"Sarah Bernhardt" Quotes from Famous Books
 ... lighted square where there was a large theater. On one of the pillars of this edifice was a brilliant, gilded poster. It represented Sarah Bernhardt in the costume of Tosca, I believe. She wore a stiff rich robe and held a palm in her hand. And I called to mind the things I had been told of this famous woman: her caprices that were immediately obeyed, her extravagances, her coffin, ...
— Romance of the Rabbit • Francis Jammes
... Sarah Bernhardt asked me to her ‘hôtel’ to hear M. Rostand read a play he had just completed for her. I accepted reluctantly, as at that moment we were busy at the theatre. I also doubted if there could be much in the new play ...
— The Ways of Men • Eliot Gregory
... chateau in Flanders and a Crimean war gun. Then Churchill and the Kaiser came into the show. They bring troops up to within 20 miles of Heath Robinson, who fires off his gun every half hour. The troops are quite happy; if anyone grumbles they are sent up to the trenches, where George Graves and Sarah Bernhardt let off crackers. The battalion snipers are put in the opposite trench and told to snipe the trench opposite them. Occasionally they hit a man, and then there is a casualty list, and some General gets sent home in disgrace. Gallipoli is another ...
— Letters from France • Isaac Alexander Mack
... any English watering-place. Every one has a different conception of Hell and few of us connect it with flames; but stage suppers are my idea of Hell and, with the exception of Irving and Coquelin, Ellen Terry and Sarah Bernhardt, I have never met the hero or heroine off the stage that was not ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... seen Ristori play for thirty nights in succession, {346} and Rachel and Sarah Bernhardt; but as regards true genius, Janauschek in her earlier days was incomparably their superior; for these all played from nerves and instinct, but Janauschek from her brain and intellect. I often wondered that she did not write ...
— Memoirs • Charles Godfrey Leland
... performance at a Chinese theater, where there is much more true pantomime than in the European, without a general notion of the subject as conveyed from time to time by an interpreter. A crucial test on this subject was made at the representation at Washington, in April, 1881, of Frou-Frou by Sarah Bernhardt and the excellent French company supporting her. Several persons of special intelligence and familiar with theatrical performances, but who did not understand spoken French, and had not heard or read the play before or even seen ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery |
