"Metre" Quotes from Famous Books
 ... ideals of social and moral progress. And to a large extent she succeeded. As a vehicle of her opinions, the scheme and style of the poem proved completely adequate. She moves easily through the story; she handles her metre with freedom and command; she can say her say without exaggeration or unnatural strain. Further, the opinions themselves, as those who have learnt to know her through her letters will feel sure, are lofty and honourable, and full of a genuine enthusiasm for humanity. As a novel, 'Aurora Leigh' may ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning
... coal, however, was reckoned by Captain Palander at twelve cubic feet or 0.3 cubic metre an hour, with a speed of seven ...
— The Voyage of the Vega round Asia and Europe, Volume I and Volume II • A.E. Nordenskieold
... instructive analogies to the literary achievement of a people, we received a short time ago a remarkable opinion from Carl Spitteler. He asserts that he is guided in his choice of definite styles and definite forms by an absolutely clear purpose; that he has, for example, essayed every kind of metre which could possibly be suited to his "cosmic" epic, or that he has written a novelette solely in order to have once written a novelette. Although in these confessions, as well as in Edgar Allen Poe's celebrated Poet's Art, ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... violence" (16), why cannot you conform to a form of worship which, though it does not profess to be prescribed in all particulars, contains nothing actually forbidden in the Scriptures? What authority have Dissenters for singing psalms in metre? "Where has our Saviour or his Apostles enjoined a directory for public worship? What Scripture command is there for the three significant ceremonies of the Solemn League and Covenant, viz. that the whole congregation should take it (1) uncovered, ...
— Andrew Marvell • Augustine Birrell
... felt ashamed of the lightness of my own thoughts, but I had to tell him of my speculations upon after-the-war developments in aviation: nurses flying Voisins, with the cars filled with babies; old men having after-dinner naps in twenty-three-metre Nieuports, fitted, for safety, with Sperry gyroscopes; family parties taking comfortable outings in gigantic biplanes of the R-6 type; mothers, as of old, gazing apprehensively at speed-dials, cautioning fathers about "driving too fast," and all ...
— High Adventure - A Narrative of Air Fighting in France • James Norman Hall
... the class or club should bring in a short paper giving his favorite passage in the play and why he likes it, including his criticism of the metre, of the metaphors and similes, ...
— Shakespeare Study Programs; The Comedies • Charlotte Porter and Helen A. Clarke
... It is dedicated to Liszt, and though extremely brilliant, is full of meaning. It has an interlude of tender romance. "Coy Maiden" is a graceful thing, but hardly deserves the punishment of so horrible a name. "A Gypsy Dance" is too long, but it is of good material. It has an interesting metre, three-quarter time with the first note dotted. There is a good effect gained by sustaining certain notes over several measures, though few pianists get a real sostenuto. An "Allegro Patetico" (op. 12), "Medea" (op. 13), and a set of small pieces (one of them ...
— Contemporary American Composers • Rupert Hughes
... very coolest Poet; and the fullest of this common earth and its affairs, of any sage that has ever showed his head upon it, in prose or metre. The sturdiness with which he makes good his position, as an inhabitant, for the time being, of this terrestrial ball, and, by the ordinance of God, subject to its laws, and liable to its pains and penalties, ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... this wonderful tribute by appending to the fifty poems published in 1855 his One Word More. He wrote this in a metre different from any he had ever used, for he meant the poem to be unique in his works, a personal expression of his love. He remarked that Rafael wrote sonnets, that Dante painted a picture, each man going outside the sphere ...
— Robert Browning: How To Know Him • William Lyon Phelps
... prevent the worst in any case, and even in the disasters of war, would be working out advantages which, after the war was done, would give England many friends and fewer enemies, give her treaties and new territory, and set her higher than she was now by a political metre. ...
— The Judgment House • Gilbert Parker
... well, you'll forgive me, Sir, for 'popping down' in 'English metre,' as the 'translative impulse' (pardon a new word, and yet we 'scholars' are not fond of 'authenticating new' words) came ...
— Clarissa, Or The History Of A Young Lady, Volume 8 • Samuel Richardson
... absorbed and gathered up into a form which seems from such real experiences to be the most alien and the most remote; when the simple expression of joy or sorrow suffices no longer, and lives rather in the stateliness of the cadenced metre, in the music and colour of the linked words, than in any direct utterance; lives, one might say, in the perfection of the form more than in the pathos of the feeling. And yet, after the broken ...
— Miscellanies • Oscar Wilde
... in the metre of the Rig-veda].— Holy flames, that gleam around Every altar's hallowed ground; Holy flames, whose frequent food Is the consecrated wood, And for whose encircling bed, Sacred Kusa-grass is spread; Holy ...
— Hindu Literature • Epiphanius Wilson
... verse, as in French; in the choice and variety of its position, consists the chief art of appropriate harmony. Accentuation of syllables, which seems, to answer the idea of long and short syllables in the dead languages, is the foundation of English, metre.—Tripple rhymes used with judgment have been admitted by the best English poets, and now and then the introduction of an Alexandrine, ...
— The Fourth Book of Virgil's Aeneid and the Ninth Book of Voltaire's Henriad • Virgil and Voltaire
... been consecrated with mystic ceremonies. And as this ring touched and bounded off from the different letters which still preserved their distances distinct, he made with these letters, by the order in which he touched them, verses in the heroic metre, corresponding to the questions which we had asked; the verses being also perfect in metre and rhythm; like the answers of the Pythia which are so celebrated, or those given by ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... The person in the taxi-cab might have been observed searching his pockets curiously, and to be counting what money he found therein as he cast anxious glances toward the dial of the taxi-metre. ...
— Bunker Bean • Harry Leon Wilson
... were no significant italics in this text. Lines longer than 75 characters have been broken according to metre, and the continuation is indented two spaces. This etext was transcribed from a 1917 ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... peace, and aghast I'm Caught thinking war the true pastime. Is there a reason in metre? Give us your speech, ...
— Browning's Heroines • Ethel Colburn Mayne
... ff.]—Entrance of Agamemnon. The metre of the Chorus indicates marching; so that apparently the procession takes some time to move across the orchestra and get into position. Cassandra would be dressed, as a prophetess, in a robe of white reaching to the feet, covered by an agrenon, or net of wool ...
— Agamemnon • Aeschylus
... hand round and round like the player of a barrel- organ. "I have to stop you when you say silly things like a phonograph, at so much a metre." ...
