"Schiller" Quotes from Famous Books
 ... Lassale"—though well cared for and kept up by the French, were almost straight, and hardly traversed at all, particularly the former, and movement along them was precarious. The fire and support trenches, bearing such names as "Schiller," "Grange," "Broadmarsh," "Duffield," and "Bertrand," were in very bad order, and work was at once concentrated in an effort to make a good line of resistance along "Guerin Trench," practically the support line. Some work was also done on a reserve ...
— The Sherwood Foresters in the Great War 1914 - 1919 - History of the 1/8th Battalion • W.C.C. Weetman
... "That's German—from Schiller. 'And if I die, at least I die—for thee—for thee!' Here it is clear that you are apostrophizing the cause of your disaster, the chicken. Indeed what gentleman (or lady either) of sense, wouldn't die, I should like to know, for a well fattened capon of the right Molucca ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... present a mine of unavailable information. He got a phrase-book, too, and tried to rub up his German. He used to read German, when he was a boy, with a young enthusiasm for its romantic poetry, and now, for the sake of Schiller and Uhland and Heine, he held imaginary conversations with a barber, a bootmaker, and a banker, and tried to taste the joy which he had not known in the language of those poets for a whole generation. He perceived, of course, that unless the barber, the bootmaker, and the ...
— Henry James, Jr. • William Dean Howells
... in two volumes for something like 15s., and a small edition for some four or five shillings. The result is the purchasers in England are numbered by hundreds, in America by thousands. In Germany we have almost a parallel case. There the works of the great German poets, of Schiller, of Goethe, of Jean Paul, of Wieland, and of Herder, are at the present time 'under the protecting privileges of the most illustrious German Confederation,' and, by special privilege, the exclusive property of the Stuttgart publishing firm of J. ...
— Letters on International Copyright; Second Edition • Henry C. Carey
... midst of the flames, their heads crowned with chaplets of fire. They may be taken, like the Greek giants and Titans, as personifications of the wild brute forces of nature, which strive to hinder man's work and destroy what he has made. For, as Schiller says: ...
— Nature Mysticism • J. Edward Mercer
... spiritual heritage of Germany: when one thinks of Herder, Schiller and Goethe; Tauler, Luther and Schleiermacher; Froebel, Herbart and Richter; Kant, Fichte and Novalis; Mozart, Beethoven and Wagner; one feels that something of the old German heritage must survive. When the German people find out what has happened to them and why, that heritage surely ought ...
— The Soul of Democracy - The Philosophy Of The World War In Relation To Human Liberty • Edward Howard Griggs
... in 1431. She was variously regarded as a harlot and a saint. In Shakspere's historical plays, she is represented in the basest manner, from conventional motives of English patriotism. Voltaire's scandalous work, La Pucelle, and Schiller's noble Jungfrau von Orleans make an instructive contrast. She has been the subject of many dramas and works of poetry and fiction. Her latest prominent admirer is Mark Twain, whose historical romance Joan of Arc is one of the most carefully written, though not one ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... cool corners, giving them a turn between sentences as I read or wrote. They seemed to have a higher flavor, being seasoned with thoughts; but it was not equally sure if the thoughts were better for being seasoned with apple. However, one must not count herself so recherche as Schiller, who could only write when his desk was ...
— The Atlantic Monthly, Volume 17, No. 102, April, 1866 • Various
... with a very unemotional reception. Its style was peculiar,—almost as unlike that of his Essays as that of Carlyle's "Sartor Resartus" was unlike the style of his "Life of Schiller." It was vague, mystic, incomprehensible, to most of those who call themselves common-sense people. Some of its expressions lent themselves easily to travesty and ridicule. But the laugh could not be very loud or very long, since it ...
— Ralph Waldo Emerson • Oliver Wendell Holmes
... Constantine was nominated in early youth High Admiral of the Fleet. One day, Constantine, between whom and his elder brother there was little love lost, had Alexander arrested because he had come on board ship without special authorization. Something of the sentiment of Franz Moor, in Schiller's Robbers, seems to have animated Constantine in his youth. He was often heard to utter a malediction against the law of heredity. He declared that, being born when his father (Nicholas) was already ...
— The Contemporary Review, Volume 36, September 1879 • Various
... diplomatic but physical infirmity; and would very readily, had I been anywhere within possible reach, have occupied the empty arm-chair in your library, and "charmed your annoys" to the best of my ability.... Dear me! through how long a lapse of years your desire that I would undertake a translation of Schiller's "Fiesco" leads me! When I was between sixteen and seventeen years old, I actually began an adaptation of it to the English stage; but partly from thinking the catastrophe unmanageable, and from various other motives, I never finished it: but it was an early literary ...
— Records of Later Life • Frances Anne Kemble
... the Grand Ducal Theater at the time was one Wolfgang von Goethe. To him the dog's manager applied for the privilege of producing his edifying piece. Goethe refused permission, and there was danger that the patrons of the playhouse which had echoed to the first sounds of the plays of Schiller and Goethe were to be deprived of the inestimable privilege of seeing a dog dash out of the door of a tavern in which a murder had been committed, pull a bell rope to alarm the village, carry a lantern into the forest, discover the murderer just at the psychological moment, pursue him ...
