Benjamin Homer Hall

... gaun, ye broken men?" Quo fause Sakelde; "come tell to me?" Now Dickie of Dryhope led that band, And the nevir a word o lear had he. ...
— A Collection of Ballads • Andrew Lang

... King Lear he courts death and madness in a great storm, then commits mass murder, collapses in catatonic paralysis, and suicidally runs his ship into the ocean's most dangerous whirlpool. Hate swallows ...
— 20000 Leagues Under the Seas • Jules Verne

... Humphrey of Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" are two of ...
— Kansas Women in Literature • Nettie Garmer Barker

... misunderstood. The second step consists in fixing the mark of shame upon the offender and publicly humiliating him by means of the solemn sentence of the judge. It may be asked, What human being is fit to exercise this awful office of acting as judge of another? Remember the words of Shakespeare in King Lear: ". . . .See how yond justice rails upon yond simple thief. Hark in thine ear: change places; and . . . . which is the justice, which the thief?" Or recall what the Puritan preacher said when he saw from his window a culprit being led to the gallows: "There, but for the grace of God, go I." ...
— The Essentials of Spirituality • Felix Adler

... may encourage a client, does not protect him. For example, if a publisher asks his solicitor whether he may venture on an edition of Sterne's Sentimental Journey, or a manager whether he may produce King Lear without risk of prosecution, the solicitor will advise him to go ahead. But if the solicitor or counsel consulted by him were asked for a guarantee that neither of these works was a libel, he would have to reply that he ...
— The Shewing-up of Blanco Posnet • George Bernard Shaw

... days, and still more lonely nights, he thought much about the past. He knew that he had made a failure of life, and that he had nothing to live for now. At times he would endeavor to fan the coals of rebellion by reading "King Lear," "Timon of Athens," and the story of Old Aeneas. But the effect was never lasting, and when the artificial stimulation subsided he was more ...
— The King's Arrow - A Tale of the United Empire Loyalists • H. A. Cody

... Drinking Cup, in Dutton, The Tortoise and the Geese; The Lark and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter (poem), in Story-Telling ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott

... trade of Praetor, Consul, Proconsul, and Imperator, so as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer ...
— Life of Cicero - Volume One • Anthony Trollope

... division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi regiment, Major Lear, ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat

... came one day to Mr. Linton (head master of the grammar school) with a halflin[807:A], a long, empty chap, who had taken it into his head that he would have some little learning. Said the father, 'Mr. Linton, ye see, my laddie's fond o' lear'[807:B], and I'm thinking o' makin' a scholar o' him.' 'But,' said Mr. Linton, looking at the youth, and not seeing any sign that there was much in him, 'What are you to make of him?' 'You see, Mr. Linton,' ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson

... theirs is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which it grows. No single mind in single contact with the facts of nature could have created out of itself a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creations of a nation's spirit; and artist and poet, filled full with the power of that spirit, have but given them form, and nothing more than form. Nor would ...
— The Reign of Henry the Eighth, Volume 1 (of 3) • James Anthony Froude

... magistrate, Sir Albert de Rutzen, ordered the destruction of 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. One can only ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris

... True Chronicle History of the Life and Death of King Lear, and his three Daughters, with the unfortunate Life of Edgar, Sonne and Heire to the Earl of Glocester, and his sullen and assumed Humour of Tom of Bedlam, by his Majestie's servants. First Edit. 4to. ib. 1608. 28 ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin

... what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, ...
— Ulysses • James Joyce

... not even if we turn from their contemporaries to Shelley himself. All that Beatrice says in The Cenci is beautiful and conceivable and admirable: but unless we except her exquisite last words—and even they are more beautiful than inevitable—we shall hardly find what we find in "King Lear" and "The White Devil," "Othello" and "The Duchess of Malfy"—the tone of convincing reality; the note, as a critic of our own day ...
— The Age of Shakespeare • Algernon Charles Swinburne