— The Happy Foreigner • Enid Bagnold
... in order to remind us, in all we do, of the great laws of Divine government and human polity, that composition in the arts should strongly affect every order of mind, however unlearned or thoughtless. Hence the popular delight in rhythm and metre, and in simple musical melodies. But it is also appointed that power of composition in the fine arts should be an exclusive attribute of great intellect All men can more or less copy what they see, and, more or less, remember it: ...
— The Crown of Wild Olive • John Ruskin
... bought them in print. Cribbed? of course they were cribbed. Yet I wouldn't say, cribbed from the French—Lady Bathsheba thought it was vulgar— But picked up on the banks of the Don, from the lips of a highly intelligent Bulgar. I'm aware, Bill, that's out of all metre—I can't help it—I'm none of your sort Who set metres, by Jove, above morals—not exactly. They don't go to Court— As I mentioned one night to that cowslip-faced pet, Lady Rahab Redrabbit (Whom the Marquis calls Drabby for short). Well, I say, if you want a thing, grab it— That's ...
— The Heptalogia • Algernon Charles Swinburne
... final E, too, he marks for a syllable where he finds one wanted, but evidently without any grammatical reason. Urry was an unfortunate editor. Truly does Tyrwhitt say of him, that "his design of restoring the metre of Chaucer by a collation of MSS., was as laudable as his execution of it has certainly been unsuccessful." The natural causes of this ill success are thus severely and distinctly stated, "The strange license in which he appears to have indulged himself, of lengthening ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... I have succeeded in obtaining a free-and-easy translation of the lyric; but in my anxiety to preserve the metre and something of the spirit of the original, I have made several blunders and many anachronisms. Mr. Free, however, pronounces my version a good one, and the world must take his word till some more worthy translator shall have consigned it ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... opportunity to say that my translation of BEOWULF, of which the last reprint was issued in 1910, is not in prose, as some have misconceived it, but it is in the same metrical form as the translations in the present volume,—an accentual metre in rough imitation of the original. I agree with Professor Gummere and others that this is a better form for the translation of Old English poetry than plain prose. It was approved by the late Professor Child ...
— Elene; Judith; Athelstan, or the Fight at Brunanburh; Byrhtnoth, or the Fight at Maldon; and the Dream of the Rood • Anonymous
... also translated other articles on ballooning from the French. It is also interesting that she retained in her translation the original units which Verne used (metre, feet, leagues), a practice forgotten until recently. This may be the first appearance of a work by Jules Verne in the ...
— A Voyage in a Balloon (1852) • Jules Verne
... will proceed to say a few words on some of the special questions which a translator of the Satires and Epistles has to encounter, and the way in which, as it appears to me, he may best deal with them. These questions, I need hardly say, mainly resolve themselves into the metre and the style. With regard to the metre, I have myself but little doubt that the measure in which Horace may best be represented is the heroic as I suppose we must call it, of ten syllables. The one competing measure of course is the Hudibrastic octosyllabic. ...
— The Satires, Epistles, and Art of Poetry • Horace
... favoured me with many songs, both in Russian and Rommany: the former were modern popular pieces, such as are accustomed to be sung on the boards of the theatre; but the latter were evidently of great antiquity, exhibiting the strongest marks of originality, the metaphors bold and sublime, and the metre differing from anything of the kind which it has been my fortune to observe in Oriental or ...
— The Zincali - An Account of the Gypsies of Spain • George Borrow
... thence, incorrectly, by Orby Shipley in 'Carmina Mariana'. Stated in a letter to R. W. D. June 25, '83, to have been written to 'hang up among the verse com- positions in the tongues. ... I did a piece in the same metre as Blue in the mists all day.' Note Chaucer's account of the physical properties of the air, 'House of Fame', ii. ...
— Poems of Gerard Manley Hopkins - Now First Published • Gerard Manley Hopkins
... from "Well," until the end, has, with several alterations rendered necessary by change of metre, been treated by Molire in his Amphitryon, Act ii., Sc. 6, ...
— Don Garcia of Navarre • Moliere
... is to walk in prose, without the friction of the wings of metre, without the sweet and encouraging tug upon the spirit ...
— Essays • Alice Meynell
... parcel, and I must keep it here till somebody goes up to town and can book it by the coach. I warrant it, large as it looks, readable in two hours; and I very much want to know what you think of the first act, and especially the opening, which seems to me quite famous. The metre is very odd and rough, but now and then there's a wildness in it which helps the thing very much; and altogether it has left a something on my mind which I can't get ...
— The Letters of Charles Dickens - Vol. 1 (of 3), 1833-1856 • Charles Dickens
... inlaid silver and silken hangings, the windows looking forth on the gardens of the palace and its fountains and cool recesses of shade and temperate sweetness. While they sat there conversing in this metre and that, measuring quotations, lo! the old woman, the affianced of Shibli Bagarag—and she sumptuously arrayed, in perfect queenliness, her head bound in a circlet of gems and gold, her figure lustrous with a full robe of flowing crimson silk; ...
— The Shaving of Shagpat • George Meredith
... with the meaning and the part which dealt with the sound, or as Chrysippus phrased it, concerning significants and significates. Under the former came the treatment of the alphabet, of the parts of speech, of solecism, of barbarism, of poems, of amphibolies, of metre and music—a list which seems at first sight a little mixed, but in which we can recognise the general features of grammar, with its departments of phonology, accidence, and prosody. The treatment of solecism and barbarism in grammar ...
— A Little Book of Stoicism • St George Stock
... out, 'my pore senful flock, ef you clings to your flocks an' herds, an' tents an' dyed apparel, like onto Korah shall you be, an' like onto Dathan an' Abiram, so sure as I be sole agent for Carnaby's Bone Manure in this 'ere destrict.' 'Tes true, sir. An' then he'd rap out the hemn, 'Common metre, my brethren, an' ...
— The Astonishing History of Troy Town • Sir Arthur Thomas Quiller-Couch
... followed by Hanmer, who, as his chief interest was to rival Pope, was content with Pope's methods. It is easy to underestimate the value of Hanmer's edition; his happy conjectures have been prejudiced by his neglect of the older copies and his unfortunate attempt to regularise the metre; but what alone concerns us here is that he reverts to the methods which Theobald had discarded. Warburton, confident in his intellectual gifts, was satisfied with Theobald's examination of the early copies, and trusted to his own insight ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... reader may see for himself by comparing the passage from the manuscript given in the appendix with the corresponding place in the text. Milton's own spelling revels in redundant e's, while the printer of the 1645 book is very sparing of them. But in cases where the spelling affects the metre, we find that the printed text and Milton's manuscript closely correspond; and it is upon its value in determining the metre, quite as much as its antiquarian interest, that I should base a justification of this reprint. Take, for instance, such a line as the eleventh ...