— Chapters of Opera • Henry Edward Krehbiel
... "unbelieving books" are the works of Fenelon, Bossuet, and Pascal, peacefully assorted with those of Voltaire and the Encyclopaedists, whilst Lavater, Gellert, Lessing, and Klopstock find a place by the side of Goethe and Schiller, and the plays ...
— Major Frank • A. L. G. Bosboom-Toussaint
... influence on European literature as this Highland dominie. "His Ossian," as Professor Macmillan Brown says, "was translated into almost every European language; and its influence is apparent in Goethe's Werther, in Schiller's Robbers, and in all the Storm-and-Stress literature of Germany, in the productions and speeches of the French Revolutionists, in the romantic literary movement that preceded and followed the Revolution, and in much of the Italian, Spanish, and Danish poetry of the time. ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... land, but its earliest and strongest impulse is generally regarded as having sprung from Germany. The sceptical, half-cynical rule of Frederick the Great had left men's minds free, and imagination was everywhere aroused. The early culmination of its extravagance is found in the youth of Goethe and Schiller, Germany's two greatest poets; and Goethe's famous novel, The Sorrows of Young Werther, became the text-book of the rising generation of romanticists. Werther kills himself for disappointed love, and the book has been seriously accused ...
— The Great Events by Famous Historians, v. 13 • Various
... we may conjecture that they found their way there from friends whom Diderot made in Holland, and some of them were no doubt sent by Grimm to his subscribers. The first fragment of it that saw the light in print was in a translation that Schiller made of its most striking episode, in the year 1785. This is another illustration of the eagerness of the best minds of Germany to possess and diffuse the most original products of French intelligence and hardihood. Diderot, as we have said, ...
— Diderot and the Encyclopaedists - Volume II. • John Morley
... doubt Mr. Kenyon's translation of Schiller's 'Gods of Greece,' which was the occasion of Miss Barrett's ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... is this poem, for the giving of which to America and the world, and for that alone, its author has been dismissed with ignominy from a Government office? It is a poem which Schiller might have hailed as the noblest specimen of native literature, worthy of a place beside Homer. It is, in the first place, a work purely and entirely American, autochthonic, sprung from our own soil; no savor of Europe nor the past, ...
— Walt Whitman Yesterday and Today • Henry Eduard Legler
... Spain's better days, a little city, with a small but beautiful palace shaded by enormous trees, where royalty delighted to forget its cares. Here Ferdinand the Seventh spent his latter days, surrounded by lovely senoras and Andalusian bull-fighters: but as the German Schiller has it in ...
— The Bible in Spain • George Borrow
... date assigned, the ruins of which have so long been pointed out as being those of his former abode. So, also, the celebrated Tell's Chapel on the Vier Waldstaette See, at Kuesnach, was certainly not built to commemorate the exploits of Schiller's and Rossini's Swiss hero. ...
— The Great Events by Famous Historians, Volume 07 • Various
... Physicians' Fees Quacks Caesarean Operation Inherited Disease Mason's Poetry Northern and Southern States of the American Union All and the Whole Ninth Article Sin and Sins Old Divines Preaching extempore Church of England Union with Ireland Faust Michael Scott, Goethe, Schiller, and Wordsworth Beaumont and Fletcher Ben Jonson Massinger House of Commons appointing the officers of the Army and Navy Penal Code in Ireland Churchmen Coronation Oaths Divinity Professions and Trades Modern Political Economy National Debt Property Tax Duty of Landholders Massinger Shakspeare ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge
... said to have composed a tragedy Evolia, the Captain of Robbers, which his mother confiscated and burned. His early poems are echoes of Klopstock, Matthisson, Hoelty, Buerger, and other predecessors; but especially of Schiller, whose moral seriousness and sonorous language alike inspired the serious and rhetorically gifted youth. The influence of Schiller, however, marks no epoch in the poetic development of Hebbel; it dominates the period of adolescence. The sense of poetry was aroused in him as a boy, he ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. IX - Friedrich Hebbel and Otto Ludwig • Various
... be! Has any other people anything to compare? There is not one other whose great writers could not almost be counted on the fingers of one hand. Spain has Cervantes and he is always being thrown at us. Germany has Goethe, Heine, Schiller. France so seldom sees literary genius that a man like Victor Hugo sends her into hysterics of self-admiration. ...
— The Workingman's Paradise - An Australian Labour Novel • John Miller
... find him noting the following projects, to be carried out in ten years' time:—illustrations of schylus, Lucan, Ovid, Shakespeare, Goethe (Faust), Lamartine (Mditations), Racine, Corneille, Schiller, Boccaccio, Montaigne, Plutarch's Lives—these names among others. The jottings in question were written for a friend who had undertaken ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... learn the language of Goethe and Schiller, and embraced the opportunity afforded at college to enter upon the study of German. He was not content with a mere smattering, but learned it well enough to converse in it as well ...
