"Lyric" Quotes from Famous Books
 ... glorify gods and kings, Who scourged them ever with hate's sanguineous rods; But who with hope and faith may live at odds? And then these jingling jays with plume-plucked wings, Compete, and laureate laurels are lovely things, Though crowing lyric lauders of ...
— Punch, or the London Charivari, Vol. 103, October 22, 1892 • Various
... the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on ...
— The Sport of the Gods • Paul Laurence Dunbar
... travelled in France but must frequently have heard proverbial allusion made to a certain monarch of Yvetot; and still fewer must be those who, having the slightest knowledge of French literature, are unacquainted with Beranger's happy lyric— ...
— Chambers's Edinburgh Journal, No. 458 - Volume 18, New Series, October 9, 1852 • Various
... and a lyric to be lyrical and heart appealing, must be inevitable. It must be the spontaneous expression of the heart of the author—an expression which had to come. It is the latent secret of the power of true hymns, for what must be uttered will assuredly, sooner or later, find its ...
— Hymns from the East - Being Centos and Suggestions from the Office Books of the - Holy Eastern Church • John Brownlie
... ethereal of all sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to Concord, ...
— The Snow Image • Nathaniel Hawthorne
... of the pre-Augustan and Augustan periods, unlike Horace, were all well born. Catullus and Calvus, his great predecessors in lyric poetry, were men of old and noble family Virgil, born five years before Horace, was the son of a Roman citizen of good property. Tibullus, Propertius, and Ovid, who were respectively six, fourteen, and twenty years his ...
— Horace • Theodore Martin
... to contain a precise image of reality. They never do. All language can achieve is to act as a guidepost to the imagination enabling the reader to recreate the author's insight. The artist does that: he controls his medium so that we come most readily to the heart of his intention. In the lyric poet the control is often so delicate that the hearer lives over again the finely shaded mood of the poet. Take the words of a lyric for what they say, and they say nothing most of the time. And that is true of philosophers. You must penetrate the ponderous vocabulary, the professional ...
— A Preface to Politics • Walter Lippmann
... has a genius for the song, for the perfect lyric, in which the words seem to have fallen into place without art or effort."—Louis Untermeyer, in 'The ...
— Love Songs • Sara Teasdale
... poetry was written in about five early years. Tennyson went on to a patriarchal age, but there is little of his later work that bears comparison with what he wrote before he was forty. Browning produced volume after volume, but, with the exception of an occasional fine lyric, his later work is hardly more than an illustration of his faults of writing. Coleridge deserted poetry very early; Byron, Shelley, ...
— Joyous Gard • Arthur Christopher Benson
... that when he is expected to," answered Sydney, gloomily. "I am always saddest at dinner, for I know that I have been asked because there is a tradition in society that I am a wit. If I speak of the gloomiest subjects people snicker; if I am eloquent or pathetic, they roar. I am by nature rather a lyric poet than a wit—ah, you are laughing, Mrs. Carey, you are laughing. What ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... if necessary, all of Milton, all of Shakespeare but a song or two, much of Dante and some of Homer, to be secured in them for ever. My friend (of the Ramillies) and I were disputing about a phrase I had applied to lyric poetry as the infallible test of its merit. I asked for "the lyric cry," and he scorned me. I could find a better phrase with time; but the quatrain just quoted makes it unmistakable, as I think. Anyhow, it will be conceded ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... Italian lyric poet, born at Arezzo, in Tuscany, whither his father had gone when exiled with Dante from Florence; spent his youth in Avignon; intended for the profession of law, devoted his time to the study of Cicero and Virgil; met Laura in the church of St. ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... the process of elimination, as the detectives say when tracking down a criminal. It is, however, of no consequence; but it was clear that the song she sang had moved her, for there was the glint of a tear in her eye as she turned towards the house, the words of the lyric singing ...
— The Judgment House • Gilbert Parker
... choice of a momentary attitude is eminently characteristic of Michelangelo's style; and, if we are really to believe that he intended to portray the god of love, it offers another instance of his independence of classical tradition. No Greek would have thus represented Eros. The lyric poets, indeed, Ibycus and Anacreon, imaged him as a fierce invasive deity, descending like the whirlwind on an oak, or striking at his victim with an axe. But these romantic ideas did not find expression, so far as I am aware, in antique plastic art. Michelangelo's Cupid is therefore as ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... the Dionysiac spirit, which we see in music. Apollo is the god of dreams, Dionysus the god of intoxication; the one represents for us the world of appearances, the other is, as it were, the voice of things in themselves. The chorus, then, which arose out of the hymns to Dionysus, is the "lyric cry," the vital ecstasy; the drama is the projection into vision, into a picture, of the exterior, temporary world of forms. "We now see that the stage and the action are conceived only as vision: that the sole 'reality' is precisely the chorus, which itself produces the vision, and expresses ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... renowned for their learning and their wisdom in state matters was one Thales, whom Lycurgus, by importunities and assurances of friendship, persuaded to go over to Lacedaemon; where, though by his outward appearance and his own profession he seemed to be no other than a lyric poet, in reality he performed the part of one of the ablest lawgivers in the world. The very songs which he composed were exhortations to obedience and concord, and the very measure and cadence of the verse, conveying impressions of order and tranquillity, had so great an influence ...