— The Poetical Works of John Milton • John Milton
... those, at least, who do not know what sort of a thing Faust is in the original,) for offering another translation to the public, of a poem which has been already translated, not only in a literal prose form, but also, twenty or thirty times, in metre, and sometimes with great spirit, beauty, ...
— Faust • Goethe
... "Ferdiah" I was influenced by its subject as well as by the wish of friends. A few extracts appeared in a magazine several years ago, and it was afterwards completed without any view to publication. It follows the present Irish text[8] as closely as the laws of metre will allow. Since these pages were in the printer's hands Mr. Aubrey de Vere has given to the world his treatment of the same theme,[9] adorning as usual all that he touches. As he well says: "It is not in the form of translation that an ancient Irish tale of any considerable length admits ...
— Poems • Denis Florence MacCarthy
... of grammar, I needed no teacher except my mother. When I had conquered the first difficulties I took up Tennyson's Idyls of the King, and at last succeeded in translating two of these beautiful poems in the metre of the original. ...
— Uarda • Georg Ebers
... forms of flowers. The species known as Catasetum tridentatum has pollinia with very large viscid discs; on touching one of the two filaments (antennae) which occur on the gynostemium of the flower the pollinia are shot out to a fairly long distance (as far as 1 metre) and in such manner that they alight on the back of the insect, where they are held. The antennae have, moreover, acquired an importance, from the point of view of the physiology of stimulation, as stimulus-perceiving organs. Darwin had shown that it is only a touch on the antennae ...
— Darwin and Modern Science • A.C. Seward and Others
... the rest: the latter were the compositions of a school of bards in the neighbourhood of Mount Helicon in Boeotia, among whom in like manner Hesiod enjoyed the greatest celebrity. The poems of both schools were composed in the hexameter metre and in a similar dialect; but they differed widely ...
— A Smaller History of Greece • William Smith
... Cleopatra. "Much of it has no doubt a thoroughly barbarian twang, and it is particularly in the Psalms—which we have now been reading, and which might be ranked with the finest hymns—that I miss the number and rhythm of the syllables, the observance of a fixed metre—in short, severity of form. David, the royal poet, was no less possessed by the divinity when he sang to his lyre than other poets have been, but he does not seem to have known that delight felt by our poets in overcoming the difficulties they have raised for themselves. The poet ...
— Uarda • Georg Ebers
... Spanish metre, unwritten mouth-to-mouth wisdom, stable as a proverb, enduring through generations of unrecorded wanderers, that repeated it for a few years, ...
— Red Men and White • Owen Wister
... fullness of sound which gives them an added weight and dignity. One would hesitate long before changing one of Milton's big-sounding phrases, even if he were not compelled to sacrifice the metre. In Webster's orations there is a dignity, a sublimity, gained by the use of full-mouthed polysyllables. Supposing he had said at the beginning of his eulogy of Adams and Jefferson, "This is a new sight" instead of "This is an unaccustomed ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... town, and the Pan's-pipe in the fields. Thus we have made a purgation of music, and will now make a purgation of metres. These should be like the harmonies, simple and suitable to the occasion. There are four notes of the tetrachord, and there are three ratios of metre, 3/2, 2/2, 2/1, which have all their characteristics, and the feet have different characteristics as well as the rhythms. But about this you and I must ask Damon, the great musician, who speaks, if ...
— The Republic • Plato
... Chester Griswold, and Heaven pity her! Of course he's the greatest catch in America; but he's a prig and a snob, and he's so generous with his money that he'll give you five pennies for a nickel any time you ask him. He's got a heart like the metre of a taxicab, and he's jealous as a cat. Aline will have a fine time with Chester! I knew him at St. Paul's and at Harvard, and he's got as much red blood in ...
— The Lost Road • Richard Harding Davis
... symbols, and were for giving him welcome; but we yawned in the midst of their tale. At last they came crying that he was coming to the king's house, and fell to their dispute, but we would listen to neither party, for we were busy with a dispute about the merits of the Great and of the Little Metre; nor were we disturbed when they passed our door with sticks of enchantment under their arms, travelling towards the forest to contend against his coming, nor when they returned after nightfall with torn robes and despairing cries; for the click of our knives writing ...
— The Secret Rose • W. B. Yeats
... explain the meaning of the picture; another piece is described by lines from the same poem, in a metre more regular— ...
— Art in England - Notes and Studies • Dutton Cook
... preside; it will be necessary to invite two others to serve as vice-presidents; you might then enlist Ling Chou and Ou Hsieh, both of whom are cultured persons. The one to choose the themes and assign the metre, the other to act as copyist and supervisor. We three cannot, however, definitely say that we won't write verses, for, if we come across any comparatively easy subject and metre, we too will indite a stanza if we feel so disposed. But you four will positively ...
— Hung Lou Meng, Book II • Cao Xueqin
... it be the duty of the Churches to sing Psalms, they must necessarily be turned into such a sort of Verse and Metre as will best fit them for the whole Church to join in the Worship: Now this will be very different from a Translation of the original Language word for word; for the Lines must be confined to a certain number of Syllables, and the Stanza ...
— A Short Essay Toward the Improvement of Psalmody • Isaac Watts
... and fluency, the scientific construction of the metre of the 'Faery Queene' is very noticeable. One of Spenser's arts is that of alliteration, and he uses it with great effect in doubling the ...
— Literary Remains (1) • Coleridge
... and unexceptionable doggerel and no one would admit such fact more quickly than Mistress Anne herself, who laid it away in after days in her drawer, with a smile at the metre and a sigh for the miserable time it chronicled. There were many of them, for among the same papers is a ...
— Anne Bradstreet and Her Time • Helen Campbell
... from him repeated applause. Here, for instance, in Chap. X: "It has, all of it, the description (and we see clearly the fact itself had), a kind of pathetic grandeur, simplicity, and rude nobleness; something Epic or Homeric, without the metre or the singing of Homer, but with all the sincerity, rugged truth to nature, and much more of piety, devoutness, reverence for what is ever high in this universe, than meets us in ...