... wheat up, up, until the Hoosiers had made a few hundred thousands, and then, when they thought they were going to make millions, letting it down and scooping them. My habit of listening intently to Uncle Nate's telegrammatic style of talk caused him to like me. I resembled King Lear: I talked with those who were wise, and said little, and Nathan's aphorisms about trade and politics made good paragraphs when boiled down to ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various

... is said, has found an asylum in Persia. The Shah allows him a palace, but he is shorn already of half his hareem. Perhaps the fate of Lear may be before him yet, though not ...
— 1931: A Glance at the Twentieth Century • Henry Hartshorne

... with the subject, and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an excellent thing to take all the trouble, if you ...
— At Large • Arthur Christopher Benson

... to say? It seems to me that any more suicidal thing than throwing away the borough never was done. Who will thank you? What additional support will you get? How will it increase your power? It's like King Lear throwing off his clothes in the storm because his daughters turned him out. And you didn't do it because you thought ...
— The Prime Minister • Anthony Trollope

... remained, the one reading, the other sleeping, while the hours of the warm summer afternoon slipped away, ripples on the ocean of the lovely, changeless eternity, the consciousness of God. For a time the watching sister was absorbed in King Lear; then she fell to wondering whether Cordelia was not unkindly stiff toward her old father, but perceived at length that, with such sisters listening, she could not have spoken otherwise. Then she wondered whether there could ...
— Heather and Snow • George MacDonald

... Shakespeare's 'King Lear' and 'Cymbeline' came from Geoffrey's 'Historia Britonum,' as did also the story of 'Gorboduc,' the first tragedy in the English language. Milton intended at one time that the subject of the great poem for which he was "pluming his wings" should be King Arthur, as may be seen, in his 'Mansus' ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner

... thirty-seven plays and many poems. The best of his rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn

... belief. I have a letter in my pocket from a young friend in a country company, the ladies of which have their sensibility strung up to so fine a tone that he cannot take the tragedy of King Lear for his benefit, because not one of them will play either Regan or Goneril. If their feelings are so exquisite in the country, where our wise laws treat players as vagabonds, what must they be when loaded with all the legal, ...
— The Adventures of Hugh Trevor • Thomas Holcroft

... approbation and success. Nothing remained as I imagined, but to clothe it to the apprehensions of my countrymen in such language and action as would bring it home to their hearts. The deepest and the sublimest tragic compositions, King Lear and the two plays in which the tale of Oedipus is told, were stories which already existed in tradition, as matters of popular belief and interest, before Shakspeare and Sophocles made them familiar to the sympathy of ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley

... Thou perjured, and thou simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly

... offend neither morality nor delicacy. There are many things upon the stage which are sinful, vicious, and vulgar, but there are hundreds of books quite as bad and dangerous. As we choose only the best volumes to read, so be sure to select only pure plays and operas. 'Lear' would teach you the awful results of filial disobedience; 'Merchant of Venice,' the sin of avarice; 'Julius Caesar' that of unsanctified ambition. There are threads of wisdom, patience, charity, and heroism which might be gathered from the dramatic spindle, ...
— Infelice • Augusta Jane Evans Wilson

... Berlioz's overture to "King Lear" given by the Philharmonic Society of New York City. A. ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee

... his vanity and his fancied security have wholly encased him round, and then coming and boring with a little pin through his castle wall. And these feelings, though their predominance is subdued in the mightiest tragedies, remain powerful there. In the figure of the maddened Lear ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley

... in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. Hancock, or whether she was comforted ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar

... important difference between the writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as ...
— G. K. Chesterton, A Critical Study • Julius West

... dark as I dropped to the floor in front of my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a cooked ...
— Stop Look and Dig • George O. Smith

... [Quickly] Wait, now, here's something from King Lear. The sky is black, see? Rain is pouring down, thunder roars, lightning—zzz zzz zzz—splits the whole sky, ...
— Swan Song • Anton Checkov