— The Boys' and Girls' Plutarch - Being Parts of The "Lives" of Plutarch • Plutarch
... line of them, of the countryside. "The Passing of the Gael" is known wherever there are Irish emigrants, but there are other verses of "Ethna Carberry" (Mrs. Anna Johnstone MacManus) that are as fine as this. Mrs. Dora Sigerson Shorter is a balladist of stark power, and Miss Eva Gore-Booth a lyric poet whose natural lilt no preoccupation with mysticism can for more than a ...
— Irish Plays and Playwrights • Cornelius Weygandt
... the enduring lustre of a precious metal with the tenuity of gold-leaf. Even the most vivid emotions of grief and love, as well as the horrors of war, were banished from the Japanese Parnassus, where the Muse of Tragedy warbles, and the lyric Muse utters nothing but ditties of exquisite and melting sweetness, which soothe the ear, but never stir the heart: while their meaning is often so obscure as even to ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... and Critical Observations And Records Concerning the Lyric Drama in New York from Its Earliest Days Down ...
— Chapters of Opera • Henry Edward Krehbiel
... the earliest examples of this thought in English literature is the tender and charming lyric by Thomas de Hales, written probably before 1240. Here is perhaps the first expression in our poetry of passionate yearning of the soul towards Christ as her true lover, and of the joy of mystic union with ...
— Mysticism in English Literature • Caroline F. E. Spurgeon
... he was one of the most princely and magical of the immortal lords of fame. So far from there being any lack of permanent value and power in his verse, any falling from his established rank, the most authoritative critics, more generally today than ever before, acknowledge him to be the greatest lyric poet that ever lived. One can hardly help being awed at the thought of the genius and fascination of the young man whom the gifted and ...
— The Friendships of Women • William Rounseville Alger
... ordinarily so designated occupies a thoroughly legitimate position in the realm of literature, but no position whatsoever in the realm of dramaturgy. Atalanta in Calydon is a great poem; but from the standpoint of the theory of the theatre, it cannot be considered as a play. Like the lyric poems of the same author, it was written to be read; and it was not devised to be presented by actors on ...
— The Theory of the Theatre • Clayton Hamilton
... heads and one another's to find a meaning and an answer to the odd query. It is only quite lately that they have come at all to see that the Dithyramb was a Spring Song, a primitive rite. Formerly it was considered to be a rather elaborate form of lyric poetry invented comparatively late. But, even allowing it is the Spring Song, are we much further? Why should the Dithyramb be bull-driving? How can driving a Bull help the spring to come? And, above all, what are the "slender-ankled" Graces doing, helping ...
— Ancient Art and Ritual • Jane Ellen Harrison
... the twins on the point of quarreling with each other. Number one pushes number two over. Number two screams: that frightens the baby and he joins in. I call number one a naughty girl, take the persecuted one in my arms, and endeavor to comfort her by trotting to the old lyric:— ...
— The Life of Harriet Beecher Stowe • Charles Edward Stowe
... glee, madrigal, catch, round, chorus, chorale; antiphon[obs3], antiphony; accompaniment, second, bass; score; bourdon[obs3], drone, morceau[obs3], terzetto[obs3]. composer &c. 413; musician &c. 416. V. compose, perform &c. 416; attune. Adj. musical; instrumental, vocal, choral, lyric, operatic; harmonious &c. 413; Wagnerian. Adv. adagio; largo, larghetto, andante, andantino[obs3]; alla capella[It][obs3]; maestoso[obs3], moderato; allegro, allegretto; spiritoso[obs3], vivace[obs3], veloce[obs3]; presto, ...
— Roget's Thesaurus
... Meyerbeer were suspects, intruders, who must be repulsed at any cost. The government had the good sense to take no account of this ridiculous opposition, which refused to recognize that art should be cosmopolitan. Before seeing his name on the bills of our first lyric stage, Rossini required no less than nine years of patience. All Europe applauded him, but at Paris he had to face the fire of pamphleteers rendered furious by his fame. The government finally forced the Opera to mount Le Siege de Corinthe. Its success was so striking that ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... the "Newdegate Arms" at Nuneaton early in the morning, on our way to Lutterworth, our next object of interest, and passed by the village of Hartshill, where Michael Drayton was born in 1563. He was a lyric poet of considerable fame and a friend of Shakespeare. His greatest work, Polyolbion, a poetic description of different parts of England, was published in 1613. He became Poet Laureate, and at his death, in 1631, was buried in ...
— From John O'Groats to Land's End • Robert Naylor and John Naylor
... not always to be trusted, and those who study native handbooks of Norwegian criticism must be on their guard when these deal with the three poets who "inaugurated in song the young liberties of Norway." The writings of the three celebrated lyric patriots, Schwach, Bjerregaard and Hansen, will not bear to have the blaze of European experience cast upon them; their tapers dwindle to sparks in the light of day. They gratified the vanity of the first ...