— The Influence of Old Norse Literature on English Literature • Conrad Hjalmar Nordby
... ocean's waves Bore all his treasure—to its caves. Brought back to keeping sheep once more, But not chief shepherd, as before, When sheep were his that grazed the shore, He who, as Corydon or Thyrsis, Might once have shone in pastoral verses, Bedeck'd with rhyme and metre, Was nothing now but Peter. But time and toil redeem'd in full Those harmless creatures rich in wool; And as the lulling winds, one day, The vessels wafted with a gentle motion, 'Want you,' he cried, 'more money, Madam Ocean? Address ...
— The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine
... Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs ...
— A Collection of Ballads • Andrew Lang
... the well-known iambic trimeter, i.e. the metre of six feet (twelve syllables) used in all the speeches in ...
— The Faust-Legend and Goethe's 'Faust' • H. B. Cotterill
... and Dorothea, reached a musical effect sufficient to show, that, if he had bestowed more leisure, he might have rendered the whole of Goethe's masterpiece in its original measure, at least as agreeably as the Faust has been presented to us hitherto. Mr Coleridge's felicity, both in the Elegiac metre and a slight variation of the Hendecasyllabic, ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... text of Chaucer, founded solely on the manuscripts and the earliest printed editions that are accessible. Where Chaucer has translated, the originals have been carefully studied: "the requirements of metre and grammar have been carefully considered throughout": and "the phonology and spelling of every word have received particular attention." We may add that all the materials for a Life of Chaucer have been sought out, examined, and pieced ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... have begun to believe that our writers are afflicted with a sort of myopy that shuts out effectually sky and star and sea, and sees only the pebbles and thistles by the dusty roadside. Truly, the prospect is at first disheartening. The great Byron, who wept in faultless metre, and whose aristocratic maledictions flow in graceful waves that caress where they mean to stifle, has so poisoned our 'well of English undefiled,' that wise men now drink from it warily, and only after repeated filterings and skillful analyses by the Boerhaaves ...
— Continental Monthly, Vol. I. February, 1862, No. II. - Devoted To Literature And National Policy • Various
... one hand. In the poem to the layman Ruodbern (100 hexameters) he described the dangers of Alpine travelling, both from weather and other foes. In those days the difficulties of the road excluded all interest in mountain beauty. There is a tender and expressive poem in Sapphic metre, in which, homesick and cold in winter, he sang his longing for beautiful Reichenau. But even he, like most of his predecessors and all his followers, wielded his pen with labour, expression often failing to ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... wise Alfonso of Castile Composed his code in metre Thereby to make its flavour feel ...
— Briefless Ballads and Legal Lyrics - Second Series • James Williams
... contempt for the later effort to discredit him in that respect. It is true that, like Browning and almost every other Victorian poet, he was really two poets. But it is just to him to insist that in his case (unlike Browning's) both the poets were good. The first is more or less like Stevenson in metre; it is a magical luck or skill in the mere choice of words. "Wet sands marbled with moon and cloud"—"Flits by the sea-blue bird of March"—"Leafless ribs and iron horns"—"When the long dun wolds are ribbed with snow"—in all these cases ...
— The Victorian Age in Literature • G. K. Chesterton
... at Rochester, a gentleman of very considerable learning, whom Dr. Johnson met there, he said, "My heart warms towards him. I was surprised to find in him such a nice acquaintance with the metre in the learned languages; though I was somewhat mortified that I had it not so much to myself, as ...
— Life Of Johnson, Volume 4 (of 6) • Boswell
... has not seemingly regretted the inability of Byron to trammel his muse with the uncongenial fetters of Pope's metre, and has certainly never quarrelled with Tom Moore for not assuming the manners and diction of ...
— The Continental Monthly, Vol. 3, No. 1 January 1863 - Devoted To Literature And National Policy • Various
... time displayed like Luther. And whilst seeking to compose or re-arrange hymns for congregational use in church, he now busied himself with the Psalter, paraphrasing its contents in an evangelical spirit and in German metre. ...
— Life of Luther • Julius Koestlin
... novices newly crept out of the schools of Dante, Ariosto, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy, from that it had been before, and for that cause may justly be said the first reformers of our English metre and style.' The chief point in which Surrey imitated his 'master, Francis Petrarcha,' was in the use of the sonnet. He introduced this elaborate form of poetry into our literature; and how it has thriven with us, the masterpieces of Spenser, Shakspere, Milton, Wordsworth, Keats, Rossetti ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... their minds what it is they are going to say before they begin. This is superfluous effort, tending to cramp the style. It is permissible, if not essential, to select a subject—say, MUD—but any detailed argument or plan which may restrict the free development of metre and rhyme (if any) ...
— Punch, or the London Charivari, Volume 158, June 2, 1920 • Various
... had seen pencilled on the wallpaper by the bed, and Mrs. Hooper had declared to be recent. Ella could resist no longer, but seizing a pen impulsively, wrote to him as a brother-poet, using the name of John Ivy, congratulating him in her letter on his triumphant executions in metre and rhythm of thoughts that moved his soul, as compared with her own brow-beaten efforts in the same ...
— Wessex Tales • Thomas Hardy
... class, after an introductory lecture as to date, scene, dramatis personae, with perfect ease, words explained as they occurred, difficult passages paraphrased, and the whole action of the story could pass rapidly before the eye. Most boys have a distinct pleasure in rhyme and metre. Of course it is an immense gain if the master can really read in a spirited and moving manner, and a training in reading aloud should form a part of every schoolmaster's outfit. I should wish to see this reading lesson a daily hour for all younger boys, ...
— Cambridge Essays on Education • Various
... burning aspirations strewn through this profound and massive work, are lasting lessons for all womankind. It seems to have been much easier for most of the critics of this great work to feel its artistic faults, its jarring metre, and cumbrous forms, than to appreciate the transcendent nobleness and wisdom wrought into it from the ...
— The Friendships of Women • William Rounseville Alger
... common-places of magazine versification; and all the difference between them is, that they borrow their phrases from a different and a scantier gradus ad Parnassum. If they were, indeed, to discard all imitation and set phraseology, and to bring in no words merely for show or for metre,—as much, perhaps, might be gained in freedom and originality, as would infallibly be lost in allusion and authority; but, in point of fact, the new poets are just as great borrowers as the old; only ...
— Early Reviews of English Poets • John Louis Haney
... denouncer of abuses, and is thoroughly filled with the spirit which, four years after the second recension of his book, found expression in the Peasants Revolt of 1381. With all the archaism of his diction and metre, Langland, even more than Chaucer, reflects the modernity of ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout
... requires a number of repetitions in the tune, and has a chorus that is sung at the end of each verse. I have not presumed to arrange it in metre; but the following is the substance: "We are assembled in the habiliments of war, and will go in quest of our enemies. We will march to their land and spoil their possessions. We will take their women and children, and lead them into captivity. The warriors shall fall by our ...