— From Canal Boy to President - Or The Boyhood and Manhood of James A. Garfield • Horatio Alger, Jr.
... in Italy (1786-88), and alienated from prim, courtly friends (especially since he had taken a girlfriend into his cottage), had no thought of publication when he indited these remembrances of Ancient Rome. But he did show them to close friends, one of whom was the wonderful dramatist Friedrich Schiller. In 1795, Schiller undertook a new periodical, Die Horen. This thoughtful and responsible man initiated the journal with an essay of his own, explaining how forms of entertainment are actually at the same time our primary modes of education. It makes for pretty difficult reading in our present, ...
— Erotica Romana • Johann Wolfgang Goethe
... the pillars in this vault is covered with names. I think it is Bonnevard's Pillar. There are the names of Byron, Hunt, Schiller, and ever so many more celebrities. As we were going from the cell our conductress seemed to have a sudden light upon her mind. She asked a question or two of some of our party, and fell upon me vehemently ...
— The Life of Harriet Beecher Stowe • Charles Edward Stowe
... see! trust thine own eyes, A fearful sign stands in the house of life, An enemy; a fiend lurks close behind ... The radiance of thy planet—O be warned! Coleridge, from Schiller. ...
— Guy Mannering • Sir Walter Scott
... assassinate some one, believed to be his father; was seized, tried, and convicted, though sentence against him was never pronounced; died shortly after; the story of Don Carlos has formed the subject of tragedies, especially one by Schiller, the ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... while the other allows himself to be adored, and that saying may, with equal justice, be applied to the many literary and artistic friendships of which, pace the elder D'Israeli, history knows so many examples. Petrarch and Boccaccio, Schiller and Goethe, Byron and Shelley immediately occur to the mind in such a connection; but in none of these is the mutual position of giver and receiver of worshipper and worshipped so distinctly marked as in the ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... meet such a man as Carlyle. It is pleasant to see that intercourse is now so close between the French, English, and Germans, that we shall be able to correct one another. This is the greatest use of a world-literature, which will show itself more and more. Carlyle has written a life of Schiller, and judged him as it would be difficult for a German to judge him. On the other hand, we are clear about Shakspeare and Byron, and can, perhaps, appreciate their merits ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... defense of it, Portuguese will fight side by side with Englishmen, as they fought with them at Aljubarrota, side by side with Frenchmen, who fought with them at Montes Claros. Were it necessary to appeal to a motive less disinterested than the noble ideal proclaimed by Schiller, we have this: the payment of an ancient debt to which our honor binds us. Let us go forward to defend territories of those who defended ours, let us maintain the independence of nations who contributed to the salvation of ...
— Defenders of Democracy • Militia of Mercy
... Perrichon, his amusing by-play in that modest role sending the junior school into roars of laughter. At the 1914 celebration of Founder's Day he took the part of Fluellen in a scene from Henry V, and sustained a very different role, that of Karl der Sieberite, in a scene from Schiller's Jungfrau von Orleans. Reviewing the performances, The Alleynian said of the former: "In this piece Jones was the comedian. He was clumsy and not quite at home on the boards, ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... no theories of play in Froebel's day, but he had certainly read Levana, and in all probability he knew what Schiller had said in his Letters on Aesthetic Education. The play theories are now too well known to require more than ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... are many noted writers, who distinguished themselves in what is known as the classic period of German literature. This begins with Goethe's return from Italy, when he, with Schiller's aid, formed a classical school of literature ...
— The Book of the Epic • Helene A. Guerber
... inspire us to keep down the Philistine in ourselves, what teacher could ever so save us from that bondage to which we are all prone, that bondage which Goethe, in his incomparable lines on the death of Schiller, makes it his friend's highest praise ... to have left miles out of sight behind him: the bondage of 'was ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold
... of criticism even more illuminating and appreciative than Schlegel's. {345} Although Goethe deemed Shakespeare's works unsuited to the stage, he adapted 'Romeo and Juliet' for the Weimar Theatre, while Schiller prepared 'Macbeth' (Stuttgart, 1801). Heine published in 1838 charming studies of Shakespeare's heroines (English translation 1895), and acknowledged only one defect in Shakespeare—that ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... we have repeatedly thought of a pregnant passage in Schiller. It is that scene in "The Piccolomini," where Wallenstein, after compromising himself privately with the enemy, attempts to win over the ardent and enthusiastic Max, the nursling of his house, to the revolt. It is so apposite to the present ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... Heinrich Alexander—was born in 1769, on September 14th, in that memorable year which gave to the world those philosophers, warriors, and statesmen who have changed the face of science and the condition of affairs in our century. It was in that year that Cuvier also and Schiller were born; and among the warriors and statesmen, Napoleon, the Duke of Wellington, and Canning are children of 1769, and it is certainly a year of which we can say that its children have revolutionized the world. Of the early life ...
— Great Men and Famous Women. Vol. 4 of 8 • Various
... shall be the result. To those, however, who so very severely judge Historical Romance, and would deny its historical worth, I now, in conclusion, answer with the following significant quotation from Schiller: ...