— Henrik Ibsen • Edmund Gosse
... Cercolas and saw thine eyes; But never wholly, soul and body mine, Didst thou bid any love me as I loved. Now I have found the peace that fled from me; Close, close, against my heart I hold my world. Ah, Love that made my life a lyric cry, Ah, Love that tuned my lips to lyres of thine, I taught the world thy music, now alone I sing for one who falls asleep ...
— Helen of Troy and Other Poems • Sara Teasdale
... mentioned by Aristotle. The mask, to enable the actor to assume different parts, by whomsoever invented, was in regular use before Aeschylus' day. The third change was the enlarged range of subjects. The lyric dithyramb-tales were necessarily about Dionysus, and the interludes had, of course, to follow suit. Nothing in the world so tenaciously resists innovation as religious ceremony; and it is interesting to learn that the Athenian populace (then, as ever, eager for "some new thing'') nevertheless ...
— Project Gutenberg Encyclopedia
... Goethe's poems, especially "Lilis Park" and "Erwin und Elmire." Similar traces have been found in the poems of Heine, Platen, Hamerling, and many other poets.[93] The poetry of the people is also said to contain many such traces. It may, indeed, be said that passion in its more lyric exaltations almost necessarily involves some resort to masochistic expression. A popular lady novelist in a novel written many years ago represents her hero, a robust soldier, imploring the lady of his love, in a moment of passionate exaltation, to trample on him, certainly without ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis
... beautiful to the better attested reading. I have often excised weak or superfluous stanzas when sure that excision would improve; and have not hesitated to extract a few stanzas from a long poem when persuaded that they could stand alone as a lyric. The apology for such experiments can only lie in their success: but the risk is one which, in my judgement, the anthologist ought to take. A few small corrections have been made, but only when they ...
— Book of English Verse • Bulchevy
... deep-sea fishermen have grown fewer, and the men who still swing the axes and haul the frozen cod-lines are mostly aliens. The pride that once broke into singing has turned harsh and silent. "Labor" looms vast upon the future political and social horizon, but the songs of labor have lost the lyric note. They have turned into the dramas and tragedies of labor, as portrayed with the swift and fierce insistence of the short story, illustrated by the Kodak. In the great agricultural sections of the West and South the old bucolic sentiment still survives,—that simple joy ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... Man of Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... careless rhymes, Burley threw off a rude but spirited translation of that divine lyric. "O materialist!" cried the boy, with his bright eyes suffused. "Schiller calls on the gods to take him to their heaven with them; and you would debase the gods to ...
— My Novel, Complete • Edward Bulwer-Lytton
... of this conflict was the feud between two foremost sirens of the lyric stage, Francesca Cuzzoni and Faustina Bordoni. When the brilliant Faustina appeared in London, as a fresh importation of Handel, who was as indefatigable in purveying novelties as any modern Mapleson or Strakosch, Cuzzoni was the idol of the public, having succeeded to that honor after ...
— Great Singers, First Series - Faustina Bordoni To Henrietta Sontag • George T. Ferris
... poetry himself, but he read poetry with a good deal of effect, and he would sometimes take a hint from one of Gifted Hopkins's last productions to recite a passionate lyric of Byron or Moore, into which he would artfully throw so much meaning that Myrtle was almost as much puzzled, in her simplicity, to know what it meant, as she had been by the religious fervors of the ...
— The Guardian Angel • Oliver Wendell Holmes, Sr.
... the driver having found wagon ruts and stayed in them. Again, it would be full of bumps and jars. It was very uncomfortable, her position being wretchedly cramped. Once she was startled to hear the driver break into song. It sounded like a Spanish love song and his voice was a lyric tenor and very musical. It was Pachuca! She determined to ...
— Across the Mesa • Jarvis Hall
... Cowper's poetry lacked the true note of passion, that there was an absence of the "lyric cry." I protest that I find the note of passion in the "Lines on the Receipt of my Mother's Picture," in his two sets of verses to Mrs. Unwin, in his sonnet to Wilberforce not less marked than I find it in other great poets. I find in The Task and elsewhere in Cowper's works a note of enthusiasm ...
— Immortal Memories • Clement Shorter
... concerned. If anything, they were too impetuous. They are the masters of the passionate expression in music; Mendelssohn's music is of the refined, delicate type—like his own bringing up. The perfectly polished "Songs without Words," the smoothly flowing symphonies, the lyric violin concerto—these are most typical of his genius. Only here and there in his works are there fitful flashes of deeper significance, as in certain dramatic passages of the "Elijah" oratorio. And so, when ...