— A Narrative of the Life of Mrs. Mary Jemison • James E. Seaver
... words were even sweeter— Praising her eyes, her lips, her nose, her hair, With all the common tropes wherewith in metre The hackney poets overcharge their fair. Her shape was like Diana's, but completer; Her brow with Grecian Helen's might compare: Cupid, alas! was cruel Sagittarius, Julio—the ...
— The Poetical Works of Thomas Hood • Thomas Hood
... speech, and make their characters talk under all the restraints of rhyme and rhythm. But we pronounce this departure from literal truth a merit and not a defect. We consider Goethe's second "Iphigenie," written in verse, far preferable to the first one written in prose; nay, it is the rhythm or metre itself which communicates to the work its incomparable beauty. In a review of Longfellow's "Dante," published last year, we argued this very point in one of its special applications; the artist must copy his original, but he must not copy ...
— The Unseen World and Other Essays • John Fiske
... to insert—I have hoped at least partially to liberate the lurking devil of humor from his fetters, letting him caper, not, certainly, as he does in the Latin, but as he probably would have done had his creator written in English. In preserving the metre and double rhymes of the original, I have acted from the same reverent regard for the music with which, in the liturgy of the Church, the verses have become inseparably wedded that inspired Gen. Dix; seeking rather to surmount the obstacles ...
— Shapes of Clay • Ambrose Bierce
... "Your metre is faulty," said his mother, thoughtfully, "but the statement is interesting. My turn; you shall hold the ...
— The Merryweathers • Laura E. Richards
... by-the-bye, of the Old Comedy, the 'Parabasis' to wit, calls for a word of explanation. It was a direct address on the Author's part to the audience, delivered in verse of a special metre, generally towards the close of the representation, by the leader of the Chorus, but expressing the personal opinions and predilections of the poet, and embodying any remarks upon current topics and any urgent piece of advice which he was ...
— The Eleven Comedies - Vol. I • Aristophanes et al
... wherever possible, to give the very words which he finds to have been used; and it shows how wisely he was guided in this, that those magnificent speeches of Wolsey are taken exactly, with no more change than the metre makes necessary, from Cavendish's Life. Marlborough read Shakespeare for English history, and read nothing else. The poet only is not bound, when it is inconvenient, to what may be called the accidents of facts. It was enough for Shakespeare to know that Prince Hal in ...
— Short Studies on Great Subjects • James Anthony Froude
... 'Cyrus the Great and Artaxerxes (Whose temper bloodier than a Turk's is) Were children both of the mild, pious, And happy monarch, King Darius,'—who fails to see that, although a correct 'Kuraush' may pass, yet 'Darayavush' disturbs the metre as well as the rhyme? It seems, however, that 'Themistokles' may be winked at: not so the 'harsh and subversive Kirke.' But let the objector ask somebody with no knowledge to subvert, how he supposes 'Circe' is spelt in Greek, and the answer will be 'with a soft c.' Inform him that no ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... of historical and scientific works. Let us first look at his varied form of speech, and afterward at his sound knowledge on matters of fact. All poetry grips the hearer by definite order of coordinated expressions, by rhythm and metre, since the smooth and flowing, by becoming at the same time grave and sweet, forces the attention by its action on the senses. Whence it comes to pass also that it delights not only by the striking and attractive parts, but easily persuades by the ...
— Essays and Miscellanies - The Complete Works Volume 3 • Plutarch
... part of the book is not mere prose, written out into the form of verse, he is persuaded that its melody is more obvious and perceptible than that of our vulgar measures. "One advantage," says Mr. Southey, "this metre assuredly possesses; the dullest reader cannot distort it into discord: he may read it with a prose mouth, but its flow and fall will still be perceptible." We are afraid, there are duller readers in the world than Mr. ...
— Famous Reviews • Editor: R. Brimley Johnson
... Eve the real Scott first shows, and the better of the two is the second. It is not merely that, though Scott had a great liking for and much proficiency in 'eights,' that metre is never so effective for ballad purposes as eights and sixes; nor that, as Lockhart admits, Glenfinlas exhibits a Germanisation which is at the same time an adulteration; nor even that, well as Scott knew the Perthshire Highlands, they could not appeal to him with the same subtle intimacy ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... to be bribed to devil you. Until you've put ten centimes in the metre, you don't get any gas. It's ...
— Jonah and Co. • Dornford Yates
... the Prologue to the "Canterbury Tales" we know that the observations could not have been recorded except at complete hours, because the construction of the metre will not admit the supposition of any parts of ...
— Notes and Queries, Number 81, May 17, 1851 • Various
... poetry—to wit, the appearances of nature and the thoughts and feelings of men—being unalterable, it follows that the difference between poet and poet will depend upon the manner of each in applying language, metre, rhyme, cadence, and what not, to this invariable material." What has become here of the substance of Paradise Lost—the story, scenery, characters, sentiments as they are in the poem? They have vanished clean ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... with ardor, "I wish I could do something to show you how much I think of you for being so good to me. I don't know how. Would it make you happy if I was to learn a hymn for you,—a smashing big hymn—six verses, long metre, and no grumbling?" ...
— Humorous Masterpieces from American Literature • Various
... all of the orthodox university calibre, who imagine that there is no knowledge (but vanity) in any other works than those in which their own education has consisted, so Henry Vavasour became at once the victor and victim of Bentleys and Scaligers, word-weighers and metre-scanners, till, utterly ignorant of everything which could have softened his temper, dignified his misfortunes, and reconciled him to his lot, he was sinking fast into the grave, soured by incessant pain into moroseness, envy, and bitterness; exhausted by an unwholesome and useless application ...
— The Disowned, Complete • Edward Bulwer-Lytton
... other features of Horace's style, equally characteristic, but less obvious, are forgotten. It is almost impossible for a translator to do justice to this sententious brevity unless the stanza in which he writes is in some sort analogous to the metre of Horace. If he chooses a longer and more diffuse measure, he will be apt to spoil the proverb by expansion; not to mention that much will often depend on the very position of the sentence in the stanza. Perhaps, in order to ...