... which is one of the primordial instincts of the crowd. It must present its characters in some struggle of the wills, whether it be flippant, as in the case of Benedick and Beatrice; or delicate, as in that of Viola and Orsino; or terrible, with Macbeth; or piteous, with Lear. The crowd is more partisan than the individual; and therefore, in following this struggle of the drama, it desires always to take sides. There is no fun in seeing a foot-ball game unless you care about who wins; and ...
— The Theory of the Theatre • Clayton Hamilton

... of Lear is deservedly celebrated among the dramas of Shakespeare. There is, perhaps, no play which keeps the attention so strongly fixed; which so much agitates our passions, and interests our curiosity. The artful involutions of distinct interests, the striking oppositions of contrary characters, the sudden ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson

... itself, not less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," these ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens

... experience we lear-rn. An' th' sooner a man lear-rns, th' bether ut is fer um, that all women know more thin they let on—an' they've always an ace fer a ...
— The Promise - A Tale of the Great Northwest • James B. Hendryx

... scars in his bands, as was his manner at times, but kept his eyes upon the ground. When he spoke, there was in his voice unwonted life. "Why, sir, I could have said with Lear, 'Hysterica passio! down, thou climbing sorrow!'—and I am not a man, sir, that's easily moved. The girl is greatly gifted. I knew that before either you or the ...
— Audrey • Mary Johnston

... titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To make ...
— The End of the Rainbow • Marian Keith

... any of the keepers, and so left everybody groping about and catching the wrong person, was the most wonderful mixture of fun and tears. Great Will was extremely youthful, but everybody in the park called him, 'Father William'; and when he wanted to know which way the deer had gone, King Lear (or else my memory deceives me) punned, and Lady Macbeth waved a handkerchief for it to be steeped in the blood of the deer; Shylock ordered one pound of the carcase; Hamlet (the fact was impressed on ...
— The Shaving of Shagpat • George Meredith

... from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Cosmopolis, Complete • Paul Bourget

... applause. The Editor of the Reliques had indirectly preferred a claim to the praise of invention, by not concealing that his supplementary labours were considerable! how selfish his conduct, contrasted with that of the disinterested Gael, who, like Lear, gives his kingdom away, and is content to become a pensioner upon his own issue for a beggarly pittance!—Open this far-famed Book!—I have done so at random, and the beginning of the Epic Poem Temora, in eight Books, presents ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot

... the drift of Lethe in the darkness, but never for long together. Once he woke uneasily with a start and saw a flash. The crash followed as in one beat, and the rain was like the rain in King Lear. He was broadly awake now. Two carriers were nestling near him. He felt fearfully for his pipe, and almost mourned for it as washed away. He found it, and turned over with a happy sigh. 'Man's airy notions!' 'as in a ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps

... enthusiastic, and wrote: "You will be very proud of 'Le Pere Goriot.' My friends insist that nothing is comparable to it, and that it is above all my other compositions."[*] Certainly the vivid portrait of old Goriot, that ignoble King Lear, who in his extraordinary passion of paternal love rouses our sympathy, in spite of his many absurdities and shortcomings, is a striking instance of Balzac's power in the ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars

... consulship of Plancus, and quite respectable, old-fogyfied times, remember amongst other amusements which we had as children the pictures at which we were permitted to look. There was Boydell's Shakspeare, black and ghastly gallery of murky Opies, glum Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with starting muscles, rolling eyeballs, and long pointing quivering fingers; there was little Prince Arthur (Northcote) crying, in white satin, and bidding good Hubert not put out his eyes; ...
— John Leech's Pictures of Life and Character • William Makepeace Thackeray

... of Queen Elizabeth, which is given by Reginald Scot. The narrative is edifying as peculiarly illustrative of the mode of marring a curious tale in telling it, which was one of the virtues professed by Caius when he hired himself to King Lear. Reginald Scot, incredulous on the subject of witchcraft, seems to have given some weight to the belief of those who thought that the spirits of famous men do, after death, take up some particular habitations near cities, towns, and countries, and act ...
— Letters On Demonology And Witchcraft • Sir Walter Scott