— The Loves of Great Composers • Gustav Kobb
... Macbeth,[36] as containing the 'topmost note in the stupendous agony of the drama,' are rhymed. The management of rhyme is a difficult and very delicate art; it is an instrument that requires a first-class performer, like Mr. Swinburne, to bring out its potency; to this art the English lyric, the ode and the song, owe their musical perfection. Mr. Swinburne, in an essay upon Matthew Arnold's New Poems (1867), has said, truly, that 'rhyme is the native condition of lyric verse in England'; and that 'to throw away the natural grace of rhyme from a modern song is a wilful ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... a native "ragtime" band, playing tom-tomic strains—the lyric style of dinner-gong music that tears holes in the air. The leader was an imitator of Sousa and had his gymnastic eccentricities down to a fine point. He executed a fantasia on his horn of plenty that brought ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... I shall have occasion to speak; but, as the title of the book implies,—for Antiphon means the responsive song of the parted choir,—I shall have chiefly to do with the lyric or ...
— England's Antiphon • George MacDonald
... the besetting sin of modern verse, which has substituted what should be called wordy-painting for the old art of painting in a single word. The essential character of Mr. Whittier's poetry is lyrical, and the rush of the lyric, like that of a brook, allows few pictures. Now and then there may be an eddy where the feeling lingers and reflects a bit of scenery, but for the most part it can only catch gleams of color that mingle with the prevailing tone ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various
... these! Who could tell under what new phases of uneasy life Europe was labouring even then, while we, two of her lonely children, rehearsed the tale of her late woes and glories? More worthily, perhaps, had the tongue of a lyric Demodocus recounted them; but, in the absence of the poet, the newspaper correspondent performed his part as well and ...
— How I Found Livingstone • Sir Henry M. Stanley
... Nibelungenlied down, including a few living writers, carefully selecting saga, legends, Maerchen, fables, proverbs, hymns, a few prayers, Bible tales, conundrums, jests, and humorous tales, with many digests, epitomes and condensation of great standards, quotations, epic, lyric, dramatic poetry, adventure, exploration, biography, with sketches of the life of each writer quoted, with a large final volume on the history of German literature. All this, it is explained, is "stataric" or required to be read between Octava[A] and Obersecunda. It ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... also gives the well known 'Korner's Prayer,' and 'The Vow.' From Mrs. T. Sedgwick we find a fine bold song, 'For a' that and a' that,' of course to the good old air of that name—a lyric of such decided merit in most respects that we regret to notice in it the venerable bull of 'polar stars,' quizzed long ago in another writer. Our contributor, Henry Perry Leland, has in this collection two songs, both strongly marked with the camp, neither setting forth ...
— The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... indeed in the indefinable. They have done little in great sculpture and architecture, or the founding and ruling of colonies, as compared with their supreme achievements in music, in philosophy, in lyric poetry. ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... This admirable lyric seemed to have perfect success, if one were only to judge from the thundering of voices, hands, and drinking vessels which followed; while a venerable, gray-haired sergeant rose to propose Mr. Free's health, and speedy ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... many a double meaning. There is, in fact, no lyric song describing natural scenery that may not have beneath it some implied, often indelicate, allusion whose riddle it takes an adroit and practiced mind ...
— The Hawaiian Romance Of Laieikawai • Anonymous
... she had involuntarily completed her view of his character. Nature must have designed him for a fellow of a college, where, apart from all cares, he might have collected fragments of forgotten authors, and immortalized his name by some edition of a Greek Lyric poet, known by four poems and a half, and two-thirds of a line quoted somewhere else. In such a controversy, lightened by perpetually polished poems, by a fair amount of modern literature, select college friendships, and methodical habits, Edmund Kendal would have been in his ...
— The Young Step-Mother • Charlotte M. Yonge
... apocalyptic like that of the book of Daniel. The contact with the outside world makes possible a phase of literature such as that to which the books of Job and Ecclesiastes belong. The deepening of the inner life gave the world the lyric of the Psalms, some of which are credibly assigned to a period so late as that ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... Having been told by many honourable persons, chief among whom is Messer Galeazzo Sanseverino, that the said duchess graciously pleads my cause with His Excellency the Duke, I beg of her to accept this book, dedicated to her by her humble servant." The same grateful sentiments inspired the lyric which followed, in which the poet implored the duchess to use her well-known influence with her lord, and incline his will to look favourably upon her ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... again I see the faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends of Erin—the Curse ...
— The Moon Pool • A. Merritt
... The working man does not read, in the strict sense of the word; fiction has little interest for him, and of poetry he has no comprehension whatever; your artisan of brains can study, but he cannot read. Egremont was under no illusion on this point; he knew well that the loveliest lyric would appeal to a man like Bower no more than an unintelligible demonstration of science. Was it impossible to bestow this sense of intellectual beauty? With what earnestness he made the endeavour! He took sweet passages of prose and verse, and read them with all the feeling and skill he could ...
— Thyrza • George Gissing
... poem, took in the later periods so wide a range of subject and treatment that it can perhaps only be limited by certain abstract conventions of length and metre. Sometimes it becomes in all but metrical form a lyric; sometimes it hardly rises beyond the versified statement of a fact or an idea; sometimes it is barely distinguishable from a snatch of pastoral. The shorter pieces of the elegiac poets might very often well be classed as ...