— Odes and Carmen Saeculare of Horace • Horace
... (says Puttenham,) none example in English metre so well mayntayning this figure (Exargasia, or the Gorgeous) as that dittie of her Majestie Queen Elizabeth's own making, passing sweete and harmonical; which figure being, as his very original name purporteth, the most beautiful ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 476, Saturday, February 12, 1831 • Various
... very flattery displays absence of taste and genius, as well as of modesty and shame. To a fellow of the name of Dagee, who sang the coronation of Napoleon the First in two hundred of the most disgusting and ill-digested lines that ever were written, containing neither metre nor sense, was assigned a place in the administration of the forest department, worth twelve thousand livres in the year—besides a present, in ready money, of one hundred napoleons d'or. Another poetaster, Barre, ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... now printing at Copenhagen three Anglo-Saxon poems of the eleventh century, namely: The Old Testament Story, On the Sixth Day's Work, and The New Testament Story, by Aelfric, Archbishop of York, now just translated into the metre and alliteration of the original. The three poems will make a quarto volume of about thirty sheets, and copies may be ordered (price three dollars), through the Hon. H. W. Ellsworth, late United States Charge d'Affaires in Sweden, at New-York, or Dr. S. H. Smith, of Cincinnati. ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... tests in the world of what a poet really means is his metre. He may be a hypocrite in his metaphysics, but he cannot be a hypocrite in his prosody. And all the time that Byron's language is of horror and emptiness, his metre is a bounding pas de quatre. He may arraign existence on the most deadly charges, he may condemn ...
— Varied Types • G. K. Chesterton
... metres....Here is the door....Mon Dieu, how easy it is! Only a small, simple bolt now separates me from the chamber, and I know that the bolt is located exactly one metre, forty-three centimeters, from the floor. So that, thanks to a small incision I am about to make, I can soon get ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc
... his poems. By temperament a singer as well as a seer and sayer, Emerson was nevertheless deficient in the singing voice. He composed no one great poem, his verse presents no ideas that are not found in his prose. In metre and rhyme he is harsh and willful. Yet he has marvelous single phrases and cadences. He ejaculates transports and ecstasies, and though he cannot organize and construct in verse, he is capable here and there of the true ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... by Wagner's operas and by the reading of such poems as William Morris' "Sigurd the Volsung". Prose has been selected as the medium of translation, since it is hardly possible to give an accurate rendering and at the same time to meet the demands imposed by rhyme and metre; at least, none of the verse translations made thus far have succeeded in doing this. The prose translations, on the other hand, mostly err in being too continuous and in condensing too much, so that they ...
— The Nibelungenlied • Unknown
... acquired at Rome a perfect knowledge of the Latin language, and wrote both tragedies and comedies, which were borrowed, or, rather, translated from the Greek. He also wrote an Odyssey in the Saturnian metre, and some hymns. He may be regarded as the first Roman poet. His works were read in schools in the time ...
— A Smaller History of Rome • William Smith and Eugene Lawrence
... the passage and be similar in the number and form of the letters, nothing can be more unfortunate than the correction of "princely;" Mr. Collier, on the other hand, follows Steevens and Malone, and reads "princely," observing the Tieck's reading ("precise") "sounds ill as regards the metre, the accent falling on the wrong syllable. Mr. Collier's choice is determined by the authority of the second folio, which he considers ought to have considerable weight, whilst Mr. Knight regards the authority of that edition as very trifling; and the ...
— Notes and Queries, Number 82, May 24, 1851 • Various
... against the tedious process of perusing a series of productions which follow mainly the same lines. But it is to be recollected that these manuals were necessarily renewed in the manuscript form from age to age, with variations and additions, and that the writers resorted to metre as a means of impressing the rules of conduct more ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... piano again, after a hasty dinner snatched in the neighbourhood; but as he was only playing scales, he propped open before him a little volume of Goethe's poems, which Johanna had lent him, and suiting his scales to the metre of the lines, read through one after another of the poems he liked best. At a particular favourite, he stopped playing and held the ...
— Maurice Guest • Henry Handel Richardson
... cock-fighting, cudgel-playing Professor of Moral Philosophy would be too degrading. I could have demolished every paragraph of the defence. Croker defended his thuetoi philoi by quoting a passage of Euripides which, as every scholar knows, is corrupt; which is nonsense and false metre if read as he reads it; and which Markland and Matthiae have set right by a most obvious correction. But, as nobody seems to have read his vindication, we can gain nothing by refuting it. ["Mr. Croker has favoured us with some Greek of his own. 'At the altar,' say Dr. Johnson. 'I recommended my ...
— Life and Letters of Lord Macaulay • George Otto Trevelyan
... exceedingly slight; what gives them immortality is the way they are told. Under the guise of an ingenuous, old-world manner, La Fontaine makes use of an immense range of technical powers. He was an absolute master of the resources of metre; and his rhythms, far looser and more varied than those of his contemporaries, are marvellously expressive, while yet they never depart from a secret and controlling sense of form. His vocabulary is very rich—stocked chiefly with old-fashioned words, racy, colloquial, smacking ...
— Landmarks in French Literature • G. Lytton Strachey
... and pitiful Prior, for thy rude speech and curses canonical we do requite thee with song sweet-sung and of notable rhyme and metre. Curse, and Belsaye shall out-curse thee; laugh, ...
— Beltane The Smith • Jeffery Farnol
... of both metre and sense, and the words untalk'd of and unseen make it nearly indisputable. I had at first thought it might be "rumorous eyes;" but the personification would then be wanting. Shakspeare has personified Rumour in the Introduction to the Second ...
— Notes and Queries, Number 192, July 2, 1853 • Various
... grew benign. "My fair young lady," he said, "if your father, Gideon Hayle, were captain here he'd have those people off this boat in short metre." ...
— Gideon's Band - A Tale of the Mississippi • George W. Cable
... of Science, then, may well be included its power as a metre of the intellectual advance of mankind. In these splendid symbols man writes the record of his advancing humanity. How all is interwoven with the All! A petrified national mind will certainly appear in a petrified national Science. And that sublime upsurging from the depths of human nature ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... gentleman wish 'it' to be made? Deal, plain oak, or oak lead-lined? Oak with a lead lining is the best style. The body is a stock size,"—he felt for the feet, and proceeded to take the measure—"one metre seventy!" he added. "You will be thinking of ordering the funeral service at the church, ...
— Cousin Pons • Honore de Balzac
... and I am glad of it with all my heart: I had rather be a kitten, and cry mew, Than one of these same metre ballet-mongers; I had rather hear a brazen canstick turn'd, Or a dry wheel grate on the axletree; And that would set my teeth nothing on edge, Nothing so much as mincing poetry: 'Tis like the forced gait of ...