— Old Fritz and the New Era • Louise Muhlbach
... grown strong enough for it, the classical works of a real philosopher. German literature is fortunately very rich in treatises of this kind in the works of Lessing, Herder, Kant, Fichte, Schleiermacher, Humboldt, and Schiller. But nothing does more harm to youth than the study of works of mediocrity, or those of a still lower rank. They stupefy and narrow the mind by their empty, hollow, and constrained style. It is generally supposed that these standard works are ...
— Pedagogics as a System • Karl Rosenkranz
... him is the society of poets! He reads with idolatry the letters and anecdotes of Coleridge and Wordsworth, Goethe and Schiller, Beethoven and Raphael. Look at the private thought of these men in familiar intercourse: no plotting for lucre, but a conspiracy to reach the best in life. The saints are even more ardent in aspiration, for their tender hearts were pressed and saddened ...
— The Atlantic Monthly , Volume 2, No. 14, December 1858 • Various
... to his ink-bottle. He was a frequent visitor at Inverary Castle, and was fascinated by his host's daughter, Lady Charlotte Campbell. Still he wrote on. The musical drama of The Castle Spectre was produced in the year after The Monk, and it ran sixty nights. He translated next Schiller's Kabale und Liebe as The Minister, but it was not acted till it appeared, with little success, some years afterwards at Covent Garden as The Harper's Daughter. He translated from Kotzebue, under the name of Rolla, the drama superseded by Sheridan's version of the same work as Pizarro. Then ...
— The Bravo of Venice - A Romance • M. G. Lewis
... vision: that the sole 'reality' is precisely the chorus, which itself produces the vision, and expresses it by the aid of the whole symbolism of dance, sound, and word." In the admirable phrase of Schiller, the chorus is "a living rampart against reality," against that false reality of daily life which is a mere drapery of civilisation, and has nothing to do with the primitive reality of nature. The realistic drama begins with Euripides; and Euripides, the casuist, the friend of Socrates ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... The Poet, says Schiller, is a citizen not only of his country, but of his time. Whatever occupies and interests men in general, will interest him still more. That nameless Unrest, the blind struggle of a soul in bondage, that high, sad, longing Discontent, which was agitating every bosom, had driven Goethe almost to despair. ...
— Autobiography • Johann Wolfgang von Goethe
... throng of white-sheeted ghosts hurrying deliriously through the one too-narrow entrance of the lower world," said Kennedy. "Doesn't it remind one of Schiller's line— ...
— Julian Home • Dean Frederic W. Farrar
... her eyes have risen? Yes, a man fears to find in such a woman something unattainable, unpossessable, unconquerable. The woman of strong mind should remain a symbol; as a reality she must be feared. Camille Maupin is in some ways the living image of Schiller's Isis, seated in the darkness of the temple, at whose feet her priests find the dead bodies of the daring men who ...
— Beatrix • Honore de Balzac
... him with having been the means of thwarting his designs. "Sire," replied Nassau, "it was the work of the national states."—"No!" cried Philip, grasping him furiously by the arm; "it was not done by the states, but by you, and you alone!"—Schiller. The words of Philip were: "No,nolosestados; mavos,vos,vos!" Vos thus used in Spanish is a term of contempt, equivalent to toi ...
— Holland - The History of the Netherlands • Thomas Colley Grattan
... seen. The vine-clad hillsides, the ruins of the old castles (nothing like as many of them as I had thought) and the winding of the river were all very lovely. We visited the cathedral, the monuments of Gutenberg and Schiller, and then the fortress and the remains of a Roman monument ...
— The Life and Work of Susan B. Anthony (Volume 2 of 2) • Ida Husted Harper
... British well-wishers. Under the thin disguise of "the Friend of Humanity" he satirized Tierney in the poem, "The Knife-Grinder," a parody, in form, of Southey's "Widow," and, in meaning, of Tierney's philanthropic appeals. In a play, "The Rovers," he sportfully satirized the romantic drama of Schiller, "The Robbers." In one of the incidental poems he represented the hero, while in prison, recalling ...
— William Pitt and the Great War • John Holland Rose
... them raise it, they who praised Mr. Mackay's own, own 'Dead Pan,' quite his own, the other day?—By the way, Miss Cushman informed me the other evening that the gentleman had written a certain 'Song of the Bell' ... 'singularly like Schiller's; considering that Mr. M. had never seen it!' I am told he writes for the Athenaeum, but don't know. Would that sort of praise be flattering, or his holding the tongue—which Forster, deep in the mysteries of the craft, corroborated my own notion about—as ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... more touching poem in all literature than that one in which the pensive and moral Schiller portrays the struggle of an ingenuous youth who would find the source of moral purification in the moral law; who would seek the power that can transform him, in the mere imperatives of his conscience, and the mere struggling and spasms of his own will. He represents him as endeavoring earnestly ...
— Sermons to the Natural Man • William G.T. Shedd
... gone over the boards: in 1762 in Venice as "Turandotte," one of the fiabe of Count Carlo Gozzi; in 1804 in Weimar, as Friedrich Schiller's "Turandot." Both versions lived their passing hour, and ...
— Turandot, Princess of China - A Chinoiserie in Three Acts • Karl Gustav Vollmoeller
... have very appropriately two parallel lines of two accents each instead of the usual Qinah couplet of three and two: e.g. ii. 14 and iii. 5. See below, pp. 46 ff. Compare the variety of metres, which Schiller employs to such good effect in his "Song of the Bell"—a variety in beautiful harmony with that of the different aspects of life on which he touches; and see above, p. 36, on the irregularity of metre ...
— Jeremiah • George Adam Smith
... resolutely met the death they preferred to the renunciation of their ancient faith. Some few escaped by flight to the recesses of the lofty mountains, where they still live in seclusion, faithful to the gods of their ancestors. Schiller's exclamation—"Furchtbar ist der Mensch in seinem wahn,"[3] ...
— A New Voyage Round the World in the Years 1823, 24, 25, and 26. Vol. 1 • Otto von Kotzebue
... deal has been written upon this subject of Free Will in the past; the point has been bitterly disputed for years. It may be said, however, that, at the present day, practically all philosophers and scientists, with few exceptions (e.g., James, Schiller, Bergson, etc.), believe in Determinism. The arguments for that doctrine are certainly weighty, and may be ...
— The Problems of Psychical Research - Experiments and Theories in the Realm of the Supernormal • Hereward Carrington
... friends with a mouse who, 'judging from her swelled-out appearance', was a lady, and came and ate out of his plate. The cranes that flew over Khartoum in their thousands, and with their curious cry, put him in mind of the poems of Schiller, which few ever read, but which he admired highly, though he only knew them in Bulwer's translation. He wrote little disquisitions on Plutarch and purgatory, on the fear of death and on the sixteenth chapter of the Koran. Then ...
— Eminent Victorians • Lytton Strachey
... permissible ornament being for the most part structural, or necessary. As the painter in his picture, so the artist in his book, aims at the production by honourable artifice of a peculiar atmosphere. "The artist," says Schiller, "may be known rather by what he omits"; and in literature, too, the true artist may be best recognised by his tact of omission. For to the grave reader words too are grave; and the ornamental word, the figure, the accessory ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... Spain during the Austrian princes, see a history in Lardner's Encyclopedia; Watson's Life of Philip II.; James's Foreign Statesmen; Schiller's Revolt of the Netherlands; Russell's Modern Europe; Prescott's Conquest ...
— A Modern History, From the Time of Luther to the Fall of Napoleon - For the Use of Schools and Colleges • John Lord
... years ago, that the new poetry was spoiled by an influx of German bad taste, will hardly hold good now, except with a very few very ignorant people. It is now known, of course, that whatsoever quarrel Lessing, Schiller, and Goethe may have had with Pope, it was not on account of his being too severe an artist, but too loose a one; not for being too classical, but not classical enough; that English poets borrowed from them nothing but their most boyish ...
— Literary and General Lectures and Essays • Charles Kingsley
... assure you," I replied. "They are a simple, kindly people. They are musical. They have given the world Schiller, Goethe, the famous Kultur, and a new conception of the possibilities of war. But I think they should have kept out of Belgium, and I feel the same way about my room—and don't you try to pull a pistol or I may feel ...
— The Firefly Of France • Marion Polk Angellotti
... Chaucer through Tennyson; from Luther through Goethe; from Rabelais through Victor Hugo; from Bryant and Irving through Hawthorne and Longfellow! How much they will translate from Homer and Virgil and Tacitus; from Schiller, Racine, Fenelon, and Moliere! How much philosophy they will read from Darwin, Spencer, Huxley! How they will trace the stars in the heavens, and the marks of God's fingers on the rocks and sands! How they will separate into their parts water and air, plants and animals! ...
— Hold Up Your Heads, Girls! • Annie H. Ryder
... frescoes commemorating the feat), there was set up a fine bronze statue (by Richard Kissling of Zurich) of Tell and his son. In 1899 a theatre was opened close to the town for the sole purpose of performing Schiller's play of Wilhelm Tell. The same year a new carriage-road was opened from Altdorf through the Schachen valley and over the Klausen Pass (6404 ft.) to the village of Linththal (30 m.) and so to Glarus. One and a half mile from ...
— Project Gutenberg Encyclopedia
... appreciative of the genius of Moliere, more justly discerning in his analysis of the spirit of Rousseau,[59] and more free of the puritanical clatter against Voltaire than any of his fellow-critics. With German literature his familiarity was bounded on the one hand by Schiller's "Robbers," on the other by the first part of "Faust," the entire gap between these being filled by the popular versions of Kotzebue's plays and Mme. de Stael's book on Germany. Yet he dared to write a character of the German people ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... Jungfrau, and something else more than Faustus, which made me write Manfred;" and of one of his critics he says to Murray, "It had a better origin than he can devise or divine, for the soul of him." In any case most methods of reading between its lines would, if similarly applied, convict Sophocles, Schiller, and Shelley of incest, Shakespeare of murder, Milton of blasphemy, Scott of forgery, Marlowe and Goethe of compacts with the devil. Byron was no dramatist, but he had wit enough to vary at least the circumstances of his projected personality. The memories of both Fausts—the Elizabethan ...