— Select Epigrams from the Greek Anthology • J. W. Mackail
... good work as these nonsense rhymes, written thus for a frolic,—and one hundred and fifty pounds,—and as copies of the "Bon Marche Ballads" are now exceedingly scarce, it may possibly be of interest to quote two or three more of its preposterous numbers. This is a lyric illustrative of cheese, for the ...
— Young Lives • Richard Le Gallienne
... no absolute standard for reference does not matter. All aesthetic appreciation and opinion can but depend upon our judgment, fortified by knowledge of what is, by cumulative consent, the best that has been done. There can be no proof that Blake's lyric is composed of the best words in the best order; only a conviction, accepted by our knowledge and judgment, that it is so. And the conviction is, exactly, the conviction that the mood to which the matter has been subjected has been ...
— The Lyric - An Essay • John Drinkwater
... verses. Seventy-eight were quite unprintable, and rejoiced his brother cowpunchers monstrously. They, knowing him to be a singular man, forebore ever to press him, and awaited his own humor, lest he should weary of the lyric; and when after a day of silence apparently saturnine, he would lift his ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... of the soul. The voice of the two Pitts was the same voice, we have been told—a deep, rich, cultivated lyric-barytone. It was a trained voice, a voice that came from a full column of air, that never broke into a screech, rasping the throat of the speaker and the ear of the listener. It was the natural voice carefully developed by right use. The power of Pitt lay ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... expansive, wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... bard, the piano rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung by ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... lyric feasts, Where men such clusters had, As made them nobly wild, not mad; While yet each verse of thine Outdid the meat, outdid ...
— The Fortunes of Nigel • Sir Walter Scott
... hills and their smiling valley under the blue canopy of heaven, and near the shimmering sea, form a picture of entrancing loveliness. It is the most peaceful spot on the Adriatic. It seems as if the breezes from sea and land wafted a lyric harmony over the valley, expanding the heart and filling the soul with visions of beauty and happiness. Pesaro is the birthplace of Rosini, and also of Terenzio Mamiani, the brilliant poet and statesman who devoted his great ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... the pasty snipe, And all undaunted face Huge fish of unfamiliar type— Bush-pike and bubble-dace; Or, fired by hopes of lyric fame, We deviate from prose, And make it our especial ...
— Punch, or the London Charivari, Vol. 153, Aug 15, 1917 • Various
... would like, in spite of your caveat for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has been difficult to arrange; here also Clarin is not quenched, but subdued: as is ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... for new writers and other magazines are prompt to recognize what pleases them even in the work of a newcomer. Perhaps the most standard popular forms of serious verse are the sonnet and the short love lyric. ...
— Rhymes and Meters - A Practical Manual for Versifiers • Horatio Winslow
... the "Battle-Hymn of the Republic," for it was a personal view of them, and of these altars built in the evening dews and damps, which gave form to the great lyric. Here in a few years, when more of the business-men of Washington shall have learned how to do business, or when her social development shall have detained the cultured and wealthy who now come and go, will be found a circle of beautiful villas and nearly all the ...
— Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 24, March, 1873 • Various
... is not expensive to put up; it costs 16 pounds at the most. Large lyric theatres, churches, and concert-rooms should long ago have been provided with one. Yet, save at the Brussels Theatre, it is nowhere to be found. This would appear incredible, were it not that the carelessness of the majority of directors of institutions where music forms a feature is well known; ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... was therefore no easy matter to choose something of Campion's for a collection of the finest work. For an historical book of representative poetry the question would be easy enough, for there Campion should appear by his glorious lyric, Cherry Ripe, by one or two poems of profounder imagination (however imperfect), and by a madrigal written for the music (however the stanzas may flag in their quibbling). But the work of choosing among his lyrics for the sake of beauty shows too clearly the ...
— Flower of the Mind • Alice Meynell
... the customary conventionality of Mrs. Haywood's heroines ought to be noted. Ordinarily the novelist accepted the usual conception of man the pursuer and woman the victim, but sometimes instead of letting lovely woman reap the consequences of her folly after the fashion of Goldsmith's celebrated lyric, she violated romantic tradition by making her disappointed heroines retire into self-sufficient solitude, defying society. In real life the author of these stories was even more uncompromising. Far from pining in ...
— The Life and Romances of Mrs. Eliza Haywood • George Frisbie Whicher
... further. A landscape painter would not make a primary study of Angelo's anatomical drawings; a composer of lyric forms of music would not study Sousa's marches; nor would a person writing a story look for much assistance in the arguments of Burke. The most direct benefit is derived from studying the very thing one wishes to know ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... probable that to many of our readers the name which stands at the head of this sketch is unknown, and that those who recognize it will only know it as that of the author of the well-known lines upon the death of Sir John Moore—a lyric of such surpassing beauty, that so high a judge as Lord Byron considered it the perfection of English lyrical poetry, preferring it before Coleridge's lines on Switzerland—Campbell's Hohenlinden—and the finest of Moore's Irish ...