— King Henry IV, The First Part • William Shakespeare [Hudson edition]
... enables us to recognise interpolations, to correct copyists' errors and occasionally even to determine the place and the tendency of expunged passages, the means at our disposal for the restoration of the poem are principally two: The laws of Hebrew poetry (parallelism and metre) on the one hand, and a comparison of the Hebrew text with the ancient Greek translation of the Septuagint,[37] on the other. A judicious use of these helps which are recognised as such even by the most conservative Christians, who condemn without ...
— The Sceptics of the Old Testament: Job - Koheleth - Agur • Emile Joseph Dillon
... endeavoured to apply philosophy to all the arts of life, decreed, that no public road in France should exceed an inclination of 4 deg. 46', or rise more than one metre in twelve. This proportion, it was estimated, would combine the maxima and minima of the powers; and, in spite of those malignant confederacies which he was so often called upon to overthrow, the labour of reducing many steep roads of France to this practicable inclination was accomplished, ...
— A Morning's Walk from London to Kew • Richard Phillips
... obvious, insistent, emphatic, too dapper, to give me more than a slight pleasure; but it is possible that I am prejudiced by a dislike of English anapaests (I am aware that the classic terms are not really applicable to our English metres, but the reader will underhand that I mean the metre of the lines just quoted.) I do not find these anapaests in the Elizabethan or in the seventeenth-century poets, or most rarely. They were dear to the eighteenth century, and, much more than the heroic couplet, are the distinctive metre of that age. They swagger—or, worse, they ...
— Hearts of Controversy • Alice Meynell
... of metrical composition, why and wherein essentially different from that of prose—Origin and elements of metre —Its necessary consequences, and the conditions thereby imposed on the metrical writer in the choice ...
— Biographia Literaria • Samuel Taylor Coleridge
... and (through the medium of Dante) the reflection on the distinction between gentle birth and a gentle life. Chaucer's translation was not made at second-hand; if not always easy it is conscientious, and interpolated with numerous glosses and explanations thought necessary by the translator. The metre of "The Former Life" he at one time or another turned into verse of ...
— Chaucer • Adolphus William Ward
... as he had been on his first day in the cavalry, at hearing behind him the thunder of many hoofs. Having once become used to the noise, he was even thrilled by the swinging metre of it. A kind of wild harmony was in it, something which made one forget everything else. At such times Pasha longed to break into his long, wind-splitting lope, but he learned that he must leave the others no more than a pace or two behind, although he could ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... really spoken by men; that this selection, wherever it is made with true taste and feeling, will of itself form a distinction far greater than would at first be imagined, and will entirely separate the composition from the vulgarity and meanness of ordinary life; and if metre be superadded thereto, I believe that a dissimilitude will be produced altogether sufficient for the gratification of a rational mind. What other distinction would we hare? Whence is it to come? And where is ...
— Wordsworth • F. W. H. Myers
... the wire which had been led out of the little window at the base of the shaft, and had attached it to a couple of curious arrangements which he had brought with him. One looked like a large taximeter from a motor cab; the other was a diminutive gas-metre, in looks at least. Attached to them were ...
— The Dream Doctor • Arthur B. Reeve
... constant metre of the orator. There are many audiences in every public assembly, each one of which rules in turn. If anything comic and coarse is spoken, you shall see the emergence of the boys and rowdies, so loud and vivacious, that you might think the house was filled with them. If new topics ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... Earl of Surry's life, he added something towards refining the English stile, and polishing our numbers, tho' he seems not to have done so much in that way as his lordship. Pitts and Bale have entirely neglected him, yet for his translation of David's Psalms into English metre and other poetical works, Leland scruples not to compare him with Dante and Petrarch, by giving him ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Volume I. • Theophilus Cibber
... beauty of our poet's style and the apparent facility, perhaps, of his metre have attracted, as I have already remarked, a crowd of imitators. Some of these have succeeded with wonderful felicity, as may be discerned in the few odes which are attributed to writers of a later period. But none of his emulators have been half so dangerous to his fame as those Greek ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... my apparatus finished now, and in the afternoon I climbed up to the roof of the main building and set it up there. I saw at once that the sight cut the hillside several metres below the top. Good. Even reckoning a whole metre down to the water-level, there would still be ...
— Wanderers • Knut Hamsun
... but I will make one remark: in the fourth line of the third strophe the metre leaves something ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz
... ink on the lease was hardly dry, when I heard a great noise in the kitchen as of moving chairs on a bare floor and Mary's voice raised in fluent denunciation. I flew to the scene and saw a strange man standing on the table with his hands on the electric light metre over the door, while Mary had one hand on his left ankle, and the other on his coat-tails. Her very spectacles ...
— At Home with the Jardines • Lilian Bell
... prove that my judgment is not severe. Wretched it was,—worse, a great deal, than reams of poetry that is written by children about whom there is no fuss made. But Miss Dillingham was not discouraged. She saw that I had no idea of metre, so she proceeded to teach me. We repeated miles of poetry together, smooth lines that sang themselves, mostly out of Longfellow. Then I would go home and write—oh, about the snow in our back yard!—but ...
— The Promised Land • Mary Antin
... first line in Brazil constructed entirely with Brazilian capital. The line was begun in 1870, but since that date several extensions have been successfully laid out. Up to 1909 the lines owned and worked by the Paulista Railway were the 1.60-metre-gauge trunk line from Jundiahy to Descalvado (north of S. Paulo), and the two branch lines of the same gauge from Cordeiro to Rio Claro; Laranja Azeda to S. Veridiana; the two branch lines of 0.60 m. gauge from Descalvado to Aurora and from Porto Ferreira to S. ...
— Across Unknown South America • Arnold Henry Savage Landor
... in rhyme and as far as I know it is not had in prose in our tongue, and also, peradventure, he translated after some other author than this is; and yet for as much as divers men be of divers desires, some to read in rhyme and metre and some in prose; and also because that I have now good leisure, being in Cologne, and have none other thing to do at this time; in eschewing of idleness, mother of all vices, I have delibered in myself for the contemplation ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... cactus. The earth must be taken from below the surface-rock, as at Malta; spread in terraced beds, and cleared of loose stones, which are built up in walls or in molleras, cubes or pyramids. Such ground sold for $150 per acre; $600 were paid for metre-deep soil unencumbered by stone. Where the chalk predominates, it must be mixed with the volcanic sand locally called zahorra. In all cases the nopals are set at distances of half a yard, in trenches at least three feet deep. The 'streets,' or intervals, must measure ...