... the various dialects in the South of India, as a matter of convenience the English language is much used for personal communication by the natives of different parts of the Presidency of Madras. Mr. Edward Lear, who has travelled much in that part of the country, gives the following interesting account of a journey:—"I was in a second-class railway carriage going from Madras to Bangalore. There was only one other passenger beside myself and servant, and he was ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various

... longings and demands of the soul, the indefinite and mysterious feelings which words cannot render." Berlioz was a passionate lover of German music and of the writings of Shakspere, Goethe, and Scott. He composed overtures to "Waverley," "King Lear," and "Rob Roy"; a cantata on "Sardanapalus," and music for the ghost scene in "Hamlet" and for Goethe's ballad, "The Fisher." He married an English actress whom he had seen in the parts of Ophelia, Portia, and Cordelia. Berlioz en revanche was better ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers

... ignominious! Stupid pride is one of the symptoms of madness. Of the two madmen mentioned in Don Quixote, one thought himself NEPTUNE, and the other JUPITER. Shakspeare agrees with CERVANTES; for, Mad Tom, in King Lear, being asked who he is, answers, 'I am a tailor run mad with pride.' How many have we heard of, who claimed relationship with noblemen and kings; while of not a few each has thought himself the Son of God! To the public journals, and to the ...
— Advice to Young Men • William Cobbett

... means to talk with entire sincerity,—I said,—always feels himself in danger of two things, namely,—an affectation of bluntness, like that of which Cornwall accuses Kent in "Lear," and actual rudeness. What a man wants to do, in talking with a stranger, is to get and to give as much of the best and most real life that belongs to the two talkers as the time will let him. Life is short, and conversation apt to run to mere words. ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we ...
— At Last • Charles Kingsley

... have seen a farmer's dog bark at a beggar, and the creature run from the cur. There thou might'st behold the great image of authority: a dog's obeyed in office." You have—very well. Take crazy King Lear's words as a text for a sermon against legislative inconsistencies, and come back with ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz

... improved the glow of youth to a deeper crimson; and I daresay set many a female heart a palpitating. When he made his first appearance, there was just such a humming and clapping of hands as you may have heard when the celebrated Garrick comes upon the stage in King Lear, or King Richard, or any other top character. But how agreeably were we disappointed, when our young gentleman made such an oration as would not have disgraced a Pitt, an Egmont, or a Murray! while ...
— The Adventures of Sir Launcelot Greaves • Tobias Smollett

... Mirabel's table, by premature inebriation. A carriage was called for him: the hospitable door was shut upon him. Often and sadly did he speak to his friends at the Kitchen of his resemblance to King Lear in the plee—of his having a thankless choild, bedad—of his being a pore worn-out, lonely old man, dthriven to dthrinking by ingratitude, and seeking to dthrown his ...
— The History of Pendennis, Vol. 2 - His Fortunes and Misfortunes, His Friends and His Greatest Enemy • William Makepeace Thackeray

... Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley

... no lawns and glades for pleasure and repose, no vistas through which to view some towering hill or elevated temple; everything in that crowded space seems of the same value: he speaks with no more awe of "King Lear" than of the last Cobden prize essay; he has swallowed them both with the same ease, and got the facts safe in his pouch; but he has no time to ruminate because he must still be swallowing; nor does he seem to ...
— On The Art of Reading • Arthur Quiller-Couch

... since thou needs woldst vnderstand my sham Which I did grieue and blush to ope to thee, And had lear di'd then told thee of the same, Now be not slacke to lend thy helpe to me, Thou forst me for to open my disgrace, Then lend thy help ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale

... sketch for his great picture of King Lear, painted for Boydell's Shakspeare Gallery—"Blow, blow, thou winter wind." A most wonderful performance. The expression of face of the poor mad king is astonishing; the colouring rich and mellow—nothing of West's ...
— Recollections of the late William Beckford - of Fonthill, Wilts and Lansdown, Bath • Henry Venn Lansdown