— Harper's New Monthly Magazine, Volume 2, No. 12, May, 1851. • Various
... editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be ...
— The Book-Collector • William Carew Hazlitt
... season brief, The lice among your feathers, Stiff-winged and aimless-eyed, With song dead you shall fall; Refuse of some clotted ditch, Seeking no more berries; Why with lyric numbers now Do you the ...
— Miscellany of Poetry - 1919 • Various
... at last himself. With him, as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that field he had ...
— Robert Browning • G. K. Chesterton
... virtue. Yet to him it must be confessed that we are indebted for the connection of a national error, and for the cure of our Pindaric madness. He first taught the English writers that Pindar's odes were regular; and though certainly he had not the lire requisite for the higher species of lyric poetry, he has shown us that enthusiasm has its rules, and that in mere confusion there ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... were well known to the Greeks, they associated Music with Medicine as an attribute of Apollo.[178:1] Chiron the centaur, by the aid of melody, healed the sick, and appeased the anger of Achilles. By the same means the lyric poet Thales, who flourished in the seventh century B. C., acting by advice of an oracle, was able to subdue a ...
— Primitive Psycho-Therapy and Quackery • Robert Means Lawrence
... general intelligence, in a reliance on the "common sense" of mankind. Nor was it only a unity of spirit which pervaded the literature of the eighteenth century. Everywhere there was as striking an identity of form. In poetry this showed itself in the death of the lyric, as in the universal popularity of the rhetorical ode, in the loss of all delight in variety of poetic measure, and in the growing restriction of verse to the single form of the ten-syllable line. ...
— History of the English People, Volume VII (of 8) - The Revolution, 1683-1760; Modern England, 1760-1767 • John Richard Green
... told her suddenly that Margaret Clay was to open in another fortnight at the Lyric, in a new play by Gideon Barrett, called "The ...
— The Heart of Rachael • Kathleen Norris
... and marble figures that beautified the walks and bowers of Versailles were conceived by the gifted Lebrun. Among his designs were the Four Seasons, the Four Quarters of the Globe, the Four Kinds of Poetry (Heroic, Satiric, Lyric and Pastoral), the Four Periods of the Day (Morning, Noon, Twilight, Night), the Four Elements (Earth, Air, Fire, Water), the Four Temperaments (Phlegmatic, Melancholy, Coleric and Sanguine). Mythological figures, vases ornamented ...
— The Story of Versailles • Francis Loring Payne
... outlaw in the Rocky Mountain cabin in that stormy night it was in every respect the climax of his life. As he sat in the doorway, looking at the fire and over into the storm beyond, he realized that he was shaken by a wild, crude lyric of passion. Here was, to him, the pure emotion of love. All the beautiful things he had ever heard or read of girlhood, of women, of marriage, rose in his mind to make this night an almost intolerable blending of joy and sorrow, ...
— They of the High Trails • Hamlin Garland
... the critics, is the most soft and pleasing of our lyric measures. With the slight change of setting a capital at the head of each line, it becomes the regular ballad-metre of our language. Being also adapted to hymns, as well as to lighter songs, and, more particularly, to quaint details of no great length, ...
— The Grammar of English Grammars • Goold Brown
... Mr. Thomas Seccombe, speaks of his 'genuine lyric fire, a poetic energy, and above all an intensity remote from his contemporaries and suggestive (as Cimabue in his antique and primitive manner is suggestive of Giotto and Angelico) of Shelley ...
— The Rowley Poems • Thomas Chatterton
... a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... the interlinking of the figures, and suggests the difficulty that may be encountered in the effort to define melodic figures. The difficulty is probably greatest in melodies of a lyric character, where it is necessary to sustain the coherency of the sentence; for instance, in many of the Songs Without Words,—see No. 40, No. 22, and others, in which an entirely definite separation of the figures ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation he was appointed ...
— My Life, Volume I • Richard Wagner
... Greece seemed to have lost her productive force. Nor would it have been strange if that force had really been exhausted. Greek poetry had hitherto enjoyed a peculiarly free development, each form of art succeeding each without break or pause, because each—epic, lyric, dithyramb, the drama—had responded to some new need of the state and of religion. Now in the years that followed the fall of Athens and the conquests of Macedonia, Greek religion and the Greek state had ceased to be themselves. ...
— Theocritus, Bion and Moschus rendered into English Prose • Andrew Lang
... argue that if the poetic, inspiration is not vital enough to find an immediate expression it is not true enough to make it worth while to remould and recast it. It would seem—judging by results—that Dr. Macdonald's conception of a lyric is of something wholly spontaneous. Be this as it may, the poetic cast of his mind is revealed in his prose with greater freedom and a completer charm than in his verse. The best of him is the atmosphere he carries. It is not possible to read his books ...