— Byron • John Nichol
... of Germany and Italy were already singing the new era to their offspring; Goeethe the sceptic poet, Schiller the republican poet, Klopstock the sacred poet, intoxicated with their strophes the universities and theatres; each shock of the events of Paris had its contre coup and sonorous echo, multiplied by these writers on the borders of the Rhine. Poetry is the ...
— History of the Girondists, Volume I - Personal Memoirs of the Patriots of the French Revolution • Alphonse de Lamartine
... whom he is popular, both for his poetry and his love of freedom, crowded about him with affectionate zeal; and they gave him, what he did not dislike, a good dinner. Like many of the great men in Germany, Schiller, Wieland, and others, he did not scruple to become editor of a magazine; and his name alone gave it a recommendation of the greatest value, and such as made it a grace to ...
— Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850. • Various
... Coleridge's translation of "The Piccolimini," the first part of Schiller's "Wallenstein," in 1800—Coleridge supplying a prose paraphrase (for Lamb knew no German) for the purpose. The original is Thekla's song in Act ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... years these friends had mingled the destinies bright with such glorious promise. Together they read the great works that appeared above the horizon of literature and science since the Peace—the poems of Schiller, Goethe, and Byron, the prose writings of Scott, Jean-Paul, Berzelius, Davy, Cuvier, Lamartine, and many more. They warmed themselves beside these great hearthfires; they tried their powers in abortive creations, in work laid aside and ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... the necessary aims of life impose on us. Little wonder, then, that Plato recognized in the contrast between the representative and the useful arts an analogy between play and earnest,10 and that since the time of Schiller so much use has been made of the analogy ...
— Project Gutenberg Encyclopedia
... should they, take among them men and women endowed only with practical, everyday talents, able to be honest and make shoes and sew garments; to strike with a sledge and a blacksmith's arm; to be adepts, maybe, in all the cares for the outward wants of the body, but who had never read Goethe or Schiller, and, possibly, neither Shakespeare, Scott nor Robert Burns; and might not care to read or study Latin, French, German or philosophy! It was ...
— Brook Farm • John Thomas Codman
... to him made her own image the more bright from the darkness that surrounded it. For was it not with the daughter of his foe that the lover of Verona fell in love at first sight? And is not that a common type of us all—as if Passion delighted in contradictions? As the Diver, in Schiller's exquisite ballad, fastened upon the rock of coral in the midst of the gloomy sea, so we cling the more gratefully to whatever of fair thought and gentle shelter smiles out to us in the ...
— Night and Morning, Volume 5 • Edward Bulwer Lytton
... of modern languages, here found an outlet for all his mental energy. He soon became the acknowledged leader of the school in matters dramatic, and unconsciously prepared himself for his future career. Like Schiller, he wrote a tragedy, and called it ...
— Essays on Russian Novelists • William Lyon Phelps
... 1886, p. 255), Bayer adapted this part of his catalogue from the observations of the Dutch navigator Petrus Theodori (or Pieter Dirchsz Keyser), who died in 1596 off Java. The Coelum stellatum Christianum of Julius Schiller (1627) is noteworthy for the attempt made to replace the names connoting mythological and pagan ideas by the names of apostles, saints, popes, bishops, and other dignitaries of the church, &c. Aries became St Peter; Taurus, St Andrew; Andromeda, the Holy Sepulchre; Lyra, ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... As Schiller puts it, the Greeks looked on Nature with their minds more than with their hearts, nor ever clung to her with outspoken admiration and affection. And Humboldt, asserting (as I would do) that the portrayal of nature, for her own sake ...
— The Legacy of Greece • Various
... pleasure at all if it were not for the amusement she gets out of her books. Come, don't worry yourself; she loves nobody but you. You ought to be very glad that she goes into these enthusiasms for the corsairs of Byron and the heroes of Walter Scott and your own Germans, Egmont, Goethe, Werther, Schiller, ...
— Modeste Mignon • Honore de Balzac
... Delavigne and Beranger, he now devoted himself to that species of lyric and romantic poetry which at first exasperated the French critics, but, in a very short time, won for him the European appellation of "the French Schiller." His first poems, "Meditations Poetiques," which appeared in Paris in 1820, were received with ten times the bitter criticism that was poured out on Byron by the Scotch reviewers, but with a similar result; in less than two months a second edition was called for and ...
— Graham's Magazine Vol XXXIII No. 1 July 1848 • Various
... 'I supposed that was the reason she gave me such a stupid, childish, sing-song nursery rhyme to learn. I can say lots of Schiller ...
— The Two Sides of the Shield • Charlotte M. Yonge
... has not had the thought it merits. It seems trivial. It concerns some hours in the daily life of each of us; but it is not connected with any subject of human grandeur, and we are rather ashamed of it. Schiller has some wise, but hard words that relate to it. He perceives the pre-eminence of the Greeks, who could do many things. He finds that modern men are units of great nations; but not great units themselves. And there is some room ...