... popular literature,—scraps and tags and broken ends of songs and ballads and romances and proverbs. In this respect he is notable even among his contemporaries. . . . Edgar and Iago, Petruchio and Benedick, Sir Toby and Pistol, the Fool in Lear and the Grave-digger in Hamlet, even Ophelia and Desdemona, are all alike singers of old songs. . . . " {65a} He is rich in rural proverbs NOT recorded ...
— Shakespeare, Bacon and the Great Unknown • Andrew Lang

... was too much of artificial tone and measured cadence, in the declamation of the theatre. The present writer well remembers being in conversation with Dr. Johnson, near the side of the scenes, during the tragedy of King Lear: when Garrick came off the stage, he said, "You two talk so loud, you destroy all my feelings." "Prithee," replied Johnson, "do not talk of feelings, Punch has no feelings." This seems to have been his settled opinion; admirable as Garrick's imitation ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson

... War as captain in the 28th Massachusetts infantry regiment. From 1867 to 1870, with John McCullough, he managed the California theatre, San Francisco. Among his many and varied parts may be mentioned Hamlet, Lear, Macbeth, Shylock, Richard III., Wolsey, Benedick, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker's (1823-1890) Francesca da Rimini, and James Harebell in The Man o' Airlie. He played ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various

... received with wild enthusiasm. In Italy, during the most frenzied period of Garibaldian worship, my old friend, Lear the artist, asked a patriotic inn-keeper, who was in a wild state of excitement, to give him breakfast, to which the man replied: "Colazione! Che colazione! Tutto e amore e liberta!" In the Albanian village ...
— Political and Literary essays, 1908-1913 • Evelyn Baring

... Howland is a printer by trade, an editor by profession, and a hunter by choice. When busily employed he usually puts his hat in his pocket, and his thin hair and long beard stream in the wind, giving him a wild look, much like that of King Lear in an illustrated copy of Shakespeare which tumbles around ...
— Canyons of the Colorado • J. W. Powell

... married Pleyel. In a wild state of frenzy he would go to Paris at once and seek revenge. He started, got as far as Nice, grew calmer, remained at Nice for a month, during which time the Overture to "King Lear" was written, then returned to Rome by the way of Genoa ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower

... ministers know that the Bible suffers by a comparison with Shakespeare. They know that there is nothing within the lids of what they call "the sacred book" that can for one moment stand side by side with "Lear" or "Hamlet" or "Julius Caesar" or "Antony and Cleopatra" or with any other play written by the immortal man. They know what a poor figure the Davids and the Abrahams and the Jeremiahs and the Lots, the Jonahs, the Jobs and the ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll

... described, employing it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. In English thus: The young woman sat on ...
— Elements of Gaelic Grammar • Alexander Stewart

... conventional images that he can handle ideas; only through its physical equivalents that he can deal with psychology. And how inadequately does he do it then, asking us to accept the torn turban of the Moor for the noble rage of Othello, or a dotard in a storm for the wild madness of Lear! Yet it seems as if nothing could stop him. Most of our elderly English painters spend their wicked and wasted lives in poaching upon the domain of the poets, marring their motives by clumsy treatment, and striving to render, by visible form or colour, the marvel of what is invisible, the splendour ...
— Intentions • Oscar Wilde

... or for good his half-barbaric genius. He flung himself upon life with the irresponsible ardour of the discoverer of a new continent; shaped and re-shaped it as he chose; carved from it now the cynicism of Measure for Measure, now the despair of Hamlet and of Lear, now the radiant magnanimity of the Tempest, and departed leaving behind him not a map or chart, but a ...
— The Greek View of Life • Goldsworthy Lowes Dickinson

... example of this method is the 'Pere Goriot.' The general situation may be described in two words, by saying that Goriot is the modern King Lear. Mesdames de Restaud and de Nucingen are the representatives of Regan and Goneril; but the Parisian Lear is not allowed the consolation of a Cordelia; the cup of misery is measured out to him drop by drop, and the bitterness ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen

... evening, the 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at rest as "FAR ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)