— My Contemporaries In Fiction • David Christie Murray
... lyric is perhaps the happiest of all those poems in which Schiller has blended the classical spirit with the more deep and tender philosophy which belongs to modern romance. The individuality of the heroes introduced is carefully preserved. The reader ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... market-place rather than of the schools; he does not move among high ideals or subtle emotions.... He carried on and perfected the native Roman growth, satire, so as to make Roman life from day to day, in city and country, live anew under his pen.... Before Horace, Latin lyric poetry is represented almost wholly by the brilliant but technically immature poems of Catullus; after him it ...
— Memoir and Letters of Francis W. Newman • Giberne Sieveking
... piece—Poetische Gedanken ueber die Hoellenfahrt Jesu Christi—there have been more "timely-happy spirits" than Goethe. Not, indeed, as we shall see, till his twentieth year, the age when, according to Kant, the lyric poet is in fullest possession of his genius, does his verse attain the distinctiveness ...
— The Youth of Goethe • Peter Hume Brown
... their prosperity do not last so long as those of private persons. Courtiers take too much pains to lighten them. With Charles X. grief at the loss of his brother was quickly followed by the enjoyment of reigning. Chateaubriand, who, when he wished to, had the art of carrying flattery to lyric height, published his pamphlet: Le roi est mart! Vive le roi! In it he said: "Frenchmen, he who announced to you Louis le Desire, who made his voice heard by you in the days of storm, and makes to you to-day of Charles X. in ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... Venus:... 'tis Misery calls,' &c.; but here the phrase, ''Tis Misery calls,' is Shelley's own. He more than once introduces Misery (in the sense of Unhappiness, Tribulation) as an emblematic personage. There is his lyric named Misery, written in ...
— Adonais • Shelley
... box you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance of the ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... until now he can scarcely endure to read the immortal quatrains. Immortal they are, no doubt, and deserve to be by reason of their style—"fame's great antiseptic." But their philosophy is thin after all, and will not bear discussion. As exercise for a grown man's thought, I will back a lyric of Blake's or Wordsworth's, or a page of Ibsen's Peer Gynt against the whole ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... two lines of this song are borrowed from the "Lea-Rig," a lively and popular lyric, of which the first two verses were composed by Robert Fergusson, the three remaining being added by William Reid of Glasgow. (See ante, ...
— The Modern Scottish Minstrel , Volume I. - The Songs of Scotland of the past half century • Various
... this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read very nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin, and Mill. So it will be understood that Shelley not only gave me my first soul, but led all its first flights. But I do not think that if Shelley had ...
— Confessions of a Young Man • George Moore
... she had a sweet lyric soprano, charmingly cultivated, her popularity winged another flight; San Francisco from its earliest days was musical, and she made a brilliant success as La Belle Helene in the amateur light opera company organized by Mrs. McLane. It was rarely that she spent an evening ...
— Sleeping Fires • Gertrude Atherton
... pure—love overflows the lips in song As sweet and limpid as a mountain spring; But—when it's bitter with base treachery— It dams itself against all utterance, And either mines the soul, or, breaking forth, Sweeps downward to destruction. Oh! 'tis true, Love is the lyric happiness of youth; And they, who sing its perfect melody, Do from the honest parish register Still take their tune. And so must you. For you Are now in the very period of youth When myriads of unborn beings knock loud and long Upon the willing portals of the ...
— The Scarlet Stigma - A Drama in Four Acts • James Edgar Smith
... voice the thought expressed by one: "I may boast that Paul Hayne was my friend, though it was never my good fortune to meet him." Many a soul was upheld and strengthened by him, as was that of a man who wrote that he had been saved from suicide by reading the "Lyric of Action." His album held autographed photographs of many writers, among them Charles Kingsley, William Black, and Wilkie Collins. He cherished an ivy vine sent him ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett
... midst of his manifold literary labors there happened to Lamartine such a chance as befalls few poets. He had it in his power, once in his life, to do something greater than the greatest lyric, more noble than any verse. At the crisis of the Revolution of 1848, chance (to use the word without irreverence) thrust him, and no other, into the place of master, and held him for one supreme moment alone between France and anarchy,—between, we might almost say, the world ...
— France in the Nineteenth Century • Elizabeth Latimer
... his who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next: There thou shalt hear and learn the secret power Of harmony in tones and numbers hit By voice or hand, and various-measur'd verse, Aeolian charms and Dorian Lyric Odes, And his who gave them breath, but higher sung, Blind Melesigenes thence Homer call'd, Whose Poem Phoebus challeng'd for his own. 260 Thence what the lofty grave Tragoedians taught In Chorus or Iambic, teachers best Of moral prudence, with delight receiv'd In brief sententious precepts, ...