— To the Gold Coast for Gold - A Personal Narrative in Two Volumes.—Vol. I • Richard F. Burton
... groups of a larger number of lines in which occasional lines are found without any rhyme at all. A few stray pieces, as old as many of those found among the Odes, have been handed down and preserved, in which the metre consists of two lines of three words followed by one line of seven words. These three lines all rhyme, but the rhyme changes with each succeeding triplet. It would be difficult to persuade the English reader that this is a very effective measure, and one in which many a gloomy or pathetic ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various
... metre and my stomach to the gods," Horace had retorted, "if you will turn over to them your worry about Rome, and pluck the blossom of the hour with me. Augustus is safe in Spain, you cannot be summoned to the Palatine, and to-morrow ...
— Roads from Rome • Anne C. E. Allinson
... discouraged, says the antiquary, as Mr. George Sandys's version and another by a reformer had failed in two different extremes; the first too elegant for the vulgar use, changing both metre and tunes, wherewith they had been long acquainted; the other as flat and poor, and as lamely executed as the old one. He therefore ventured in a middle way, as he himself in one of his letters expresses it, without affectation of words, and endeavouring to leave them ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Volume II • Theophilus Cibber
... revision of the cataloguing of these documents. The date of the document is 1340, but the Cornish writing on the back is somewhat later, perhaps about 1400. The language and spelling agree with those of the Poem of the Passion and the Ordinalia, and the exact metre is not found anywhere else. The speaker (it may be a part in some play) offers a lady to some other person as a wife, praises her virtues, and then gives the lady some rather amusing advice as to her behaviour to her future husband, and how to acquire the position attributed in ...
— A Handbook of the Cornish Language - chiefly in its latest stages with some account of its history and literature • Henry Jenner
... lowering the bottle into the water to the split ring on the rubber suspender. The best material for this purpose is cotton insulated electric wire knotted at every metre. ...
— The Elements of Bacteriological Technique • John William Henry Eyre
... than thirty hymns. Some hymns were untouched—e.g., the three hymns of the Blessed Sacrament, the Ave Maris Stella, which is rhythmic prose, not verse, and the hymn of the Angels, which was sufficiently perfect. The metre of three hymns, Tibi Christe splendor Patris, and the Urbs Jerusalem and ...
— The Divine Office • Rev. E. J. Quigley
... Babrius, who was probably Avianus's source of inspiration, but as Babrius wrote in Greek, and Avianus speaks of having made an elegiac version from a rough Latin copy, probably a prose paraphrase, he was not indebted to the original. The language and metre are on the whole correct, in spite of deviations from classical usage, chiefly in the management of the pentameter. The fables soon became popular as a school-book. Promythia and epimythia (introductions ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... go! What is a Prologue? Let our Tutor teach: Pro means beforehand; logos stands for speech. 'T is like the harper's prelude on the strings, The prima donna's courtesy ere she sings; Prologues in metre are to other pros As worsted stockings are to engine-hose. "The world's a stage,"—as Shakespeare said, one day; The stage a world—was what he meant to say. The outside world's a blunder, that is clear; The real world ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.
... were masters in their craft, I permitted them to fell forest giants in close proximity to our tents, some of which landed but half a metre distant. Immense specimens in their fall brought down thickets of creepers and smaller growths which produced big openings, so we succeeded in making quite a sunny camp in ...
— Through Central Borneo: - An Account of Two Years' Travel in the Land of Head-Hunters - Between the Years 1913 and 1917 • Carl Lumholtz
... 13th, 1906, that Ellehammer, a Danish engineer, made the first free flight in Europe, his machine flying 42 metres at a height of a metre and a half. About the same time reports of the Wrights' successes began to reach Europe and were quickly ...
— Aviation in Peace and War • Sir Frederick Hugh Sykes
... gentleman who desires to improve his mind by the study of Puffendorf can here find the original. Linnaeus, Berzelius, and others will materially assist him in grasping at the mysteries of animated creation; and if he be of a poetical turn, he can enjoy Belman in the unadulterated Scandinavian metre. For me, however, the public museums and libraries possessed only an external interest. I would gladly have devoted the remainder of my life to Scandinavian researches, but, having several other important matters to attend to, I ...
— The Land of Thor • J. Ross Browne
... not confined to the study of Holy Scripture. He speaks of them as searching carefully into the writers of history, as having a knowledge of ancient law and chronography, and in writing, of the rules of grammar and orthography, punctuation, metre, together with the use of allegory and tropology; all of which goes to prove that the field of secular knowledge was not particularly limited for nuns in those days. Aldhelm enlarges on the charms of ...
— Early Double Monasteries - A Paper read before the Heretics' Society on December 6th, 1914 • Constance Stoney
... M. Bayle repeated them from memory, for he put sacrata instead of afflata. But it is apparently the printer's fault that prudenter stands in place of pudenter (that is, modestly) which the metre requires. ...
— Theodicy - Essays on the Goodness of God, the Freedom of Man and the Origin of Evil • G. W. Leibniz
... is the eight-syllable trochaic, which is the commonest metre used by the Esthonians and Finns. In the Kalevipoeg the verse usually flows continuously, while in the Kalevala it is arranged in distichs, almost every second line being a repetition of the first in other words; nor is the Kalevipoeg ...
— The Hero of Esthonia and Other Studies in the Romantic Literature of That Country • William Forsell Kirby
... predecessors. It presents the same command of metre and diction, the same contrasts of mood, the same grace and sweetness. It cannot be denied that he has won a definite position among ...
— Gycia - A Tragedy in Five Acts • Lewis Morris
... are these the Saxons of Sus-sex, Es-sex, and Middle-sex? Only so far as they were Angles; and, except in the parts near the Elbe, they were other than Angle. This we know from their language, in which a Gospel Harmony, in alliterative metre, a fragmentary translation of the Psalms, and a heroic rhapsody called Hildubrant and Hathubrant have come ...
— The Ethnology of the British Islands • Robert Gordon Latham
... feeling, his own peculiar expression toward the world in which he lived; and it is this quality that gave them their strength and their celebrity. His metres were lively, and the care which he expended upon his strophes has led to the naming of one metre the 'Alcaic.' Horace testifies (Odes ii. 13, ii. 26, etc.), to the power ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... Greater Plays in their literary aspect. One play in each volume, with Introduction, Notes, Essay on Metre, and Glossary. Based on the Globe text. From 144 to 224 pages. Cloth. Price, 25 cents ...
— The Writing of the Short Story • Lewis Worthington Smith |