... idealises, because he starts from within. He reaches, as it were, the central fire, in the heat of which every separate faculty, every animal want, every fortuitous incident is melted down and lost. We never could observe in actual experience passion such as Lear's, or meditation such as Hamlet's, fusing everything else into itself. Facts at every step would interfere to prevent such a possibility. But let us place ourselves, by the poet's help, within the soul of Lear or Hamlet, ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green

... meritorious and most interesting kind of nonsense is that which embodies an absurd or ridiculous idea, and treats it with elaborate seriousness. The greatest masters of this art are undoubtedly Edward Lear and Lewis Carroll. These Englishmen were men of genius, deep thinkers, ...
— A Nonsense Anthology • Collected by Carolyn Wells

... allusion to the line, "Nothing can come of nothing." from Shakespeare's "King Lear," Act 1, ...
— Beethoven: the Man and the Artist - As Revealed in his own Words • Ludwig van Beethoven

... Stratford they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether he imbibed the power from associations, ...
— The Vitalized School • Francis B. Pearson

... The Pudneys, who had taken him to Birmingham, had already got rid of him, and we had a horrible consciousness of his wandering roofless, in dishonour, about the smoky Midlands, almost as the injured Lear wandered on the storm-lashed heath. His room, upstairs, had been lately done up (I could hear the crackle of the new chintz) and the difference only made his smirches and bruises, his splendid tainted genius, the more tragic. If he wasn't barefoot in the mire he was sure to be unconventionally ...
— The Coxon Fund • Henry James

... inherent fault of stage representation, sullied and turned from their very nature by being exposed to a large assembly! How can the profound sorrows of Hamlet be depicted by a gesticulating actor? So, to see Lear acted, to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. The contemptible machinery by which they ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various

... Beauclerc, were to come down to Clarendon Park, and Beauclerc was very happy teaching the merlins to sit on Lady Cecilia's and on Miss Stanley's wrist. Helen's voice was found to be peculiarly agreeable to the hawk, who, as Beauclerc observed, loved, like Lear, that excellent thing in woman, a voice ...
— Helen • Maria Edgeworth

... Thunder Mountain never. An hour or two perhaps—no more. It knew no peace. The elements were, and are now, and forever will be quarreling upon its worn and battered head; lightning and rain and snow and wind are forever hammering and beating it turn by turn. It is the Quasimodo and the Lear and the Gray Friar of mountains, all in one. And if, on some still and perfect day, its tonsured head emerges from the clouds, the watcher in the Park has but to turn his head a moment, and look again, and lo! it wears its gray cowl as before, ...
— The Heart of Thunder Mountain • Edfrid A. Bingham

... as if all trouble were over and all had been forgiven. We walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never have made the late war, and that Victorian England ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham

... while a wolf carrying a staff and knapsack leads a herd of goats. There is a battle of the mice and cats, and the king of the mice, in his chariot drawn by two dogs, is seen attacking the fortress of the cats. A picture which is worthy of Edward Lear shows a ridiculous hippopotamus seated amidst the foliage of a tree, eating from a table, whilst a crow mounts a ladder to wait upon him. There are caricatures showing women of fashion rouging their faces, unshaven and really amusing old tramps, ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall

... Hundreds of examples might be added to those collected by Steevens in a note to "King Lear," act ii. sc. 3. It is a singular coincidence that ban, signifying a curse, and ban, a public notice of marriage, should have ...
— A Select Collection of Old English Plays, Vol. VIII (4th edition) • Various

... tempting me to laugh at him, pray, dearest Darsie, let not thy ardour for adventure carry thee into more such scrapes as that of the Solway Sands. The rest of the story is a mere imagination; but that stormy evening might have proved, as the clown says to Lear, 'a naughty night to ...
— Redgauntlet • Sir Walter Scott

... contribution well worth the setting. For a leading article we have something that is well nigh unique in literature, either amateur or professional, an attempted reconstruction of a scene supposedly excised from "King Lear." This is so unusual, in fact, that it might well be called a "stunt," but certainly it is a successful stunt. In the not overly long scene presented, which pictures the ruthless hanging of Cordelia and the Fool before the eyes of the aged Lear, we can discern no quality ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft

... upon her hand, And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious ...
— War Poetry of the South • Various

... "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various

... to the varying fortunes and excitements of the early American stage, the evil influence gained sad ascendency, and his finest renditions grew "out of tune and harsh." In depicting the pathetic frenzy of Lear, such actors as he and Kean, when at their best, can surpass all rivals; and the grotesque, darkly-powerful ideals of Richard and Shylock are precisely those in which they will startle us to the last, gathering new, though fitful, expressions ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various

... quiet dead: Hill, Barton, Clark, Green, Camp, Hunt, Catlin, Giles, Sherwood, Tracy, Jewett, Lane, Gibson, Holmes, Yates, Hopkins, Goodenow, Griswold, Steele. Something stirs at your hair-roots—these are the names of the English. A few sturdy Dutch names—Boyce, Steenburg, Van Lear—and a lonely French Mercereau; the rest ...
— Copper Streak Trail • Eugene Manlove Rhodes

... the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth we may well pass by; not need we linger over Cordelia's father, ...
— Wisdom and Destiny • Maurice Maeterlinck

... womb, usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to the fury of ...
— Glimpses of Bengal • Sir Rabindranath Tagore

... grievous ingratitude, King Lear, was turned out into the snow and hail by his wicked daughters; and the white-haired old king wandered through the blackness of the night beneath the falling hail. And, lo! the Cathedral of Rheims is a King Lear in architecture—broken, wounded, exposed to the hails ...
— The Blot on the Kaiser's 'Scutcheon • Newell Dwight Hillis

... avenging deities and days of judgment seemed concentrated in that frown of gigantic darkness. Beneath it the landscape seemed to grow livid as a corpse, and terror to fill with trembling the very trees and grasses. Oedipus and Orestes and King Lear rolled into one could hardly have accounted for that angry sky. Such a sky it must have been that carried doom to the cities of the plain. And, after all, it was only Colin and I innocently making haste ...
— October Vagabonds • Richard Le Gallienne

... sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys

... pleasant to dream that some spot in the extensive tract whose south-western quarter is here described, may be the heath of that traditionary King of Wessex—Lear. ...
— The Return of the Native • Thomas Hardy

... up to the orderly-room 'bout eleven, and you can fill up the chit and I'll fire it in for you. It's only a matter of form. It goes through to Colonel Lear at La ...
— Simon Called Peter • Robert Keable

... not a bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile ...
— The Goose Man • Jacob Wassermann

... and the evening, according to your taste or rank, in the cricket-field, or at the Opera, and you will soon find thoughts of the evening hazards and bets intrude themselves on the sermon, and that recollections of the popular melodies interfere with the psalms. Religion is thus treated like Lear, to whom his ungrateful daughters first denied one half of his stipulated attendance, and then made it a question whether they should grant him any share of ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 13, No. 355., Saturday, February 7, 1829 • Various

... would have been no need for the Wright brothers to bother; but when he got as far as London from Bath the wing-strings broke and he fell, plop! on a particularly hard temple of Apollo. After him reigned his son, no less a person than King Lear. I got this out of a queer little old book I bought the first day we came, but I assumed the air of having known it since childhood. There's another legend, it seems, about Bladud and a swine, but it's less esoteric than this, and ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson

... Dog, and yet how often do we imitate those Dumb Beasts in our own degree! fondling them indeed when they are Kittens and Puppies, but fighting Tooth and Nail with them when they be full grown. But there is as much to be said on the one side as on the other; and for every poor old Lear wandering up and down, pursued by the spite of Goneril and Regan, shall you find a Cordelia whose heart is broken by ...
— The Strange Adventures of Captain Dangerous, Vol. 2 of 3 • George Augustus Sala

... Minister Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend

... lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, and the success of a new sort of drama, whether ...
— Irish Plays and Playwrights • Cornelius Weygandt



Words linked to "Lear" :   artist, humourist, King Lear, creative person, fictitious character



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