— The Poetical Works of John Milton • John Milton
... rises to an almost lyric fervor in that picture of the little "Goose Girl" bathing, which is one of the most purely and exquisitely beautiful things in art. In this smooth, young body quivering with anticipation of the coolness of the water; in these rounded, slender limbs with their ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... a practical method is a comprehensive repertoire of vocal music. Every teacher should have at his command a wide range of compositions in every form available for the voice. This should include simple exercises, vocalises with and without words, songs of every description, arias of the lyric, dramatic, and coloratura type, and recitatives, as well as concerted numbers of every description. All these compositions should be graded, according to the difficulties they present, both technical in the vocal sense, and musical. For every ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... lyric as well as the melody," said Wilson Hymack, who had already seated himself at the piano. "It's got the greatest title you ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to Mother's Knee.' ...
— Indiscretions of Archie • P. G. Wodehouse
... interest; frescoes and altar-pieces by Annibale Caracci, Pinturicchio, and Peruzzi; and splendid sepulchral monuments. Of the last the most conspicuous are the marble tomb of Alessandro Guidi, the Italian lyric poet, who died in 1712; and the simple cenotaph in the last chapel on the left of one of the titular cardinals of the church, who died in 1849, the celebrated linguist Mezzofante. But the tomb upon which the visitor will gaze with deepest interest is that of ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... poetry contains in all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer is the most artistic, and best portrays the gloomy ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... the Leading Periodical Punch The People and their Palace Punch A Swell's Homage to Mrs. Stowe Punch The Exclusive's Broken Idol Punch The Last Kick of Fop's Alley Punch The Mad Cabman's Song of Sixpence Punch Alarming Prospect Punch Epitaph on a Locomotive Punch The Ticket of Leave Punch A Polka Lyric Barclay Phillips A Sunnit ...
— The Humourous Poetry of the English Language • James Parton
... this volume plunges into the middle of things, with the revolution brought about by Copernicus; but, within the tale, partly by means of an incidental lyric, there is an attempt to give a bird's-eye view of what had gone before. The torch then passes to Tycho Brahe, who, driven into exile with his tables of the stars, at the very point of death hands them over to a young man named Kepler. Kepler, with their help, arrives at his own ...
— Watchers of the Sky • Alfred Noyes
... The new comedy at the Lyric Theatre is | |written in accordance with Lord Wynlea's | |dictum quoted above. It is mannerly, well | |poised, ingratiating and deft. As a minor | |effort in the high comedy style it is | |welcome, because it ...
— Newspaper Reporting and Correspondence - A Manual for Reporters, Correspondents, and Students of - Newspaper Writing • Grant Milnor Hyde
... taken from the little-read play, The Two Gentlemen of Verona, may serve to illustrate the perfection of the Shakespearean lyric. ...
— An Introduction to Shakespeare • H. N. MacCracken
... lines of ascent, enjoyment, and fall, its literary fortunes express themselves, when we try to generalise, in a series of curves, alternate rises and declines, which may be repeated again and again. In English literature out of the unknown past rose the Anglo-Saxon lyric and epic, Deor's Complaint, Beowulf, and the poems of Caedmon and Cynewulf. From the death-like sleep of our language which followed the Norman Conquest rose the heights of thirteenth-century romance. From the ...
— Fifteenth Century Prose and Verse • Various
... the world lyric poetry, music, mythology, philosophy, and these are still their souls' darlings. They entered the modern world just as science began to marry with commerce and industry, and so their unworn, fresh, and youthful ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... Oh, exuberant younkers! You "guy" "the old gang" as "played out," As fogies, and fussers, and funkers, You've over-much reason, no doubt. But, great Scott! as your rowing-rhymes rattle And lilt lyric praise of the Crews, We too sniff the air of the battle! We too have a Fit of ...
— Punch, or the London Charivari, Vol. 104, March 18, 1893 • Various
... much pleasure and social exhilaration. Thumbelina in her Cradle, Thumbelina and the Toad, Thumbelina and the Swallow and Thumbelina as Queen of the Flowers—these at once suggest a cradle rhythm, a toad rhythm, the flight of birds, and a butterfly dance. Because the rhythm is a lyric form it must be remembered that the part of a story suited to a rhythm play is always a part characterized by a distinct emotional element. In the performance of rhythm plays the point is to secure the adjustment ...
— A Study of Fairy Tales • Laura F. Kready
... let thy work be one of waiting, and of great patience in thy fiercest toil. There will come a day of triumph, when the fresh wind will banish the heat, and fan the laurel on thy brow. Such is the true moral of the following lyric:— ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... It is now what Shelley's 'Cloud' was for many years, a comfort to those who do not like to deny altogether the genius they cannot understand. Yet I am certain that, in the long run, his grotesque plays with their lyric beauty, their violent laughter, 'The Playboy of the Western World' most of all, will be loved for holding so much of the mind of Ireland. Synge has written of 'The Playboy' 'anyone who has lived in real ...
— Synge And The Ireland Of His Time • William Butler Yeats
... scorched and dry with smoke, and she had to strain her ears to hear his lyric lovemaking. "Journeys' end"—she thought again as she had thought that afternoon. Sarah Farraday would say that she was making phrases, trying to be clever, even in this great and terrible moment,—to be thinking that she had taken the subway ...
— Jane Journeys On • Ruth Comfort Mitchell |