— Friends in Council (First Series) • Sir Arthur Helps
... defends himself against the charge of connivance at the escape of the Persian prisoners), I should have been tempted to say that they could not have been written without personal experience of political life; if the interview between Wallenstein and the Swedish ambassadors in Schiller's great trilogy did not recur to my recollection as I write. The language of the ambassadors in that interview is a perfect manual of practical diplomacy; and yet in practical diplomacy Schiller had no personal experience. There are, indeed, no limits to the creative power of genius. ...
— Pausanias, the Spartan - The Haunted and the Haunters, An Unfinished Historical Romance • Lord Lytton
... in idyllic whiteness against a clump of Irish yews across the luminous water of a lake that picks up their outline like a Renaissance picture. Statuary, classic and modern, arrests interest at every turn in the park. Among the figures and busts are those of Junipero Serra, General Grant, Goethe, Schiller, Cervantes, General ...
— Fascinating San Francisco • Fred Brandt and Andrew Y. Wood
... library." "But you could have bought it for sixpence at the railway bookstall," said J.R.G. Mr. Goschen himself, however, was a man of wide cultivation, as befitted the grandson of the intelligent German bourgeois who had been the publisher of both Schiller and Goethe. His biography of his grandfather in those happy days before the present life-and-death struggle between England and Germany has now a kind of symbolic value. It is a study by a man of German ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... remember the first cultivated grape vine which produced fruit in Hermann. It was an Isabella, planted by a Mr. FUGGER, on the corner of Main and Schiller streets, and trained over an arbor. It produced the first crop in 1845, twenty years ago, and so plentifully did it bear, that several persons were encouraged by this apparent success, to plant vines. In 1846, the first wine was made here, and agreeably surprised all who tried it, by its ...
— The Cultivation of The Native Grape, and Manufacture of American Wines • George Husmann
... in the corner of their room that my mother laid the egg from which I came. I made my first attempts to walk on their window-shades, and I tested the strength of my wings by flying from Schiller ...
— The Adventures of Maya the Bee • Waldemar Bonsels
... employed three or four times (with perfect candour and fairness) the most curious incident in "Uncle Silas." Like Mr. Arthur Pendennis, Dumas at this time wrote poetry "up to" pictures and illustrations. It is easy, but seldom lucrative work. He translated a play of Schiller's into French verse, chiefly to gain command of that vehicle, for his heart was fixed on dramatic success. Then came the visit of Kean and other English actors to Paris. He saw the true Hamlet, and, for the first ...
— Essays in Little • Andrew Lang
... aufgenommen, Glucklich ist die Form gefullt; Wird's auch schon zu Tage kommen, Dass es Fleiss und Kunst vergilt? Wenn der Guss misslang? Wenn die Form zersprang? Ach, vielleicht, indem wir hoffen, Hat uns Unheil schon getroffen." SCHILLER, "Das ...
— The Education of Catholic Girls • Janet Erskine Stuart
... provincial town the company acted Schiller's "Robbers." Fenogenov played Franz, Masha, Amalie. The tragedian shouted and quivered. Masha repeated her part like a well-learnt lesson, and the play would have gone off as they generally did had it not been for a trifling mishap. Everything ...
— The Schoolmistress and Other Stories • Anton Chekhov
... reviewed my Latin grammar, and read three chapters of Caesar's "Gallic War." In German I read, partly with my fingers and partly with Miss Sullivan's assistance, Schiller's "Lied von der Glocke" and "Taucher," Heine's "Harzreise," Freytag's "Aus dem Staat Friedrichs des Grossen," Riehl's "Fluch Der Schonheit," Lessing's "Minna von Barnhelm," and Goethe's "Aus meinem Leben." I took the greatest delight ...
— Story of My Life • Helen Keller
... be, and is willing to fit his conception to the facts, however grotesque the latter may appear, rather than to blot out the facts to suit his conception. But, as was long ago said by our collaborator, Mr. Canning Schiller, in words more effective than any I can write, if any conception should be blotted out by serious lovers of Nature, it surely ought to be classic academic Sunday-school conception. If anything is unlikely in a world like this, it is that the next adjacent thing to the mere surface-show ...
— Memories and Studies • William James
... person may be plunged and replunged like Schiller's diver into seas of the unknown. But, unlike the doomed hero, he returns triumphant, grasping the priceless truth that his mind is not crippled, not limited to the infirmity of his senses. The world of the eye and the ear becomes to him a subject of fateful interest. He seizes ...
— The World I Live In • Helen Keller
... across the Main and looked down at the swift stream on its way from the distant Thuringian Forest to join the Rhine, I thought of the time when Schiller stood there in the days of his early struggles, an exile from his native land, and, looking over the bridge, said in the loneliness of his heart, "That water flows not ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... is the best collected edition of the important works of Schiller which is accessible to readers in the English language. Detached poems or dramas have been translated at various times since the first publication of the original works; and in several instances these versions have been incorporated into this collection. Schiller was not less efficiently ...
— The Works of Frederich Schiller in English • Frederich Schiller
... child was born in poverty, and in a humble home; the same who, in after-years, became rich, became the noble woman-hearted poet, a blessing to the world—the glorious, the sublime, the immortal bard, John Christoper Frederick Schiller! ...
— Fairy Tales of Hans Christian Andersen • Hans Christian Andersen
... Goethe, and has embellished one of its squares with a fine monument to his memory. It has also a fine monument to Schiller and ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner
... into her, who only wanted the amusement of the passage up and down the creek. I never saw a more horrid and ferocious expression than this man had. It immediately struck me I had somewhere seen his likeness: it will be found in Retzch's outlines to Schiller's ballad of Fridolin, where two men are pushing Robert into the burning iron furnace. It is the man who has his arm on Robert's breast. Physiognomy here spoke the truth; this chief had been a notorious murderer, and was an arrant coward to boot. At the point ...
— The Voyage of the Beagle • Charles Darwin
... may be dominated, and is, by sex emotions of a certain class; but not less dominated have been the most cultured, powerful, and highly differentiated male intelligences that the race has produced. A Mill, a Shelley, a Goethe, a Schiller, a Pericles, have not been more noted for vast intellectual powers, than for the depth and intensity of their sexual emotions. And, if possible, with the human female, the relation between intensity of sexual emotion and high intellectual gifts ...
— Woman and Labour • Olive Schreiner
... self-consciousness in any artistic work, had a peculiar fascination. We find it in the mysticism of Plato and in the rationalism of Aristotle. We find it later in the Italian Renaissance agitating the minds of such men as Leonardo da Vinci. Schiller tried to adjust the balance between form and feeling, and Goethe to estimate the position of self-consciousness in art. Wordsworth's definition of poetry as 'emotion remembered in tranquillity' may ...
— Miscellanies • Oscar Wilde
... Dickens because he threw all his study windows wide open and the shades up. It may fade the carpet, but it will pour sunshine into the hearts of a million readers. If Thomas Carlyle chose to call around an ink-spattered table Goethe, and Schiller, and Jean Paul Frederick Richter, and dissect the shams of the world with a plain goose-quill, so be it. The horns of an ox's head are not more certainly a part of the ox than Thomas Carlyle's study and all its appointments are ...
— Around The Tea-Table • T. De Witt Talmage
... and the staircase whereon he was first crowned Doge and subsequently decapitated. This was the thing that most struck my imagination in Venice—more than the Rialto, which I visited for the sake of Shylock: and more, too, than Schiller's 'Armenian,' a novel which took a great hold of me when a boy. It is also called the 'Ghost Seer,' and I never walked down St. Mark's by moonlight without thinking of it. And 'at nine o'clock he died.' But I hate ...
— My Recollections of Lord Byron • Teresa Guiccioli
... story cannot fail to remind those who are conversant with Herodotus or Schiller of the legend of King Polycrates, which dates back five or six centuries before the present era. Polycrates, the king of Samos, was one of the most fortunate of men, and everything he took in hand was fabled to prosper. ...
— Hebraic Literature; Translations from the Talmud, Midrashim and - Kabbala • Various
... revolution. In verse there were the examples of Andre Chenier and Lamartine; in prose the work of Rousseau and Diderot, of Bernardin de Saint-Pierre and Chateaubriand; in war and politics the tremendous tradition of Napoleon. Goethe and Schiller had recreated romance and established the foundations of a new palace of art; their theory and practice had been popularised in the novels of Walter Scott; and in the life and work of Byron the race had such an example of revolt, such an incitement ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... Elective Affinities, Women, Faust, Portrayal of Child-Life, Schiller, Relations to ...
— A Romantic Young Lady • Robert Grant
... are corrupters," thought Count Abel Larinski. "If Samuel Brohl never had read The Merchant of Venice, or Egmont, a tragedy in five acts, or Schiller's ballads, he would have been resigned to his new position; he would have seen its good sides, and would have eaten and drunk his shame in peace, without experiencing any uncomfortable sensations; but he had read ...
— Samuel Brohl & Company • Victor Cherbuliez
... each of which corresponds to only one single emotional impulse. That is a discovery which of course was not made for the first time by psychoanalysis. Minor, for instance, writes in his book on Schiller: "Only in conjunction with Carlos does Posa represent Schiller's whole nature, the wild passion of the one is the expression of the sensual side, the noble exaltation of the other the stoical side of his nature.... Schiller has not drawn this figure from external nature; it has ...
— Sleep Walking and Moon Walking - A Medico-Literary Study • Isidor Isaak Sadger
... or sensed these distinctions, he elects to consort with Burns, Keats, Shelley, Southey, Homer, Dante, Virgil, Hawthorne, Scott, Maupassant, Goethe, Schiller, and George Eliot. In such society he never has occasion to explain or apologize for his companions. He reads their books in the open and gains a feeling of elation and exaltation. When he would see life in the large, he sits before the picture of Jean Valjean. When he ...
— The Vitalized School • Francis B. Pearson |
